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Letters of Anton Chekhov (Tchekhov) - Penn State University

Letters of Anton Chekhov (Tchekhov) - Penn State University

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<strong>Letters</strong> <strong>of</strong> <strong>Anton</strong> <strong>Chekhov</strong> to His Family and Friends with biographical sketchYALTA, January 3, 1899.… Apparently you have misunderstood me a little. I did not writeto you <strong>of</strong> coarseness <strong>of</strong> style, but only <strong>of</strong> the incongruity <strong>of</strong> foreign,not genuinely Russian, or rarely used words. In other authors suchwords as, for instance, “fatalistically,” pass unnoticed, but your thingsare musical, harmonious, and every crude touch jars fearfully. Ofcourse it is a question <strong>of</strong> taste, and perhaps this is only a sign <strong>of</strong>excessive fastidiousness in me, or the conservatism <strong>of</strong> a man whohas adopted definite habits for himself long ago. I am resigned to “acollegiate assessor,” and “a captain <strong>of</strong> the second rank” in descriptions,but “flirt” and “champion” when they occur in descriptionsexcite repulsion in me.Are you self-educated? In your stories you are completely an artistand at the same time an “educated” man in the truest sense.Nothing is less characteristic <strong>of</strong> you than coarseness, you are cleverand subtle and delicate in your feelings. Your best things are “In theSteppe,” and “On the Raft,”—did I write to you about that? Theyare splendid things, masterpieces, they show the artist who has passedthrough a very good school. I don’t think that I am mistaken. Theonly defect is the lack <strong>of</strong> restraint, the lack <strong>of</strong> grace. When a manspends the least possible number <strong>of</strong> movements over some definiteaction, that is grace. One is conscious <strong>of</strong> superfluity in your expenditure.The descriptions <strong>of</strong> nature are the work <strong>of</strong> an artist; you are a reallandscape painter. Only the frequent personification (anthropomorphism)when the sea breathes, the sky gazes, the steppe barks, naturewhispers, speaks, mourns, and so on—such metaphors makeyour descriptions somewhat monotonous, sometimes sweetish, sometimesnot clear; beauty and expressiveness in nature are attainedonly by simplicity, by such simple phrases as “The sun set,” “It wasdark,” “It began to rain,” and so on—and that simplicity is characteristic<strong>of</strong> you in the highest degree, more so perhaps than <strong>of</strong> anyother writer ….366

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