Download - Delhi Heritage City

Medieval and Colonial Capital Cities of DelhiCOMPARATIVE ANALYSISThe glory and the location of the city were first mentionedby Ptolemy in 2nd cen. AD and again by the Chinese travellerHieun Tsang in 7th cen. AD. The city is profusely marked byvarious architectural elements which mark its urban fabricdefining the character of the town and its planning. TheWalled city consisting of the fort built by Akbar and thecantonment area designed by the British are two of thedistinct characters of planning.• Status of nominationLahore is not nominated under the UNESCO’s list ofWorld Heritage Cities.• Architectural componentsPic 04: Marble pavilion and old entrance of theLahore fort, by Craddock, James, 1860‐1870,Source: Victoria and Albert MuseumThe architectural heritage of Lahore reflects highest degree of human intervention achieved during theMughal rule which continued to develop even after the decline of Mughal rule. The Lahore Fort and theShalamar Gardens are two such examples which define the achievements of exceptional architecturalcreativity in terms of usage of materials and monumental technology.The Fort and the Shalamar Garden has been inscribed in UNESCO’s list of world heritage sites in 1981under the criteria (i) (ii) and (iii).The inscribed property includes two distinct royal complexes, the Lahore Fort and the Shalimar Gardens,both located in the City of Lahore. The two complexes – onecharacterized by monumental structures and the other byextensive water gardens ‐ are outstanding examples ofMughal artistic expression at its height, as it evolved duringthe 16th and 17th centuries.The Lahore Fort, situated in the north‐west corner of theWalled City of Lahore, occupies a site which has beenPic 05: Badshahi Mosque, Source: Nominationoccupied for several millenia. Assuming its presentconfiguration during the 11th century, the Fort was destroyed and rebuilt several times by the earlyMughals during the 13th to the 15th centuries. The 21 monuments which survive within its boundariescomprise an outstanding repertory of the forms of Mughal architecture from the reign of Akbar (1542‐1605), characterized by standardized masonry of baked brick and red sandstone courses relieved byHindu motifs, through that of Shah Jahan (1627‐58), characterized by the use of luxurious marbles, inlaysof precious materials and mosaics, set within exuberant decorative motifs of Persian origins. Akbar’sefforts are exemplified in the Masjidi Gate flanked by two bastions and the Khana‐e‐Khas‐o‐Am (Publicand Private Audience Hall). Akbar’s successor, Jahangir, finished the large north court (1617‐18) begun byAkbar and, in 1624‐25, decorated the north and north‐west walls of the Fort. Shah Jahan added a fairytale‐like complex of buildings surrounding the Court of Shah Jahan (Diwan‐e‐Kas, Lal Burj, Khwabgah‐e‐Jahangiri, and the Shish Mahal, 1631‐32, one of the most beautiful palaces in the world, sparkling withmosaics of glass, gilt, semi‐precious stones and marble screening).The Shalimar Gardens, constructed by Shah Jahan in 1641‐2 isa Mughal garden, layering Persian influences over medievalIslamic garden traditions, and bearing witness to the apogeeof Mughal artistic expression. The Mughal garden ischaracterized by enclosing walls, a rectilinear layout of pathsand features, and large expanses of flowing water. TheShalimar Gardens cover 16 hectares, and is arranged in threeterraces descending from the south to the north. The regularplan, enclosed by a crenellated wall of red sandstone,disposes square beds on the upper and lower terraces andelongated blocks on the narrower, intermediate terrace;7/31/2012 INTACH, Delhi Chapter 6Pic 06: Art and Craft of Lahore‐Intangible HeritageSource: Victoria and Albert Museum