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'Murderer's House' - University of Victoria

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sister, Lene. Lene distracts Hanne from Rahel‟s abduction by continuing their personal<br />

discussion about boyfriends. Lene operates under the illusion that the forces <strong>of</strong> politics<br />

and history can be evaded by retreating into the private realm, a pretence that aids her<br />

complicity with the status quo (McCormick, “Gender” 253). A second scene where<br />

Lene‟s private concerns cause her to become complicit with the Hitler regime takes place<br />

when she is embroidering a new blouse to wear for Hans‟s return on his first leave from<br />

the army. Lene is so intent on finishing her personal project that she shows no emotional<br />

reaction when told that the Ducksteins, the Jewish owners <strong>of</strong> the haberdashery shop<br />

where she buys thread, have been deported. Apparently unconcerned at the elderly<br />

Ducksteins‟ fate, she goes to the boarded-up shop and pleads with an old woman who<br />

lives in the building to let her in. Together, the women rummage through the ransacked<br />

shop to find the red thread Lene needs and when they cannot find it, the old woman<br />

convinces her to take blue instead, bidding her goodbye with a “Heil Hitler!” Lene is so<br />

intent on her “private” goal <strong>of</strong> pleasing her husband, that she unwittingly takes part in the<br />

expropriation <strong>of</strong> Jewish property. In a voice-over commentary, the narrator takes her<br />

mother to task for this complicity, stating, “Du hast es alles nicht gewollt. Du hast es<br />

aber auch nicht verhindert” (Deutschland, bleiche Mutter n. pag.). 77 Later in the film, the<br />

blouse with which Lene was so concerned is ripped <strong>of</strong>f by Hans who barely notices her<br />

painstaking needlework, and whose attitudes towards women and sex have changed<br />

through his socialization in the army (McCormick, Politics 205). Sanders-Brahms thus<br />

shows that her mother‟s decision to escape politics by attempting to take refuge in<br />

private, personal, “apolitical” happiness is ultimately an illusion. The impossibility <strong>of</strong><br />

pulling down the blinds to escape history is revealed by the fact that Lene continues,<br />

77 “You didn‟t want any <strong>of</strong> it. But you also didn‟t stop it” (Deutschland, bleiche Mutter n. pag.).<br />

105

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