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Seminar XXIV Final Sessions 1 - Lacan in Ireland

Seminar XXIV Final Sessions 1 - Lacan in Ireland

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So then what does know<strong>in</strong>g mean? Know<strong>in</strong>g means be<strong>in</strong>g able to deal withthe symptom, know<strong>in</strong>g how to sort it out, know<strong>in</strong>g how to manipulate it, toknow (savoir), this is someth<strong>in</strong>g that corresponds to what man does with hisimage, it is to imag<strong>in</strong>e the way <strong>in</strong> which you can manage this symptom.What is <strong>in</strong> question here, of course, is secondary narcissism, radicalnarcissism the narcissism that is called primary be<strong>in</strong>g ruled out on thisparticular occasion. Know<strong>in</strong>g how to deal with your symptom, that is theend of analysis. We have to recognise that this is pretty limited. It does notreally go very far. How it is practised, this is of course what I am striv<strong>in</strong>g toconvey <strong>in</strong> this crowd, with what result I do not know. I embarked on thisnavigation like that, because at bottom I was provoked <strong>in</strong>to do<strong>in</strong>g so. It iswhat resulted from what was published <strong>in</strong> some special series or other ofOrnicar on the split of 1953. I would surely have been much more discreetif the split of ‘53 had not happened.The metaphor <strong>in</strong> use for what is called access to the real is what is called themodel. There is someone called Kelv<strong>in</strong> who was very <strong>in</strong>terested <strong>in</strong> that, hewas even called Lord, Lord Kelv<strong>in</strong>. He considered that science wassometh<strong>in</strong>g <strong>in</strong> which a model was function<strong>in</strong>g and which allowed, with thehelp of this model, to foresee what would be the results, the results of thefunction<strong>in</strong>g of the Real. One has recourse therefore to the Imag<strong>in</strong>ary to giveoneself an idea of the Real. You should write then se faire, ‘to give oneselfan idea’, I said, write it as ‘sphere’ (sphère) to clearly understand what theimag<strong>in</strong>ary means. What I put forward <strong>in</strong> my Borromean knot of theImag<strong>in</strong>ary, the Symbolic and the Real, led me to dist<strong>in</strong>guish these threespheres and then, afterwards, re-knot them. I had therefore to go from thesethree balls – there are dates, I enunciated the Symbolic, the Imag<strong>in</strong>ary andthe Real <strong>in</strong> ‘54, I entitled an <strong>in</strong>augural lecture with these three names whichhave become <strong>in</strong> short through me what Frege calls proper nouns (nomspropres). To found a proper noun, is someth<strong>in</strong>g that elevates your ownname (nom propre) a little bit. The only proper name <strong>in</strong> all of that, is m<strong>in</strong>e.<strong>Lacan</strong>’s extension to the Symbolic, to the Imag<strong>in</strong>ary and to the Real is whatallows these three terms to consist. I am not particularly proud of it. But I4

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