'Murderer's House' - University of Victoria
'Murderer's House' - University of Victoria
'Murderer's House' - University of Victoria
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comments, “Ein kleines Mädchen. Kein strammer Junge” (Sanders-Brahms, Film-<br />
Erzählung 53). 34 Lene‟s comment suggests that she has been indoctrinated by gender-<br />
based Nazi ideology that assumed that women were inferior to men.<br />
Next follows a shot <strong>of</strong> Lene who turns to the midwife saying, “Es ist mir so<br />
fremd” (Sanders-Brahms, Film-Erzählung 53). 35 The action shows a second shot <strong>of</strong> the<br />
newborn baby lying in blood and the narrator‟s voice-over comments, “Als sie mich von<br />
dir abschnitten, Lene, fiel ich auf ein Schlachtfeld” (Sanders-Brahms, Film-Erzählung<br />
112). 36 This statement is accompanied by a haunting piano melody in the higher<br />
registers. The concurrent presentation <strong>of</strong> the image <strong>of</strong> the bloody child and the utterance<br />
<strong>of</strong> the word “battlefield” evokes images <strong>of</strong> the death and suffering caused by the war. It<br />
could also be read as a criticism <strong>of</strong> contemporary gender-based social conventions which<br />
dictate that it is acceptable to show the blood <strong>of</strong> men on the battlefield, whereas women‟s<br />
blood is considered private and therefore unfit to be shown in the public forum <strong>of</strong> film.<br />
The final scene <strong>of</strong> the sequence consists <strong>of</strong> a black and white documentary aerial<br />
panning shot <strong>of</strong> a bombed out German metropolis which is probably Berlin. The shot is<br />
several seconds long and underscores the magnitude <strong>of</strong> the destruction which Allied<br />
bombing raids inflicted on German cities and civilians during the Second World War. As<br />
the melancholy piano melody continues, the narrator‟s voice-over comments, “So viel,<br />
was ich noch gar nicht sehen konnte, war schon kaputt” (Sanders-Brahms, Film-<br />
Erzählung 113). 37 The piano accompaniment <strong>of</strong> the last two scenes emphasizes the<br />
34 “A little girl. No fine [strong] boy” (Sanders-Brahms, Film-Erzählung 53).<br />
35 “It‟s so strange to me” (Sanders-Brahms, Film-Erzählung 53).<br />
36 “As they cut me from you, Lene, I fell onto a battlefield” (Sanders-Brahms, Film-Erzählung 112).<br />
37 “So much <strong>of</strong> what I couldn‟t yet see was already destroyed” (Sanders-Brahms, Film-Erzählung 113).<br />
49