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Arman - Vicky David Gallery

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20<br />

6. WORKS EXHIBITED, BY SECTION<br />

FROM THE INFORMAL TO THE OBJECT<br />

Untitled, 1952-1953<br />

Oil on canvas<br />

80 x 160 cm<br />

Collection Jacques and Madeleine Matarasso, Nice<br />

Rubber stamp, 1956<br />

Rubber-stamp impressions on wood panel<br />

20.5 x 2.5 cm<br />

Collection Jacques and Madeleine Matarasso, Nice<br />

Minuscules, 1957<br />

Rubber stamp, rubber-stamp impressions<br />

17 x 22 cm<br />

Collection Jacques and Madeleine Matarasso, Nice<br />

Allure d’objets, 1958<br />

Traces of objects on paper mounted on canvas<br />

150 x 294 cm<br />

Marianne and Pierre Nahon, Galerie Beaubourg, Paris<br />

Cachet, Œil de tigre, 1959<br />

Rubber-stamp impressions and paint on paper mounted<br />

on canvas<br />

160 x 255 cm<br />

Collection Stéphanie and Olivier Dacourt, Paris<br />

Courtesy Cudemo, Monaco,<br />

on permanent loan to Mamac, Nice<br />

Rectangle noir, 1958<br />

Rage, impressions of broken glass and ink on paper<br />

134 x 102 cm<br />

Collection Gerbalena, Nice<br />

Allure d’objets II, 1959<br />

Rage, broken glass and paint on paper<br />

mounted on canvas<br />

130 x 100 cm<br />

Private collection, Genève<br />

Allure d’objet, 1960<br />

Oil on paper mounted on canvas<br />

65 x 50 cm<br />

Private collection,<br />

courtesy Galerie Georges-Philippe et Nathalie Vallois,<br />

Paris<br />

Store poème, 1962<br />

Rubber stamps, traces of objects and writing on fabric<br />

1050 x 76 cm<br />

Private collection, Paris<br />

Investissement émotif, 1963<br />

Slices and impressions of tin statuettes<br />

on wood panel<br />

82.5 x 153 cm<br />

Galerie Reckermann, Cologne<br />

Contre les basses (Black Strings), 1976<br />

Impressions of broken double bass and oil on canvas<br />

236 x 175 cm<br />

Private collection, Paris<br />

POUBELLES AND LE PLEIN<br />

Déchets bourgeois (S’il n’en reste qu’un je serais celui-là),<br />

1959<br />

Household garbage in glass jar<br />

58 x 40 x 8 cm<br />

Courtesy Galerie Georges-Philippe et Nathalie Vallois,<br />

Paris<br />

La Vie à pleines dents, 1960<br />

Accumulation of false teeth in wooden box<br />

18 x 35 x 6 cm<br />

Centre Pompidou, Musée national d’art moderne, Paris<br />

Malheur aux barbus, 1960<br />

Accumulation of electric razors in wooden box<br />

and Plexiglas<br />

101 x 60.5 cm<br />

Private collection, Paris<br />

Hygiène de la vision, 1960<br />

in collaboration with Martial Raysse<br />

Binocular kaleidoscope with 28 painted glass<br />

plates with collaged objects<br />

48 x 26 x 28 cm<br />

Centre Pompidou, Musée national d’art moderne, Paris<br />

Poubelle de cendrier de Jacques Matarasso, 1965<br />

Pieces of ashtray and household garbage in plastic box<br />

14 x 10 x 4 cm<br />

Collection Jacques et Madeleine Matarasso, Nice<br />

Portrait-robot d’Iris, 1960<br />

Personal effects in Plexiglas box<br />

47 x 48 x 11 cm<br />

Musée d’art moderne de la Ville de Paris<br />

Premier portrait-robot d’Yves Klein, 1960<br />

Personal effects in Plexiglas box<br />

76 x 50 x 12 cm<br />

Private collection, Paris<br />

Portrait-robot d’Éliane, 1962<br />

Personal effects in Plexiglas box<br />

44 x 44.5 x 11.5 cm<br />

Fondation A.R.M.A.N., Genève<br />

Poubelle des Halles, 1961<br />

Garbage in glass jar<br />

63.5 x 43 x 12.5 cm<br />

Centre Pompidou, Musée national d’art moderne, Paris<br />

Poubelle de Jim Dine, 1961<br />

Garbage in Plexiglas box<br />

51 x 30 x 20 cm<br />

Rovereto, MART, Museo d’Arte Moderna e<br />

Contemporeana di Trento e Rovereto<br />

Courtesy of Ileana Sonnabend

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