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Arman - Vicky David Gallery

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24<br />

The Day After – Horizontal catastrophe, 1984<br />

Burnt Louis XV cast in bronze, patinated in black<br />

98 x 138 x 65 cm<br />

Private collection<br />

The Day After – Feu Louis XV, 1985<br />

Burnt commode cast in bronze<br />

87.5 x 121 x 60 cm<br />

Private collection, Paris<br />

The Day After, 1986<br />

Burnt frame of black-painted wood<br />

75.5 x 86 cm<br />

Private collection, Paris<br />

Le Piano de Néron, 1999<br />

Emersion, smashed piano and acrylic on panel<br />

200 x 180 x 110 cm<br />

Collection <strong>Arman</strong> Marital Trust<br />

Courtesy Luhring Augustine <strong>Gallery</strong>, New York<br />

Vanités (Atlantis), 1991<br />

Bronze<br />

74 x 57 x 35 cm<br />

Collection <strong>Arman</strong> Marital Trust<br />

Inclination (Atlantis), 1991<br />

Bronze<br />

69 x 53.5 x 32 cm<br />

Collection <strong>Arman</strong> Marital Trust<br />

ARMAN, RENAULT: ART AND INDUSTRY<br />

Accumulation Renault n° 101 (La Victoire de Salemotrice),<br />

1967<br />

Parts of R4 body assembled and welded<br />

220 x 350 x 300 cm<br />

Private collection, Bullion<br />

Accumulation Renault n° 108 (Auto-allumage), 1967<br />

Accumulation of lamp filaments in a box and Plexiglas<br />

160 x 121 x 20 cm<br />

Private collection, Suisse<br />

Courtesy Artcurial-Briest-Poulain-F.Tajan, Paris<br />

Accumulation Renault n° 152, 1968<br />

Accumulation of Renault 16 bonnets, metal and paint<br />

76 x 133 x 124 cm<br />

Nouveau Musée National de Monaco<br />

Accumulation Renault n° 150, 1968<br />

Slice of motor under Plexiglas<br />

65 x 40 x 35 cm<br />

Private collection, Paris<br />

Renault Wooden Pieces, 1968<br />

Smashed wooden “Dauphine” in Plexiglas<br />

140 x 500 x 160 cm<br />

Collection Marianne and Pierre Nahon,<br />

Galerie Beaubourg,<br />

Paris and private collection, Paris,<br />

on long term loan to Mamac, Nice<br />

Accumulation Renault n° 180 (Pipes pipées), 1972<br />

Accumulation of exhaust manifolds<br />

on wood panel<br />

200 x 200 x 12 cm<br />

Union Centrale des Arts décoratifs,<br />

Musée des Arts décoratifs, Paris<br />

I AM A BORN AGAIN PAINTER<br />

Grande Harpe, 1966<br />

Inclusion, tubes and traces of paint in polyester resin<br />

127 x 33.5 x 50 cm<br />

Fondation A.R.M.A.N., Genève<br />

La Vie dans la ville pour l’œil, 1966<br />

Inclusion, paint tubes and paint in resin<br />

and Plexiglas<br />

123 x 101 x 8 cm<br />

Collection Marianne and Pierre Nahon,<br />

Galerie Beaubourg, Paris<br />

Rich in Color, 1967<br />

Inclusion, paint tubes and traces of paint in resin<br />

45.70 x 30.5 x 5 cm<br />

Private collection, New York<br />

Encroragie, 1968<br />

Enamel paint and paint jars half-embedded in resin<br />

160 x 200 x 5 cm<br />

Collection Rira, Cologne<br />

Sevillanas (White Handles), 1987<br />

Brushes and paint on canvas<br />

127 x 213 x 20.5 cm<br />

Private collection, Paris<br />

Nuit étoilée, 1987<br />

Acrylic paint and paint tubes crushed on canvas<br />

80 x 100 cm<br />

Fondation A.R.M.A.N., Genève<br />

Avant la chance, 1989<br />

Paint tubes and paints projected onto canvas<br />

160 x 260 cm<br />

Private collection, Paris<br />

Hello Jackson, 1990<br />

Paint tubes and acrylic paint on canvas<br />

200 x 150 x 15 cm<br />

Private collection, Nice<br />

Desert Bike, 1991<br />

Smashed bicycle, brushes and acrylic on panel<br />

130 x 195 x 35 cm<br />

Collection Jean Ferrero, Nice<br />

Footing Painting, 2000<br />

Mixed media on canvas<br />

150 x 200 x 7 cm<br />

Collection Jean Ferrero, Nice

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