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Arman - Vicky David Gallery

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21<br />

La Grande Bouffe, 1973<br />

Accumulation of household garbage in resin<br />

and Plexiglas<br />

180 x 120 x 12 cm<br />

Private collection, Paris<br />

Ordures au naturel, 1972<br />

Garbage in Le Parfait preserving jars<br />

18 x 10 cm<br />

Collection Jean Ferrero, Nice<br />

Poubelle organique, 1971<br />

Garbage in Plexiglas box<br />

120 x 90 x 12 cm<br />

Marianne and Pierre Nahon, Galerie Beaubourg, Paris<br />

THE CRITICAL MASS OF THE OBJECT<br />

Untitled (Le Lustre), 1959<br />

Accumulation of electric bulbs<br />

50 cm in diameter<br />

Fondation A.R.M.A.N., Genève<br />

Edison Memorial, 1960<br />

Electric bulbs in a box<br />

35 x 35 x 13 cm<br />

Private collection, Turin<br />

Fiat pas lux II, 1960<br />

Accumulation of used radio valves<br />

in wooden box<br />

40.30 x 63.20 x 8 cm<br />

Collection Gian Enzo Sperone, New York<br />

Untitled, 1959-1960<br />

Print on silver-salt paper of an Accumulation<br />

of cut-up clock faces in paper<br />

16.20 x 23.1 0 cm<br />

Courtesy Galerie Françoise Paviot, Paris<br />

Jéricho, 1960<br />

Accumulation of car horns in wooden box<br />

and Plexiglas<br />

50 x 60 x 20 cm<br />

Galerie Thomas, Munich<br />

Home, Sweet Home, 1960<br />

Accumulation of gas masks in wooden box<br />

and Plexiglas<br />

160 x 140.5 x 20.3 cm<br />

Centre Pompidou, Musée national d’art moderne, Paris<br />

Une saison en enfer, 1961<br />

Gas burners in wooden box and Plexiglas<br />

100 x 45 cm<br />

Galerie Reckermann, Cologne<br />

Tuez-les tous, Dieu reconnaîtra les siens, 1961<br />

Accumulation of insecticide sprayers (Fly Tox)<br />

in wooden box and Plexiglas<br />

80 x 60 x 12 cm<br />

Collection Laurence Dumaine, Paris<br />

Libertés essentielles, 1961<br />

Accumulation of locks under glass dome<br />

24 x 8 x 5 cm<br />

Collection Jacques and Madeleine Matarasso, Nice<br />

Le Massacre des innocents II, 1961<br />

Accumulation of dolls in wooden box and Plexiglas<br />

139 x 28 x 10 cm<br />

Collection Marianne and Pierre Nahon,<br />

Galerie Beaubourg, Paris<br />

Orbes et désorbes, 1961<br />

Accumulation of springs in wooden box and Plexiglas<br />

144.5 x 66.5 x 11.5 cm<br />

Musée d’art moderne de la Ville de Paris<br />

La Colère monte, 1961<br />

Accumulation of manometers in wooden box<br />

and Plexiglas<br />

100 x 81 x 13 cm<br />

Collection Sylvio Perlstein, Anvers<br />

Madison Avenue, 1962<br />

Accumulation of ladies’ pumps in wooden box<br />

and Plexiglas<br />

60.5 x 100 x 15 cm<br />

Private collection, New York<br />

Infinity of typewriters and infinity of monkeys,<br />

and infinity of time = Hamlet, 1962<br />

Accumulation of typewriters in wooden box<br />

183 x 175 x 30 cm<br />

Rovereto, MART, Museo d’Arte Moderna<br />

e Contemporeana di Trento e Rovereto<br />

Courtesy of Ileana Sonnabend<br />

Sonny Liston, 1963<br />

Accumulation of irons, welded<br />

84 x 40 x 30 cm<br />

Collection Stephen S. Alpert, Boston<br />

Birth Control, 1963<br />

Accumulation of dolls in valise on wood panel<br />

156 x 121 cm<br />

Collection Julien and Benjamin Seroussi, Paris<br />

La Vénus aux blaireaux, 1969<br />

Shaving brushes embedded in a torso of polyester<br />

84 x 29 x 34 cm<br />

Tate, purchase, 1982, London<br />

Homage to Cubism, 1974<br />

Accumulation of cut-up guitars in wooden box<br />

and Plexiglas<br />

182 x 121 x 31 cm<br />

Collection Musée d’art moderne et contemporain<br />

de Strasbourg<br />

Janus, 1981<br />

Accumulation of handsaws, welded<br />

180 x 253 cm<br />

Private collection, Paris

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