âThe Liberating Quality of Avant-Garde Artâ - Timothy R. Quigley
âThe Liberating Quality of Avant-Garde Artâ - Timothy R. Quigley âThe Liberating Quality of Avant-Garde Artâ - Timothy R. Quigley
Modern Art: Basic Assumptions, Definitions, and QualificationsEmergence of New Criteria and Proliferation of StylesFor example, in 19 th century France, artists such as Ingres, Delacroix, andCourbet adopted new and challenging artistic styles shaped not by chaosand lack of direction, but rather by re-fashioned ideals of order, liberty,and truth.Jean-Auguste-Dominique Ingres, Odalisque and Slave, 1839Gustave Courbet, The Stonebreakers, 1849Eugène Delacroix, Liberty Leading the People, 1830Tuesday, February 7, 2012
Modern Art: Basic Assumptions, Definitions, and QualificationsEmergence of New Criteria and Proliferation of StylesSchapiro argues that an analogous shift took place in the 20 th century — are-emphasis on the value of freedom, creativity, and self-reliance.Paul Klee, Abstract Trio, 1923Pablo Picasso, Night Fishing at Antibes, 1939Tuesday, February 7, 2012
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Modern Art: Basic Assumptions, Definitions, and QualificationsEmergence <strong>of</strong> New Criteria and Proliferation <strong>of</strong> StylesFor example, in 19 th century France, artists such as Ingres, Delacroix, andCourbet adopted new and challenging artistic styles shaped not by chaosand lack <strong>of</strong> direction, but rather by re-fashioned ideals <strong>of</strong> order, liberty,and truth.Jean-Auguste-Dominique Ingres, Odalisque and Slave, 1839Gustave Courbet, The Stonebreakers, 1849Eugène Delacroix, Liberty Leading the People, 1830Tuesday, February 7, 2012
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