Arman - Vicky David Gallery

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24 The Day After – Horizontal catastrophe, 1984 Burnt Louis XV cast in bronze, patinated in black 98 x 138 x 65 cm Private collection The Day After – Feu Louis XV, 1985 Burnt commode cast in bronze 87.5 x 121 x 60 cm Private collection, Paris The Day After, 1986 Burnt frame of black-painted wood 75.5 x 86 cm Private collection, Paris Le Piano de Néron, 1999 Emersion, smashed piano and acrylic on panel 200 x 180 x 110 cm Collection Arman Marital Trust Courtesy Luhring Augustine Gallery, New York Vanités (Atlantis), 1991 Bronze 74 x 57 x 35 cm Collection Arman Marital Trust Inclination (Atlantis), 1991 Bronze 69 x 53.5 x 32 cm Collection Arman Marital Trust ARMAN, RENAULT: ART AND INDUSTRY Accumulation Renault n° 101 (La Victoire de Salemotrice), 1967 Parts of R4 body assembled and welded 220 x 350 x 300 cm Private collection, Bullion Accumulation Renault n° 108 (Auto-allumage), 1967 Accumulation of lamp filaments in a box and Plexiglas 160 x 121 x 20 cm Private collection, Suisse Courtesy Artcurial-Briest-Poulain-F.Tajan, Paris Accumulation Renault n° 152, 1968 Accumulation of Renault 16 bonnets, metal and paint 76 x 133 x 124 cm Nouveau Musée National de Monaco Accumulation Renault n° 150, 1968 Slice of motor under Plexiglas 65 x 40 x 35 cm Private collection, Paris Renault Wooden Pieces, 1968 Smashed wooden “Dauphine” in Plexiglas 140 x 500 x 160 cm Collection Marianne and Pierre Nahon, Galerie Beaubourg, Paris and private collection, Paris, on long term loan to Mamac, Nice Accumulation Renault n° 180 (Pipes pipées), 1972 Accumulation of exhaust manifolds on wood panel 200 x 200 x 12 cm Union Centrale des Arts décoratifs, Musée des Arts décoratifs, Paris I AM A BORN AGAIN PAINTER Grande Harpe, 1966 Inclusion, tubes and traces of paint in polyester resin 127 x 33.5 x 50 cm Fondation A.R.M.A.N., Genève La Vie dans la ville pour l’œil, 1966 Inclusion, paint tubes and paint in resin and Plexiglas 123 x 101 x 8 cm Collection Marianne and Pierre Nahon, Galerie Beaubourg, Paris Rich in Color, 1967 Inclusion, paint tubes and traces of paint in resin 45.70 x 30.5 x 5 cm Private collection, New York Encroragie, 1968 Enamel paint and paint jars half-embedded in resin 160 x 200 x 5 cm Collection Rira, Cologne Sevillanas (White Handles), 1987 Brushes and paint on canvas 127 x 213 x 20.5 cm Private collection, Paris Nuit étoilée, 1987 Acrylic paint and paint tubes crushed on canvas 80 x 100 cm Fondation A.R.M.A.N., Genève Avant la chance, 1989 Paint tubes and paints projected onto canvas 160 x 260 cm Private collection, Paris Hello Jackson, 1990 Paint tubes and acrylic paint on canvas 200 x 150 x 15 cm Private collection, Nice Desert Bike, 1991 Smashed bicycle, brushes and acrylic on panel 130 x 195 x 35 cm Collection Jean Ferrero, Nice Footing Painting, 2000 Mixed media on canvas 150 x 200 x 7 cm Collection Jean Ferrero, Nice
