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The role of digital video media in second language listening ...

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not for their <strong>in</strong>formation potential, but rather as boundary markers to demarcaterelevant sections <strong>of</strong> <strong>video</strong>text. As shown <strong>in</strong> her high degree <strong>of</strong> focus, she knowswhat to look for and how to f<strong>in</strong>d it. Abby uses visual signposts to make herrecursions as efficient as she can as she goes over aural phrases to tease out wordsand confirms task-relevant <strong>in</strong>formation. She works the visual and aural elements <strong>in</strong>tandem to create an efficient method for f<strong>in</strong>d<strong>in</strong>g and confirm<strong>in</strong>g task-relevant<strong>in</strong>formation. In this case, exact names (‘Choshi City, Nishiogawa District’) arelocated and repeated as she makes a complete answer to the tasks.As she cont<strong>in</strong>ues, Abby encounters the fourth task that asks her to state where theemployee found the money. Paused at Frame M14 after six <strong>second</strong>s <strong>of</strong> see<strong>in</strong>g aconveyor belt littered with rubbish, she makes no use further use <strong>of</strong> <strong>video</strong>text beforewrit<strong>in</strong>g an answer. She expla<strong>in</strong>s that the relevant <strong>in</strong>formation “mostly came from thepicture” and adds that “it is an English word so it jumps out at you” (text unit 63).Abby is clearly mak<strong>in</strong>g reference to the Japanese phrase ‘beruta conubeya’(conveyor belt) which, to a tra<strong>in</strong>ed ear, can be heard as an English loan word. In this<strong>in</strong>stance, the visual element is <strong>of</strong> primary importance to Abby as the aural elementtakes on a confirmatory <strong>role</strong>.Abby appears to lose a strong a priori focus <strong>in</strong> the middle <strong>of</strong> the task set as shemakes five recursions before answer<strong>in</strong>g the fifth task. <strong>The</strong> question asks listeners tostate the exact amount <strong>of</strong> money found at the rubbish collection site. Although sherecalls an approximate figure, she is unsure where to f<strong>in</strong>d the specific amount. Abbyabruptly pauses her first move (“Oh, here we go” <strong>in</strong> text unit 64) when she locatesa task-relevant phrase. She then <strong>in</strong>itiates an eighteen-<strong>second</strong> review and claims shewasn’t listen<strong>in</strong>g (text unit 67). If <strong>in</strong>deed she wasn’t attend<strong>in</strong>g to the aural track, it islikely that she was pay<strong>in</strong>g attention to the visual elements dur<strong>in</strong>g the extensivereview. By the third recursion, Abby locates a key task-relevant phrase (‘yon hyakuju mai’ or 'four hundred thousand yen' <strong>in</strong> text unit 68) that provides a key to theanswer. She then uses two subsequent recursions <strong>of</strong> two to four <strong>second</strong>s each to233

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