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Spheres of AbEx - Heather James Fine Art

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MICHAEL LOEW (1907-1985) was one <strong>of</strong> the major proponents <strong>of</strong>Abstract Expressionism and influenced by the Neo-Plasticism <strong>of</strong> Mondrian.Despite their opposing approaches to abstraction, he became a longtimefriend <strong>of</strong> Willem de Kooning, whom he met completing WPA projectsduring the 1930s. Although Loew began his Neo-Plasticist mode duringthe 1940s, it was the 50s that brought the full development <strong>of</strong> his maturestyle. After World War II, Loew studied with Hans H<strong>of</strong>mann and cultivatedhis sensibility for color effects. He used the grid-structure <strong>of</strong> Mondrianas a base from which to experiment with the possibilities <strong>of</strong> the palette;to focus on subtle transitions <strong>of</strong> tone or harmony <strong>of</strong> color relationships.Drawing inspiration from life, he transformed subjects into unique patterns<strong>of</strong> rectangles or color fields, naming the final composition according to thedominant colors. He exhibited these works at the Stable Gallery annuals,beginning a full and successful exhibition career.In 1957, Loew participated in the International Association <strong>of</strong> Plastic<strong>Art</strong>s Touring Exhibition, Contemporary American Painting as juror andexhibitor. Here he exhibited alongside Milton Avery, Samuel Adler, JosefAlbers, de Kooning, Reinhardt, Walkowitz and others. The same yearhe gained representation at Zabriskie Gallery, next to Johns, Motherwell,and Rauschenberg. A recognized pillar <strong>of</strong> American Modernism, Loewmaintained an active teaching and exhibition schedule until his death in1985.

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