25 FILMS PRESENTED WITHIN THE EXHIBITION by Gilles Bion and Patrick Palaquer FROM THE INFORMAL TO THE OBJECT Traces, 1959-2010 Jacques Brissot 6’47’’, 16mm, b. & w. and col., silent Edited by Jacques Brissot for the present exhibition © Jacques Brissot Objets animés, 1959-1960 Jacques Brissot, in collaboration with Arman 4’41’’, 16mm, col., sound. Music: Studies in animated sound by Pierre Schaeffer Production: ORTF research department GRI. Distribution: Ina (RTF) In partnership with the INA POUBELLES AND LE PLEIN Sanitation, 1972 Jean-Pierre Mirouze, from an idea by Arman 13’51’’, 16mm, col., sound. Music: A Rainbow in a Curved Air by Terry Riley, Originally recorded 1969 by Sony Music Entertainment Inc. © Jean-Pierre Mirouze Art plein, 1960 Cameraman: Chardet 33’’, 16mm, b. & w., silent Actualités Gaumont, October 1960. Reference: 1960-15-7. Unique film of the exhibition “Le Plein,” opened 25 October 1960, at the Iris Clert gallery, 3 rue des Beaux-Arts, Paris © Gaumont Pathé archives Arman le sculpteur de la poubelle dans le quartier des Halles, 1961 Yvan Jouannet 4’53’’, 16mm, b. & w., sound. Extract from magazine prog. “En Français dans le texte. L’avant-garde,” broadcast 25 April 1961. Paris : RTF. Distribution: Ina (RTF) In partnership with the INA THE CRITICAL MASS OF THE OBJECT Accumulations naturelles, Nice 1960 Jean-Pierre Mirouze 4’09’’, 16mm, b. & w., silent Edited by Jean-Pierre Mirouze for the present exhibition © Jean-Pierre Mirouze Long Term Parking, 1982 Jean-Pierre Mirouze, from an idea by Arman 4’40’’, 16mm, col., sound. Work funded and constructed by Jean Hamon Music: Urban Sax © Jean-Pierre Mirouze Espoir de paix. Un monument d’Arman, Beyrouth, Liban, 1995 Alain Bizos 13’35’’, Betacam SP video, col., sound. Editing: Alex Rodriguez © Alain Bizos COLÈRES AND COUPES Die Wise Orchid, 1963 Charles Wilp 17’07’’, 16mm, b. & w., silent © Art and Space – Ingrid Schmidt-Winkeler Conscious Vandalism, 1975 Andy Mann 30’20’’, 16mm, digital beta tape from VHS, col., sound. Courtesy Musée d’art moderne de la Ville de Paris Action by Arman recorded at the John Gibson Gallery, New York, 5 April 1975 [NBC Rage] Arman Creates 3-D Work With Bass Fiddle, 1961 3’26’’, 16mm, col., sound., OST, French subtitles Extract from “David Brinkley’s Journal: Avant-garde and Children’s Art,” broadcast 13 December 1961 on NBC © NBC News Archives © Adagp 2010 Colères, 1976-2010 Jacques Brissot 4’29, 16mm, col., sound. Edited for the present exhibition Music: J. S. Bach, Chaconne from Partita No. 2 in D minor © Jacques Brissot ARCHAEOLOGY OF THE FUTURE École de Nice, 1966 Gérard Patris (director and producer) 31’30’’, 16mm, b. & w., sound. Extract: 7’29’’. Distribution: Ina (ORTF). First broadcast on the programme “Pour le plaisir” 1re chaîne, 3 January 1966 © Adagp 2010 In partnership with the INA Archéologie du futur, 1976-2010 Jacques Brissot 3’10’’, 16mm, col., silent Edited for the present exhibition © Jacques Brissot L’Aigle à deux têtes, 1974 Jean Ferrero 30’, Super 8, col., silent 1’55’’ extract from the film archive of Jean Ferrero © Jean Ferrero © Adagp 2010
Page 1 and 2: COMMUNICATIONS DEPARTMENT PRESS PAC
Page 3 and 4: 21 July 2010 Direction de la commun
Page 5 and 6: � 5 2. PLAN & INTRODUCTION TO THE
Page 7 and 8: 7 3. BIOGRAPHICAL HIGHLIGHTS Armand
Page 9 and 10: 9 1971-1978 On 25 January 1971 Arma
Page 11 and 12: 11 4. PUBLICATIONS EXHIBITION CATAL
Page 13 and 14: 13 cocktail of materials and kitsch
Page 15 and 16: 15 Allure, to go beyond the simple
Page 17 and 18: 17 NOTES 1 Arman, Mémoires accumul
Page 19 and 20: 19 GALERIE 2, LEVEL 6 GUIDED TOURS
Page 21 and 22: 21 La Grande Bouffe, 1973 Accumulat
Page 23: 23 Colère de télévision, 1976 Ra
Page 27 and 28: 7. PARTNER INA PARTNERS THE «ARMAN
Page 29 and 30: 29 Chopin’s Waterloo, 1962 © ADA
Page 31: 31 PRACTICALITIES AT THE SAME TIME

Arman - Vicky David Gallery

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