Letters of Anton Chekhov (Tchekhov) - Penn State University

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Letters of Anton Chekhov to His Family and Friends with biographical sketch7. If they have a talent they respect it. They sacrifice to it rest, women,wine, vanity …. They are proud of their talent …. Besides, they arefastidious.8. They develop the aesthetic feeling in themselves. They cannot goto sleep in their clothes, see cracks full of bugs on the walls, breathebad air, walk on a floor that has been spat upon, cook their mealsover an oil stove. They seek as far as possible to restrain and ennoblethe sexual instinct …. What they want in a woman is not a bedfellow…. They do not ask for the cleverness which shows itself incontinual lying. They want especially, if they are artists, freshness,elegance, humanity, the capacity for motherhood …. They do notswill vodka at all hours of the day and night, do not sniff at cupboards,for they are not pigs and know they are not. They drinkonly when they are free, on occasion …. For they want mens sana incorpore sano.And so on. This is what cultured people are like. In order to becultured and not to stand below the level of your surroundings it isnot enough to have read “The Pickwick Papers” and learnt a monologuefrom “Faust.” …What is needed is constant work, day and night, constant reading,study, will …. Every hour is precious for it …. Come to us,smash the vodka bottle, lie down and read …. Turgenev, if you like,whom you have not read.You must drop your vanity, you are not a child ... you will soon bethirty. It is time!I expect you …. We all expect you.48
Anton ChekhovTO MADAME M. V. KISELYOV.MOSCOW, January 14, 1887.… Even your praise of “On the Road” has not softened my angeras an author, and I hasten to avenge myself for “Mire.” Be on yourguard, and catch hold of the back of a chair that you may not faint.Well, I begin.One meets every critical article with a silent bow even if it is abusiveand unjust—such is the literary etiquette. It is not the thing toanswer, and all who do answer are justly blamed for excessive vanity.But since your criticism has the nature of “an evening conversationon the steps of the Babkino lodge” … and as, without touching onthe literary aspects of the story, it raises general questions of principle,I shall not be sinning against the etiquette if I allow myself tocontinue our conversation.In the first place, I, like you, do not like literature of the kind weare discussing. As a reader and “a private resident” I am glad toavoid it, but if you ask my honest and sincere opinion about it, Ishall say that it is still an open question whether it has a right toexist, and no one has yet settled it …. Neither you nor I, nor all thecritics in the world, have any trustworthy data that would give themthe right to reject such literature. I do not know which are right:Homer, Shakespeare, Lopez da Vega, and, speaking generally, theancients who were not afraid to rummage in the “muck heap,” butwere morally far more stable than we are, or the modern writers,priggish on paper but coldly cynical in their souls and in life. I donot know which has bad taste—the Greeks who were not ashamedto describe love as it really is in beautiful nature, or the readers ofGaboriau, Marlitz, Pierre Bobo.* Like the problems of non-resistanceto evil, of free will, etc., this question can only be settled inthe future. We can only refer to it, but are not competent to decideit. Reference to Turgenev and Tolstoy—who avoided the “muckheap”—does not throw light on the question. Their fastidiousnessdoes not prove anything; why, before them there was a generation*P. D. Boborykin.49
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