Anatomy of Trees - Artist's Network

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Also close large gaps on the side <strong>of</strong> your tree where you don’t want the viewerto go. You can leave a small gap as long as you don’t feel you get trapped in it.By zooming in this way it keeps the eye from wandering around in the sky.22
How to handle theircontour.23
Page 2: The framework:• M is a compact ma
Page 5 and 6: One thing we need to remove from ou
Page 8 and 9: If you group trees together thesymm
Page 10 and 11: Notice that the three trees actuall
Page 12 and 13: Watch out for cloned tree shapes. I
Page 14 and 15: Also grouping trees together makes
Page 16 and 17: When you compare both sides ofthis
Page 18 and 19: Fitting trees into alimited pictori
Page 20 and 21: It is not recommendable to have tre
Page 24 and 25: One common problem is that a tree l
Page 26 and 27: Tip: Turn yourpainting upside downo
Page 28 and 29: Make sure you also pay attention to
Page 30 and 31: Also, visually trees can easily end
Page 33 and 34: Avoid competing &boring contour lin
Page 35 and 36: What you can do is lighten the valu
Page 37 and 38: Or have the trees go higher than th
Page 39 and 40: As we learned in the “Painting St
Page 41 and 42: In this photo I intend to speak mor
Page 43 and 44: One easy way to avoid over renderin
Page 45 and 46: Notice how just by skipping a brush
Page 47 and 48: Summer scenes are probably the wors
Page 49 and 50: Autumn trees are tricky because you
Page 51 and 52: Here is a recommended palette you c
Page 53 and 54: This painting has no green hue what
Page 55 and 56: Nature will provide you with many t
Page 57 and 58: When you create foliage backgrounds
Page 59: When you create foliage backgrounds

Anatomy of Trees - Artist's Network

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