manuals - Pragma ADE
manuals - Pragma ADE manuals - Pragma ADE
FontsAlthough installation of TEX and friends hasbecome relatively easy, fonts always will be aspecial case. This is a result from the flexibilityof TEX, as well as the fact that TEX cantypeset virtually any language. The font manualcovers the installation of fonts in ConTEXtand describes in detail how to define typescripts,how to achieve special effects, likehanging punctuation, and how to set up mathfonts.Fonts inConTEXtExamples Of Using Typescriptswww.pragma-ade.comdec: 0hex: 000 1 2 3 4 5 6 7 8 9 A B C D E Fdec: 0hex: 000U0->0:0�ııU16->0:16U32->0:32 00U48->0:480@@U64->0:64@PPU80->0:80P‘‘U96->0:96`ppU112->0:112p\unknowncharU128->0:128€\unknowncharU144->0:144\nonbreakablespaceU160->0:160 °\textdegreeU176->0:176°À\AgraveU192->0:192ÀÐ\EthU208->0:208Ðà\agraveU224->0:224àð\ethU240->0:240ð01€€U1->0:1jjU17->0:17!!U33->0:33!11U49->0:491AAU65->0:65AQQU81->0:81QaaU97->0:97aqqU113->0:113q\unknowncharU129->0:129\unknowncharU145->0:145‘¡\exclamdownU161->0:161¡±\textpmU177->0:177±Á\AacuteU193->0:193ÁÑ\NtildeU209->0:209Ñá\aacuteU225->0:225áñ\ntildeU241->0:241ñ12U2->0:2``U18->0:18""U34->0:34"22U50->0:502BBU66->0:66BRRU82->0:82RbbU98->0:98brrU114->0:114r\unknowncharU130->0:130‚\unknowncharU146->0:146’¢\textcentU162->0:162¢²\twosuperiorU178->0:178²Â\AcircumflexU194->0:194ÂÒ\OgraveU210->0:210Òâ\acircumflexU226->0:226âò\ograveU242->0:242ò23U3->0:3´´U19->0:19##U35->0:35#33U51->0:513CCU67->0:67CSSU83->0:83SccU99->0:99cssU115->0:115s\unknowncharU131->0:131ƒ\unknowncharU147->0:147“£\textsterlingU163->0:163£³\threesuperiorU179->0:179³Ã\AtildeU195->0:195ÃÓ\OacuteU211->0:211Óã\atildeU227->0:227ãó\oacuteU243->0:243ó34⁄⁄U4->0:4ˇˇU20->0:20$$U36->0:36$44U52->0:524DDU68->0:68DTTU84->0:84TddU100->0:100dttU116->0:116t\unknowncharU132->0:132„\unknowncharU148->0:148”¤\textcurrencyU164->0:164¤´\textacuteU180->0:180´Ä\AdiaeresisU196->0:196ÄÔ\OcircumflexU212->0:212Ôä\adiaeresisU228->0:228äô\ocircumflexU244->0:244ô45˙˙U5->0:5˘˘U21->0:21%%U37->0:37%55U53->0:535EEU69->0:69EUUU85->0:85UeeU101->0:101euuU117->0:117u\unknowncharU133->0:133…\unknowncharU149->0:149•¥\textyenU165->0:165¥µ\textmuU181->0:181µÅ\AringU197->0:197ÅÕ\OtildeU213->0:213Õå\aringU229->0:229åõ\otildeU245->0:245õ56˝˝U6->0:6¯¯U22->0:22&&U38->0:38&66U54->0:546FFU70->0:70FVVU86->0:86VffU102->0:102fvvU118->0:118v\unknowncharU134->0:134†\unknowncharU150->0:150–¦\textbrokenbarU166->0:166¦\paragraphmarkU182->0:182¶Æ\AEligatureU198->0:198ÆÖ\OdiaeresisU214->0:214Öæ\aeligatureU230->0:230æö\odiaeresisU246->0:246ö67˛˛U7->0:7˚˚U23->0:23’’U39->0:39'77U55->0:557GGU71->0:71GWWU87->0:87WggU103->0:103gwwU119->0:119w\unknowncharU135->0:135‡\unknowncharU151->0:151—§\sectionmarkU167->0:167§·\periodcenteredU183->0:183·Ç\CcedillaU199->0:199Ç×\textmultiplyU215->0:215×ç\ccedillaU231->0:231ç÷\textdivU247->0:247÷78flU8->0:8¸¸U24->0:24((U40->0:40(88U56->0:568HHU72->0:72HXXU88->0:88XhhU104->0:104hxxU120->0:120x\unknowncharU136->0:136ˆ\unknowncharU152->0:152˜¨\textdiaeresisU168->0:168¨¸\textcedillaU184->0:184¸È\EgraveU200->0:200ÈØ\OstrokeU216->0:216Øè\egraveU232->0:232èø\ostrokeU248->0:248ø89U9->0:9	