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'Murderer's House' - University of Victoria

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passively complicit in the crimes <strong>of</strong> the misogynist Nazi regime when she does nothing to<br />

resist or protest the deportation <strong>of</strong> her neighbour Rahel. Hence, in her dual status as<br />

victim <strong>of</strong> a repressive patriarchal order and as a passive Mitläufer in its brutalization <strong>of</strong><br />

others, Lene closely resembles the old woman <strong>of</strong> the fairy tale.<br />

Lene‟s existence as a Hausfrau further mirrors the fate <strong>of</strong> the elderly woman in<br />

the fairy tale in that both characters are confined to the domestic realm and expected to<br />

serve their male counterparts. Though not directly victimized by the violent acts <strong>of</strong> the<br />

robbers, the old woman is held captive by these men and is forced to wait on them. On a<br />

figurative level, the old woman symbolizes the collective status <strong>of</strong> German women in a<br />

society that gives men authority over women (Cook 115). Sanders-Brahms employs this<br />

theme <strong>of</strong> woman held captive in her own house to the stifling confinement women<br />

experience in the domestic sphere, even in periods <strong>of</strong> peace. Like the old woman who is<br />

limited to the robbers‟ house and forced to serve the murderous gang, Lene, in her role as<br />

a homemaker during the pre-war and post-war periods, is also confined to the domestic<br />

realm and expected to serve her husband.<br />

Before the war, Lene unquestioningly accepts her new role as Hausfrau and even<br />

seems contented with this relegation to the private sphere. When Lene and Hans first<br />

marry, she seems happy and their shared abode is clean and orderly (Knight, Women<br />

123). On her wedding day Lene eagerly tours her new home, touching the furniture and<br />

curtains, and idealizing her new circumstances with the statement, “Es ist wie im Film,<br />

hat Frau Meierholt von nebenan gesagt” (Sanders-Brahms, Film-Erzählung 36). 78 This<br />

statement could also be interpreted as an alienation effect, used by Sanders-Brahms to<br />

foreground the fact that her film is a constructed fictional narrative. The reflection <strong>of</strong><br />

78 “Mrs. Meierholt from next door said that it‟s just like a film” (Sanders-Brahms, Film-Erzählung 36).<br />

108

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