An Analytical and Educational Survey of Howard Hanson's Dies ...
An Analytical and Educational Survey of Howard Hanson's Dies ...
An Analytical and Educational Survey of Howard Hanson's Dies ...
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15Chapter 2: <strong>Dies</strong> Natalis<strong>Dies</strong> Natalis Overview<strong>Dies</strong> Natalisfor B<strong>and</strong> was composed by <strong>Howard</strong> Hanson in 1972 <strong>and</strong> publishedthrough Carl Fischer in 1973. Occasionally, the work is referred to as <strong>Dies</strong> Natalis IIbecause itis the wind b<strong>and</strong> version <strong>of</strong> <strong>Hanson's</strong> 1967 <strong>Dies</strong> Natalis for orchestra. CarlFischer lists the title <strong>Dies</strong> Natalisfor B<strong>and</strong> in the published score. The CentennialCommission <strong>of</strong> Nebraska commissioned the orchestral version; the wind b<strong>and</strong> versionwas not written on commission (Cohen, 2004).<strong>Dies</strong> Natalisfor B<strong>and</strong> is dedicated to Donald Hunsberger <strong>and</strong> the Eastman WindEnsemble. The Eastman Wind Ensemble premiered the work under the baton <strong>of</strong> DonaldHunsberger on April 7,1972 in the Eastman Theatre in Rochester. Hanson wrote theb<strong>and</strong> version <strong>of</strong> <strong>Dies</strong> Natalis two to three years prior to the Eastman premiere for acommission that was not completed, <strong>and</strong> subsequently approached Dr. Hunsberger <strong>and</strong>the Eastman Wind Ensemble to premiere the work (Hunsberger, personalcommunication, April 15, 2010). The premiere concert was conducted as part <strong>of</strong> the 50anniversary celebration <strong>of</strong> the Eastman School <strong>of</strong> Music, the meeting <strong>of</strong> the EasternDivision <strong>of</strong> the College B<strong>and</strong> Directors National Association, <strong>and</strong> the Third NationalWind Ensemble Conference (Cipolla & Hunsberger, 1994).The overall form <strong>of</strong> the work consists <strong>of</strong> an introduction, chorale, five variations,<strong>and</strong> a finale. The orchestral version has two additional variations. <strong>Hanson's</strong> specificreasons for excluding them in the b<strong>and</strong> arrangement are unknown, though technicalchallenges may be the most logical explanation. Both excluded variations are impressivefor strings, but may present a more difficult challenge for wind tessituras. Additionally,