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nicholas mcgegan is loved by audiences and orchestras for performances that match authority with enthusiasm, scholarship with joy and curatorial responsibility with evangelical exuberance. He has been music director of Philharmonia Baroque Orchestra for 26 years and was Artistic Director of the International Handel Festival Göttingen for 20 years. He has been a pioneer in the process of exporting historically informed practice beyond the world of period instruments to conventional symphonic forces, guest-conducting orchestras including the Chicago, St. Louis, Toronto and Sydney symphonies, the Cleveland and Philadelphia orchestras, the New York, Los Angeles and Hong Kong philharmonics and the Northern Sinfonia and the Scottish Chamber Orchestra, as well as opera companies including Covent Garden, San Francisco, Santa Fe and Washington. Born in England, McGegan was educated at Cambridge and Oxford. He was made an Officer of the Most Excellent Order of the British Empire (OBE) “for services to music overseas.” His awards also include the Halle Handel Prize; the Order of Merit of the State of Lower Saxony (Germany); the Medal of Honour of the City of Göttingen; and an official Nicholas McGegan Day, declared by the Mayor of San Francisco in recognition of his distinguished work with the Philharmonia Baroque. Visit McGegan on the web at www.nicholasmcgegan.com. emanuel Ax was born in Lvov, Poland, and moved to Winnipeg, Canada, with his family when he was a young boy. His studies at the Juilliard School were supported by the sponsorship of the Epstein Scholarship Program of the Boys Clubs of America, and he subsequently won the Young Concert Artists Award. Additionally, he attended Columbia University, where he majored in French. Ax captured public attention in 1974, when he won the first Arthur Rubinstein International Piano Competition in Tel Aviv. In 1975, he won the Michaels Award of Young Concert Artists, followed four years later by the coveted Avery Fisher Prize. As Artist-in-Residence with the New York Philharmonic for the 2012–13 season, he will appear in multiple weeks at Lincoln Center with repertoire ranging from Bach to Christopher Rouse in addition to a spring tour with the orchestra to Europe. He will return to the orchestras in Los Angeles, St. Louis, Atlanta, Detroit, Washington and Pittsburgh where he is a beloved regular. Highlights of the 2011–12 season included return visits to the symphonies of Boston, Houston, Toronto, Philadelphia, Pittsburgh, Detroit and Cincinnati; New York and Los Angeles philharmonics and San Francisco Symphony, with which he collaborated in the “American Mavericks” festival presented in San Francisco, Ann Arbor and Carnegie Hall. As curator and participant with the Chicago Symphony for a two-week spring residency “Keys to the City,” he performed multiple roles as leader and collaborator in a festival celebrating the many varied facets of the piano. In recognition of the bicentenaries of Chopin and Schumann in 2010 and in partnership with London’s Barbican, Amsterdam’s Concertgebouw, New York’s Carnegie Hall, the Los Angeles Philharmonic and the San Francisco Symphony, Ax commissioned 26 | Mondavi Center Presents Program issue 3: nov 2012 new works from composers Thomas Adés, Peter Lieberson and Stephen Prutsman for three recital programs presented in each of those cities with colleagues Yo-Yo Ma and Dawn Upshaw. In addition to this large-scale project, recent tours included performances in Asia with the New York Philharmonic on its first tour with Music Director Alan Gilbert and European tours with both the Chamber Orchestra of Europe and James Conlon as well as the Pittsburgh Symphony with Manfred Honeck. Ax has been an exclusive Sony Classical recording artist since 1987. Due for release later this year is a new recital disc of works from Haydn to Schumann to Copland reflecting their different uses of the “variation” concept. Recent releases include Mendelssohn Trios with Yo-Yo Ma and Itzhak Perlman, Strauss’s Enoch Arden narrated by Patrick Stewart and discs of two-piano music by Brahms and Rachmaninoff with Yefim Bronfman. Ax has received Grammy Awards for the second and third volumes of his cycle of Haydn’s piano sonatas. He has also made a series of Grammy-winning recordings with cellist Yo-Yo Ma of the Beethoven and Brahms sonatas for cello and piano. His other recordings include the concertos of Liszt and Schoenberg, three solo Brahms albums, an album of tangos by Astor Piazzolla and the premiere recording of John Adams’s Century Rolls with the Cleveland Orchestra for Nonesuch. In the 2004–5 season, Ax also contributed to an International Emmy Award-winning BBC documentary commemorating the Holocaust that aired on the 60th anniversary of the liberation of Auschwitz. Innovative Make Over Coming Fall 2012 www.hallmarkinn.com (800)753-0035

