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'Murderer's House' - University of Victoria

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comments, “Ein kleines Mädchen. Kein strammer Junge” (Sanders-Brahms, Film-<br />

Erzählung 53). 34 Lene‟s comment suggests that she has been indoctrinated by gender-<br />

based Nazi ideology that assumed that women were inferior to men.<br />

Next follows a shot <strong>of</strong> Lene who turns to the midwife saying, “Es ist mir so<br />

fremd” (Sanders-Brahms, Film-Erzählung 53). 35 The action shows a second shot <strong>of</strong> the<br />

newborn baby lying in blood and the narrator‟s voice-over comments, “Als sie mich von<br />

dir abschnitten, Lene, fiel ich auf ein Schlachtfeld” (Sanders-Brahms, Film-Erzählung<br />

112). 36 This statement is accompanied by a haunting piano melody in the higher<br />

registers. The concurrent presentation <strong>of</strong> the image <strong>of</strong> the bloody child and the utterance<br />

<strong>of</strong> the word “battlefield” evokes images <strong>of</strong> the death and suffering caused by the war. It<br />

could also be read as a criticism <strong>of</strong> contemporary gender-based social conventions which<br />

dictate that it is acceptable to show the blood <strong>of</strong> men on the battlefield, whereas women‟s<br />

blood is considered private and therefore unfit to be shown in the public forum <strong>of</strong> film.<br />

The final scene <strong>of</strong> the sequence consists <strong>of</strong> a black and white documentary aerial<br />

panning shot <strong>of</strong> a bombed out German metropolis which is probably Berlin. The shot is<br />

several seconds long and underscores the magnitude <strong>of</strong> the destruction which Allied<br />

bombing raids inflicted on German cities and civilians during the Second World War. As<br />

the melancholy piano melody continues, the narrator‟s voice-over comments, “So viel,<br />

was ich noch gar nicht sehen konnte, war schon kaputt” (Sanders-Brahms, Film-<br />

Erzählung 113). 37 The piano accompaniment <strong>of</strong> the last two scenes emphasizes the<br />

34 “A little girl. No fine [strong] boy” (Sanders-Brahms, Film-Erzählung 53).<br />

35 “It‟s so strange to me” (Sanders-Brahms, Film-Erzählung 53).<br />

36 “As they cut me from you, Lene, I fell onto a battlefield” (Sanders-Brahms, Film-Erzählung 112).<br />

37 “So much <strong>of</strong> what I couldn‟t yet see was already destroyed” (Sanders-Brahms, Film-Erzählung 113).<br />

49

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