ßßU25->0:25))U41->0:41)99U57->0:579IIU73->0:73IYYU89->0:89YiiU105->0:105iyyU121->0:121y\unknowncharU137->0:137‰\unknowncharU153->0:153™©\copyrightU169->0:169©¹\onesuperiorU185->0:185¹É\EacuteU201->0:201ÉÙ\UgraveU217->0:217Ùé\eacuteU233->0:233éù\ugraveU249->0:249ù9AU10->0:10
ææU26->0:26**U42->0:42*::U58->0:58:JJU74->0:74JZZU90->0:90ZjjU106->0:106jzzU122->0:122z\unknowncharU138->0:138Š\unknowncharU154->0:154ša\ordfeminineU170->0:170ªo\ordmasculineU186->0:186ºÊ\EcircumflexU202->0:202ÊÚ\UacuteU218->0:218Úê\ecircumflexU234->0:234êú\uacuteU250->0:250úABffU11->0:11œœU27->0:27++U43->0:43+;;U59->0:59;KKU75->0:75K[[U91->0:91[kkU107->0:107k{{U123->0:123{\unknowncharU139->0:139‹\unknowncharU155->0:155›«\leftguillemotU171->0:171«»\rightguillemotU187->0:187»Ë\EdiaeresisU203->0:203ËÛ\UcircumflexU219->0:219Ûë\ediaeresisU235->0:235ëû\ucircumflexU251->0:251ûBCfiU12->0:12øøU28->0:28,,U44->0:44,0:76L\\U92->0:92\llU108->0:108l||U124->0:124|\unknowncharU140->0:140Œ\unknowncharU156->0:156œ¬\textlognotU172->0:172¬¼\onequarterU188->0:188¼Ì\IgraveU204->0:204ÌÜ\UdiaeresisU220->0:220Üì\igraveU236->0:236ìü\udiaeresisU252->0:252üCDU13->0:13
ÆÆU29->0:29--U45->0:45-==U61->0:61=MMU77->0:77M]]U93->0:93]mmU109->0:109m}}U125->0:125}\unknowncharU141->0:141\unknowncharU157->0:157-\softhyphenU173->0:173­½\onehalfU189->0:189½Í\IacuteU205->0:205ÍÝ\YacuteU221->0:221Ýí\iacuteU237->0:237íý\yacuteU253->0:253ýDEffiU14->0:14ŒŒU30->0:30..U46->0:46.>>U62->0:62>NNU78->0:78NˆˆU94->0:94^nnU110->0:110n˜˜U126->0:126~\unknowncharU142->0:142Ž\unknowncharU158->0:158ž®\registeredU174->0:174®¾\threequarterU190->0:190¾Î\IcircumflexU206->0:206ÎÞ\ThornU222->0:222Þî\icircumflexU238->0:238îþ\thornU254->0:254þEFfflU15->0:15ØØU31->0:31//U47->0:47/??U63->0:63?OOU79->0:79O__U95->0:95_ooU111->0:111o\unknowncharU127->0:127\unknowncharU143->0:143\unknowncharU159->0:159Ÿ¯\textmacronU175->0:175¯¿\questiondownU191->0:191¿Ï\IdiaeresisU207->0:207Ïß\ssharpU223->0:223ßï\idiaeresisU239->0:239ïÿ\ydiaeresisU255->0:255ÿFdec: 0hex: 000 1 2 3 4 5 6 7 8 9 A B C D E Fdec: 0hex: 00Fonts inConTEXtExamples Of Using Typescriptswww.pragma-ade.comffftfottntnonfntoonnffnffntofffttoffottonnontnonoftnotftfono tooonfofotttnoonfftfntftntfnttnonffn tooftotfonfttfoonftfnotfnnfofofott otnn