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The role of digital video media in second language listening ...

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Chapter Two: Video-<strong>media</strong>ted listen<strong>in</strong>g comprehensionBecause <strong>of</strong> the lack <strong>of</strong> research which has specifically addressed <strong>video</strong>-<strong>media</strong>ted<strong>second</strong> <strong>language</strong> listen<strong>in</strong>g comprehension processes, the aim <strong>of</strong> this chapter is t<strong>of</strong>irst exam<strong>in</strong>e previous research areas <strong>of</strong> <strong>in</strong>terdiscipl<strong>in</strong>ary research to first establish asound theorectical basis on which to ground the <strong>in</strong>vestigation. To achieve this aim,an <strong>in</strong>terdiscipl<strong>in</strong>ary approach that touches on four key areas will be undertaken. Inthe first section, disjunctures between established listen<strong>in</strong>g theory and currentdef<strong>in</strong>itions <strong>of</strong> <strong>video</strong>text are critically exam<strong>in</strong>ed. To better understand the complexmental processes and, <strong>in</strong>deed, explore <strong>The</strong> <strong>second</strong> section sets out cognitiveprocesses related to <strong>video</strong>-<strong>media</strong>ted listen<strong>in</strong>g comprehension to better understand the<strong>in</strong>terplay amongst physiological factors, memory, and comprehension. <strong>The</strong> thirdsection explores approaches to listen<strong>in</strong>g research. F<strong>in</strong>ally, and their attendantframeworks for understand<strong>in</strong>g comprehension behaviour. <strong>The</strong> chapter concludeswith a discussion <strong>of</strong> the review, and sets out key issues that motivate the pilot study.Def<strong>in</strong><strong>in</strong>g listen<strong>in</strong>g and <strong>video</strong>textAlthough Rub<strong>in</strong> (1995a) cites Clark and Clark (1977) to support a def<strong>in</strong>ition <strong>of</strong>listen<strong>in</strong>g which <strong>in</strong>cludes both visual and verbal features, there appears to be littlehistorical support <strong>in</strong> the <strong>second</strong> <strong>language</strong> literature to promote such a view. Indeed,as Kellerman (1992) po<strong>in</strong>ts out, “current models <strong>of</strong> L2 listen<strong>in</strong>g comprehensionpresented <strong>in</strong> the English <strong>language</strong> teach<strong>in</strong>g literature, and exist<strong>in</strong>g pedagogic practiceand test<strong>in</strong>g methods, overwhelm<strong>in</strong>gly stress the auditory aspects <strong>of</strong> listen<strong>in</strong>g” (p.247). Because it is <strong>in</strong>cumbent that the researcher “first exam<strong>in</strong>e the nature <strong>of</strong> alisten<strong>in</strong>g comprehension construct and identify the critical aspects <strong>of</strong> listen<strong>in</strong>gcomprehension that need to be addressed” (Dunkel, Henn<strong>in</strong>g & Chaudron, 1993, p.180), the <strong>in</strong>itial purpose <strong>of</strong> this section is to exam<strong>in</strong>e the <strong>role</strong> <strong>of</strong> visual elements <strong>in</strong>8

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