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8 | Mondavi Center Presents Program issue 3: nov 2012

Christopher Saul (Polonius / Francisco / Player / First Gravedigger / Priest) trained at Rose Bruford College. His theater credits include King Lear, The Canterbury Tales, Julius Caesar, The Two Gentlemen of Verona, A Servant to Two Masters, Richard II, Henry IV Parts 1 & 2, The Comedy of Errors, The Thebans, Columbus, Breaking the Silence, The Merry Wives of Windsor, Man is Man, Richard III, Hamlet, Henry V (Royal Shakespeare Company); Oedipus (National Theatre); An Inspector Calls, Goodbye Gilbert Harding (National Tour); When the World Was Green, More Grimm Tales, As I Lay Dying, Twelfth Night, Waiting for Godot (Young Vic); Night Songs (Royal Court); The Crucible (Abbey, Dublin); The Comedy of Errors, Romeo and Juliet (English Shakespeare Company); ’Tis Pity She’s a Whore (West Yorkshire Playhouse); A Voyage Round My Father, Othello (Salisbury Playhouse); As You Like It (Sheffield Crucible); Fiddler on the Roof (Original Production, Tour and Her Majesty’s) and seasons at Oxford Playhouse, Leeds Playhouse, Liverpool Playhouse, Everyman Theatres and Newcastle Playhouse. His television credits include Doctors, Judge John Deed, The Bill, London’s Burning, Coronation Street, Grange Hill, Between the Lines, One Foot in the Grave, Never Come Back, Brookside, Casualty, Poirot, Small Zones, Watching, Bust, Pericles, The Professionals, Doctor Who and Triangle. His film credits include Sahara, Wilt, Mountbatten: The Last Viceroy and Mr Right. His radio credits include The Archers, White Horse Hill, BBC English Repertory Company and Listen with Mother. He is a regular narrator for the National Geographic Channel. Chloe Stephens (assistant choreographer) specializes in movement and devised theater. After completing a B.A. in drama and theater arts at Goldsmiths College, she set up performance company SKIPtheatre with Charlotte Croft and Laura Hemming-Lowe. Her previous credits for Shakespeare’s Globe include Henry V. Her collaborative productions include Arts Council-funded tour of The Mermaid’s Curse (Porlock and East Prawle); So...? (charity shop, Leytonstone); Decadence and Descendants (empty mansion house, Mayfair); Departure: 3 (Union Theatre & Shunt); 35 Albury Street (empty house, Deptford); Fill Up Full Stop (Camden People’s Theatre) and (Glastonbury Festival). She is currently completing the M.A. Movement Studies course at Central School of Speech and Drama while developing a new piece of theater for children, initiated with the support of the Unicorn Theatre. Dickon Tyrrell (Claudius / Ghost / First Player / Player King) trained at Liverpool University, the National Youth Theatre and the Royal Welsh College of Music and Drama. His previous work at Shakespeare’s Globe includes Othello, Henry VIII and Anne Boleyn. His other theater credits include Rutherford and Son (Northern Stage); Animal Farm (Derby Playhouse); The Romans in Britain (Sheffield Crucible); Harvest (The Royal Court and National Tour); The Merchant of Venice (UK tour, Japan, Malaysia, America and China); Henry IV Parts I & II, Richard II, Richard III, Julius Caesar, The Devil is an Ass (Royal Shakespeare Company); Major Barbara (Peter Hall Company); Romeo and Juliet, Dracula, A Midsummer Night’s Dream (Northern Broadsides); Ninagawa’s Peer Gynt (Barbican London, Manchester, Norway and Japan); Much Ado About Nothing (West End); The Plough and the Stars (West Yorkshire Playhouse); and Seven Doors (Gate Theatre). His television credits include Law and Order, The Bill, The Trial of Tony Blair, Coronation Street, Simon Schama’s Rough Crossings; Aberfan, Coup!, Doctors, Peak Practice, Harry and Spender. His directing credits include Mammals, Harvest (Royal Welsh College of Music and Drama) and As You Like It (Oxford School of Drama). His radio credits include Antony and Cleopatra and Major Barbara. Dickon has also featured in a music video for The Beautiful South. Siân Williams (choreographer) trained at the London College of Dance and Drama. She founded The Kosh dance theater company with Michael Merwitzer. Williams has worked as choreographer for Shakespeare’s Globe since 1999, as Movement Director for the Royal Shakespeare Company and is a member of The Factory theater company. Her choreography credits include The Glass Slipper, Oh! What a Lovely War (Northern Stage); The Snow Queen (The Rose Theatre, Kingston); You Can’t Take It With You (Royal Exchange, Manchester); The Storeroom (The Kosh); Hamlet, All’s Well That Ends Well, Much Ado About Nothing, Anne Boleyn, The Mysteries, The Comedy of Errors, Henry V (Shakespeare’s Globe); Macbeth, A Midsummer Night’s Dream (Globe Education); The Merchant of Venice (Royal Shakespeare Company); Adolph Hitler: My Part in His Downfall (Rho Delta); The Magic Flute and The Rake’s Progress (Royal College of Music). Her directing credits include productions for The Kosh and The Handsomest Drowned Man (Circus Space). Her performing credits include all of The Kosh productions, The Odyssey (The Factory); the role of Grisette in La Traviata (Opera North); The Tempest, The Storm, A Midsummer Night’s Dream and Timon of Athens (Shakespeare’s Globe). Williams is currently choreographer for Shakespeare’s Globe productions in 2012 and for Café Chaos (The Kosh). MondaviArts.org | 9

8 | <strong>Mondavi</strong> <strong>Center</strong> Presents Program issue 3: nov 2012

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