Art and Literature Journals Spring-Summer 2012 - John Benjamins
Art and Literature Journals Spring-Summer 2012 - John Benjamins
Art and Literature Journals Spring-Summer 2012 - John Benjamins
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<strong>Art</strong> <strong>and</strong> <strong>Literature</strong><br />
<strong>Journals</strong><br />
<strong>Spring</strong>-<strong>Summer</strong> <strong>2012</strong><br />
Catalogue No. 286 (<strong>2012</strong>)<br />
JOHN BENJAMINS ANTIQUARIAT B.V.<br />
AMSTERDAM
CONDITIONS OF SALE<br />
1. Prices in this catalogue are indicated in EUR. Payment <strong>and</strong> billing in US-dollars to the Euro equivalent<br />
is possible.<br />
2. All prices are strictly net.<br />
For sales <strong>and</strong> delivery within the European Union, VAT will be charged unless a VAT number is supplied<br />
with the order.<br />
Libraries within the European Community are therefore requested to supply their VAT-ID number when<br />
ordering, in which case we can issue the invoice at zero-rate.<br />
For sales outside the European Community the sales-tax (VAT) will not be applicable (zero-rate).<br />
3. The cost of shipment <strong>and</strong> insurance is additional.<br />
4. Delivery according to the Trade Conditions of the NVvA (Antiquarian Booksellers Association of<br />
The Netherl<strong>and</strong>s), Amsterdam, depot nr. 212/1982.<br />
All goods supplied will remain our property until full payment has been received.<br />
At our sole discretion we may require pre-payment on any order.<br />
5. If items are already sold we shall always notify our customers. Unsuccesful orders will be kept on file for<br />
the titles requested <strong>and</strong> we shall requote without obligation if found again.<br />
6. Orders should be addressed to (Please mention the article-identifier [#in brackets]):<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
Visiting address:<br />
Klaprozenweg 75G, 1033NN AMSTERDAM, The Netherl<strong>and</strong>s<br />
Postal address:<br />
P.O. Box 36224, 1020 ME AMSTERDAM, The Netherl<strong>and</strong>s<br />
Phone: +31-20-6304747 Fax: +31-20-6792956 E-mail: antiq@benjamins.nl<br />
Cover illustration: from Arcade (item #17484)
111111111111111[#17675] ACROPOLI.<br />
Rivista di politica.<br />
Nos. 1-24 (all published). Napoli, Gaetano<br />
Macchiaroli,Editore. Gennaio<br />
1945-Settembre 1946. Together 24 nuymbers<br />
in 16 issues: Nos. 17-24 are one issue,<br />
published in commemoration of the<br />
deceased Adolfo Omodeo. Complete set;<br />
the final issue is rare. EUR 1,300.00<br />
Founded <strong>and</strong> directed by Adolfo Omodeo<br />
to give voice to democratic <strong>and</strong> liberal ideas.<br />
“Dalle pagine dell’Acropoli Omodeo denunciava<br />
il vuoto di ideali, di fervore democratico,<br />
di ansia di libertà in un’Italia ancora offuscata dagli anni bui del regime, e<br />
insieme tracciava i precisi obiettivi della rivista: cioè educare i giovani alla<br />
critica politica, alla partecipazione e alla discussione, e al civile confronto<br />
d’idee. Il tutto nella fedeltà della lezione mazziniana. “ Contributions by<br />
Luigi Russo, C. Spellanzon, A. Garosci, A. Saitta, Norberto Bobbio, A. Garrone<br />
<strong>and</strong> others.<br />
11111111111<br />
[#341] APEX<br />
111111111111111<br />
<strong>Art</strong> <strong>and</strong> <strong>Literature</strong><br />
<strong>Journals</strong><br />
Cat. 286 <strong>Spring</strong>-<strong>Summer</strong> <strong>2012</strong><br />
Issue no. 1 (only publ. ?). Montevideo. July<br />
1942. One issue, 8vo, 30 pp., original<br />
wrappers as issued. Fine condition.<br />
EUR 800.00<br />
Ed. : Manuel Flores Mora, Ruben Larra, Carlos<br />
Alberto Maggi, Leopoldo Novoa de Maria.<br />
Colls. : Ildefonso Pereda Valdes, Jules Supervielle,<br />
Ruben Larra, J. Ortiz Saralegui, Jaime Nin<br />
a.o... An unpublished article by Joaquin Torres<br />
Garcia: “El nuevo <strong>Art</strong>e de America”.<br />
[#16839] APPROCHES. Revue de<br />
recherches.<br />
Nos. 1, 2, 3, 4. (all published). Paris: Les<br />
Carnets de l’Octéor, Nouvelle série.<br />
Jean-Francois Bory, 1965-68. 4 issues in<br />
generally good condition (complete<br />
with the flex-disk <strong>and</strong> fold-outs in no 4,<br />
detailed below). EUR 1,000.00<br />
Complete set of this important visual,<br />
sound <strong>and</strong> concrete art periodical. Direc-<br />
tion: Jean-François Bory, Julien Blaine. Contributors: the editors <strong>and</strong><br />
J. Furnival, F. Popper , P. & I. Garnier, J. L.Brau, F. Dufrêne, H.Chopin,<br />
B.Heidsieck, C. McCarthy, Ian Hamilton Finlay, E. Gomringer, G. Bertini, S.<br />
Niikuni, M. Bense, B. Grogerova, Paul de Vree, Adr.Spatola, Claude Pelieu,<br />
Heinz Gappmayr, Jochen Gerz, Alain Schifres, Jean-Claude Moineau, Timm<br />
Ulrichs, Bob Cobbing, Edg.A.Vigo, Fr.Vaccari, a.o. No.1: (19 x 11 cm, 121 pp<br />
with b&w illustrations <strong>and</strong> concrete poems throughout. wrappers, loosening<br />
in the spine, otherwise nice clean copy). No.2: 1966. (21 x 14 cm 130 pp<br />
with b&w illustrations. wrappers, tear to spine o.w. very good). “L’érotisme<br />
dans la poésie matérielle”. Cover by Cat Parczewska. No.3: (20 x 17 cm 206<br />
pp with numerous typographic illustrations. wrappers, a little dusty <strong>and</strong><br />
marked on cover o.w. very good). “Vers un nouveau langage”. No.4: (21 x 18<br />
cm 176 pp with b&w illustrations, cut-outs, fold-outs etc. wrappers, light<br />
fading <strong>and</strong> wear on cover o.w. very good). “Cinq trajets”, complete with the<br />
flex-disk by Jean-Claude Moineau.<br />
1111111111111111<br />
[#17668] AQUARIAN AGE. A<br />
magazine of planned unpredictability.<br />
Numbers 1 <strong>and</strong> 2 (all published). San<br />
Francisco, CA, Fleming Publishing Co.<br />
1970. 25,5x20 cm; stapled in illustrated<br />
wrappers, unpaginated (80pp). (small<br />
date stamp on frontcover of no 1, very<br />
light wear, a good set; rare. EUR 800.00<br />
Underground<br />
magazine, edited <strong>and</strong><br />
published by <strong>John</strong> H.<br />
Fleming, art directors: <strong>John</strong> Hopper, Steve Cardinell.<br />
Contributions by J. Stewart, Mark Twain (The War<br />
Prayer <strong>and</strong> the pictorial by Alan Copel<strong>and</strong>, David<br />
Fenton, Robert Scheu)), C. Milner, W.C. Abeel, L.<br />
Welz, Irving Cohen, Comix by Larry Welz, <strong>and</strong><br />
others.<br />
1111111111111<br />
[#17484] ARCADE<br />
Nos. 1-5 (all published). London, 1964-1967.<br />
Original illustrated wrappers, 15 x 18 cm.<br />
Illustrated. A fine set, with important<br />
contributions, see below: EUR 1,000.00<br />
A periodical devoted to collage, art, drawings,<br />
photographs, cartoons, unusual graphics, edited<br />
by Martin Leman. Issues of 28 pages each +<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 3
ills. wrappers with contributions by William Burroughs, Stan Peskett, Ron<br />
Sanford, Mike Foreman, Jane Beckett, David Kozubel, Geoff Reeve. The first<br />
issue, “William Burroughs Special” features WSB’s “The Border City,” “The<br />
Danish Operation,” <strong>and</strong> “The Cut.” Number 2 complete with the multiple<br />
by Brian Haynes, “Rose Tinted Spectacles” laid-in as issued. Number 3 with<br />
a montage of “two-dimensional” lips on the front-cover. All issues contain<br />
important graphics by a combination of Leman, Jane Beckett, Mike Foreman,<br />
Stan Peskett, Colin Smith, Ron S<strong>and</strong>ford, Brian Mills, <strong>and</strong> others.<br />
1111111111111<br />
[#12886] L’ARCHIBRAS. Le Surréalisme...<br />
4 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
Nos. 1-7 (all publ.). Paris, avril 1967 - mars<br />
1969; 4to; in original wrappers; illustrated.<br />
Kept in a box designed by Pierre Mercier.<br />
EUR 350.00<br />
Direction: Jean Schuster; Edition: Le Terrain<br />
Vague. Collaborators to this Surrealist<br />
periodical were a.o.: Camacho, Schuester,<br />
Bonoure, Royen, Duras, José Pierre. Ills. by<br />
Miro, Sanchez, Joubert, Brauner. Number 5 is<br />
devoted to Czechoslovakia.<br />
11111111111<br />
[#14148] L’ART DANS LES DEUX MONDES. Journal<br />
hebdomadaire illustré paraissant le samedi.<br />
Nos. 1-34 (all publ.). Paris-New York,<br />
22 Nov. 1890 - 11 Juillet 1891 (also<br />
numbered as: Première série, premier<br />
semestre, 22 nov. 1890 - 16 mai 1891,<br />
no. 27; deuxième semestre nos.1-8, 23<br />
mai - 11 juillet 1891). Bound in one<br />
volume, 4to, gilt (pink) h. leather.<br />
Complete with the Index <strong>and</strong> the<br />
Alphabetical Index, <strong>and</strong> 7<br />
supplements. EUR 2,500.00<br />
Very rare, highly informative journal,<br />
directed by Yveling RamBaud <strong>and</strong> Camille<br />
