Ansorge-Verein für Kunst und Kultur - Schenker Documents Online
Ansorge-Verein für Kunst und Kultur - Schenker Documents Online
Ansorge-Verein für Kunst und Kultur - Schenker Documents Online
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<strong>Ansorge</strong>-<strong>Verein</strong> <strong>für</strong> <strong>Kunst</strong> <strong>und</strong> <strong>Kultur</strong><br />
<strong>Ansorge</strong> Society for Art and Culture<br />
<strong>Documents</strong> associated with this :<br />
Correspondence<br />
Society fo<strong>und</strong>ed in Vienna in 1903 by the music critic Paul Stefan (1879#1943) and<br />
the writer and theater director Wilhelm von Wymetal (1862#1937), and continuing<br />
independently until 1911.<br />
The Society<br />
Named after the composer and pianist Conrad <strong>Ansorge</strong> (1862#1930), a pupil of Liszt<br />
and noted supporter of contemporary music and literature, the objective proclaimed<br />
in its motto was to promote all great art, both old and new ("Jeder grosse <strong>Kunst</strong> alter<br />
<strong>und</strong> neue zu pflegen"). Arnold Schoenberg's friend, teacher, and brother-in law<br />
Alexander von Zemlinsky, who had joined the conducting team at the Theater an der<br />
Wien in September 1903, and had become disillusioned with Vienna's relatively<br />
conservative Tonkünstlerverein, was a fo<strong>und</strong>er member; according to Moskovitz "he<br />
was recruited to serve as the organization's pianist."<br />
Songs by both Zemlinsky and Schoenberg were performed at early concerts<br />
sponsored by the Society, and a review of the Society's inaugural event on<br />
November 29, 1903 praised Zemlinsky as "the excellent vocal accompanist" (Neue<br />
musikalische Presse 13 (1904), No. 2, 29#30). The Society also arranged lectures,<br />
given by such notable figures as Hermann Bahr, Adolf Loos and Franz Wedekind.<br />
However, it soon became clear to Zemlinsky that the <strong>Ansorge</strong>-<strong>Verein</strong> was more<br />
concerned to focus on poetry and literature than on music, and in 1904 he was<br />
involved with Schoenberg, Franz Schmidt and others in forming the <strong>Verein</strong>igung<br />
schaffender Tonkünstler (Society for Creative Musicians). This was focused entirely<br />
on modern music, and Mahler agreed to become its honorary president.<br />
The Society was eventually merged in 1911 with the Akademischer Verband <strong>für</strong><br />
<strong>Kunst</strong> <strong>und</strong> Literatur (Academic Union for Art and Literature).<br />
<strong>Ansorge</strong>-<strong>Verein</strong> and <strong>Schenker</strong><br />
The <strong>Ansorge</strong>-<strong>Verein</strong> is mentioned in two items of correspondence to <strong>Schenker</strong>: OJ<br />
14/15, [8], January 1904, from Zemlinsky, Gutheil, and Schoenberg, citing the<br />
Society as a model for establishing a new society for the promotion of new music;<br />
and OJ 14/15, [9], an invitation to attend an event of the <strong>Ansorge</strong>-<strong>Verein</strong>, described<br />
as an "<strong>Ansorge</strong>#Gruber#Schoenberg evening," on February 11, 1904, which<br />
<strong>Schenker</strong> did not take up. (Schoenberg strove to involve <strong>Schenker</strong> in the planned<br />
new society, but to no avail.)<br />
Source:<br />
Moskovitz, Marc D., Alexander Zemlinsky. A Lyric Symphony (Boydell<br />
Press, 2010), p.90<br />
Contributor:<br />
Arnold Whittall<br />
Correspondence<br />
OJ 14/15, [8] Handwritten letter from Zemlinsky, Gutheil, and Schoenberg<br />
to <strong>Schenker</strong>, dated January, 1904
Invitation to attend a meeting to discuss the promotion of new music in Vienna<br />
through education and performance.<br />
OJ 14/15, [9] Printed invitation with handwritten entries from the<br />
<strong>Ansorge</strong>-<strong>Verein</strong> to <strong>Schenker</strong>, dated February 11, 1904<br />
Invitation to an "<strong>Ansorge</strong>-Grube-Schönberg evening."