VIOLIN Katherine Kyme, concertmaster Johann Gottlob Pfretzschner, Mittenwald, 1791 Elizabeth Blumenstock Andrea Guarneri, Cremona, 1660; on loan from Philharmonia Baroque Orchestra Period Instrument Trust Jolianne von Einem Rowland Ross, Guildford, England, 1979; after Antonio Stradivari, Cremona Lisa Grodin Laurentius Storioni, Cremona, 1796 Tyler Lewis Timothy Johnson, Hewitt, Texas, 2009; after A. Stradivari Carla Moore † Johann Georg Thir, Vienna, 1754 Maxine Nemerovski Timothy Johnson, Bloomington, Indiana, 1999; after A. Stradivari Sandra Schwarz Johannes Cuypers, Portsmouth, England, 1789; after A. Stradivari David Sego Josephus Pauli, Linz, 1785 Laurie Young Stevens Rowland Ross, London, 1995; after A. Amati Noah Strick Celia Bridges, Cologne, 1988 Sara Usher Desiderio Quercetani, Parma, 2001; after A. Stradavari Lisa Weiss Anonymous, London; after Testore Alicia Yang Richard Duke, London, 1762 philharmonia baroque orcheSTra nicholas mcGegan, music director and conductor VIOLA Anthony Martin * Ægidius Kloz, Mittenwald, 1790 David Daniel Bowes Richard Duke, London, c. 1780 Maria Ionia Caswell William Old, Falmouth, England, 1895 Ellie Nishi Ægidius Klotz, Mittenwald, 1790 Aaron Westman Dmitry Badiarov, Brussels, 2003 VIOLONCELLO Tanya Tomkins * Joseph Panormo, London, 1811 Phoebe Carrai Anonymous, Italy, c. 1690 Paul Hale Joseph Grubaugh & Sigrun Seifert, Petaluma, 1988; after A. Stradivari Robert Howard Anonymous, Venice, 1750 William Skeen Anonymous, Holland, c. 1680 DOUBLE BASS Kristin Zoernig * Joseph Wrent, Rotterdam, Holland, 1648 Michelle Burr Anonymous, Tyrol, 1790 Farley Pearce Armando Altavilla, Naples, 1924; after F. Gagliano emanuel ax, fortepiano Philharmonia’s musicians perform on historically accurate instruments. Below each player’s name is information about his or her instrument’s maker and origin. FLUTE Janet See * R. Tutz, Innsbruck, 1989; after H. Grenser, c. 1790 OBOE Marc Schachman * Sand Dalton, Lopez Island, Washington, 1993; after Floth, c. 1800 Gonzalo Ruiz H. A. Vas Dias, Decatur, Georgia, 1988; after C. A. Grenser, Dresden, c. 1780 CLARINET Eric Hoeprich * A. Grenser, Dresden, c. 1785 Diane Heffner Daniel Bangham, Cambridge, England, 1993; after H. Grenser, Dresden, c. 1810 BASSOON Andrew Schwartz * Guntram Wolf, Kronach, Germany, 2007; after Grenser Kate van Orden Peter de Koningh, Hall, Holland, 1985; after Grenser, Dresden, c. 1800 HORN R. J. Kelley * M. A. Raoux, Paris, 1850 Paul Avril Richard Seraphinoff, Bloomington, Indiana, 1998; after A. Halari, Paris, 1825 TRUMPET John Thiessen * Rainer Egger, Basel, 2003; after J. L. Ehe III, Nuremburg, 1746 Fred Holmgren Fred Holmgren, Massachusetts, 2004; after J. L. Ehe III, Nuremburg, 1746 TIMPANI Kent Reed * Anonymous, England, c. 1840 FORTEPIANO Emanuel Ax Johann Fritz, Vienna, c. 1805-10; restored by Edwin Beunk and Johan Wennink, Enschede, Holland, 2002 * Principal † Principal 2nd Violin TOURING STAFF Michael Costa, Executive Director David Daniel Bowes, Music Librarian E. J. Chavez, Stage Coordinator Rose Frazier, Artistic Intern Janine Johnson, Keyboard Technician Alexander Kort, Stage Manager Jeffrey Phillips, Artistic Administrator MondaviArts.org | 27

