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Arman - Vicky David Gallery

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21 July 2010<br />

Direction de la communication<br />

75191 Paris cedex 04<br />

Director of communications<br />

Françoise Pams<br />

telephone<br />

00 33 1 44 78 12 87<br />

e-mail<br />

françoise.pams@centrepompidou.fr<br />

Press officer<br />

Céline Janvier<br />

telephone<br />

00 33 )1 44 78 49 87<br />

e-mail<br />

celine.janvier@centrepompidou.fr<br />

Direction des éditions<br />

press officer<br />

Evelyne Poret<br />

telephone<br />

00 33 (1 44 78 15 98<br />

e-mail<br />

evelyne.poret@centrepompidou.fr<br />

www.centrepompidou.fr<br />

<strong>Arman</strong> : « Pompei’s Syndrome », 1984<br />

© Photo : <strong>David</strong> Reynolds<br />

© Adagp, Paris 2010<br />

PRESS RELEASE<br />

ARMAN<br />

22 SEPTEMBER 2010-10 JANUARY 2011<br />

GALERIE 2, LEVEL 6<br />

The Centre Pompidou is to stage a retrospective devoted to <strong>Arman</strong>, one of the major<br />

figures of post-War art. The exhibition will bring together almost 120 works from<br />

leading museums and private collections to offer a new and distinctive take on<br />

<strong>Arman</strong>’s work, from the second half of the 1950s to the last years of the 20 th century.<br />

A founder member of the Nouveaux Réalistes, a group that championed “new perceptual<br />

approaches to the real,” <strong>Arman</strong> developed a body of work intimately related to its own<br />

age, taking as its artistic material the manufactured products of the consumer society.<br />

In a presentation both lively and educational, the exhibition will highlight the two<br />

fundamental features of <strong>Arman</strong>’s work: the gesture, inherited from the practice of<br />

the martial arts, (through an exceptional selection of filmed records of the artist’s<br />

actions), and the object as vector of new artistic forms. The presentation is organised<br />

around seven themes that reflect <strong>Arman</strong>’s major artistic problematics, testifying<br />

to the originality and the evident contemporary relevance of his work.

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