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Seminar XXIV Final Sessions 1 - Lacan in Ireland

Seminar XXIV Final Sessions 1 - Lacan in Ireland

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very special; it has what people call sense- effects, and it would be enoughfor me to connote S 2 , as not be<strong>in</strong>g the second <strong>in</strong> time, but as hav<strong>in</strong>g a doubledirection (sens) for the S 1 to take its place, and its place correctly. It shouldall the same be said that the weight of this duplicity of sense is common toevery signifier.I th<strong>in</strong>k that Madame Kress-Rosen will not contradict me, if she wants tooppose it <strong>in</strong> any way whatsoever, she is quite free to make a sign to me,s<strong>in</strong>ce, I repeat, I am delighted that she is there. Psychoanalysis, I would say,is no more of a fraud than poetry itself, and poetry is founded precisely onthis ambiguity of which I speak and which I qualify as double sense. Poetryappears to me all the same to depend on the relation of the signifier to thesignified. One could say <strong>in</strong> a certa<strong>in</strong> way that poetry is imag<strong>in</strong>arilysymbolic, I mean that, s<strong>in</strong>ce Madame Kress-Rosen yesterday evokedSaussure and his dist<strong>in</strong>ction between the tongue and speech, not moreoverwithout not<strong>in</strong>g that as regards this dist<strong>in</strong>ction, Saussure had wavered; itrema<strong>in</strong>s all the same that his start<strong>in</strong>g po<strong>in</strong>t, namely, that the tongue is thefruit of a maturation, of the ripen<strong>in</strong>g of someth<strong>in</strong>g that is crystallised <strong>in</strong>usage, it rema<strong>in</strong>s that poetry depends on a violence done to this usage andthat, - we have proofs of this – , if I evoked, the last time, Dante and lovepoetry, it is <strong>in</strong>deed to mark this violence, that philosophy does everyth<strong>in</strong>g toefface, this <strong>in</strong>deed is why philosophy is the test<strong>in</strong>g ground for sw<strong>in</strong>dl<strong>in</strong>g andwhy one cannot say that poetry does not play, <strong>in</strong> its own way, <strong>in</strong>nocently, atwhat I called just now, what I connoted as imag<strong>in</strong>arily symbolic, that iscalled the Truth.This is called the Truth notably concern<strong>in</strong>g the sexual relationship, namely,that, as I put it, - perhaps the first, and I do not see why I would give myselfa title for it – there is no sexual relationship, I mean properly speak<strong>in</strong>g, <strong>in</strong>the sense that there might be someth<strong>in</strong>g to ensure that a man necessarilyrecognises a woman.It is certa<strong>in</strong> that I, that I have this weakness of recognis<strong>in</strong>g her as the (la),but I am all the same sufficiently aware to have noted that there is no the,103

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