nicholas mcgegan is loved by audiences and orchestras for performances<br />

that match authority with enthusiasm, scholarship with<br />

joy and curatorial responsibility with evangelical exuberance. He<br />

has been music director of Philharmonia Baroque Orchestra for 26<br />

years and was Artistic Director of the International Handel Festival<br />

Göttingen for 20 years.<br />

He has been a pioneer in the process of exporting historically<br />

informed practice beyond the world of period instruments to conventional<br />

symphonic forces, guest-conducting orchestras including<br />

the Chicago, St. Louis, Toronto and Sydney symphonies, the<br />

Cleveland and Philadelphia orchestras, the New York, Los Angeles<br />

and Hong Kong philharmonics and the Northern Sinfonia and the<br />

Scottish Chamber Orchestra, as well as opera companies including<br />

Covent Garden, San Francisco, Santa Fe and Washington.<br />

Born in England, McGegan was educated at Cambridge and Oxford.<br />

He was made an Officer of the Most Excellent Order of the British<br />

Empire (OBE) “for services to music overseas.” His awards also<br />

include the Halle Handel Prize; the Order of Merit of the State<br />

of Lower Saxony (Germany); the Medal of Honour of the City of<br />

Göttingen; and an official Nicholas McGegan Day, declared by the<br />

Mayor of San Francisco in recognition of his distinguished work<br />

with the Philharmonia Baroque.<br />

Visit McGegan on the web at www.nicholasmcgegan.com.<br />

emanuel Ax was born in Lvov, Poland, and moved to Winnipeg,<br />

Canada, with his family when he was a young boy. His studies<br />

at the Juilliard School were supported by the sponsorship of the<br />

Epstein Scholarship Program of the Boys Clubs of America, and he<br />

subsequently won the Young Concert Artists Award. Additionally,<br />

he attended Columbia University, where he majored in French. Ax<br />

captured public attention in 1974, when he won the first Arthur<br />

Rubinstein International Piano Competition in Tel Aviv. In 1975,<br />

he won the Michaels Award of Young Concert Artists, followed four<br />

years later by the coveted Avery Fisher Prize.<br />

As Artist-in-Residence with the New York Philharmonic for the<br />

2012–13 season, he will appear in multiple weeks at Lincoln <strong>Center</strong><br />

with repertoire ranging from Bach to Christopher Rouse in addition<br />

to a spring tour with the orchestra to Europe. He will return to the<br />

orchestras in Los Angeles, St. Louis, Atlanta, Detroit, Washington<br />

and Pittsburgh where he is a beloved regular.<br />

Highlights of the 2011–12 season included return visits to the<br />

symphonies of Boston, Houston, Toronto, Philadelphia, Pittsburgh,<br />

Detroit and Cincinnati; New York and Los Angeles philharmonics<br />

and San Francisco Symphony, with which he collaborated in<br />

the “American Mavericks” festival presented in San Francisco,<br />

Ann Arbor and Carnegie Hall. As curator and participant with the<br />

Chicago Symphony for a two-week spring residency “Keys to the<br />

City,” he performed multiple roles as leader and collaborator in a festival<br />

celebrating the many varied facets of the piano.<br />

In recognition of the bicentenaries of Chopin and Schumann in<br />

2010 and in partnership with London’s Barbican, Amsterdam’s<br />

Concertgebouw, New York’s Carnegie Hall, the Los Angeles<br />

Philharmonic and the San Francisco Symphony, Ax commissioned<br />

26 | <strong>Mondavi</strong> <strong>Center</strong> Presents Program issue 3: nov 2012<br />

new works from composers Thomas Adés, Peter Lieberson and<br />

Stephen Prutsman for three recital programs presented in each of<br />

those cities with colleagues Yo-Yo Ma and Dawn Upshaw. In addition<br />

to this large-scale project, recent tours included performances<br />

in Asia with the New York Philharmonic on its first tour with Music<br />

Director Alan Gilbert and European tours with both the Chamber<br />

Orchestra of Europe and James Conlon as well as the Pittsburgh<br />

Symphony with Manfred Honeck.<br />

Ax has been an exclusive Sony Classical recording artist since 1987.<br />

Due for release later this year is a new recital disc of works from<br />

Haydn to Schumann to Copland reflecting their different uses of the<br />

“variation” concept.<br />

Recent releases include Mendelssohn Trios with Yo-Yo Ma and<br />

Itzhak Perlman, Strauss’s Enoch Arden narrated by Patrick Stewart<br />

and discs of two-piano music by Brahms and Rachmaninoff with<br />

Yefim Bronfman. Ax has received Grammy Awards for the second<br />

and third volumes of his cycle of Haydn’s piano sonatas. He has also<br />

made a series of Grammy-winning recordings with cellist Yo-Yo Ma<br />

of the Beethoven and Brahms sonatas for cello and piano. His other<br />

recordings include the concertos of Liszt and Schoenberg, three solo<br />

Brahms albums, an album of tangos by Astor Piazzolla and the premiere<br />

recording of John Adams’s Century Rolls with the Cleveland<br />

Orchestra for Nonesuch. In the 2004–5 season, Ax also contributed<br />

to an International Emmy Award-winning BBC documentary commemorating<br />

the Holocaust that aired on the 60th anniversary of the<br />

liberation of Auschwitz.<br />

Innovative Make Over Coming Fall 2012<br />

www.hallmarkinn.com<br />

(800)753-0035

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