358<strong>Course</strong> <strong>Descriptions</strong>GDAR 1005 (3,2,1) (C)Chinese Knight-errant Heroism andthe Modern WorldThe course will explore an important aspect in Chinese cultureand society throught readings and discussions of literary workson knight-errant heroism ( ). It will guide students toinvestigate the origin and development of knight-errant heroismthrough the reading of representative literature. Students willalso study the concept from philosophical, social, and literartperspectives, with emphases on the sense of moral responsibility( ), the use of un-authorized force (takinglaw into one's own hands), and the manly tragic aesthetics. Itsrelevance in modern society and its contrast with the regard ofrule by law will also be discussed.GDAR 1006 (3,2,1) (P)Life Style, Chinese Literature, Mass CultureThe course will investigate (1) how mass culture—e.g. architecture,food, movies, clothing—are represented in literature; (2) how massculture influences literary writing; and (3) how the relationshipof literature and mass culture makes an impact on our life style.GDAR 1007 (3,2,1) The Review and Outlook of Confucian Cultureas Revealed in Korean Television DramaThis course will study the adaptation and transformation ofConfucian culture in an Asian country undergoing modernization.Korean television dramas of various themes, such as historicalheroes, love stories and family affairs will be used. Throughanalysing the behaviour and thinking patterns of modern andancient characters in the drama, the course will examine thesignificance of Confucian culture in Korea and whereby drawcomparison between Korean Confucian culture and that in theoriginal Confucian classics.GDAR 1015 (3,2,1) (C)Understanding Chinese Literature throughWorld Cultural Heritage in ChinaThis course aims to deepen students’ understanding of a facet ofChinese civilization, namely the relationship between humansand nature in Chinese literature. Through the reading of selectedwritings in the genre of Chinese travel literature, students willbe exposed to the beauty of landscapes. The course containssix topics, each covering one scenic site on which writers of thepast composed their literary works in the genres of poetry andprose. These works will be discussed in conjunction with relevantinformation on the locale in question, such as its history, terrain,religions, science, architecture, and local customs, as well as itslocal artwork, such as calligraphy, sculptures, and gardens.GDAR 1016 Aesthetics, Youth, Action (3,3,0) (E)This course sensitizes students to the kaleidoscopic world ofyouth with particular reference to how youth culture is manifest inliterary and linguistic expressions. This course is theme-driven (e.g.Youth Identity, Love, Sex, Drugs, Aspirations). And the choiceof topics within each theme would be flexible, depending on theinterests of the class.GDAR 1017 Improvisation Comedy for Better (3,3,0)Linguistic AwarenessThis course will study the most fundamental concepts oflinguistics with which students may more effectively manipulateto achieve humour. The kind of humour intended here focuseson theatric comedy typical of Improv and Standup. The pointis to train students in the ability to take different perspectivesof any information presented to them and communicate thoseperspectives. Use of theatric comedy provides training forstudents to take fresh perspectives of life and culture through roleplaying and keen observation. This also has the added effect ofequipping students with a set of theatrical and presentation skillsunique to comedy.GDAR 1025 Love Stories and Romance Movies (3,3,0) (E)“Love Stories and Romance Movies” critically examines a varietyof love discourses in print and visual forms, and helps studentsunderstand the emotional, physical, historical, political, andideological dimensions of love. This course studies different lovestyles, and love in all of its (feudalistic, romantic, modern, andpostmodern) forms, placing special emphasis on gender, ethical,and cross-cultural issues in love relationships. Topics coveredmay include love-shyness, limerence, friendship, companionatelove, passionate love, obsession, unrequited love, ludus, pragma,marriage, betrayal, sexual abuse, divorce and death.GDAR 1026 Food and Humanities (3,2,1) (E)This course discusses the impacts of food in Humanities byexploring the nature of human drinking and eating throughphilosophical, anthropological, cultural and socio-psychologicaldiscourses. It adopts an interdisciplinary approach byintroducing representing theories of the subject, both classicaland contemporary. The discussion starts from anthropologicalfindings of human food consumption in various religions andcultures. It then introduces specific topics which reflect on therelation of food consumption and gender construction, culturalidentities and politics, art and media representation, etc., andfinally reviews eating as a cultural phenomenon in local context.GDAR 1027 Gender and Culture (3,2,1)The course will take an interdisciplinary and multimediaapproach to examine gender constructions socially, culturallyand historically in literature, film, internet, visual art, and otherpopular cultural forms, with concrete analyses of examples fromChinese communities and other parts of the world. Using theperspectives of contemporary gender studies including feministscholarship, gay-lesbian analytical tools, critical theory andpsychoanalysis, this course will focus on the constructed natureof gender roles, the effects of these constructions on the lives ofdifferent gender identities, and the possibilities for change andindividual empowerment that a critical awareness can create.GDAR 1035 Love and Culture (3,2,1)The course aims to help student understand and analyse themajor factors affecting the cultural construction of love and sexvia discussion of exemplary works in both Western and Chinesecultures, and engage them in critical attitudes toward currentissues on love and sex arising in the local context of <strong>Hong</strong> <strong>Kong</strong>.It will review the ideas and representations of love, sex anderoticism as cultural phenomena in Western and Chinese cultures,bringing in some representing philosophical, social and culturalperspectives of the subject.GDAR 1036 Being a Communicatively (3,2,1)Effective Language Learner and UserIn this course, students will be exposed to the new targetsand attitudes of language learning and language use. Thecontemporary theoretical concepts (i.e. ethnography of learning,communication and learners, communicative competence) will beillustrated by examples taken from social, academic and workplaceface-to-face and online contexts. To consolidate learning andlanguage use, students will have to apply the new theoreticalconcepts to critically evaluate the ways in which English is usedeffectively, with particular reference to interpersonal/interculturalexperiences. They will also have to record, comment and reflect
on the use of English in various settings and interaction modes asethnographers while they are studying the course.GDAR 1037 English in the World Today (3,2,1) (E)This course will help students better understand different varietiesof English as spoken by people around the world (e.g. Singapore,Australia, North America). Through analysing the socio-culturaland linguistic features of various varieties of English, studentswill be a better educated and more versatile user of the Englishlanguage.GDAR 1045 Current Events (3,3,0) (E)In this course, students will get extensive opportunities to discussand write about (after reading and listening) current issues in everysphere, both local and worldwide, and in the process improvetheir critical thinking and arguementation, their independentlearning and information literacy skills, and their awareness ofand engagement with important issues in the world today, as wellas their competence in spoken and written English.GDAR 1046 Experiencing and Exploring Music (3,3,0) (C)in <strong>Hong</strong> <strong>Kong</strong>This course will give student an opportunity to experience firsthand and explore music in relationship to its role in our society.In each of the three weeks devoted to one type of music in <strong>Hong</strong><strong>Kong</strong> (traditional, popular, classical, theatrical), students areexpected to (1) acquire knowledge in such type of music, includingits brief history and its general musical characteristics; (2) reflecton the musical and aesthetical issues pertinent to the participatedactivity; and (3) relate the themed activity with current issues in<strong>Hong</strong> <strong>Kong</strong>’s cultural scene.GDAR 1047 Jazz, Blues and Broadway (3,3,0) (E)This course introduces basic terminology and concepts necessaryto develop critical music listening skills; and introduces arepertoire of the American popular music genres of jazz, blues,and musical theatre. It will teach students to examine the culturaland historical context of the music studied; and the interplaybetween societal and musical developments. The course isdesigned for both musicians and non-musicians.GDAR 1055 Music in the Cinema (3,3,0) (E)This course will introduce students to the history and aestheticsof music in the cinema, an every-day experience via TV and videopresentations, and one which we take for granted. The subjectwill cover the origins of music as an adjunct to drama in differentcultures; the proto-cinematic stage of Wagner; and proceed fromthe use of music in the so-called “silent cinema” through theintroduction of recorded sound in the 1920s, to the developmentof fully synchronized sound and music scores in the 1930s, to thepresent day with avant-garde and experimental films. Studentswill acquire skills to identify and evaluate different types of musicas expressive and symbolic elements in film, as well as an abilityto think critically about cinematic music. Through the criticalexploration of a plurimedial and interdisciplinary art