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Arts - Buffalo State College

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84<br />

Humanities<br />

methods of rhetorical criticism to analyze Murrow’s speech in order<br />

to further understand the structure and reasoning of this quite blunt<br />

speech. First, the situation or the context that had prompted Murrow<br />

to deliver his speech was examined. I looked at how these following<br />

factors might have affected Murrow’s speech: rhetor, audience, topic,<br />

setting, persuasive field, rhetorical conventions, and the media.<br />

Second, I looked at the major ideas that were presented throughout<br />

the speech by coding the speech using Wilson and Arnold’s<br />

sixteen universal topics. Third, I analyzed Murrow’s arguments by<br />

examining logical appeals evident in the speech. Finally, I analyzed<br />

the syntax and imagery presented in the speech. The findings from<br />

this rhetorical analysis were that Murrow was angry about the<br />

programming done in television during that time period and that<br />

he was concerned about how television would affect the Americans<br />

in the generations to come. Murrow stated that the business end<br />

of the media had affected the way radio and television chose their<br />

programming. Much of the speech talks about the downfall of the<br />

United <strong>State</strong>s society due to the misuse of radio and television.<br />

Presentation Type and Session: Oral – Social Sciences<br />

Fame As a Facade<br />

Sarah Kramer, PHI 401W: Respect Seminar<br />

Faculty Mentor: Professor John Draeger, Philosophy<br />

Stephen Darwall distinguishes between two kinds of respect.<br />

Recognition respect is given to all humans simply for being rational<br />

ends in themselves. Appraisal respect is given to a person with an<br />

excellent character or excellence in a specific pursuit. While society<br />

heaps praise and fame on celebrities of all kinds, fame seems empty.<br />

In particular, Darwall would withhold appraisal respect because<br />

fame need not track good character or even excellence in a given<br />

pursuit. The social norm of praising celebrities includes regarding<br />

them as more deserving of our attention, interest in their pursuits,<br />

and their needs or wants. According to Cheshire Calhoun, we should<br />

respect the social norm of celebrity and give celebrities appraisal<br />

respect. This paper explores whether Darwall’s idea of appraisal<br />

respect make sense of the emptiness of fame. It concludes that<br />

following social conventions surrounding the famous need not<br />

imply that they deserve the appraisal for any exhibition of virtuous<br />

character or positive pursuit.<br />

Presentation Type and Session: Oral – Humanities II<br />

A Familiar Tale Turned Upside Down: The<br />

Unconventional Use of Sentimentality and<br />

Seduction In The Scarlet Letter<br />

Gail Graesser, ENG 442: American Novel to 1900<br />

Faculty Mentor: Professor Peter Ramos, English<br />

Many authors of the early American novel use sentimentality<br />

and adaptations of the British seduction novel as a means to find<br />

their place in the literary world. In striving to create a uniquely<br />

American voice, these authors use the mode of the sentimental novel<br />

and apply it to the new American experience. These authors hope<br />

to gain credibility for their literary works and the genre of the novel<br />

as a whole. While most of these authors follow the familiar story<br />

line comprised of a woman tempted by a wayward love, ruined at<br />

the hand of her seducer, a subsequent illegitimate pregnancy, and<br />

ultimate death, there is one which seems to challenge this pattern.<br />

This paper argues that The Scarlet Letter by Nathaniel Hawthorne<br />

uses the mode of the sentimental novel along with the motif of<br />

seduction to create a very different outcome. Hawthorne shifts the<br />

roles of his major characters in The Scarlet Letter to create a new<br />

variation on the standard seduction novel. While his readers will be<br />

familiar with the seduction theme, they will apply their sympathies<br />

for these characters in a new way. By employing the reversal of<br />

the use of sympathy with the character of Arthur Dimmesdale,<br />

Hawthorne is enabled to portray the character of Hester in a unique<br />

way. The use of Dimmesdale is a very creative and well-planned tool<br />

by which Hawthorne brings readers his critical views of the Puritan<br />

laws and Calvinistic way of life. The reader is given a new lens with<br />

which to view the fallen woman in the familiar seduction motif.<br />

The Scarlet Letter uses what is hidden to bring forth what is new.<br />

Whether the somewhat hidden reversal of sympathy in its seduction<br />

motif, the hidden truths of the characters themselves, or the hidden<br />

hypocrisy of the men in power, this paper argues that Hawthorne<br />

uses the unexpected to bring forth new truth. The uses of the<br />

seduction motif and the reversal of the sympathies of the reader has<br />

enabled Hester Prynne to emerge as the vehicle of new truth, a most<br />

radical use of the fallen woman by Nathaniel Hawthorne.<br />

Presentation Type and Session: Oral – Humanities III<br />

Fictionalizing Resistance: Scheherazade<br />

and Her Reincarnation In the Modern<br />

Arab Novel<br />

Amy Widman, English Education<br />

Faculty Mentor: Professor Aimable Twagilimana, English<br />

From the stories of the ancient to the stories of our present, we<br />

see a highly patriarchal society where women are often victims of<br />

male dominated ideologies and practices. Somehow women have<br />

engaged in resistance against their patriarchal societies. One may<br />

wonder how women have survived in these societies for thousands<br />

of years. Upon a closer inspection of literature, we see women in a<br />

very different light than they are initially viewed. In the book Arabian<br />

Nights we meet Scheherazade, who resists her patriarchal society<br />

and saves the lives of many potential victims from the whims of a<br />

vengeful king through storytelling. In Tayeb Salih’s novel Season<br />

of Migration to the North, we meet Jean Morris and Hosna Bin<br />

Mahmoud. These two characters show resistance against their society<br />

in very different ways: manipulation and violence. Women have the<br />

capacity of full control of not only themselves, but the world around<br />

them. Women have approached this situation and presence of power<br />

very carefully because they live in a male-dominated society, but it

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