'Murderer's House' - University of Victoria
'Murderer's House' - University of Victoria
'Murderer's House' - University of Victoria
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The dentist and Hans completely override Lene‟s opinion and her authority over her body<br />
when they decide to go ahead with the procedure without her consent and in spite <strong>of</strong> her<br />
protest. Thus, the medical procedure can be read as a symbolic rape. Lene‟s body is<br />
invaded, she is humiliated, and her integrity and sense <strong>of</strong> self are violated. Lene<br />
passively accepts the decisions <strong>of</strong> the two men regarding her well-being in that she<br />
neither protests these decisions nor tries to leave the dentist‟s <strong>of</strong>fice. Again, she stoically<br />
endures a fourth violation <strong>of</strong> her body, this time decided upon by a medical authority and<br />
the head <strong>of</strong> the household. For his part, Hans places an unerring trust in the dentist‟s<br />
medical expertise. He tells the dentist “Sie müssen tun, was Sie für richtig halten” and<br />
silently watches his traumatized wife as all <strong>of</strong> her teeth are extracted (Sanders-Brahms,<br />
Film-Erzählung 86). 89 Hans‟ unfaltering trust in the dentist‟s authority can be seen as a<br />
critical comment on post-war Germans‟ tendency to blindly respect authority. The scene<br />
suggests that the cult <strong>of</strong> obedience that characterized the “Third Reich” has extended into<br />
the Adenauer era.<br />
As a result <strong>of</strong> the procedure, Lene‟s voice is sacrificed. Her voicelessness further<br />
compromises her agency and compounds her passivity. No longer able to speak clearly,<br />
she is effectively forced into silence. She drinks, takes prescription drugs, and becomes<br />
very depressed. In her emotional state she is unable to think rationally about how to<br />
improve her situation. During the war years she resembled the model <strong>of</strong> the proactive<br />
problem-solving bride by reacting to contingency with courage, intuition, and purposeful<br />
rational thought. However, after Hans‟ return, Lene comes to resemble the murdered<br />
maiden when she reacts to male aggression with passivity and helplessness. While the<br />
maiden in the fairy tale is so distressed that she cannot even attempt to think <strong>of</strong> a way to<br />
89 “You must do what you think is right” (Sanders-Brahms, Film-Erzählung 86).<br />
120