Anatomy of Trees - Artist's Network

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Tip: Turn yourpainting upside downoccasionally to checkfor repeated negativespace.26
The viewer unconsciously likes to explore the spaces, indentations andprotrusions <strong>of</strong> trees.27
Page 2: The framework:• M is a compact ma
Page 5 and 6: One thing we need to remove from ou
Page 8 and 9: If you group trees together thesymm
Page 10 and 11: Notice that the three trees actuall
Page 12 and 13: Watch out for cloned tree shapes. I
Page 14 and 15: Also grouping trees together makes
Page 16 and 17: When you compare both sides ofthis
Page 18 and 19: Fitting trees into alimited pictori
Page 20 and 21: It is not recommendable to have tre
Page 22 and 23: Also close large gaps on the side o
Page 24 and 25: One common problem is that a tree l
Page 28 and 29: Make sure you also pay attention to
Page 30 and 31: Also, visually trees can easily end
Page 33 and 34: Avoid competing &boring contour lin
Page 35 and 36: What you can do is lighten the valu
Page 37 and 38: Or have the trees go higher than th
Page 39 and 40: As we learned in the “Painting St
Page 41 and 42: In this photo I intend to speak mor
Page 43 and 44: One easy way to avoid over renderin
Page 45 and 46: Notice how just by skipping a brush
Page 47 and 48: Summer scenes are probably the wors
Page 49 and 50: Autumn trees are tricky because you
Page 51 and 52: Here is a recommended palette you c
Page 53 and 54: This painting has no green hue what
Page 55 and 56: Nature will provide you with many t
Page 57 and 58: When you create foliage backgrounds
Page 59: When you create foliage backgrounds

Anatomy of Trees - Artist's Network

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