Arman - Vicky David Gallery
Arman - Vicky David Gallery
Arman - Vicky David Gallery
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24<br />
The Day After – Horizontal catastrophe, 1984<br />
Burnt Louis XV cast in bronze, patinated in black<br />
98 x 138 x 65 cm<br />
Private collection<br />
The Day After – Feu Louis XV, 1985<br />
Burnt commode cast in bronze<br />
87.5 x 121 x 60 cm<br />
Private collection, Paris<br />
The Day After, 1986<br />
Burnt frame of black-painted wood<br />
75.5 x 86 cm<br />
Private collection, Paris<br />
Le Piano de Néron, 1999<br />
Emersion, smashed piano and acrylic on panel<br />
200 x 180 x 110 cm<br />
Collection <strong>Arman</strong> Marital Trust<br />
Courtesy Luhring Augustine <strong>Gallery</strong>, New York<br />
Vanités (Atlantis), 1991<br />
Bronze<br />
74 x 57 x 35 cm<br />
Collection <strong>Arman</strong> Marital Trust<br />
Inclination (Atlantis), 1991<br />
Bronze<br />
69 x 53.5 x 32 cm<br />
Collection <strong>Arman</strong> Marital Trust<br />
ARMAN, RENAULT: ART AND INDUSTRY<br />
Accumulation Renault n° 101 (La Victoire de Salemotrice),<br />
1967<br />
Parts of R4 body assembled and welded<br />
220 x 350 x 300 cm<br />
Private collection, Bullion<br />
Accumulation Renault n° 108 (Auto-allumage), 1967<br />
Accumulation of lamp filaments in a box and Plexiglas<br />
160 x 121 x 20 cm<br />
Private collection, Suisse<br />
Courtesy Artcurial-Briest-Poulain-F.Tajan, Paris<br />
Accumulation Renault n° 152, 1968<br />
Accumulation of Renault 16 bonnets, metal and paint<br />
76 x 133 x 124 cm<br />
Nouveau Musée National de Monaco<br />
Accumulation Renault n° 150, 1968<br />
Slice of motor under Plexiglas<br />
65 x 40 x 35 cm<br />
Private collection, Paris<br />
Renault Wooden Pieces, 1968<br />
Smashed wooden “Dauphine” in Plexiglas<br />
140 x 500 x 160 cm<br />
Collection Marianne and Pierre Nahon,<br />
Galerie Beaubourg,<br />
Paris and private collection, Paris,<br />
on long term loan to Mamac, Nice<br />
Accumulation Renault n° 180 (Pipes pipées), 1972<br />
Accumulation of exhaust manifolds<br />
on wood panel<br />
200 x 200 x 12 cm<br />
Union Centrale des Arts décoratifs,<br />
Musée des Arts décoratifs, Paris<br />
I AM A BORN AGAIN PAINTER<br />
Grande Harpe, 1966<br />
Inclusion, tubes and traces of paint in polyester resin<br />
127 x 33.5 x 50 cm<br />
Fondation A.R.M.A.N., Genève<br />
La Vie dans la ville pour l’œil, 1966<br />
Inclusion, paint tubes and paint in resin<br />
and Plexiglas<br />
123 x 101 x 8 cm<br />
Collection Marianne and Pierre Nahon,<br />
Galerie Beaubourg, Paris<br />
Rich in Color, 1967<br />
Inclusion, paint tubes and traces of paint in resin<br />
45.70 x 30.5 x 5 cm<br />
Private collection, New York<br />
Encroragie, 1968<br />
Enamel paint and paint jars half-embedded in resin<br />
160 x 200 x 5 cm<br />
Collection Rira, Cologne<br />
Sevillanas (White Handles), 1987<br />
Brushes and paint on canvas<br />
127 x 213 x 20.5 cm<br />
Private collection, Paris<br />
Nuit étoilée, 1987<br />
Acrylic paint and paint tubes crushed on canvas<br />
80 x 100 cm<br />
Fondation A.R.M.A.N., Genève<br />
Avant la chance, 1989<br />
Paint tubes and paints projected onto canvas<br />
160 x 260 cm<br />
Private collection, Paris<br />
Hello Jackson, 1990<br />
Paint tubes and acrylic paint on canvas<br />
200 x 150 x 15 cm<br />
Private collection, Nice<br />
Desert Bike, 1991<br />
Smashed bicycle, brushes and acrylic on panel<br />
130 x 195 x 35 cm<br />
Collection Jean Ferrero, Nice<br />
Footing Painting, 2000<br />
Mixed media on canvas<br />
150 x 200 x 7 cm<br />
Collection Jean Ferrero, Nice