tottofonnfontfottnfftntnnfnntootoftonontootofnfottnnntfnnnffnfttffoontntoonfntntfftotfoonnfnftfnffftnnottfttnntooffoontfffntfnnofnofntfnnnffonffftoonttnoonooofoonofoooftfnfnffottfotonontoofffnotntotnfooftnftftntnfontnffotttfnofttffofntonnttnfnontofttotfnnfnftottntonfftnfffootftntontonontotofnonotofnnoofotffonfnootootnfntnnnoofffnnfntfnonooototftfnnfnfffftfoffffffnoftonnntofoonftnnooffnnototnfnfotftnofoonnotoonnnffotffonfttotonttttnooonfnftotofntfnttofnfnftnntofottntttttfotftotfnttfotfttfnnotfoftffffftoootnttnotnttonottftnntttttfontonttntnn ooononttfotnnttfoffffotntotooontfottontotntonoo
exit content index reference Hans Hagenmetafuncontext mkivMetaFunIf you like graphics, you may like MetaFun, acollection of METAPOST macros. The manualcovers most of METAPOST, as well asthe interface between this graphical environmentand ConTEXt. There are numerous examples,that give you an impression about thepower of this graphical system as well as thestrength of the combination with TEX.METAFUNcontext mkivOctober 8, 2010Hans Hagen
- Page 1: \about \adaptlayout \adding \append
- Page 6 and 7: texexec --make --allonly english in
- Page 8 and 9: TEXexecTraditional TEX is hard to c
- Page 12 and 13: FontsInstalling fonts is one of the
- Page 14 and 15: ConTEXtcommandsQuick ReferencesThis
- Page 16 and 17: ChineseIn many aspects, typesetting
- Page 18 and 19: METAPOST outlinesMakeMPY is a Perl
- Page 20 and 21: content colofon index go back - +Ex
- Page 22 and 23: 1 11 11 1STEPSStepchartsStepcharts
- Page 24 and 25: 1 11 11 1PHYSMLPhysML supportSuppor
- Page 26 and 27: WidgetsWidgets are interative eleme
- Page 28 and 29: LabelsThe author of a graphic is no
- Page 30 and 31: BROWSE FOR FILEQUIT SESSIONGO AHEAD
- Page 32 and 33: ExtremeColumn sets can be used for
- Page 34 and 35: FILE FEATURESIMAGE HANDLINGBITMAP C
- Page 36 and 37: This program, written in RUBY, coll
- Page 38 and 39: This program, written in RUBY, coll
- Page 40 and 41: ℵℵℵℵℵℵℵℵℵℵℵ
- Page 42 and 43: AA AB AC AD AE AF AG AH AI AJ AK AL
- Page 44 and 45: -->
- Page 46 and 47: () (){}{}{}{}(){}{}{} ()() {} {}{}
- Page 48 and 49: 1 1Dealing with XMLThis manual expl
- Page 50 and 51: Luatools, Mtxrun &ContextHere we di
- Page 52 and 53: What is ConTeXtOccasionally I run i
- Page 54 and 55: A01A02A03A04A05A06A07A08A09A10A11A1
- Page 56 and 57: Lua librariesThis manual describes
exit content index reference Hans Hagenmetafuncontext mkivMetaFunIf you like graphics, you may like MetaFun, acollection of METAPOST macros. The manualcovers most of METAPOST, as well asthe interface between this graphical environmentand ConTEXt. There are numerous examples,that give you an impression about thepower of this graphical system as well as thestrength of the combination with TEX.METAFUNcontext mkivOctober 8, 2010Hans Hagen
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