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Annual Report 2005-2006 - India Foundation for the Arts

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‘Lav and Kush grew up and donned <strong>the</strong>young <strong>for</strong>m of Ram and Lakshman. Thevery same actors became older still andappeared on stage as Bhishma andDronacharya, stroking <strong>the</strong>ir whitebeards. As time, <strong>the</strong> biggest <strong>the</strong>atre person,drew <strong>the</strong> curtains, <strong>the</strong>se actorsbecame mere memories . . . <strong>the</strong> onething that did not change was <strong>the</strong> plays<strong>the</strong>y per<strong>for</strong>med.’Filmmaker K M Madhusudhanan on Surabhi, a120-year old <strong>the</strong>atre company from Andhra Pradeshand <strong>the</strong> subject of his film.Vivek Narayanan, New DelhiRs 4,97,769 over two yearsFor research towards a novel on <strong>the</strong> rise and fallof Carnatic music as a dynamic social <strong>for</strong>m from<strong>the</strong> 1920s to <strong>the</strong> 1960s. The researcher will consultarchival material on <strong>the</strong> lives of Carnatic musiciansand <strong>the</strong> technical innovations made within <strong>the</strong>music during this period; interview per<strong>for</strong>mers andcritics associated with this phase of <strong>the</strong> music; andconsult scholars working on Carnatic music. Theproject will also lead to English translations ofselected memoirs written by Carnatic musicians,which will be useful <strong>for</strong> <strong>the</strong> novel but can also bemore widely disseminated.Centre <strong>for</strong> Studies in Social Sciences Calcutta,KolkataPrincipal Investigator: Manas RayRs 3,52,000 over two yearsFor research towards two novels––in Bengali andEnglish––on <strong>the</strong> journey of a refugee colony tourbanity in post-partition Calcutta. Envisaged as aborder-crossing genre, <strong>the</strong> proposed novels willexplore <strong>the</strong> interface between ethnography, history,memoir and fiction. Dwelling on <strong>the</strong> texture of <strong>the</strong>ordinary and familial history to construct an archiveof pain, anguish and hope, <strong>the</strong> novels are expected tochallenge nostalgic accounts of <strong>the</strong> afterlife of <strong>the</strong>Bengal partition.Saba Dewan, New DelhiRs 4,99,000 over one yearFor post-production work on a film titled InSearch of Umrao, exploring <strong>the</strong> social and cultural historyof <strong>the</strong> tawaifs of north <strong>India</strong>. The film focuses on<strong>the</strong> art <strong>for</strong>ms associated with <strong>the</strong> tawaifs and <strong>the</strong> relationshipbetween aes<strong>the</strong>tic expression and sexualidentity. Through <strong>the</strong> story of a lost thumri sung byRasoolan Bai, whose career as a per<strong>for</strong>mer overlappedwith significant transitions in both <strong>the</strong> practice ofmusic and public female sexualities, <strong>the</strong> film willexamine <strong>the</strong> major shifts in <strong>the</strong> tradition’s history.Sri Nilakanteshwara Natya Seva Sangha,Heggodu, KarnatakaRs 4,50,000 over one yearFor updating and digitising a database on per<strong>for</strong>mancespaces in Karnataka. The updated databasewill contain in<strong>for</strong>mation on <strong>the</strong> location ofeach space, <strong>the</strong> nature of its stage and auditorium, itsseating capacity, rental details, spatial dimensions,<strong>the</strong> types of o<strong>the</strong>r spaces attached to it, and <strong>the</strong>equipment available. The database will be availableto <strong>the</strong>atre groups, students of <strong>the</strong>atre and researchscholars on a CD and will eventually be uploadedonto a website.K M Madhusudhanan, New DelhiRs 5,00,000 over one yearFor <strong>the</strong> making of a film on Surabhi, a 120-year old travelling <strong>the</strong>atre company from AndhraPradesh. Envisaged as a journey with <strong>the</strong> repertorycompany, <strong>the</strong> film, titled Mayabazar, will examine<strong>the</strong> everyday activities of <strong>the</strong>se travelling actors and<strong>the</strong>ir families, rehearsals, exercises, <strong>the</strong> staging of<strong>the</strong> plays based on <strong>the</strong> epics and <strong>the</strong> puranas, <strong>the</strong>audience, sets, make-up and costume design. Thefilm will also explore <strong>the</strong> traces of Parsi <strong>the</strong>atre,silent cinema from <strong>the</strong> Phalke era and <strong>the</strong> paintingsof Raja Ravi Varma in <strong>the</strong> design of <strong>the</strong> <strong>the</strong>atrecompany’s sets and costumes. 11From <strong>the</strong> play Mayabazar, per<strong>for</strong>med by Surabhi.Photograph by K M Madhusudhanan.

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