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Download PDF - Mondavi Center

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A <strong>Mondavi</strong> <strong>Center</strong> Just Added Event<br />

Sunday, November 4, 2012 • 7PM<br />

Jackson Hall, <strong>Mondavi</strong> <strong>Center</strong>, UC Davis<br />

20 | <strong>Mondavi</strong> <strong>Center</strong> Presents Program issue 3: nov 2012<br />

b.b. kinG<br />

B.B. King, since he started recording in the late 1940s, has released more than<br />

60 albums many of them considered blues classics, like the definitive live<br />

blues album Live At The Regal (1965) and collaboration with Bobby “Blue”<br />

Bland, Together For The First Time (1976).<br />

Over the years, King has had two number one R & B hits, “Three O’Clock<br />

Blues” (1951) and “You Don’t Know Me” (1952) and four number two<br />

R & B hits, “Please Love Me” (1953) and “You Upset Me Baby” (1954),<br />

“Sweet Sixteen, Part I” (1960) and “Don’t Answer The Door, Part I” (1966).<br />

King’s most popular crossover hit, “The Thrill Is Gone” (1970), went to<br />

number 15 pop.<br />

But King, as well as the entire blues genre, is not radio oriented. His classic<br />

songs such as “Payin The Cost To Be the Boss,” “Caldonia,” “How Blue Can<br />

You Get,” “Everyday I Have the Blues” and “Why I Sing the Blues” are concert<br />

(and fan) staples.<br />

King was born Riley B. King on September 16, 1925, on a cotton plantation<br />

in Itta Bene, Mississippi, just outside the Mississippi Delta town of Indianola.<br />

He used to play on the corner of Church and Second Street for dimes and<br />

would sometimes play in as many as four towns on a Saturday night. With<br />

his guitar and $2.50, he hitchhiked north to Memphis in 1947 to pursue his<br />

musical career. Memphis was the city to which every important musician of<br />

the South gravitated and which supported a large, competitive musical community,<br />

where virtually every black musical style was heard. King stayed with<br />

his cousin Bukka White, one of the most renowned rural blues performers of<br />

his time, who schooled King further in the art of the blues.<br />

Program is subject to change. The artists and your fellow audience members appreciate silence during the performance. Please be sure that you have<br />

switched off all electronic devices. Videotaping, photographing and audio recording are strictly forbidden. Violators are subject to removal.

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