11.07.2015 Views

The role of digital video media in second language listening ...

The role of digital video media in second language listening ...

The role of digital video media in second language listening ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Abstract<strong>The</strong> aim <strong>of</strong> this <strong>in</strong>vestigation was to exam<strong>in</strong>e the <strong>role</strong> <strong>of</strong> visual elements <strong>in</strong> <strong>second</strong><strong>language</strong> listen<strong>in</strong>g comprehension when <strong>digital</strong> <strong>video</strong> was used as a mode <strong>of</strong>presentation. Despite the widespread use <strong>of</strong> <strong>video</strong> <strong>in</strong> listen<strong>in</strong>g <strong>in</strong>struction, little isknown at present about how learners attend to dual-coded <strong>media</strong> and, <strong>in</strong> particular,how visual elements may <strong>in</strong>fluence comprehension processes.<strong>The</strong> study was conducted at the Japanese department <strong>of</strong> a large Australian researchuniversity. In conjunction with Japanese <strong>language</strong> <strong>in</strong>structors, the researcher firstselected three authentic Japanese news broadcasts. After digitisation, the <strong>video</strong>textswere utilised <strong>in</strong> a pilot study that was designed to explore issues not resolved <strong>in</strong> areview <strong>of</strong> current theory. Four participants, represent<strong>in</strong>g a range <strong>of</strong> pr<strong>of</strong>icienciesfrom beg<strong>in</strong>n<strong>in</strong>g to advanced, were directed to provide im<strong>media</strong>tely retrospectiveverbal reports <strong>in</strong> the pilot study. <strong>The</strong> central outcome <strong>of</strong> the pilot study was to setout a prelim<strong>in</strong>ary seven-category framework <strong>of</strong> listener <strong>in</strong>teractions with the <strong>digital</strong><strong>video</strong>texts. <strong>The</strong>se categories, for example, <strong>in</strong>cluded text type identification,macrostructure generation, confirmation and h<strong>in</strong>drance <strong>of</strong>macrostructuredevelopment.In the ma<strong>in</strong> study, twelve upper <strong>in</strong>ter<strong>media</strong>te non-native tertiary students <strong>of</strong> Japaneseattended to the <strong>video</strong>texts. With some modification <strong>of</strong> the data collection procedures,the participants provided im<strong>media</strong>tely retrospective verbal reports while they 1)<strong>in</strong>teracted with the <strong>video</strong>text <strong>in</strong>itially and 2) engaged with <strong>video</strong>text dur<strong>in</strong>g selfdirectedresponses to open-ended task demands. Based on the first section <strong>of</strong> theverbal reports, the pilot study framework was ref<strong>in</strong>ed to focus on <strong>in</strong>itial front-tobackcomprehension <strong>of</strong> the <strong>video</strong>texts. <strong>The</strong> seven-part categorisation was expandedto <strong>in</strong>clude greater detail <strong>of</strong> behavioursIn a <strong>second</strong> stage <strong>of</strong> analysis, a three-category framework was proposed to focus oni

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!