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Book - School of Science and Technology

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464 Ductwork designL w ˆ 10 ‡ 10 log 10 Q ‡ 20 log 10 PwhereQ ˆ volume flow (litre/s)P ˆ static pressure (resistance) (Pa)L w ˆ overall sound power level (dB re 10 12 W)To establish the individual sound power levels in the various frequency b<strong>and</strong>s, correctionfactors must be subtracted as read from Figure 16.24.Noise in roomsThe measurement <strong>of</strong> noise in rooms should be in conformity with a st<strong>and</strong>ard such as thatset down by the Association <strong>of</strong> Noise Consultants in `noise from Building Services Part 1Measurements in Buildings'. Readings are commonly taken:. at a normally occupied position within a room. not less than 1 m distance from any room surface, grille or other ventilation device.There are two components to the sound pressure at a point in a room; the direct soundpropagating to the receiving point from the source <strong>and</strong> sound reaching the receiving pointafter being reflected from the surrounding room surfaces. This is usually termed thereverberant component. The magnitude <strong>of</strong> the sound pressure level is the decibel sum <strong>of</strong>the two components, which can be calculated knowing the sound power emitted from thesource(s), the location <strong>and</strong> radiation characteristics <strong>of</strong> the source(s) <strong>and</strong> the acousticproperties <strong>of</strong> the room. When air enters the room from, say, a grille, it exp<strong>and</strong>s into freespace. The difference in the volume <strong>of</strong> the duct <strong>and</strong> the room results in an impedancemismatch as seen by the sound wave <strong>and</strong> this accounts for some low frequency attenuation.Consequently, a large number <strong>of</strong> small outlets will transmit less low frequency noiseinto a space than a single large grille.There is the question <strong>of</strong> background noise which is never absent, albeit at very lowlevels even in a sound-pro<strong>of</strong> room. In order to be sure <strong>of</strong> measuring a noise correctly, it isnecessary to measure the dB <strong>of</strong> the background, <strong>and</strong> then <strong>of</strong> the background plus thenoise in question. By determining the absolute pressure level in Pa <strong>of</strong> each source <strong>of</strong> noiseusing antilogarithms <strong>and</strong> the logarithm <strong>of</strong> the difference, the dB level <strong>of</strong> the noise can befound (see Figure 16.25). If there is a difference <strong>of</strong> more than 10 dB the background issufficiently quieter than the source under consideration that it does not numerically addto it <strong>and</strong> can therefore be ignored.The ear must, <strong>of</strong> course, always remain the final arbiter when making a judgement about anoise level, as instrumental measurement, however careful, may be misleading. There mayfor instance be a single monotonous tone which has only a slight effect on the absolute noiselevel in terms <strong>of</strong> dB, or there may be an intermittent noise which goes quite unrecorded butboth influence the subjective impression about the acceptability <strong>of</strong> the noise.Noise dispersalThe less the noise produced, the easier is the problem <strong>of</strong> mitigating it. Nevertheless, allplant is liable to cause noise to a greater or lesser degree.

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