Arman - Vicky David Gallery
Arman - Vicky David Gallery
Arman - Vicky David Gallery
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20<br />
6. WORKS EXHIBITED, BY SECTION<br />
FROM THE INFORMAL TO THE OBJECT<br />
Untitled, 1952-1953<br />
Oil on canvas<br />
80 x 160 cm<br />
Collection Jacques and Madeleine Matarasso, Nice<br />
Rubber stamp, 1956<br />
Rubber-stamp impressions on wood panel<br />
20.5 x 2.5 cm<br />
Collection Jacques and Madeleine Matarasso, Nice<br />
Minuscules, 1957<br />
Rubber stamp, rubber-stamp impressions<br />
17 x 22 cm<br />
Collection Jacques and Madeleine Matarasso, Nice<br />
Allure d’objets, 1958<br />
Traces of objects on paper mounted on canvas<br />
150 x 294 cm<br />
Marianne and Pierre Nahon, Galerie Beaubourg, Paris<br />
Cachet, Œil de tigre, 1959<br />
Rubber-stamp impressions and paint on paper mounted<br />
on canvas<br />
160 x 255 cm<br />
Collection Stéphanie and Olivier Dacourt, Paris<br />
Courtesy Cudemo, Monaco,<br />
on permanent loan to Mamac, Nice<br />
Rectangle noir, 1958<br />
Rage, impressions of broken glass and ink on paper<br />
134 x 102 cm<br />
Collection Gerbalena, Nice<br />
Allure d’objets II, 1959<br />
Rage, broken glass and paint on paper<br />
mounted on canvas<br />
130 x 100 cm<br />
Private collection, Genève<br />
Allure d’objet, 1960<br />
Oil on paper mounted on canvas<br />
65 x 50 cm<br />
Private collection,<br />
courtesy Galerie Georges-Philippe et Nathalie Vallois,<br />
Paris<br />
Store poème, 1962<br />
Rubber stamps, traces of objects and writing on fabric<br />
1050 x 76 cm<br />
Private collection, Paris<br />
Investissement émotif, 1963<br />
Slices and impressions of tin statuettes<br />
on wood panel<br />
82.5 x 153 cm<br />
Galerie Reckermann, Cologne<br />
Contre les basses (Black Strings), 1976<br />
Impressions of broken double bass and oil on canvas<br />
236 x 175 cm<br />
Private collection, Paris<br />
POUBELLES AND LE PLEIN<br />
Déchets bourgeois (S’il n’en reste qu’un je serais celui-là),<br />
1959<br />
Household garbage in glass jar<br />
58 x 40 x 8 cm<br />
Courtesy Galerie Georges-Philippe et Nathalie Vallois,<br />
Paris<br />
La Vie à pleines dents, 1960<br />
Accumulation of false teeth in wooden box<br />
18 x 35 x 6 cm<br />
Centre Pompidou, Musée national d’art moderne, Paris<br />
Malheur aux barbus, 1960<br />
Accumulation of electric razors in wooden box<br />
and Plexiglas<br />
101 x 60.5 cm<br />
Private collection, Paris<br />
Hygiène de la vision, 1960<br />
in collaboration with Martial Raysse<br />
Binocular kaleidoscope with 28 painted glass<br />
plates with collaged objects<br />
48 x 26 x 28 cm<br />
Centre Pompidou, Musée national d’art moderne, Paris<br />
Poubelle de cendrier de Jacques Matarasso, 1965<br />
Pieces of ashtray and household garbage in plastic box<br />
14 x 10 x 4 cm<br />
Collection Jacques et Madeleine Matarasso, Nice<br />
Portrait-robot d’Iris, 1960<br />
Personal effects in Plexiglas box<br />
47 x 48 x 11 cm<br />
Musée d’art moderne de la Ville de Paris<br />
Premier portrait-robot d’Yves Klein, 1960<br />
Personal effects in Plexiglas box<br />
76 x 50 x 12 cm<br />
Private collection, Paris<br />
Portrait-robot d’Éliane, 1962<br />
Personal effects in Plexiglas box<br />
44 x 44.5 x 11.5 cm<br />
Fondation A.R.M.A.N., Genève<br />
Poubelle des Halles, 1961<br />
Garbage in glass jar<br />
63.5 x 43 x 12.5 cm<br />
Centre Pompidou, Musée national d’art moderne, Paris<br />
Poubelle de Jim Dine, 1961<br />
Garbage in Plexiglas box<br />
51 x 30 x 20 cm<br />
Rovereto, MART, Museo d’Arte Moderna e<br />
Contemporeana di Trento e Rovereto<br />
Courtesy of Ileana Sonnabend