de Roddaz, with the collaboration of Victor Barruc<strong>and</strong>, Alphonse Daudet,<br />
L. de Fourcaud, Gustave Geffroy, Edmond de Goncourt, Maeterlinck,<br />
André Mellerio, Roger Marx, Octave Mirbeau, Géo Nicolet, Emile Zola,<br />
etc. Gives topical information on the developments on the art scene of the<br />
1890’s (with the emphasis on the Impressionists), both in the old <strong>and</strong> the<br />
new world. It’s New York offices were located at the Gallery Dur<strong>and</strong>-Ruel<br />
on Fifth Avenue. A great deal of attention is paid to the exibitions of the<br />
Expressionists organised by Dur<strong>and</strong>-Ruel in Paris <strong>and</strong> New-York, also by<br />
Galerie Petit <strong>and</strong> others. André Mellerio acounts of his visits to the ateliers<br />
of Rodin, Félicien Rops, Boudin, O. Redon,Gustave Moreau, Renoir, <strong>and</strong><br />
several others. Music <strong>and</strong> theatre play an important role in the journal<br />
(Tschaikowsky, Ibsen), <strong>and</strong> Géo Nicolet writes on ceramic art (Gallé,<br />
Bernard Palissy). Numerous accounts on exhibitions as well as desriptions<br />
of private collections. The journal had an extensive international network<br />
of reporters from Italy, Spain, Germany, Russia, Belgium, Engl<strong>and</strong> <strong>and</strong> The<br />
Netherl<strong>and</strong>s. Front-page illustrations by Mary Cassat, Berthe Morizot, Degas,<br />
Hokusai, Boudin, Monet, Puvis de Chavannes, Chéret, Zorn, Daumier a.o.;<br />
numerous reproductions in the text. The seven supplements (as called for<br />
in the Index) are present. The names of Zola, de Goncourt <strong>and</strong> A.Daudet<br />
are listed amongst the collaborators, but we did not identify contributions<br />
by them.<br />
11111111111<br />
[#510] L’ART ET LA VIE. Chronique de la Vie <strong>Art</strong>istique.<br />
11111111111111<br />
[#17687] ART<br />
FRONT. (<strong>Art</strong>ists’ Union, <strong>and</strong><br />
up to Jan. 1935 also sponsored<br />
by the <strong>Art</strong>ists’ Committee of<br />
Action).<br />
A collection of 20 (out of 27<br />
published) numbers of the set in<br />
18 physical issues (the complete<br />
set is composed as: Vol. 1-3 no. 8<br />
=last publ.New York, November<br />
1934 - December 1937. Also<br />
numbered as nos. 1-27).<br />
Années 1-3 (of 4). G<strong>and</strong>, 1934-1936. Original<br />
wrappers (cover <strong>and</strong> first pages of the first<br />
issue stained; staples rusting, otherwise a<br />
good set), EUR 250.00<br />
Together 36 issues with numerous ills., contribs.<br />
by H. Davignon, G. Chabot, C.E. Ameye, L. & P.<br />
Haesaerts (i.a.: Le Mouvement Expressioniste)<br />
, P. Fierens, Florisoone, J. Milo, Devoghelaere,<br />
Georges Marlier a.o.; one cover sl. stained.<br />
The lacking 7 issues are: Nos. 1 ,2,<br />
9, 10, no. 19? (Jan 1937), no. 20?<br />
(Mar or Apr 1937) <strong>and</strong> 27( 3 no 8). The first issues are folded 8-page<br />
tabloids about 41.5 x 28 cm. Numbers 8 <strong>and</strong> on are 16 to 32 pages in<br />
length <strong>and</strong> about 31 x 23 cm. The folds of 5 <strong>and</strong> 6 are splitting, <strong>and</strong> the<br />
covers of no. 18 (Dec 1936) are present but detached. Some rusty<br />
staples.<br />
Altogether however a very good set of this very scarce publication.<br />
EUR 3,200.00<br />
Issues of at first 8 pp., lateron from 16-24 pages, with illustrated front-covers<br />
<strong>and</strong> black & white ills. <strong>and</strong> photographs in the text, some on full-page.<br />
A leftwing magazine of the arts: calls for a vigorous alignment of the arts with<br />
leftwing political thought <strong>and</strong> action. Ed. by Stuart Davis, Hugo Gellert, Saul<br />
Berman, Ethel Olenikow, Max Spivak, Clarence Weinstock, H. Glintenkamp,<br />
Harry Gottlieb, James Grunbaum, <strong>and</strong> many others. <strong>Art</strong>icles on propag<strong>and</strong>a<br />
for <strong>and</strong> reports on activities of the ‘<strong>Art</strong>ists Union’, are mixed with essays on<br />
modern art, especially the avant-garde.
11111111111111<br />
[#15526] ART INTERNATIONAL<br />
Vol. 1 no 1 - vol. 27 no 4 (=last published). Lugano, Switzerl<strong>and</strong>, 1956<br />
- Sept / Nov. 1984. Set in the original illustrated wrappers with<br />
volume 13 no 3 in the regular <strong>and</strong> in the rare variant version. (Vol. 23<br />
is partly supplied in a bound<br />
volume). Condition good to<br />
very good, with only sporadic<br />
<strong>and</strong> not obtrusive library<br />
markings on the wrappers.<br />
EUR 7,000.00<br />
An excellent, unbound set in<br />
ORIGINAL WRAPPERS.. One of<br />
the best surveys of mainstreams<br />
in contemporary art’. Edited by<br />
James Fitzsimmons. Volume 1<br />
called ‘European art today’ has<br />
only 9 of the 12 issues; the cover<br />
of vol. 13 no 3 designed by Mel<br />
Ramos is present in both versions,<br />
one with a gorilla <strong>and</strong> the scarce<br />
one with a kangaroo.<br />
111111111111111<br />
[#17467] ART NOW: NEW YORK<br />
Complete run of 26 issues plus Prospectus: - Volume 1, number 1 -10<br />
(Jan - December 1969) - Volume 2, number 1 -10 (Jan -December<br />
1970) - Volume 3, numbers 1-4 (March-December 1971) - Volume 4<br />
numbers 1, 2 (March, June 1972, last published). Original white<br />
lettered folding chemises with loose contents, partly still in original<br />
mylar dustjackets; light soilage <strong>and</strong>/or sunning to some of the<br />
wrappers, internally fine. EUR 2,000.00<br />
Published by University Galleries, Inc., 520 Fifth Avenue, NY. (Roger M.<br />
Peskin). Presents a selection of the finest contemporary art from New<br />
York City’s museums, galleries <strong>and</strong> artist studios on loose coloor sheets,<br />
with descriptions <strong>and</strong> biographies. Includes such artists as Donald Judd,<br />
Alex<strong>and</strong>er Liberman, Roy Lichtenstein,<br />
Dennis Oppenheim <strong>and</strong> George<br />
Sugarman, Willem de Kooning, Dan<br />
Flavin, Barnett Newman, Jasper <strong>John</strong>s,<br />
Louise Bourgeois, Christo, Kartel Appel,<br />
Walasse Ting, etc.<br />
11111111111111<br />
[#15676] ARTFORUM<br />
Vol.1-43. San Francisco, New York, 1962/63-<strong>Summer</strong> 2005. With Index<br />
1962/1968. Original wrappers, excellent set in issues as published.<br />
EUR 7,000.00<br />
design by Edward Ruscha. Vol 13 no<br />
3 the issue with the notorious Lynda<br />
Benglis advertisement. Arntzen/Rainwater<br />
Q86.<br />
11111111111<br />
[#17713] arTitudes INTERNATIONAL<br />
Complete set, fine, unbound, in the<br />
ORIGINAL WRAPPERS, of this<br />
important periodical for contemporary<br />
art with contributions on art,<br />
literature, film, reviews, etc. Edited<br />
by <strong>John</strong> Irwin, Philip Leider, <strong>John</strong><br />
Coplans, Joseph Masheck, Ingrid<br />
Sischy etc. Several much soughtafter<br />
thematic issues <strong>and</strong> covers,<br />
e.g. the September 1966 (vol. 5 no<br />
1) , Surrealism issue, with cover<br />
Nos. 1-45 (all publ.). Paris, oct./nov.<br />
1972 - oct./nov. 1977. Original wrappers;<br />
21x30cm; covers in color, text <strong>and</strong><br />
illustrations inside b.w, together 17<br />
physical issues, several (especially<br />
lateron) were double or triple issues.<br />
(Very good set, with only very light<br />
dustsoilage). Together with precursor:<br />
arTitudes. Nos. 1-8/9 (all publ.). Paris,<br />
oct. 1971 - sept. 1972. Tabloid-size,<br />
40x29cm. printed in b/w; with<br />
illustrations, <strong>and</strong> detachable poster in<br />
the middspread of each number. (Very<br />
light toning to first number, otherwise very good set). Added:<br />
François Pluchart: L’<strong>Art</strong> corporel. Editions Rodolphe Stadler. Déc.<br />
1974.(Exhibition catalogue) - Henri Maccheroni. Editions artitutdes<br />
international, avec Les Mains Libres. (Numéro Hors série, mai 1973).<br />
EUR 2,800.00<br />
Directeur: François Pluchart. Highly informative magazine on contemporary<br />
art, exhibitions, international manifestations, a section on cinema<br />
etc., with contribs. by <strong>and</strong> on Vito Acconci, Girolamo Arrigo, Alain Kirili,<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 5
Marcel Broodthaers, Ben, M. Ioppenheim, Dan Geraham, Sarkis, Jean-<br />
Francois Bory, Dieter Schnebel, Gina Pane, Gilbert <strong>and</strong> George, Urs Luethi,<br />
Henri Maccheroni, Peter Hutchinson, Luciano Fabro, Journiac, L.Weiner,<br />
Ph. Glass, W. Vostell, A.Pieyre de M<strong>and</strong>iargues, etc.; Later issues become<br />
thematic: Les Langages, La Vidéo; La peinture (contribs. by M.Pleynet,<br />
