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'Murderer's House' - University of Victoria

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essentialize men or women‟s experiences <strong>of</strong> war in that these experiences are based on a<br />

historical and social reality.<br />

The second sequence <strong>of</strong> the film that depicts a woman‟s gendered experience <strong>of</strong><br />

war is the scene in which Lene is raped by two American soldiers. In the film narrative,<br />

the rape sequence takes place during Lene and Anna‟s migration to the East and<br />

interrupts Lene‟s narration <strong>of</strong> the Grimms‟ fairy tale ““Der Räuberbräutigam” (“The<br />

Robber Bridegroom”). The scene is preceded by two scenes <strong>of</strong> early-colour documentary<br />

newsreel footage. The first consists <strong>of</strong> a very lengthy aerial panning shot <strong>of</strong> bombed out<br />

Berlin, which goes on for 1 minute and 5 seconds and which shows the extreme scope <strong>of</strong><br />

the devastation to the German metropolis. This scene is accompanied by a sombre piano<br />

melody dominated by shrill disharmonies. The accompaniment appears to be a funeral<br />

march and it underscores the sadness, loss, and otherworldliness <strong>of</strong> the devastation. The<br />

second scene shows an American soldier sitting on the ground playing a legless concert<br />

piano. His dissonant plunking captures the attention <strong>of</strong> a female civilian standing at the<br />

far left-hand corner <strong>of</strong> the screen holding a broom and dustpan. She turns to look at the<br />

piano player briefly and, moving from right to left, walks <strong>of</strong>f screen. Two American<br />

soldiers walk past the piano player, pause, turn to look at him briefly and smile. Then<br />

they lift their heads quickly as if the <strong>of</strong>f-screen woman has caught their attention and they<br />

saunter <strong>of</strong>f screen as if wanting to catch up with the woman. The right to left movements<br />

<strong>of</strong> the woman and soldiers create a sense <strong>of</strong> tension and uneasiness in the Western<br />

viewer. This is because right to left movement contradicts the Western eye‟s natural<br />

instinct to move over an image from left to right, due in part to the way people are trained<br />

to read (Giannetti 33). The image <strong>of</strong> male members <strong>of</strong> a conquering army following a<br />

52

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