Spheres of AbEx - Heather James Fine Art
Spheres of AbEx - Heather James Fine Art Spheres of AbEx - Heather James Fine Art
JOHN LITTLE (1907-1984) was born in Sanford, Alabama. He left homewhen only 14 to study art in Buffalo, NY, at the Fine Arts Academy. In 1933,Little enrolled at the Art Students League studying under George Grosz.Four years later, at the age of 30, he began studies with Hans Hofmann,both in New York and Provincetown. This marked his move towardsabstraction and his serious engagement as a painter. After service in theNavy during WWII Little returned to New York, moving into Hofmann’s 8thStreet Studio where his neighbors were Pollock and Krasner. This wasa period of great experimentation influenced by Surrealist automatism,Picasso and Hofmann.In 1946, Little was given his first solo exhibition at the California Palaceof the Legion of Honor in San Francisco with a follow up one-man showin 1948 at Betty Parsons’s New York gallery. In the 1950s, his paintingbecame extremely gestural with aggressively applied, thick paint. He alsobegan a series of experimental mixed-media assemblage works createdfrom debris found on the beaches of Montauk. Hans Namuth documentedthese works in his 1955 film, “Image of the Sea.” In that same year Littlehad a two-man exhibition at Guild Hall with Pollock, and in 1957 he foundedthe Signa Gallery along with Alfonso Ossorio and Elizabeth Parker. Signa,which lasted for four years, mounted innovative exhibitions and became ahighly important summertime venue showcasing the best of the New Yorkart scene. In the 1960s Little’s abstract style evolved with a flattening ofthe paint layer and massed areas of color overlapping and interlocking inan endless variety of compositions.
JOHNLITTLE
- Page 29 and 30: Rock Island BlindSigned and dated l
- Page 31 and 32: LYNNEMAPP DREXLER
- Page 34 and 35: UntitledSigned and dated verso L. D
- Page 37 and 38: Early SpringSigned and dated lower
- Page 39: FRIEDELDZUBAS
- Page 42: Red FlightSigned on versoOil on can
- Page 45: LOUISEFISHMAN
- Page 48 and 49: SAM FRANCIS (1923-1994) was born in
- Page 53 and 54: Untitled (Black and White Compositi
- Page 55: JOHNGRILLO
- Page 58: UntitledSigned and dated lower righ
- Page 61: MICHAELGOLDBERG
- Page 64: Landscape (On the way to New Lisbon
- Page 67: HANSHOFMANN
- Page 70 and 71: PAUL JENKINS (b. 1923) was raised n
- Page 73 and 74: Phenomena Prism Wind AnvilSigned lo
- Page 75: WILLEMde KOONING
- Page 81 and 82: Ominous NightSigned and dated lower
- Page 84 and 85: MICHAEL LOEW (1907-1985) was one of
- Page 87 and 88: ArcadianSigned lower right LoewOil
- Page 89 and 90: Untitled (Space Forms)Signed and da
- Page 92 and 93: ROBERT NATKIN (1930-2010) was born
- Page 95 and 96: UntitledSigned lower right NatkinPa
- Page 98 and 99: LARRY POONS (b. 1937) is an abstrac
- Page 101 and 102: 1st TwistSigned and dated verso Lar
- Page 103: MILTONRESNICK
- Page 106 and 107: ROBERT RICHENBURG (1917-2006) studi
- Page 108 and 109: Orange AlertSigned lower right Rich
- Page 111 and 112: Green RiverSigned and dated upper r
- Page 114 and 115: JACK ROTH (1927-2004) was known as
- Page 117 and 118: Untitled (Rope Dancer series)Signed
- Page 121 and 122: Rope Dancer 8 - For Man RaySigned l
- Page 123: MICHAELCORRINE WEST
- Page 126: SummerSigned and dated lower left M
JOHN LITTLE (1907-1984) was born in Sanford, Alabama. He left homewhen only 14 to study art in Buffalo, NY, at the <strong>Fine</strong> <strong>Art</strong>s Academy. In 1933,Little enrolled at the <strong>Art</strong> Students League studying under George Grosz.Four years later, at the age <strong>of</strong> 30, he began studies with Hans H<strong>of</strong>mann,both in New York and Provincetown. This marked his move towardsabstraction and his serious engagement as a painter. After service in theNavy during WWII Little returned to New York, moving into H<strong>of</strong>mann’s 8thStreet Studio where his neighbors were Pollock and Krasner. This wasa period <strong>of</strong> great experimentation influenced by Surrealist automatism,Picasso and H<strong>of</strong>mann.In 1946, Little was given his first solo exhibition at the California Palace<strong>of</strong> the Legion <strong>of</strong> Honor in San Francisco with a follow up one-man showin 1948 at Betty Parsons’s New York gallery. In the 1950s, his paintingbecame extremely gestural with aggressively applied, thick paint. He alsobegan a series <strong>of</strong> experimental mixed-media assemblage works createdfrom debris found on the beaches <strong>of</strong> Montauk. Hans Namuth documentedthese works in his 1955 film, “Image <strong>of</strong> the Sea.” In that same year Littlehad a two-man exhibition at Guild Hall with Pollock, and in 1957 he foundedthe Signa Gallery along with Alfonso Ossorio and Elizabeth Parker. Signa,which lasted for four years, mounted innovative exhibitions and became ahighly important summertime venue showcasing the best <strong>of</strong> the New Yorkart scene. In the 1960s Little’s abstract style evolved with a flattening <strong>of</strong>the paint layer and massed areas <strong>of</strong> color overlapping and interlocking inan endless variety <strong>of</strong> compositions.