2Student Resource SheetAlvin Ailey American Dance TheaterAdapted from The Kennedy Center’s CuesheetQuestions to Think About During the Performance• What does the Ailey company <strong>of</strong>fer besides performances?• What influenced Ailey’s choreography?• What was the role <strong>of</strong> spirituals?What You’ll SeeAnointed (excerpt)Choreography: Christopher L. HugginsAnointed is a tribute to the Ailey legacy and thepeople who have helped shape the company, aswell as a celebration <strong>of</strong> the company’s past, and areflection <strong>of</strong> the promise that lies ahead.SoloChoreography: Hans van ManenIn this whirlwind <strong>of</strong> movement and musicality,three men engage in a playful dance rivalry thatshowcases the performers’ daring agility andgrace.RevelationsChoreographer: Alvin AileyRevelations, created in 1960, is based on AlvinAiley’s childhood memories <strong>of</strong> worshipping at hisBaptist church in Texas. The music is a compilation<strong>of</strong> African American spirituals.About Alvin Ailey American DanceTheaterAlvin Ailey created his dance company in1958. His intention was to make new and expressivemodern dance works based on African Americanculture and heritage. To make the company’srepertory (selection <strong>of</strong> works) varied, he includedpieces by new and established choreographers.Over its 50-year history, the company has performedfor almost 20 million people worldwide, and earnedthe reputation <strong>of</strong> one <strong>of</strong> the most popular Americandance companies.The Alvin Ailey American Dance Center wasfounded in 1969, and today over 3,500 studentsfrom every part <strong>of</strong> the world receive training there.AileyCamp was started in 1989. This uniquenational program invites students aged 11-14 toattend a free summer day camp featuring dance,personal development and creative expressionclasses. <strong>Cal</strong> <strong>Performances</strong> hosts the Berkeley/Oakland AileyCamp for six weeks every summer.2 |
Alvin AileyAfter Ailey’s death in 1989, Judith Jamison,one <strong>of</strong> Ailey’s leading dancers, became thecompany’s director. Today, Jamison continuesAiley’s commitment to bringing dance to allpeople.About Modern Dance and Ailey’sChoreographyModern dance developed in Americanearly 100 years ago as a reaction against therules and structure <strong>of</strong> ballet. In ballet, dancersappear weightless and perform elegant steps thatwere created hundreds <strong>of</strong> years ago. Moderndancers embrace gravity and create choreographyfrom everyday movements like walking, skipping,running, and falling.Ailey carefully observed ordinary peopleas they moved, then chose movements that hadthe most meaning for him and put them togetherin a dance. His unique choreographic style wasinfluenced by three modern choreographers—Lester Horton, Katherine Dunham and MarthaGraham.• Lester Horton’s dancers used as muchspace as possible while turning, bending, andjumping across large distances.• Katherine Dunham incorporatedCaribbean, African and American cultural dancestyles to create unique movements.• Martha Graham’s dance technique wasbuilt on contraction (becoming smaller and morepressed together) and release—movements thatimitate the act <strong>of</strong> breathing. In a contraction, thedancer exhales and curves the spine; in a release,the dancer inhales and lifts the chest.About SpiritualsThe songs used in Revelations are calledspirituals. These are folk songs describingpersonal religious experiences. When Africanswere brought to America as slaves, they lost theirtraditional music as well as their freedom. Theyadded African chants, rhythms and harmoniesto the Christian songs they learned and createdspirituals. Today, people sing spirituals to raisetheir spirits, strengthen their faith, and createa sense <strong>of</strong> community. There are two kinds <strong>of</strong>spirituals:• Sorrow songs are sung slowly and sadlyand tell <strong>of</strong> the heavy burden <strong>of</strong> slavery and thebelief that better days are coming.• Jubilees are faster, upbeat songs based onBible stories celebrating victory and joy.Spirituals came to serve many purposes forthe slaves:• Work—Singing spirituals made work lessboring and set a rhythm for actions like picking ordigging. Slave owners liked the singing because itmade the slaves more productive.• Worship—At night, after the owners wereasleep, the slaves would go out into the woods(their invisible church) and worship. Spiritualswere a big part <strong>of</strong> their religious ceremony.• Entertainment—At the end <strong>of</strong> a long day,slaves would <strong>of</strong>ten sing spirituals for relaxation.• Code Songs—Communication throughspirituals, <strong>of</strong>ten helped slaves escape. Forexample, a hidden message in the song “DeepRiver” led to a meeting at the river. “Wade in theWater” warned an escaped slave to go into theriver so bloodhounds couldn’t follow his scent.<strong>SchoolTime</strong> Alvin Ailey American Dance Theater | 3