V.Bioulès, J.-P. Pincemin, P. Valentiner, D. Abadie, Luca M. Venturi, J.J.<br />
Léveque, etc.), L’Indécence; Les Marginaux; La Sentimentalité; La Cuisine.<br />
No. 12/14 contains Catalogue of the <strong>Art</strong> Sale Binoche à l”espace Cardin in<br />
1974. Complete with poster-supplements: No. 1: Hervé Fischer, Pour une<br />
pratique artistique; No. 2: H. Maccheroni. Cadeau pour les partisans; No.3:<br />
G. Fromanger. Le peintre et le modéle; No. 4: J.J. Lauquin. L’action picturale<br />
antamorphique (later issues did not contain posters anymore). Cover-ills.<br />
(starting with no 6 in colour) by Miralda, Fr.Pluchart, Jean-Pierre Pincemin,<br />
Hans Hartung, Duane Hanson, Josef Albers, etc.<br />
1111111111111<br />
[#11490] L’ASSIETTE AU BEURRE<br />
Nos. 1-558. Paris, 1901/02-23 déc.1911 (=Années 1-11, out of 594 issues<br />
publ), with the Special Issue 7bis <strong>and</strong> the Unnumbered Issues: ‘La<br />
Foire aux Croutes’; ‘Les<br />
Falsificateurs du Lait’; ‘Le<br />
Gr<strong>and</strong> Paon’. Modern beige<br />
cloth bindings, preserving<br />
most of the blindstamped<br />
monthly wrappers. The<br />
issues of the last year loose<br />
in a matching cloth-overboards<br />
box. EUR 7,000.00<br />
L’Assiette au Beurre was the<br />
most important <strong>and</strong> best<br />
known of the politico-satirical<br />
weeklies of the time; the best<br />
artists contributed to it. Contributions<br />
by Forain, Paul, Lé<strong>and</strong>re,<br />
Steinlen, Ibels, Valloton (one<br />
issue with one-faced lithographs<br />
“Crimes et Chatiments” in 1902), Van Dongen, Jossot, Caran d’Ache, Willette,<br />
etc.,etc. The set lacks 6 issues from the proposed period (= 542-545, 547, 553)<br />
<strong>and</strong> numbers 559 till the end of publication to be complete.<br />
6 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
1111111111111111<br />
[#17411] BASTARD ANGEL<br />
Nos. 1-3 (all publ.). San Francisco: Harold<br />
Norse, 1972-1973. All fine, 4to in stapled<br />
wrappers. EUR 300.00<br />
Edited by Harold Norse. With contributions<br />
by Burroughs, Kerouac, McClure, Bowles,<br />
Ginsberg, Bukowski, Malanga, Norse, Whalen,<br />
Genet, <strong>and</strong> many<br />
others. The third issue<br />
features the Beat Generation<br />
prints of Peter<br />
Le Blanc.<br />
111111111111111<br />
[#17789] BEEF . (Beef Free Magazine). <strong>Art</strong> Music <strong>and</strong> Culture.<br />
Nos. 1-22 (also numberd as Vol. 1 no 1 - Vol. 7 No. 22, last issue, all<br />
published). Omaha & San Francisco. 1980-1987. Tabloïd, newsprint<br />
with colourful covers on better paper. Rare complete set.<br />
EUR 1,300.00<br />
An avant garde art magazine originated<br />
from Omaha Nebraska, published in San<br />
Francisco, issued in tabloid format but<br />
printed on quality paper rather than newsprint.<br />
The inspiration of vegetarian women<br />
artists Apaka Kavan <strong>and</strong> Marina Racine.<br />
After initially concentrating on the small<br />
but active Omaha arts scene, the focus of<br />
the tabloid rapidly exp<strong>and</strong>ed to include<br />
articles on overseas arts, injustices in South<br />
America, alternative living, <strong>and</strong> American<br />
politics, in addition to art, record, <strong>and</strong> film<br />
reviews. It was freely distributed, starting<br />
with a circulation of 300 <strong>and</strong> ending with 25.000Correspondents from<br />
Omaha, Paris <strong>and</strong> New York. Photography: Kerry Dion, Mark Durant,<br />
Yael. Lots of interesting typography, bold photographs, psychedelic art,<br />
unusual graphics, interviews with <strong>and</strong> features on artists (Love Marks, Sora<br />
Kim ,Lawrence Ferlinghetti ,B.K.S.Iyengar, Jean Tinguely,Ellen Ross,Joan<br />
Halifax, Nina Hagen,Yoko Ono,M.Chemiakin,expelled Russian artist,,Gary<br />
Snyder, David Hockney .Complete with poster laid into no. 5, Bovart); clipping<br />
in one page of No. 20. A 45rpm record laid into Number 9 (Calypso<br />
Machine Gun, Lobotomy Psdychic Turmoil).<br />
1111111111111<br />
[#15604] BERKELEY MISCELLANY<br />
Nos. 1-2 (all publ.). Berkeley, 1948-1949.<br />
Unstitched, loose in the original covers.<br />
EUR 200.00<br />
Literary magazine edited by Robert Duncan.<br />
Features early works of prose <strong>and</strong> poetry of<br />
the editor <strong>and</strong> others: No. 1: Mary Fabilli, Jack<br />
Spicer, <strong>and</strong> Robert Duncan. No. 2: Fabilli,<br />
Duncan, Spicer, <strong>and</strong> Gerald Ackerman.
111111111111111<br />
[#17371] LA BIENNALE di Venezia. Rivista trimestrale di <strong>Art</strong>e,<br />
Cinema, Teatro, Musica, Moda.<br />
Nos. 1-4. Venezia, July 1950 - April 1951 .<br />
Original pictorial wrappers (light soilage<br />
<strong>and</strong> some spine damage, cover of no. 4<br />
lightly shaven in the left upper corner)).<br />
Illustrated. 4to. EUR 400.00<br />
(Rivista del Ente Autonomo “La Biennale di<br />
Venezia”.)<br />
In the first issue an important article by<br />
Lionello Venturi (Astratto e concreto).<br />
111111111111111<br />
[#16481] DAS BILDERHAUS. Nachrichtenblatt für Mitglieder<br />
des Freiburger Kunstvereins.<br />
Jahrgang 1 Heft 1-12 & Jahrgang 2 Heft<br />
1-7 (all publ.). Freiburg i. Br. 1955/56. Tog<br />
19 numbers, large 8vo; each number<br />
between 8-12 pages in selfwrappers.<br />
With (partly coloured) orig woodcuts on<br />
the frontpage.<br />
In 2 plain cardboard slipcases. Fine.<br />
EUR 600.00<br />
German contemporary art journal, edited<br />
by S. E. Bröse. With firstprints in German<br />
by Hans Arp (in no 5); reports from artists<br />
centers in Germany <strong>and</strong> abroad, <strong>and</strong> a regular report from Paris (Pariser<br />
Bilderbrief). Orig. woodcuts by E. Heckel (cover of number 1; Dube 409 B),<br />
Grieshaber (cover of no 2), F. Harnest, W. Wohlschlegel, H. Arp (in colour,<br />
no.5; Arntz 206 b), W. Herzger, R. Dischinger, J. Bissier, G. Biese, W. Gothein,<br />
J. Lacasse (2), E. Bizer, C. Westphal, W. Becker, W. Helbig, G. Meistermann,<br />
<strong>and</strong> woodcuts after S. Delaunay ( 2 no 6) <strong>and</strong> Alcopley (2 no 7).<br />
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[#17317] BLIND<br />
Nos. 1 <strong>and</strong> 2 (all published). Amsterdam, 1988/89. 20x13cm., orig.<br />
wrappers, unpaginated. EUR 300.00<br />
Edited by Paul Groot & Gerald van der Kaap.<br />
Offset. Contributors: the editors, with Peter<br />
Klashorst, H. Gorter, M. Kremer <strong>and</strong> others. Design/layout:<br />
Linda van Deursen, Arm<strong>and</strong> Mevis.<br />
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[#17438] BODY ART<br />
Issues 1 - 9 (all published?). Wembley,<br />
Middlesex, 1987 - 1990. 4to; original<br />
pictorial wrappers. EUR 350.00<br />
Magazine on body art, tattoos <strong>and</strong> other<br />
forms. Edited by Henry Ferguson. Issues<br />
of 28 pages + pictorial wrappers, with<br />
numerous photographs. …”Fashion;<br />
Anthopology; sex”; Body art <strong>and</strong> Body<br />
styles. Body Ink, Body Power; Body<br />
News; Body Jewelry.<br />
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[#12379] DIE BOETTCHERSTRASSE. Internationale<br />
Zeitschrift.<br />
Jahrgang 1-2 no. 2 (=all publ.). Bremen,<br />
Angelsachsen Verlag, 1928-1929. Tog. 14<br />
issues; folio; original pictorial wrappers<br />
(frayed); kept in cloth-over-boards box.<br />
EUR 1,600.00<br />
Elaborately produced art- <strong>and</strong> general cultural<br />
monthly, sponsored by the proprietor<br />
of the coffee-factory “Kaffee Hag” (“Sanka”)<br />
L. Roselius, whose main-offices were in the<br />
Böttcherstrasse in Bremen, where he opened<br />
an intellectual center. Next to him Bernh.<br />
Hoetger <strong>and</strong> Georg Eltzschig were the editors<br />
of this luxurious publication with numerous illustrations, photographs,<br />
colour-plates, tipped-in ills. <strong>and</strong> supplements. Issues are often devoted<br />
to special topics like Modern Architecture, Women’s Movement, World<br />
Press, Travels, Nordic Countries, Indo German, Technics, Philosophy, etc.;<br />
contribs. include: Brod, Corbusier, Döblin, Loerke, Mendelsohn, Wright,<br />
Zuckmayer, G. Biermann, L. Klages, etc.; the first issues list the names of an<br />
impressive number of internationally outst<strong>and</strong>ing contributors <strong>and</strong> correspondents.<br />
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[#15335] BOMB. Magazine. New art,<br />
theatre, writing <strong>and</strong> film.<br />
Nos. 1-24 .1981-1988. New York, <strong>Spring</strong> 1981<br />
- <strong>Summer</strong> 1988. Large folio, original pictorial<br />
wrappers. EUR 1,800.00<br />
The early issues of this artist-edited magazine,<br />
founded by Betsy Sussler, Liza Bear (of<br />
