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Seminar XXIV Final Sessions 1 - Lacan in Ireland

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have to cut it, as I might say to express myself <strong>in</strong> a metaphorical fashion,you have to cut it lengthways (2) for it to be freed. [cut 1, 2]The condition therefore that the torus should only be cut <strong>in</strong> one s<strong>in</strong>gle way,even though it could be done <strong>in</strong> two ways, is someth<strong>in</strong>g that deserves to beremembered <strong>in</strong> what I would call on this occasion, not a metaphor but astructure; for the difference there is between the metaphor and the structure,is that the metaphor is justified by the structure.Now <strong>in</strong> follow<strong>in</strong>g what is at stake <strong>in</strong> the Dante <strong>in</strong> question, I was led toreread an old book that my bookseller brought me, s<strong>in</strong>ce he comes fromtime to time to br<strong>in</strong>g me th<strong>in</strong>gs, it is by someone called Delescluze, whichwas published <strong>in</strong> 1864, he was a pal of Baudelaire, it is called Dante et lapoésie amoureuse (Dante and love poetry) and it is not very reassur<strong>in</strong>g; it isall the less reassur<strong>in</strong>g <strong>in</strong> that as I said earlier, Dante had begun on thisparticular occasion, on the occasion of the aforesaid love poetry, began toact the buffoon.He created, not what I have not created, namely, a metalanguage, he createdwhat one can call a new tongue, what could be called a metatongue, s<strong>in</strong>ceafter all, every new tongue is a metatongue, but like all new tongues, it isformed on the model of ancient ones, which is to say that it fails.What k<strong>in</strong>d of fate is it which ensures that, whatever may be the genius ofsomeone, he always recommences along the same rail, along this rail which93

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