'Murderer's House' - University of Victoria
'Murderer's House' - University of Victoria
'Murderer's House' - University of Victoria
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
perpetrators are defined predominantly as male and their victims are depicted as an<br />
undifferentiated „race.‟ Koonz claims:<br />
Women‟s history during the Third Reich lacks the extravagant insanity <strong>of</strong> Hitler‟s<br />
megalomania; it is <strong>of</strong>ten ordinary. But there, at the grassroots <strong>of</strong> daily life, in a<br />
social world populated by women, we begin to discover how war and genocide<br />
happened by asking who made it happen. (xxxv)<br />
In her film, Deutschland, bleiche Mutter, Helma Sanders-Brahms blurs the<br />
dividing line between women‟s gendered experience <strong>of</strong> war and what has been<br />
designated as the collective memory <strong>of</strong> the German wartime experience. Her endeavour<br />
was an important pioneering effort since women‟s experience <strong>of</strong> war and National<br />
Socialism were only starting to be recognized as worthy <strong>of</strong> documentation and study<br />
during the 1980s. 27 As McCormick explains, “The relevance <strong>of</strong> Sanders-Brahms‟ project<br />
to feminism is evident in its presentation <strong>of</strong> an aspect <strong>of</strong> history <strong>of</strong> the Second World War<br />
that was <strong>of</strong>ten neglected: a woman‟s experience” (Politics 187). Sanders-Brahms‟<br />
examination <strong>of</strong> the effects <strong>of</strong> war on women in the private sphere <strong>of</strong>fers a perspective that<br />
has been missing in traditional accounts <strong>of</strong> history. By addressing her mother‟s<br />
experiences, Sanders-Brahms brings to public attention a history that is <strong>of</strong>ten neglected,<br />
that <strong>of</strong> non-Jewish German women‟s experience <strong>of</strong> the “Third Reich,” the Second World<br />
War, and the Economic Miracle. With regard to women‟s gendered experience <strong>of</strong> this<br />
period, the director takes part in what Adrienne Rich terms as a process <strong>of</strong> “re-vision –<br />
the act <strong>of</strong> looking back, <strong>of</strong> seeing with fresh eyes, <strong>of</strong> entering an old text from a new<br />
critical direction” (35). Rich calls for women to tell their stories in order to open “master<br />
27 One <strong>of</strong> the earlist works in German in the post-war period on women‟s roles in National Socialism was<br />
Mutterkreuz und Arbeitsbuch: Zur Geschichte der Frauen in der Weimarer Republik und im<br />
Nationalsozialismus (1981) edited by the Frauengruppe Faschismusforschung. Some <strong>of</strong> the earliest<br />
research on the topic published in English includes Jill Stephenson‟s works Women in Nazi Society (1975)<br />
and The Organization <strong>of</strong> Nazi Women (1981) and Leila Rupp‟s Mobilizing Women for War: German and<br />
American Propaganda, 1939-1945 (1978).<br />
42