Avalanche), Sarah Charlesworth, Glenn O’Brien,<br />
Michael McClard. A quarterly on new art, writing,<br />
theater <strong>and</strong> film, reporting internationally;<br />
important documentatary magazine with numerous<br />
illustrations.<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 7
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[#16539] THE BOOSTER. A monthly in French <strong>and</strong> English.<br />
8 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
Volume 2 no 7. (September 1937). Paris<br />
(American Country Club of France): 48 pp.<br />
8vo, publisher’s illustrated wrappers. Two<br />
corners of the wrappers chipped <strong>and</strong> some<br />
wear on the spine near the staples; lightly<br />
tanned, but a very good copy of this rare<br />
fragile publication. EUR 500.00<br />
Important number of this obscure literary<br />
publication, to which Henry Miller, Anaïs Nin,<br />
Charles Norden, Brassaï<br />
(hors-texte Chair Prime),<br />
Lawrence Durrell, Nien-Sien, Emma Swan, Patrick<br />
Evans, contributed. Managing editor of this publication<br />
of the “American Country Club of France” was<br />
Alfred Perlès. The cover design is by Nancy Myers<br />
(<strong>Art</strong> Editor), furthermore a drawing by Abe Rattner<br />
<strong>and</strong> interesting advertising material. On this very<br />
rare publication see: Marc Duvillier in ‘Revue des<br />
Revues’ No. 41, 2009.<br />
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[#17653] BOX CAR. Magazine for the <strong>Art</strong>s.<br />
Numbers 1 <strong>and</strong> 2 (all published). . Los Angeles, CA, 1983. Both issues<br />
in the original wrappers, 27,5x21,5 cm;<br />
first issue with light sunning on the top<br />
of the front cover, else very good copies.<br />
80 <strong>and</strong> 128 pages, with numerous<br />
illustrations. EUR 300.00<br />
Editor: Paul Vangelisti, with Lel<strong>and</strong> Hickman,<br />
Don Sugos, Stephen Moore.<br />
No. 1: . Contributions by Keisho Okayama;<br />
Llyn Foulkes; Paul Vangelisti; Dennis Phillips;<br />
Peter levitt; <strong>John</strong> Giorno; David Bromage;<br />
Jed Rasula, a.o.<br />
No. 2: Second <strong>and</strong> last issue; . Includes contributions by: Don Suggs, Ed<br />
Moses, Joel Bass, Rovbert Crosson, Zeke Berman, Stephen Moore, Paul Vangelisti,<br />
Jed Rasula, <strong>John</strong> Clarke, <strong>John</strong> Taggart, Gerald Burns, Charles Stein,<br />
Maxwell Nielsen,a.o.<br />
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[#11503] BRADLEY: HIS BOOK<br />
Vol. 1 nos. 1-4; Vol. 2 nos. 1-3.<br />
<strong>Spring</strong>field, Mass. (Wayside Press),<br />
May 1896 - January 1897. With<br />
Prospectus. Tall-narrow octavo for the<br />
first 4 numbers, then 4to; original<br />
pictorial wrappers. Some wear to the<br />
spines of nos. 2 <strong>and</strong> 4; vol. 1 no 4 lacks<br />
lower part of back cover; no 3 has the<br />
protective transparent paper still<br />
around; edge- wear <strong>and</strong> some repair<br />
on the overlaying edges of the larger<br />
sized second volume). Small closed tear <strong>and</strong> light spine damage to<br />
prospectus. Altogether a good set of this fragile publication.<br />
EUR 2,200.00<br />
Except for vol. 2 no 4, which was only published in part, a complete set of<br />
Bradley’s one-man-journal. Vol. 1 no 4 contains a play by Bradley (Beauty<br />
<strong>and</strong> the Beast), <strong>and</strong> all issues are illustrated with numerous full-page <strong>and</strong><br />
text-ills. in colour & monochrome, reproducing designs by Maxfield Parrish,<br />
Mucha, Beardsley, Lautrec, Edward Penfield, R.A. Bell, Laurence Housman,<br />
Lucien Pissarro, William Morris, Bradley <strong>and</strong> others. With text design,<br />
decoration <strong>and</strong> advertisements.<br />
[#14056] BULLETIN DE LA VIE ARTISTIQUE. Illustré bimensuel.<br />
Vol. 1-7 (all publ.). 1919/20-1928. Orig. Wrappers. Vol. 1 mostly in<br />
photocopy, vols. 5-7 not complete. EUR 800.00<br />
Bi-monthly newsbulletin on contemporary art movements, exhibitions etc.<br />
edited by Félix Fénéon, Pascal Forthuny, Guillaume Jeanneau, André Marty,<br />
Tabarant, offering a wealth of information<br />
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[#1061] CAHIERS DE BELGIQUE. Peinture, sculpture,<br />
architecture, arts décoratifs, musique, cinéma.<br />
Année 1-4 no 9 (all publ.). Bruxelles,<br />
1928-1931. Exemplaire de luxe (only vol.<br />
4 no 8/9 in the ordinary edition).<br />
Complete with the special issue June<br />
1928 ‘Palais des Beaux <strong>Art</strong>s’ <strong>and</strong> general<br />
index 1928/1931. Original pictorial<br />
wrappers (few spines repaired, but nice<br />
clean set). EUR 2,000.00<br />
Directed by Pierre Janler, Marcel Cuvelier,<br />
G. Willems <strong>and</strong> G. Marlier, heavily illustrated;<br />
several issues on a special subject or<br />
devoted to a single artist (Ant.Bourdelle,<br />
Hommage à James Ensor, Juan Miró, l’<strong>Art</strong><br />
Vivant en Europe), with contribs. by Salvador Dali (on Miró), Ph. Soupault,<br />
A. Fontainas, K<strong>and</strong>insky, Moholy-Nagy, A. Alex<strong>and</strong>re, P. Colin, J. Prévost, A.<br />
de Ridder, P. Fierens, L. & P. Haesaerts, F. Hellens, etc.<br />
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[#7093] CAHIERS DE LA CÉRAMIQUE, DU VERRE ET DES<br />
ARTS DU FEU. Revue trimestrielle.<br />
Nos. 1-59 (all publ.). Sèvres, 1955-1977, original wrappers, with 6<br />
supplementary issue ( to No.9, 12, 13, 36,42/4 <strong>and</strong>,45), the Index to<br />
nos. 1/40 (Siupplt. To no 40), <strong>and</strong> 1 hors série Porcelaine de Paris de<br />
1800 à 1850. Richly illustrated, 4to.<br />
First nine number <strong>and</strong> the supplements in 3 boxes, remainder in<br />
original wrappers. EUR 2,000.00
Complete set of this important periodical<br />
on ceramics, glass <strong>and</strong> pottery, splendidly<br />
illustrated with ab. 250 colour-plates <strong>and</strong><br />
over 2000 reproductions on b & w in the<br />
text.<br />
All in good condition (no. 48/49 with light<br />
staining to cover).<br />
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[#17476] CAHIERS DE L’ENERGUMENE. Revue semestrielle<br />
d’art et de littérature.<br />
Nos. 1-5 (all publ.). Paris, Automne-Hiver<br />
1982-Automne-Hiver 1984. Original<br />
pictorial wrappers, illustrated. EUR 300.00<br />
Luxuriously produced journal on art <strong>and</strong><br />
literature, directed by Gérard-Julien Salvywith<br />
texts by James Joyce, Albert Camus, Jean Cocteau,<br />
Rainer Maria Rilke; photographs by Alice<br />
<strong>Spring</strong>s, Heinrich Kühn, Robert Mapplethorpe,<br />
Frantisek Drtikol, Josef Südek <strong>and</strong> ills. by<br />
Gérard Garouste, Jean Charles Blais, Patrick<br />
Naggar, Pierre Klossowski <strong>and</strong> much more.<br />
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[#15467] CAHIERS DU MUSÉE DE POCHE. Revue<br />
trimestrielle.<br />
Nos. 1-4 (all publ.). Paris, 1959-1960.<br />
Original pictorial wrappers; illustrated.<br />
EUR 400.00<br />
Director: George Fall; editor: Jean Claude<br />
Lambert. Contribs. by Henri Miller, Octavio<br />
Paz, Alechinsky, E. de Wilde, Jaguer, Ionesco,<br />
W.Hayter, R.Caillois, R. de Solier, Gius.<br />
Ungaretti, E. Pound, J. Fautrier, etc.; features<br />
on Nicolas de Stael, Mark Tobey, César, J.<br />
Bazaine, J. Pollock, Brancusi, Jacques Hérold,<br />
Pierre Alechinsky, L.Nevelson, Documenta<br />
2, etc.; covers depicting work of Soulages,<br />
Fiorini, M.Tobey, M.Veira da Silva. On artists<br />
<strong>and</strong> subjects such as Abstraction, Mark Tobey, Dubuffet, Arshile Gorky, Pollock,<br />
Mexican art, Soulages, Brazilian architecture, the Polish avant-garde,<br />
Nevelson, etc. A most important periodical on contemporary art movements.<br />
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[#17477] LE CARRÉ ROUGE = CARRÉROUGE = ROUGE<br />
Nos. 1-10. Lausanne, octobre 1957 - mars 1959. Wrappers; large folio,<br />
folded twice as issued.]. Illustrated. Added: No. 13. février/mars 1960.<br />
EUR 400.00<br />
Edited by Freddy Buache. Contributions on<br />
contemporary <strong>and</strong> modern art, literature,<br />
cinema, music, by Jean Matter, Jules Vuillemin,<br />
Léon Préb<strong>and</strong>ier, Maurice Wenger, Jacques<br />
Pajak, Boissardin, Edgar Tripet, Jacques Chessex,<br />
o.a. Magazine connected to the Ciné-Club<br />
Lausanne. Issues of 4 pages each, containing<br />
o.a. the following articles: ‘La Décomposition<br />
en peinture’, ‘<strong>Art</strong>s Sauvages’, ‘Modern Jazz<br />
Quartet’, ‘Pierre Boulez et la révolution de la<br />
jeune musique depuis 1955’, ‘Frederico Fellini’,<br />
