Arman - Vicky David Gallery
Arman - Vicky David Gallery
Arman - Vicky David Gallery
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23<br />
Colère de télévision, 1976<br />
Rage, smashed television in Plexiglas box<br />
62.5 x 80 x 50 cm<br />
Courtesy Galerie Georges-Philippe and Nathalie Vallois,<br />
Paris<br />
Solex, ici et là, 1989<br />
Sculpture, 5 Solex motor-assisted bicycles,<br />
painted metal base<br />
127 x 214 x 77 cm<br />
Collection Fondation Cartier pour l’art contemporain,<br />
Paris<br />
Du producteur au consommateur, 1997<br />
Sandwich Combo, sliced refrigerator and caddies<br />
assembled<br />
223.5 x 132 x 104 cm<br />
Collection <strong>Arman</strong> Marital Trust<br />
ARCHAEOLOGY OF THE FUTURE<br />
Violon brûlé, 1964<br />
Combustion of violin on panel and polyester resin<br />
76.5 x 54 x 5.5 cm<br />
Fondation A.R.M.A.N., Genève<br />
Black is Black, 1964<br />
Combustion, burnt prie-Dieu and resin<br />
104 x 63 x 63 cm<br />
Private collection, Paris<br />
Untitled, 1964<br />
Combustion of smashed cello on panel and resin<br />
polyester<br />
136 x 97 x 34 cm<br />
Private collection, Monaco<br />
Le Fauteuil d’Ulysse, 1965<br />
Combustion of burnt armchair and resin<br />
80 x 80 x 120 cm<br />
Private collection, Paris<br />
Collection, 1964<br />
Toy cars and boxes in resin<br />
35.5 x 63.5 x 7.3 cm<br />
Private collection, Paris<br />
Colère de double bass, 1966<br />
Combustion of double bass in polyester resin<br />
and Plexiglas<br />
200 x 158 x 20 cm<br />
Collection Jean Ferrero, Nice<br />
Bibliothèque d’Alexandrie, 1968<br />
Combustion, burnt violins in Plexiglas box<br />
200 x 160 x 18 cm<br />
Private collection<br />
Courtesy Alain Bizos, Paris<br />
Untitled, 1971<br />
Inclusion, violin in resin<br />
25 x 25 x 25 cm<br />
Private collection<br />
Constellation, 1970<br />
Inclusion of steel balls in resin and Plexiglas<br />
200 x 150 x 9 cm<br />
Private collection, Paris<br />
Téléphone coupé, 1969<br />
Sliced bakelite telephone in concrete<br />
50 x 25 x 10 cm<br />
Private collection, New York<br />
L’Aigle à deux têtes, 1974<br />
Sliced cello and bow in concrete<br />
140 x 100 x 11.5 cm<br />
Collection Mathieu, courtesy Galerie Georges-Philippe<br />
et Nathalie Vallois, Paris<br />
The Day After – Fried chicken, 1984<br />
Burnt lamp cast in bronze<br />
65 x 95 x 60 cm<br />
Collection Marianne and Pierre Nahon, Galerie<br />
Beaubourg,<br />
Paris<br />
The Day After – Nero’s banquet, 1984<br />
Burnt side table cast in bronze<br />
45 x 120 x 60 cm<br />
Collection Marianne and Pierre Nahon, Galerie<br />
Beaubourg,<br />
Paris<br />
The Day After – One Day in Amsterdam, 1984<br />
Burnt chair cast in bronze<br />
82 x 56 x 60 cm<br />
Collection Marianne and Pierre Nahon, Galerie<br />
Beaubourg,<br />
Paris<br />
The Day After – S.F. chair, 1984<br />
Burnt chair cast in bronze<br />
88 x 54 x 43 cm<br />
Collection Marianne and Pierre Nahon, Galerie<br />
Beaubourg,<br />
Paris<br />
The Day After – Open space, 1983-1984<br />
Burnt cupboard in bronze<br />
182 x 90 x 46 cm<br />
Collection Marianne and Pierre Nahon, Galerie<br />
Beaubourg,<br />
Paris<br />
The Day After – Pompei’s Syndrome, 1984<br />
Burnt chair cast in bronze<br />
84 x 60 x 60 cm<br />
Collection Marianne and Pierre Nahon, Galerie<br />
Beaubourg,<br />
Paris<br />
The Day After – Melted, 1984<br />
Burnt tray and tea set cast in bronze<br />
12 x 56 x 41 cm<br />
Collection Marianne and Pierre Nahon, Galerie<br />
Beaubourg,<br />
Paris