form,students will engage with an enriched artistic experience of film.Previous academic study of music or film is not required.GDAR 1056 Music of Our Lives: Understanding (3,3,0) (E)and Enjoying the Musical ArtsThe purpose of this course is three-fold.First, there is afundamental focus on students becoming educated and activemusic listeners of Western and Asian music representative ofa wide range of music literature primarily from 1850 to thepresent. Second, the course will emphasize the development ofan understanding of musical characteristics and artistic elementsreflective of music of <strong>Hong</strong> <strong>Kong</strong>, China, Europe, and Americas.Third, students will gain insights into the place and role of musicin not only diverse cultural and historical contexts, but alsoexamine how the students themselves use music in their lives.GDAR 1057 Chinese Thoughts through Films (3,2,1) (C)Chinese thought has immense influences over East Asia at largeand is an invaluable treasure of human kind. The course willstudy the fundamental religious and ethical concepts of theThree Teachings (sanjiao), Confucianism, Daoism and ChineseBuddhism, such as loyalty, filial duties, Dao, Sunyata (emptiness)and the like, which play important roles in shaping the EastAsian mind. With this basic understanding, student will thenunderstand Chinese history and culture. Films that represent anddeal with these Chinese religious and philosophical ideas will beexaimed and discussed.GDAR 1065 Critical Thinking (3,2,1) (C)This course aims to provide a basic introduction to themethodology of critical thinking, in particular, the basicmethodology of the following: the method of linguistic-conceptualanalysis, the method of logic and scientific method. Specialattention will be given to the basic concepts and principles of themethodology of the three areas of the study of critical thinkingaforementioned. The course, in particular, will show how to applythose concepts and principles to problem solving, the constructionof sound arguments as well as the tackling of linguistic pitfallsand fallacies by using both daily life and academic examples.GDAR 1066 Fantasy, Romance and (3,2,1)Religious QuestThrough studying the narratives of the “high fantasy” genre, thiscourse will address some of the most compelling issues in humanlife, such as the origin of mankind and the universe, the motionof reality, the existence of spirits, the seductiveness of humanmind, the justification of God, and the conception of salvation.The course will also explore how traditional Chinese fantastic andromantic narratives—Daoist and Buddhist in particular—seek toanswer similar questions with their respective religious beliefs andphilosophical thoughts. Meanwhile, the course will examine howsome fantasy narratives in the contemporary West—such as thoseby Le Guin and Wachowskis brothers—have been influenced byDaoism and Buddhism.GDAR 1067 Introduction to Western (3,2,1) (E)PhilosophyThis subject aims at providing an introduction to a selection ofmajor philosophical issues in the western tradition. Emphasiswill be placed on showing how these issues can be relevant toour modern day living. The views of representative philosopherson such issues will be introduced along with the lectures anddiscussions. In addition, the course will stress the continuitybetween these philosophers and the connections between theirrespective solutions to the problems under consideration.GDAR 1075 Magic, Demonic Power and (3,2,1)Spiritual Quests in the Western TraditionIn this course, students will be invited to trace the recent hypeof magical/demonic stories as portrayed in media and in popliterature among young people back to their cultural and religiousroots (only deal with the traditions in the West, namely, theHebraic-Judaic religion as exemplified in the Old Testament,ancient Greek philosophies, Greco-Roman mythologies andChristianity). Students will examine the attraction of thesemagical/demonic powers in their reverse dimensions, i.e. thegeneral human quest for identity, truth and meaning in spiritualdimensions. Lastly, students will be asked to compare andevaluate the views and answers offered by the major cultural andreligious traditions in response to the quest for life’s meaning andfulfilment.GDAR 1076 Sex, Gender and Chinese (3,2,1)ThoughtThe course will address the central issues in the history ofChinese attitudes toward sex and gender, and explore howintellectual conceptions of sex and sexuality in China areconstructed linguistically, philosophically, and religiously in theclassical Confucian, Daoist, and Buddhist texts. Emphasis willbe given to gender-related issues such as womanhood and femalevirtues, foot-binding, and the epistemological status of bodilyexperience. The course will show how the complicated viewson the interrelationship between sexual identity/corporeality359<strong>Course</strong> <strong>Descriptions</strong>
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