etc. <strong>and</strong> information on artists (Rollier, Oskar<br />
Dalvit, Gilioli, Baratelli, a.o.); Nos. 9 & 10 incl. supplement “Entretiens avec<br />
Edmond Gilliard” (= interview with Gilliard). Illustrated with photographs.<br />
...”Nous saluerons fraternellement le cri, la révolte, l’invention, le risque, en<br />
art, en littérature, en poésie, au théatre, en cinématographie ou dans tous les<br />
autres secteurs de la vie contemporaine”.<br />
[#13385] THE CENTURY GUILD HOBBY HORSE<br />
Nos. 1 (Jan. 1886), with the prospectus announcing publication of the<br />
first issue; 2 (April, 1886); 3 (July, 1886), with a contribution by Oscar<br />
Wilde (Keat’s Sonnet on Blue); 4 (Oct. 1886), with a contribution on<br />
D.G. Rossetti; 5 (Jan. 1887); 6 (April, 1887); 7 (July, 1887); 8 (Oct. 1887);<br />
13 (Jan. 1889); 14 (April, 1889); 15 (July 1889); 16 (Oct. 1889); 17 (Jan.<br />
1890); 18 (April, 1890); 21 (Jan. 1891); 22<br />
(April, 1891); 23 (Ju;y, 1891), back-cover<br />
damaged. London, Kegan Paul, Trench<br />
<strong>and</strong> Co., <strong>and</strong> The Chiswick Press.<br />
Original pictorial wrappers, untrimmed.<br />
4to. EUR 2,000.00<br />
A group of 16 issues with the prospectus<br />
of The Hobby Horse. Edited by Herbert P.<br />
Horne, later by A.H. Mackmurdo. Frontcovers<br />
(all identical) designed by Selwyn<br />
Image. All issues with a frontispiece <strong>and</strong><br />
numerous illustrations. Publication went on<br />
till no. 28.<br />
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[#17263] CHORUS<br />
Issues 1 - 11/12 (all publ.). Paris, 1968-1974.<br />
9 physical issues: double issues 5/6, 8/9,<br />
11/12. Small 4to, original typographical &<br />
pictorial covers. Profusely illustrated Fine<br />
condition. EUR 2,000.00<br />
Complete collection. Edited by Franck<br />
Venaille (chief ed.) <strong>and</strong> Pierre Tilman. An<br />
avant-garde periodical dedicated to the arts,<br />
primarily focused on France. Contr.: Franck<br />
Venaille, Pierre Tilman, Jean Pierre Le Boul’ch,<br />
Daniel Biga, Stockhausen, Pierre Gaudibert, Le Clézio, Jean Clair a.o. Thematic<br />
issues (Sensibilté, Réalité, Collages, Solitude, Femme en Fleurs, Vivre,<br />
etc. Illustrations by: Peter Klasen, Vasarely, J.-P. Raynaud, Monory, Louis Pons,<br />
Arman, Ben, César, Le Gac, Boltanski, R. B. Kitaj a.o.<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 9
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[#15707] CIRCLE<br />
10 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
Nos. 2-10 (out of 10 numbers published).<br />
Berkeley, 1944-1948. Original wrappers; no.2<br />
mimeographed, 27,5x21,5 cm; from no.3<br />
onward printed, 22,5x15 cm; cover of no. 9<br />
(silkscreened) is present in 3 (of the 4)<br />
variants (one is a bit stained <strong>and</strong> shaven in<br />
the margins). Other numbers slight soilage<br />
<strong>and</strong> foxing, but overall in good condition.<br />
Added: a 4-page illustrated prospectus for<br />
the magazine, laid in number 2.<br />
EUR 1,400.00<br />
Magazine of art <strong>and</strong> literature with ties to surrealism, edited by George<br />
Leite. It was essentially the point of departure for the Beat generation. Interesting<br />
typography <strong>and</strong> numerous illustrations <strong>and</strong> covers by Bern Porter,<br />
George Barrows (creative photography), Rexroth, Jean Varda (in a feature<br />
written by Henry Miller), Schatz, Edwin Ver Becke ( prints), <strong>John</strong> & James<br />
Whitney (Audio-visual music), Jim Fitzsimons (Solarized Photography) a.o.<br />
Issue No. 9 is present in three of the four cover variants featuring original<br />
silk-screens by Bezalel Schatz.<br />
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[#17623] CIRCOLI. Rivista di poesia<br />
Anno 1-11 (all published, except for the<br />
last 3 issues published in 1943). Change<br />
of name to “Raccolta” for the last 3<br />
years. Genova, 1931-1934, Roma,<br />
1935-1942. In the original paper<br />
wrappers with overlaying edges, partly<br />
untrimmed; occasional light foxing,<br />
but in overal excellent condition.<br />
EUR 2,700.00<br />
Bi-monthly founded in Genova. Directed<br />
by Adriano Gr<strong>and</strong>e, editors: Angelo Barile,<br />
Guglielmo Bianchi, Giacomo Debenedetti,<br />
Eugenio Montale, Camillo Sbarbaro, Sergio<br />
Solmi.Transferred to Rome in 1935 with<br />
editorial change (Falqui, G.Ungaretti, M. Gallian.) Editorial change again<br />
in 1937 (I.Montanelli, S.Valitutti, G.Natoli), <strong>and</strong> after the name change to<br />
Raccolta it was directed by Guliemo Danzi. Reproductions of work by (a.o.)<br />
F.de Pisis, F. Messina, Longanesi, L.. Bartolini,Ph.Hasiasson, Soffici, A.Funi,<br />
G.Stradone, G.V.de Salvon. The journal had an international orientation.<br />
Vol. 3 no 6 was dedicated to “Moderna Poesia Nordamericana”, with Emily<br />
Dickinson, WCWilliams, Elliot, Stevens, Ezra Pound, etc., translations a.o.<br />
by Prampolini. Also translations of work by Lagherkvist; James Joyce; Max<br />
Jacob; Tristan Tzara; Jean Cocteau, Morgenstern etc. Furthermore we find<br />
texts by Telesio Interl<strong>and</strong>i; Scipione; Gallian; Giuseppe Ungaretti; Mario<br />
Soldati; Angioletti; Indro Montanelli; Gianfranco Contini; Carlo Bo, Luigi<br />
Bartolini; Massimo Bontempelli; Enrico Pea; Giovanni Comisso; Alfonso<br />
Gatto; Angelo Barile; Alberto Savinio; Romano Bilenchi; S<strong>and</strong>ro Penna;<br />
Paola Masino; Anton Giulio Bragaglia; Carlo Carrà; Mario Praz; Giovanni<br />
Cavicchioli; Anna Maria Ortese; etc. After 1939 the<br />
journal became also politically oriented. Collaborators<br />
to Raccolta were: Ada Negri, Ciano, Tilgher,<br />
Titta Rosa, Malaparte, Sibilla Aleramo, Missiroli,<br />
Farinacci, Bragaglia, Lorenzo Viani, Cecchi, Govoni,<br />
Gallian, Valeri, Fabio Tombari, Alfonso Gatto, etc.<br />
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[#17566] CLARTÉ. <strong>Art</strong>, <strong>Art</strong>-décoratif, Architecture.<br />
Années 1-12 (all publ.). Bruxelles, 1928-1939.<br />
4to; original wrappers; with numerous<br />
illustrations <strong>and</strong> photographs. Lacking a<br />
total of 10 numbers from 8 years; detail<br />
below. A good set, wrappers occasionally<br />
with discolorations, small markings or<br />
rubber stamps of the previous owner, but<br />
internally clean <strong>and</strong> in good condition.<br />
EUR 4,000.00<br />
Very important Belgian journal dealing mainly<br />
with a visual arts, interior decoration, industrial<br />
design, architecture, sculpture, fashion, painting, graphic arts, etc., edited<br />
by H. Dons. Published monthly; no yearly indexes<br />
were published. Very scarce, even in an incomplete<br />
set.1928 Lacking only November 1929 Lacking only<br />
September 1930 Lacking only August 1931 All 12<br />
issues present 1932 Lacking August <strong>and</strong> November<br />
1933 Lacking June <strong>and</strong> October 1934 Lacking only<br />
September 1935 All 12 issues present 1936 Lacking<br />
only April 1937 Lacking January 1938 Lacking only<br />
November 1939 All 12 issues present<br />
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[#16468] THE COLD SPRING JOURNAL<br />
Numbers 1-11 (all publ). Cherry Valley New york, 1974-1979. The first<br />
5 issues are 8vo, (printed on kraft paper),<br />
then 4to format, with glossy illustrated<br />
spine stapled coves. EUR 500.00<br />
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[#17387] COMPREHENSION<br />
Volume 1 number 1 (of probably 2<br />
numbers published). San Francisco, spring<br />
1950. 16 pages, in decorated covers; printed<br />
on purple-tinted paper in dark purple ink.<br />
With illustrationg.27,5x21,5 cm.; except for<br />
small damage to right lower corner of the<br />
cover a mint copy. EUR 350.00<br />
Edited by Pamela Beach Plymel, Joshua<br />
Norton, Charles Plymell, at Cherry Valley<br />
Editions. Contributors include Kryss,<br />
Bremser, Waldman, Pelieu, Winans, Bukowski,<br />
Girodias, Lou Reed, Malanga, Blazek, <strong>and</strong><br />
many others. Added: the Small chapbook,<br />
The Coldspring Letters, which was issued<br />
separately <strong>and</strong> not part of the run.<br />
Edited <strong>and</strong> published by Ridgely Cummings,<br />
with Dora M. Perry. Editorial by Cummings, Henry Miller: On censorship<br />
<strong>and</strong> publica resposibility; Ken Fletcher: The Navy is an Ostrich; David Frailey:<br />
Friendly review; James Chevill; Richard Dermody: Danger Point; other<br />
contributions by Michael Demarest, S.Deam Lipton, Nila Larkin,Anthony<br />
Boucher, Gerben Deklker a.o.; illustrations <strong>and</strong> art by Bern Porter, Emil<br />
White, Siemund A.E.Betz, Kenneth Patchen,Leonard Breger, a.o.
