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'Murderer's House' - University of Victoria

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which can be fully read and understood. Strand by strand weaving […] is the true<br />

art <strong>of</strong> the fairy tale–and it is, I would submit, semiotically a female art. (68-71)<br />

But what is the function <strong>of</strong> these narratives told by women throughout the<br />

centuries? Folk and fairy tales have the important social function <strong>of</strong> conveying women‟s<br />

lived experience in the form <strong>of</strong> a story that arouses the curiosity <strong>of</strong> listeners. As Rowe<br />

explains, through the vehicle <strong>of</strong> “the mesmerizing voice, wise women […have] passed on<br />

the secret lore–<strong>of</strong> birthing, dying, destiny, courtship, marriage, sexuality from generation<br />

to generation” (64). Moreover, female storytellers convey social attitudes and<br />

expectations. In Warner‟s words they “pass on [to their children] vital information about<br />

the values and beliefs <strong>of</strong> the community in which they are growing up, will instruct them<br />

in who is trusted and who is not, about what is considered praiseworthy and what is<br />

condemned, about alliances and enmities, hopes and dangers” (49). Thus through telling<br />

stories, women have traditionally transmitted knowledge, both cultural and personal,<br />

down through the generations.<br />

75

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