Download PDF - Mondavi Center

Christopher Saul (Polonius / Francisco / Player / First Gravedigger
/ Priest) trained at Rose Bruford College. His theater credits include
King Lear, The Canterbury Tales, Julius Caesar, The Two Gentlemen of
Verona, A Servant to Two Masters, Richard II, Henry IV Parts 1 & 2,
The Comedy of Errors, The Thebans, Columbus, Breaking the Silence,
The Merry Wives of Windsor, Man is Man, Richard III, Hamlet, Henry
V (Royal Shakespeare Company); Oedipus (National Theatre); An
Inspector Calls, Goodbye Gilbert Harding (National Tour); When the
World Was Green, More Grimm Tales, As I Lay Dying, Twelfth Night,
Waiting for Godot (Young Vic); Night Songs (Royal Court); The Crucible
(Abbey, Dublin); The Comedy of Errors, Romeo and Juliet (English
Shakespeare Company); ’Tis Pity She’s a Whore (West Yorkshire
Playhouse); A Voyage Round My Father, Othello (Salisbury Playhouse);
As You Like It (Sheffield Crucible); Fiddler on the Roof (Original
Production, Tour and Her Majesty’s) and seasons at Oxford Playhouse,
Leeds Playhouse, Liverpool Playhouse, Everyman Theatres and
Newcastle Playhouse. His television credits include Doctors, Judge John
Deed, The Bill, London’s Burning, Coronation Street, Grange Hill, Between
the Lines, One Foot in the Grave, Never Come Back, Brookside, Casualty,
Poirot, Small Zones, Watching, Bust, Pericles, The Professionals, Doctor
Who and Triangle. His film credits include Sahara, Wilt, Mountbatten:
The Last Viceroy and Mr Right. His radio credits include The Archers,
White Horse Hill, BBC English Repertory Company and Listen with
Mother. He is a regular narrator for the National Geographic Channel.
Chloe Stephens (assistant choreographer) specializes in movement
and devised theater. After completing a B.A. in drama and
theater arts at Goldsmiths College, she set up performance company
SKIPtheatre with Charlotte Croft and Laura Hemming-Lowe.
Her previous credits for Shakespeare’s Globe include Henry V.
Her collaborative productions include Arts Council-funded tour
of The Mermaid’s Curse (Porlock and East Prawle); So...? (charity
shop, Leytonstone); Decadence and Descendants (empty mansion
house, Mayfair); Departure: 3 (Union Theatre & Shunt); 35 Albury
Street (empty house, Deptford); Fill Up Full Stop (Camden People’s
Theatre) and (Glastonbury Festival). She is currently completing
the M.A. Movement Studies course at Central School of Speech and
Drama while developing a new piece of theater for children, initiated
with the support of the Unicorn Theatre.
Dickon Tyrrell (Claudius / Ghost / First Player / Player King)
trained at Liverpool University, the National Youth Theatre and the
Royal Welsh College of Music and Drama. His previous work at
Shakespeare’s Globe includes Othello, Henry VIII and Anne Boleyn.
His other theater credits include Rutherford and Son (Northern
Stage); Animal Farm (Derby Playhouse); The Romans in Britain
(Sheffield Crucible); Harvest (The Royal Court and National Tour);
The Merchant of Venice (UK tour, Japan, Malaysia, America and
China); Henry IV Parts I & II, Richard II, Richard III, Julius Caesar,
The Devil is an Ass (Royal Shakespeare Company); Major Barbara
(Peter Hall Company); Romeo and Juliet, Dracula, A Midsummer
Night’s Dream (Northern Broadsides); Ninagawa’s Peer Gynt (Barbican
London, Manchester, Norway and Japan); Much Ado About Nothing
(West End); The Plough and the Stars (West Yorkshire Playhouse);
and Seven Doors (Gate Theatre). His television credits include Law
and Order, The Bill, The Trial of Tony Blair, Coronation Street, Simon
Schama’s Rough Crossings; Aberfan, Coup!, Doctors, Peak Practice,
Harry and Spender. His directing credits include Mammals, Harvest
(Royal Welsh College of Music and Drama) and As You Like It
(Oxford School of Drama). His radio credits include Antony and
Cleopatra and Major Barbara. Dickon has also featured in a music
video for The Beautiful South.
Siân Williams (choreographer) trained at the London College of
Dance and Drama. She founded The Kosh dance theater company
with Michael Merwitzer. Williams has worked as choreographer for
Shakespeare’s Globe since 1999, as Movement Director for the Royal
Shakespeare Company and is a member of The Factory theater company.
Her choreography credits include The Glass Slipper, Oh! What
a Lovely War (Northern Stage); The Snow Queen (The Rose Theatre,
Kingston); You Can’t Take It With You (Royal Exchange, Manchester);
The Storeroom (The Kosh); Hamlet, All’s Well That Ends Well, Much
Ado About Nothing, Anne Boleyn, The Mysteries, The Comedy of Errors,
Henry V (Shakespeare’s Globe); Macbeth, A Midsummer Night’s Dream
(Globe Education); The Merchant of Venice (Royal Shakespeare
Company); Adolph Hitler: My Part in His Downfall (Rho Delta);
The Magic Flute and The Rake’s Progress (Royal College of Music).
Her directing credits include productions for The Kosh and The
Handsomest Drowned Man (Circus Space). Her performing credits
include all of The Kosh productions, The Odyssey (The Factory); the
role of Grisette in La Traviata (Opera North); The Tempest, The Storm,
A Midsummer Night’s Dream and Timon of Athens (Shakespeare’s
Globe). Williams is currently choreographer for Shakespeare’s Globe
productions in 2012 and for Café Chaos (The Kosh).
MondaviArts.org | 9