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[#15660] CONTACT. The San Francisco (Journal) Collection of<br />
New Writing, <strong>Art</strong> <strong>and</strong> Ideas.<br />
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[#17655] CONTACT<br />
Nos. 1-7 (all publ.). Philadelphia, red<br />
Book Room, 1972-1973. Size (h/w): 28<br />
x 21,5 cm. Side-stapled. Original<br />
pictorial wrappers,. EUR 600.00<br />
Mimeographed literary magazine, mostly<br />
poetry by the editor Jeff Goldberg,<br />
<strong>John</strong> Wieners, Andrew Wylie, Marty<br />
Watt Malanga, Snyder, Victor Bockris,<br />
Lewis Warsh, Ron Padgett, etc. Illustrated<br />
with some photographs. (Secret<br />
Location p. 114)<br />
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[#17358] CONTINUUM<br />
Vol. 1 Nos. 1-4. San Francisco, 1958- Feb.<br />
1960. Orig. pictorial wrappers (covers<br />
slightly frayed; no. 3 with small note in<br />
ballpen on frontcover). EUR 300.00<br />
Incorporating Western Review. Editors:<br />
George Dorsay, Calvon Kentfield, William<br />
H. Ryan. With Robert Peterson, Ed Stone,<br />
Herbert W.Beckman, Walter Van Tilburg Clark,<br />
S.I.Hayakawa, Robert Kirsch, William Carlos<br />
Williams. With artwork <strong>and</strong> photography<br />
Number 0. Napoli, Publigraf, estate 1968. Large sheet of strong white<br />
paper, 100x70 cm, printed in black on one side, folded 5 times. In<br />
good condition with slight browning on the folds, <strong>and</strong> just minimal<br />
wear. EUR 1,300.00<br />
The zero number of Continuum, of which lateron 5 numbers appeared<br />
(1968-1970). Text h<strong>and</strong>written (reproduced) <strong>and</strong> designed within imagery<br />
“Non è facile ma noi a Napoli…...I Bambini. Time falls /today /off / because<br />
never/ lived/once”. Directed by Luciano Caruso <strong>and</strong> Stelio Maria Mar-<br />
tini. Edited by Renato Carpentieri, Luciano Caruso, Giuliano Della Casa,<br />
Giuseppe Desiato, Mario Diacono, Stelio Maria Martini <strong>and</strong> Mario Persico.<br />
(Maffei/Peterlini p. 82; Impassibile naufrago, p. 107)<br />
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[#16527] CONTOUR QUARTERLY<br />
Nos. 1-4 (probably all publ.). Berkeley,<br />
April 1947-1949. Original wrappers, in<br />
generaly good condition ( except for vol.<br />
4 which is worn along the yapped top<br />
edge, <strong>and</strong> has a one inch tear down the<br />
spine from the crown), EUR 700.00<br />
Rare complete set of this important little<br />
magazine, produced by Christopher (<strong>and</strong><br />
Norma) Maclaine in conjunction with his<br />
early poetry collections <strong>and</strong> slightly later<br />
experimental films. No 1: Robert Duncan,<br />
Jack Spicer, Philip Lamantia, Bern Porter. No<br />
2: Rexroth, Levertov, Patchen, Crews. no3:<br />
Zahn, Joyce (“Ibsen’s New Drama”), Mason Jordan Mason. No 4: Patchen,<br />
Lamantia, Corman. All are printed letterpress, Number includes two color<br />
silkscreen cover, number 4 was entirely h<strong>and</strong>set, printed <strong>and</strong> bound by<br />
Christopher <strong>and</strong> Norma Maclaine.<br />
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[#16528] COYOTE’S JOURNAL<br />
Nos. 1-10 (all publ.). Eugene, Oreg., 1964-1974. Original wrappers ,<br />
fine set. EUR 700.00<br />
Edited by James Koller, Edward van Aelstyn <strong>and</strong> William Wroth, emerged<br />
from the “Northwest Review”. Contributions<br />
by Gary Snyder, Charles Olson, Diane Wakosky,<br />
Allen Ginsberg, David Meltzer, Thomas<br />
Clark, Robert Kelly, Philip Whalem. Covers by<br />
Zoe Brown, Diana Hadley, Philip Roeber <strong>and</strong><br />
Jed Irwin.<br />
Issues 4 <strong>and</strong> 7 are books by William Brown<br />
<strong>and</strong> Theodore Enslin, respectively. (Secret<br />
Location p. 270).<br />
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[#17494] CUCHULAIN<br />
Vol. 1 no 1 (all publ. ) NY: Cuchulain, 1967. [28 pp]. Illustrated<br />
side-stapled wrappers. Original cover screenprint by Diane S<strong>and</strong>ers<br />
with contributor names, price, <strong>and</strong> volume numbering h<strong>and</strong>written<br />
on front cover. EUR 250.00<br />
Edited by M. G. Stephens. Mimeographed. Contributions by Scott Cohen,<br />
Sam Abrams, Paul Blackburn, Joel Oppenheimer, <strong>and</strong> others.<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 11
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[#17778] DAMAGE<br />
Numbers 1-12/13 (all<br />
publ.). San Francisco,<br />
California,<br />
July 1979 - June 1981.<br />
Complete run of 13<br />
issues including the<br />
free special edition<br />
“Western Front” issue<br />
from 1980. Tabloid<br />
newsprint, some<br />
moderate toning <strong>and</strong> very light wear overall, except for a bit more<br />
serious wear to the cover fold of issue #2. EUR 1,800.00<br />
The Bay Area’s answer to LA’s Slash magazine, <strong>and</strong><br />
equivalent to New York Rocker. About 40 pages each,<br />
printed b/w with a colour added the to nicely designed<br />
front pages. Unparalleled early punk coverage<br />
of the flourishing SF punk scene. This is a complete<br />
run of 13 issues including the giveaway “Western<br />
Front” issue from 1980.<br />
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[#17495] DEATH. a literary quarterly<br />
Volume 1 no. 1 (all publ.). <strong>Summer</strong> 1946.<br />
NY: Harry Herschkowitz (1946). 72 pp.<br />
Printed wrappers. Printed on tinted<br />
stock. EUR 200.00<br />
Edited by Harry Herschkowitz. Close to the<br />
surrealists. Contributions from Beauford<br />
DeLaney, Michael Fraenkel, Yvan. Goll,<br />
Benjamin Péret, Robert Duncan, Walter<br />
Lowenfels, Henry Miller, <strong>and</strong> others.<br />
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[#7137] DEDALO. Rassegna d’<strong>Art</strong>e.<br />
Anno 1-13 (all publ.). Milano/Roma. 1920/21-1933. (Years 1,2,4 <strong>and</strong> 6<br />
orig. bindings, remainder original wrappers; two volumes stitched<br />
(without wrappers). Complete set. EUR 3,500.00<br />
Directed by Ugo Ojetti; One of the most importantItalian art periodicals<br />
from the period between the wars. (A few of the annual indexes are not<br />
present in our set).<br />
12 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
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[#17570] THE DIAL<br />
Numbers 1-3 (all publ.). NY, Dial Press.<br />
1959-1960. Printed wrappers. Together<br />
with: The Dial, An annual of fiction,1962<br />
(all). EUR 150.00<br />
Edited by James H. Silberman. A short-lived<br />
revival of the old Dial. Contributors: 1. Joseph<br />
Papaleo, Thomas Berger, Albert J. Guerard,<br />
Sherwood Anderson. 2. Vance Bourjaily,<br />
Philip Roth, Herbert Gold, Ellen Currie,<br />
Nelson Algren, Richard Power, T.S. Eliot. 3.<br />
R.V. Cassill, Tom McAfee, Buddhadeva Bose, Herbert Gold, Bernard Wolf.<br />
Continued as an annual for the “fourth”issue, under the editorship of Joyce<br />
Engelson (no more published). 4. James Baldwin, Warren Miller, Ch<strong>and</strong>ler<br />
Brossard, Michael Girsdansky, William Melvin Kelley, <strong>and</strong> Katherine Mansfield<br />
(a story originally published in the May 1923 issue).<br />
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[#17471] DING. Onderwater krant.<br />
Nos. 1-10 (all publ.). Merchtem/Mechelen<br />
(Belgium). Sept. 1970-Aug. 1971. Tabloid size,<br />
on newsprint, (some issues with<br />
price-stickers on the covers). EUR 600.00<br />
Belgian pop <strong>and</strong> underground magazine in the<br />
style of Hitweek/Aloha, edited by Jos Vanhamme,<br />
with contribs. on Jim Morrison, The B<strong>and</strong>, Elton<br />
<strong>John</strong>, Rolling Stones <strong>and</strong> articles like: Pop-<strong>Art</strong> in<br />
het Casino?, Zwerven door Azië, Fuck the Army,<br />
Green Revolution. Contribs. by Leopold M. van<br />
den Br<strong>and</strong>e, Herwig Verleyen, Stefan v.d. Langenberg, Luc Vereyck, Samuel<br />
Clemens, a.o.<br />
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[#17520] DOT ZERO<br />
Number 4 (of most probably 4 published).<br />
<strong>Summer</strong> 1967. New York, Dot Zero Inc. 4to.<br />
Orig. pictorial wrappers. 49 pp.<br />
EUR 400.00<br />
Fine copy of this magazine devoted to the discussion<br />
of Expo 67 <strong>and</strong> world fairs in general<br />
as it pertains to particular problems raised by<br />
exhibition technique, design <strong>and</strong> purpose. Contribs:<br />
Umberto Eco (A Theory of Expositions),<br />
Serghe Boutourline, Ivan Chermayeff, Rudolph<br />
de Harak, Will Burtin, Bosley Crowther (Expo 67), Willard van Dyke./<br />
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[#7317] DOWN HERE. A Magazine from<br />
the East Village.<br />
Nos. 1-2 (all publ.). New York, 1966-<strong>Spring</strong><br />
1967. Wrappers. EUR 250.00<br />
An East Village magazine, edited by Michael Perkins,<br />
with contribs. by Ch. Bukowski, Ray Bremser,<br />
<strong>John</strong> Wieners, Apollinaire, Berrigan, Major,<br />
Wantling etc.; artwork by Nicholas G. Sperakis;<br />
Erin Matson
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[#7324] DREMPLES. A cross between the <strong>Art</strong>s.<br />
Nos. 1-7/8 (all publ.). Amsterdam, <strong>Summer</strong><br />
1975-1979. Original illustrated wrappers.<br />
Together 6 issues kept in cloth-over-boards<br />
box, title on spine. EUR 600.00<br />
Edited by Jaap Boerdam, Stew Florsheim, Scott<br />
