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Seminar XXIV Final Sessions 1 - Lacan in Ireland

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propose, is that one can comprehend at that moment the <strong>in</strong>st<strong>in</strong>ctual reversalof which Freud speaks and <strong>Lacan</strong> takes up aga<strong>in</strong>, the <strong>in</strong>st<strong>in</strong>ctual reversal thatI am go<strong>in</strong>g to put on the top of the graph, as the passage to a second mode ofseparation and this <strong>in</strong>st<strong>in</strong>ctual reversal, as one might say, as a secondattempt at approach<strong>in</strong>g the lost object but this time from a differentperspective: from the perspective of the subject. Let me expla<strong>in</strong>: if youwish, <strong>in</strong> the first moment that I postulate, I would say that while I recognisemyself as listener, the switch<strong>in</strong>g po<strong>in</strong>t that comes, which means that now Iam go<strong>in</strong>g to pass to the other side, can be articulated as follows, namely, toadvance that when I recognise myself as listener, one could say that thistime it is me, I am recognised as listener by the music which comes to me,namely, that the music, what was an answer and which gave rise to aquestion <strong>in</strong> me, th<strong>in</strong>gs are <strong>in</strong>verted, namely, that the music becomes aquestion which assigns me, as subject, to respond myself to this question,namely, that you see that the music is constituted as listen<strong>in</strong>g to me, assubject f<strong>in</strong>ally – let us call it by its name – as subject supposed to hear andthe music, the production, that which was the <strong>in</strong>augural answer becomes thequestion, the production therefore of the musician subject be<strong>in</strong>g constitutedas subject supposed to hear, assigns me <strong>in</strong> this position of subject and I amgo<strong>in</strong>g to answer it by a transference love. In this way one cannot fail toarticulate the fact that music produces all the time effectively love-effects,as one might say.I come back aga<strong>in</strong> to this notion of lost object from the follow<strong>in</strong>g angle: thefact is that you have not failed to remark that what is proper to the effect of34

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