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An Analytical and Educational Survey of Howard Hanson's Dies ...

An Analytical and Educational Survey of Howard Hanson's Dies ...

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38interesting choice Hanson makes is the pairing <strong>of</strong> tenor saxophone <strong>and</strong> piccolo as thefinal melodic instrumentation <strong>of</strong> the variation.Variation IV. The fourth variation, allegro feroce, takes place at fortissimo withoccasional sforz<strong>and</strong>i <strong>and</strong> forti. Orchestration is divided between sixteenth-note passagesprimarily in the woodwinds, brass melody, <strong>and</strong> occasional whole-note or half-note lineswith chromaticism. Dynamics <strong>and</strong> orchestration are consistent throughout the variation.Chords <strong>and</strong> instrumentation are balanced as well.This consistency, along with tempo,creates the driving energy behind the variation.Variation V. The entire fifth variation is presented in the piano dynamic, fading topianissimo. The first section is orchestrated in the woodwinds, with melody presentedfirst in clarinets, then flutes, <strong>and</strong> finally oboe. The second section adds trombones,baritone, basses, bassoons, flutes, piccolo, <strong>and</strong> horns to the orchestration with movingsuspensions in the first bassoon <strong>and</strong> the baritone. The third section concludes withmelody in the clarinets. Overall, orchestration <strong>and</strong> dynamics are light in contrast to theprevious variation.

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