Rollins, Paul Willcox. Layout-out <strong>and</strong> printed by<br />
Rob Stolk. “... Just as Amsterdam has become a<br />
cosmopolitan city, this journal can be seen as a<br />
microcosmic glance at the type of people it attracts.”<br />
Publishes poetry <strong>and</strong> prose, in Dutch <strong>and</strong><br />
English, by Gerrit Kouwenaar, Sjoerd Kuyper,<br />
Sybren Polet, Sally Goodman, Ethel Portnoy, Paul Snoek, Lucebert, Jacques<br />
Hamelink, etc. Ills. <strong>and</strong> cover designs by Lucebert, Harry van Zijl, Paul<br />
Willcox, Jaap Wesselink, Rob Stolk a.o. No. 7/8 thematic issue “Ten lowl<strong>and</strong>s<br />
poets”, contains modern Dutch-Language Poetry in English translation.<br />
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[#16259] DURAK. An International Magazine of Poetry<br />
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[#17487] DYN. The Review of<br />
Modern <strong>Art</strong>. Publ. & Ed. by Wolfgang<br />
Paalen.<br />
Numbers 1-5 (all publ). Westlake Village &<br />
Erin: Durak Press, 1978-1980. Illustrated<br />
wrappers. EUR 200.00<br />
Edited by Robert Lloyd <strong>and</strong> D.S. Hoffman. Each<br />
volume features the work of a single poet (George<br />
Hitchcock, James Tate, Mark Str<strong>and</strong>, William Pillin,<br />
<strong>and</strong> Yannis Ritsos), also other poets from the<br />
US <strong>and</strong> abroad.<br />
Nos. 1-6 (all publ.). Mexico City, April<br />
1942-Nov. 1944. In 5 issues (nos. 4/5<br />
double), 4to; original wrappers, folio.<br />
(Light chipping to right upper corner of<br />
the frontcover of no. 1<strong>and</strong> light spoiling,<br />
no. 6 has a b<strong>and</strong> of soiling along the<br />
fore-edge, a bump <strong>and</strong> split down the<br />
crown of spine, <strong>and</strong> nine pinholes<br />
through the rear cover, extending 11 leaves into the volume; other<br />
volumes in very good condition) Altogether an excellent set;<br />
complete quite rare. EUR 1,500.00<br />
Published in Mexico during the wartime, international journal for modern<br />
art <strong>and</strong> literature with strong ties to surrealism. Contributions by Wolfgang<br />
<strong>and</strong> Alice Paalen, M. Alvarez Bravo, Henry Moore, Henry Miller, Anais Nin,<br />
Valentine Penrose, Alex<strong>and</strong>er Calder, Robert Motherwell, Covarrubias,<br />
Matta, Picasso, Pollock, Edw. Renouf, César Moro, <strong>and</strong> many of others. All<br />
prints <strong>and</strong> (tipped to page) plates present. Texts in English <strong>and</strong> in French.<br />
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[#17485] ELEVENTH FINGER<br />
Numbers 1-4 (all publ.). London, 11th Finger, 1965-1968. Original<br />
pictorial wrappers, very lightly soiled. EUR 200.00<br />
Edited by Paul Evans.<br />
The third issue is devoted<br />
entirely to poems<br />
by George Dowden<br />
with the title BECAUSE<br />
I AM TIRED OF THE<br />
NIGHT, <strong>and</strong> is one of<br />
300 numbered copies<br />
(inscribed by him to<br />
Kirby?). Contributions<br />
by George Dowden,<br />
Paul Evans ,Lee Harwood, Anselm Hollo, Jerome Rothenberg, Guenter<br />
Grass, Michael McClure, Georg Trakl, Theodore Enslin, Tzara <strong>and</strong> many<br />
others. Covers designed by Jenny Harwood, Peter Bailey, Issues of 28-50<br />
pages each.<br />
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[#7439] THE ELF. A Sequence of the Seasons. A magazine<br />
written <strong>and</strong> illustrated by James Guthrie.<br />
(Series 2): Volumes 1-4 (all publ.). London, 1902-1904. Sm. 8vo;<br />
contemp. linen backed vols. with blue paper over boards. Printed by<br />
W.H. broome on English h<strong>and</strong>made paper. From a limited ed. of 250<br />
copies. EUR 1,000.00<br />
This beautiful periodical was conceived by James J.Guthrie, woodengraver,<br />
printer <strong>and</strong> poet (1874-1952). The four volumes published in this second<br />
series correspond to the seasons: <strong>Spring</strong> (May 1902); <strong>Summer</strong> (Nov.1902);<br />
Autumn (June 1903); Winter (Feb.1904), each with engravings <strong>and</strong> endpapers<br />
in a different colour. Includes (a.o.) the engraving “Fulfillment”, considered<br />
the best of Guthrie’s symbolic sketches. The last vol. includes (a.o.)<br />
3 engravings of the Nativity. The first series of ‘The Elf’ was published in<br />
1899/1900 (4 numbers), <strong>and</strong> in 1905 a third series appeared of 3 numbers.<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 13
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[#16537] ETC (&ETCetera).. Quinzenário cultural (folheca<br />
cultural).<br />
Nos. 1-25 (all publ.). Lisbon, 17<br />
January 1973 - October 1974. In<br />
the original issues, illustrated<br />
selfwrappers; all in good<br />
condition (only a small repair to<br />
the cover of number 1). Issues of<br />
20-24 pages, with front-page in<br />
colour. ( 33.5x28,5 cm).<br />
EUR 2,500.00<br />
Rare complete set of this Portuguese<br />
Avant-garde magazine directed by<br />
Fern<strong>and</strong>o Luso Soaras, after number<br />
7 by Vítor Silvo Tavares. Journal for the left-wing intellectuals, oppositional<br />
<strong>and</strong> close to the international counter-cultural <strong>and</strong> anarchist movements,<br />
including ecological issues etc. Long impressive list of contributors, see<br />
Daniel Pires, p. 197-200.<br />
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[#7556] EVENTO. critica e cronaca delle arti.<br />
Nos. 1-9 (all published ?; lacking no. 5). Venezia, Nov./Dec.1957 -<br />
Sept./Oct. 1959. Together 6 issues (nos 3/4 <strong>and</strong> 7/8 were double).<br />
Original coloured wrappers (with slight soilage); 4to; illustrated.<br />
EUR 2,000.00<br />
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[#16639] EXTENSIONS<br />
Nos. 1-8 (all publ.). New York, 1968-1974. 7<br />
issues (double issue no. 5/6). 8vo. Original<br />
wrappers as issued. Printed covers. Each<br />
issue 96 pp. All near fine, (except faint<br />
foxing to covers of no 4, no 5/6 foxing to<br />
front cover, corner-crease to rear, no 7<br />
cover lightly rubbed. no 8 toning to spine,<br />
small corner-crease to front cover).<br />
Complete collection in unusually good<br />
condition. EUR 1,000.00<br />
14 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
Directed by Toni Toniato & Federico<br />
Bondi, with contribs. by F. Bondi, Toniati,<br />
I. Troubetzkoy, Bruno Rosada,<br />
A.P. de M<strong>and</strong>iargues, Guido Ballo, T.<br />
Cerretti, H. Bischoffshausen, F. Russoli,<br />
J.J. Leveque, E. Sanguinetti, etc.;<br />
featuring artists like: Edm. Bacci,<br />
Lucio Fontana, Aldo Bergolli, Mario<br />
de Luiggi, Gianni Bertini, G. Mathieu,<br />
Calder, Capograssi, Nauman,<br />
Pollock, Morani, Burri, Scanavino,<br />
Wols, etc.<br />
Editors: Suzanne Zavrian, Joachim Neugroschel.<br />
<strong>Art</strong> direction <strong>and</strong> design: Irene Friedman. Contr. incl.: Vito Hannibal<br />
Acconci, Arakawa, Max Bense, André du Bouchet, André Breton, René<br />
Char, R. D. Cohen, Jean Daive, J. Dubuffet, Ch. Henri Ford, Jim Fulkerson,<br />
Jochen Gerz, Madeline Gins, Carter Ratcliff, Georg Trakl, Oswald Wiener..<br />
Periodical dedicated to Avant-garde Poetry <strong>and</strong> <strong>Literature</strong> of worldwide<br />
scope with foreign contributors including Miodrag Pavlovic from Yugoslavia,<br />
Erling Salomsen from Norway, Wolfgang Hildesheimer from Switzerl<strong>and</strong>,<br />
Seiichi Niikuni from Japan…<br />
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[#16640] FAMOUS<br />
Two volumes( all published). Oakl<strong>and</strong>:<br />
Whiz Press, 1975 & 1977. Two volumes,<br />
each near fine in side-stapled wrappers<br />
(28x21,5cm), mimeographed.<br />
EUR 250.00<br />
Edited by Steve. LaVoie <strong>and</strong> Lana Marie<br />
Michaleczko. Oakl<strong>and</strong>: Whiz Press, 1975 &<br />
1977. With contributions by Keith Abbott,<br />
<strong>John</strong> M. Bennett, Dick Higgins, Pat Nolan,<br />
Opal L. Nations, Ron Silliman, Kathy Acker,<br />
<strong>and</strong> others.<br />
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[#16651] THE FAR POINT<br />
Nos. 1-8 (all publ.). Winnipeg,<br />
University of Manitoba, 1968-1973.<br />
22,8 x 15,2 cm. Original illustrated<br />
wrappers. EUR 200.00<br />
Edited by Myron <strong>and</strong> George Amabile.<br />
Publishes only poetry, articles on<br />
contemporary poetry <strong>and</strong> reviews. (<br />
Charles Wright, Carol Shields, George<br />
Bowering, William Heyen, Ralph Gustafson,<br />
A.D. Whitney, Douglas Blazek,<br />
Joyce Carol Oates, bill bissett, <strong>and</strong><br />
Richard Kostelanetz, a.o.)<br />
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[#17571] FATHAR<br />
Nos 1-7 (all publ.). McNaughton,<br />
Duncan. ed. Buffalo & Bolinas:<br />
Duncan McNaughton (1970-1975).<br />
Seven issues (titled: one, 2, III, for, 5,<br />
Sixt-six, Zayin), all near fine in<br />
side-stapled wappers with light wear<br />
to the yapped edges. EUR 400.00<br />
Literary journal published by Duncan<br />
McNaughton, with contribs. by Gerard<br />
de Nerval, <strong>John</strong> Wieners, Charles Olson,<br />
<strong>John</strong> Thorpe, Vincent Ferrini, Stephen<br />
Jonas, Ted Berrigan, Ed S<strong>and</strong>ers, <strong>John</strong><br />
Clarke a.o.; covers with photographs by Ronni Goldfarb,Eleanor Lewis,<br />
Helen Macleod, David Tirrell, Zoe Borwn, Rose Dunn.
