An Analytical and Educational Survey of Howard Hanson's Dies ...
An Analytical and Educational Survey of Howard Hanson's Dies ...
An Analytical and Educational Survey of Howard Hanson's Dies ...
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24Variation III is marked <strong>and</strong>ante calmo, nelmodo Gregohano, quarter note equals60, <strong>and</strong> is composed in mixed meter <strong>of</strong> 2/4 <strong>and</strong> 3/8. This variation is characterized by itsGregorian chant-like solo voices that create a polyphonic setting <strong>of</strong> the melody. The use<strong>of</strong> mixed meter contributes to a calm, lilting feel <strong>of</strong> this variation. <strong>Hanson's</strong> choices inorchestration create an interesting texture as well. A shift from Aeolian mode to Phrygianmode at the end <strong>of</strong> the variation foreshadows the minor second interval prevalent in thefollowing variation.Variation IV, labeled allegro feroce at quarter note equals 152, is the mosttechnically challenging section <strong>of</strong> the work. This variation is characterized by theemphasis on the tritone <strong>and</strong> minor second, the syncopated accents <strong>of</strong> the melody, <strong>and</strong> thecontinuous sixteenth-note accompaniment. The sixteenth notes create a sense <strong>of</strong> urgencythat propels this variation forward.The final variation, Variation V, is marked larghetto semplice at quarter noteequals 60, creating stark contrast from the previous variation in tempo <strong>and</strong> style.Instrumentation <strong>and</strong> dynamics are much lighter as well. The eighth-note melody ispresented in canon by solo instruments; the melody has a sense <strong>of</strong> flow pr<strong>of</strong>fered by thesetting <strong>of</strong> this variation in simple triple meter.