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Seminar XXIV Final Sessions 1 - Lacan in Ireland

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that there is no k<strong>in</strong>d of <strong>in</strong>convenience <strong>in</strong> translat<strong>in</strong>g anyth<strong>in</strong>g whatsoever, <strong>in</strong>particular, not the preface.Like every preface, I would be <strong>in</strong>cl<strong>in</strong>ed, s<strong>in</strong>ce this is usually what happens<strong>in</strong> prefaces, I would be <strong>in</strong>cl<strong>in</strong>ed to approve myself, even to applaud myself;this is what is usually done. It is a comedy. It is of the order of comedy andthat made me, that <strong>in</strong>duced me..., that pushed me towards Dante. Thiscomedy is div<strong>in</strong>e, of course, but that only means one th<strong>in</strong>g, which is that itis farcical. I speak about the farcical <strong>in</strong> L’étourdit, I don’t know at whatpage I speak about it but I do speak about it. That means that one can befarcical about this supposedly div<strong>in</strong>e work. There is not the slightest div<strong>in</strong>ework, unless one wants to identify it to what I call the Real. But I want tospecify this notion that I have of the Real.I would like it to become more widespread. There is an aspect (face) – it isunheard of that one should dare to advance terms like that – there is anaspect by which this Real is dist<strong>in</strong>guished from what is, to say the word,knotted to it. Here it is necessary to specify certa<strong>in</strong> th<strong>in</strong>gs. If one can talkabout aspect, it must take on its weight, I mean that it should have a sense.It is quite clear that it is <strong>in</strong>asmuch as this notion of the Real that I amadvanc<strong>in</strong>g, is someth<strong>in</strong>g consistent that I can put it forward.And there I would like to make a remark, which is that the r<strong>in</strong>gs of str<strong>in</strong>g, asI called them, <strong>in</strong> which I made consist this triad of the Real, of theImag<strong>in</strong>ary and of the Symbolic, to which I was pushed, not by just anyone,by the hysterics, so that that I started from the same material as Freud, s<strong>in</strong>ceit is <strong>in</strong> order to say someth<strong>in</strong>g coherent about hysterics that Freud built upthe whole of his technique, which is a technique, namely, someth<strong>in</strong>g that onthis particular occasion is very fragile.I would like all the same to po<strong>in</strong>t out the follow<strong>in</strong>g, which is that the r<strong>in</strong>gsof str<strong>in</strong>g on this particular occasion do not hold up. Someth<strong>in</strong>g more isneeded – this is what was, I should say, suggested to me the other day bySoury’s lecture; Soury gives lectures on Thursday even<strong>in</strong>g, I don’t see why I91

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