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Seminar XXIV Final Sessions 1 - Lacan in Ireland

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It is very difficult not to waver on occasions. There is a choice to be madebetween actual <strong>in</strong>f<strong>in</strong>ity which can be circular, on condition that there is noorig<strong>in</strong> that can be designated, and the enumerable knot, namely, f<strong>in</strong>ite.There are many possibles <strong>in</strong> this which means that one <strong>in</strong>terrupts the way ofwrit<strong>in</strong>g – that is my def<strong>in</strong>ition of the possible – one only cont<strong>in</strong>ues it if onewishes; <strong>in</strong> fact one gives up, because it is always possible to give up,because it is even impossible not to really give up. What I call theimpossible, is the Real, limits itself to non-contradiction. The Real is theimpossible to simply write, or <strong>in</strong> other words, does not cease not to bewritten. The Real, is the possible wait<strong>in</strong>g to be written.And I should say that I had a confirmation of this, because I don’t knowwhy, someth<strong>in</strong>g got <strong>in</strong>to me, I went to Saclay, more exactly I askedsomeone to drive me there. It is someone called Goldzahl, it is amus<strong>in</strong>g thathe should have this name which means golden number; he brought me <strong>in</strong>to alittle room where there were traces – because Saclay is immense, it isabsolutely enormous, you cannot imag<strong>in</strong>e the number of people who arescribbl<strong>in</strong>g on paper <strong>in</strong>side it, there are 7,000 of them, all they do moreover isto scratch on paper, except for the few people who are there <strong>in</strong> this littleroom and thanks to which, there is seen, what bears witness to thefunction<strong>in</strong>g of most of these apparatuses – as a result of which one can seethe undulat<strong>in</strong>g trace of what represents – of course it was necessary to set upthe apparatuses <strong>in</strong> such a way that this functions, that it should berepresented – of what represents the magnetism of the pr<strong>in</strong>ciple magnets.One sees on other apparatuses there be<strong>in</strong>g displaced, because one canqualify as displacement what goes from the left to the right and what issupported by a po<strong>in</strong>t; a po<strong>in</strong>t at the end of a l<strong>in</strong>e, that makes a trace and <strong>in</strong>this little room, one sees noth<strong>in</strong>g but these traces whose structure it is <strong>in</strong>short conceivable to symbolise by someth<strong>in</strong>g which goes around <strong>in</strong> the formof a circle each of these po<strong>in</strong>ts, each of these po<strong>in</strong>ts which represents aparticle, a particle which therefore is articulated with all of the apparatusesof which it is quite certa<strong>in</strong> that the totality of these apparatuses, is what iscalled psi, <strong>in</strong> other words what Freud could not prevent himself from98

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