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Spheres of AbEx - Heather James Fine Art

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JOHN GRILLO (b. 1917) was raised in the small industrial town <strong>of</strong>Lawrence, Massachusetts. The 1930’s brought the family to Hartford,Connecticut where as a child growing he watched his father paint andsculpt. John would frequent the Wadsworth Antheneum Museum inHartford where the collection <strong>of</strong> portraits would inspire him to becomea portrait painter. In 1935 he enrolled in the Hartford School <strong>of</strong> <strong>Fine</strong> <strong>Art</strong>swhere he learned portrait and landscape painting.In 1948, Grillo attented the New York school <strong>of</strong> Hans H<strong>of</strong>mann and alsospent summers at H<strong>of</strong>mann’s school in Provincetown, Massachusetts. Inthe 1950s, he experimented with symbolism and action painting and gridlikepaintings consisting <strong>of</strong> small squares based on H<strong>of</strong>mann’s teachings.In the 1960s, Grillo’s paintings evolved into a series <strong>of</strong> oversize canvasesprimarily in a luminous yellow range that to the critics evoked the power<strong>of</strong> light and sunshine. One artist called Grillo the Renoir <strong>of</strong> AbstractExpressionism, another compared him to Rubens for his sensuality. Onecritic brought up Turner, while another waxed eloquently about Venetianluminosity. Exhibitions <strong>of</strong> these works appeared at the Howard WiseGallery and the Grace Borgenicht Gallery, both in New York. In the 1970sGrillo continued geometric paintings, this time on a larger scale in aconstructivist manner. Before retiring from the University <strong>of</strong> Massachusettsin 1991, Grillo produced a large mural representing the agrarian andacademic elements in the history <strong>of</strong> the town <strong>of</strong> Amherst, presided overby the illustrious native poet, Emily Dickinson.

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