[#17791] FIRE<br />
Numbers 1-15 (all published). London<br />
(UK), 1967/72. Complete set, various<br />
sizes <strong>and</strong> formats, as below.<br />
Added: Letter by Joseph Berke (signed<br />
Joe) with an explatory sheet. List of<br />
previous issues on a red flyer.<br />
EUR 2,800.00<br />
Nicely laid-out, printed on heavy stock,<br />
edited by Joseph H. Berke; editorial committee:<br />
Noel Cobb, Paul Zeal, G. Spencer<br />
Brown, Patrick Schofield, David Jay.<br />
Number 1: 39x37 cm.,silkscreen (?) on different<br />
color pages. Contributions<br />
by F. Horne/J. Werner (drawings), K. Stewards, N. Cobb, H. Trevor, R.D. Laing,<br />
G. Snyder, J. Quinones, a.o.<br />
Number 2: 40x26,5 cm., unbound, 31pp. silkscreen (?) on different color<br />
pages. Contributions by J. Werner, D.V. Greiff, C. Guevara, H. Trevor, G.<br />
Snyder, G. Johannesen, S. Hawkins, H. Broog, L. Ferlinghetti,J. Beck, C.<br />
Hernton, F. Horne, J. Berke <strong>and</strong> J. Keys.<br />
Numbers 3-9: Counter Culture: The Creation of Alternative Society. (Published<br />
in assotiation with Peter<br />
Owen Ltd.). 25x18 cm., hard covers, dust jacket protected by an acetate<br />
sheet, 416pp. Offset.<br />
Contributions by <strong>John</strong> Gerassi, Tuli Kupferberg, Julian Beck, Allen Ginsberg,<br />
Stokely Carmichael Simo Vinkenoog, plus many underground manifestos,<br />
all amply illustrated. A core reference work for the period.<br />
Number 10: 38x25cm., stapled, 25pp. Color offset, letterset on different color<br />
pages. Paintings by Minnie Evans: front <strong>and</strong> back covers; Spine Hawkins<br />
poem; Drawings by Pip Benveniste, Calvin Hernton<br />
‘In G<strong>and</strong>i’s Room’; ‘Paranois <strong>and</strong> Persecution’ by Morton Schatzman; ‘Drawing’<br />
by Peter Schmidt; drawing by Harry Trevor; ‘Avalon’ by James McCann;<br />
‘I Can Hear the Buggas No More’ by Joseph Berke; Mary Barnes ‘Flection:<br />
Reflection’; ‘May Blossom’ Vo Van Ai; ‘Prophecy: round 1’ by George<br />
Montgomery; ‘The Real Questions’ Susan Sherman.<br />
Numbers 11-15: Sphere of Light by Roberta Elzey Berke. (Published in<br />
assotiation with Trigram Press Ltd.). 22,5x12cm., hard covers (cloth), dust<br />
jacket, unpaginated.<br />
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[#16652] FIRE EXIT<br />
Numbers 1-4 <strong>and</strong> 5 broadsides (all published). Cambridge & Boston,<br />
Fire Exit 1968-1974. Four numbered issues,orig. stapled wrappers,<br />
plus five folded unnumbered broadside issues. EUR 400.00<br />
Edited by William Corbett <strong>and</strong> Fanny Howe. Began as “The Magazine of<br />
the New Poet’s Theatre,” Contributions by James Tate, Andrew Wylie, Jim<br />
Harrison, Corbett, Tim Reynolds, Sam Cornish,<br />
Robert Creeley, <strong>John</strong> Wieners, Clark Coolide,<br />
<strong>and</strong> Russell Banks. The magazine continued<br />
from number 4 as a folded broadside featuring<br />
the work of one or more writers <strong>and</strong> artists.<br />
Philip Guston did the cover of one, another<br />
entire issue was devoted to the work of Susan<br />
Howe. Simic, Olson, Wieners, Michael Palmer,<br />
<strong>John</strong> Yau would all appear in other issues. Secret<br />
Location (p. 275) lists the four issues + four<br />
broadside issues, the run here offers the four<br />
plus FIVE broadside issues<br />
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[#16932] FLASH ART (after<br />
no. 92/93 International / English<br />
Edition). The International <strong>Art</strong>s<br />
Review.<br />
Nos. 15 - 185 (January 1975 -<br />
December 1995). Unbound as<br />
issued, till no. 41 in tabloïd size,<br />
then starts the magazine format.<br />
Original pictorial wrappers<br />
preserved, the tabloids in in good<br />
clean condition. ( Except for no. 18,<br />
which is a photocopy, all these<br />
issues are in the ORIGINAL<br />
IMPRINT). Added: Flash <strong>Art</strong><br />
Information sheet, edizione<br />
speciale 7 febbraio 1974 in occasione della mostra. EUR 5,000.00<br />
Ongoing set for twenty years, from as early as1975till the end of 1995, of this<br />
fundamental magazine for contemporary art, edited by Giancarlo Politi.<br />
Features on Venice Biennale, Documenta, USSR, Post-conceptual Romantism,<br />
Danger in <strong>Art</strong>, Fluxus, <strong>and</strong> many other special themes.; contribs. are<br />
in Italian, English, French <strong>and</strong> German. The set includes ‘Heute Kunst’ Nos.<br />
19-26. After nos. 93 there are two editions, (Italian, <strong>and</strong> English) <strong>and</strong> this is<br />
the english edition.<br />
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[#13593] THE FLOATING BEAR. A Newsletter.<br />
Nos. 1-38 (all publ.). New York,<br />
1961-1971. Original issues, stapled in left<br />
upper corner or in spine; 4to;<br />
mimeographed. Usual toning,<br />
occasional light wear. Overall an<br />
unusual bright, clean <strong>and</strong> sound set. All<br />
issues stapled in left upper corner or<br />
sidestapled; no 33 is the only issue with<br />
some tape repair to the spine, others are<br />
all very good to fine. Mailing labels to<br />
all issues (recipients were mainly James<br />
Laughlin for roughly 2/3 of the set,<br />
others were, Fielding Dawson, Corinth Books,etc.) EUR 3,500.00<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 15
Complete run of this legendary mimeographed magazine edited by Diane<br />
Di Prima <strong>and</strong> LeRoi Jones, distributed solely by mailing list. Floating Bear<br />
was named after the boat of Winnie the Pooh. An important showcase for<br />
Beat, New York School <strong>and</strong> other avant-garde writers (McClure, Olson,<br />
Levertov, Whalen, Oppenheimer, Ginsberg, William Burroughs - a contribution<br />
in no. 9 got the editors in trouble with the law- , Duncan, Metcalf,<br />
Michael McClure, LeRoi Jones, , Stan Persky, Diane di Prima, <strong>John</strong> Wieners,<br />
<strong>John</strong> Ashberry, Allen Ginsberg, Marian Zazeela, La Monte Young, Edwin<br />
Denby,Charles Olson, Robin Blaser, Robert Creeley, Philip Whalen, Paul<br />
Blackburn. From no 28 with cover-illustration by a.o. Ray <strong>John</strong>son, Michael<br />
Bowen, Jess, George Hermas, Wallace Berman. Last issue publ. as ‘The<br />
Intrepid-Bear Issue’ (= Intrepid no 20 / Floating Bear no 38).<br />
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[#17511] FOOD. Settimanale di alternativa.<br />
Numbers 0 - 1 (all published). Taranto, IT, 1976; 2 numbers,<br />
mimeographed, colour & b/w, side-stapled. 28x20,5 cm. (Alternative<br />
Press Syndicate member). EUR 1,200.00<br />
Italian Underground. Interestingly designed magazine for experimental<br />
poetry, psychedelic art, rock music, new life styles, womens liberation, etc.<br />
Directed by Marcello Baraghini <strong>and</strong> edited by Zenlo, Cor, Aryes. Design,<br />
make-up <strong>and</strong> illustrations by Aryes. (Mangano<br />
1998: pag. 141). - n. 0 (7 marzo 1976); 12<br />
pages. Cor, «Viaggio nel feudo», Zenlo, «Da<br />
dove vengo. Fantapuzzle musicale» (visual<br />
poetry contribution with words in typewriterscript<br />
inserted over music notation lines).<br />
Interview with Keith Tippett, <strong>and</strong> a text «Pop<br />
indiscrezioni... e altre realtà» by Napo Kamassa;<br />
Joe il Magro, «Da Brindisi a Kabul». - n. 1<br />
(14 marzo 1976): 20 pages (incl.cover). Napo<br />
Kamassa, «Small Faces» , «Ritratti di eroine:<br />
Rosa Luxemburg»; Cor, «Viaggio nel feudo»;<br />
Zenlo, «Da dove vengo. Fanta puzzle musicale»; Cor, «Uno dei problemi<br />
più scottanti del reame. La liberazione della<br />
donna»; Bob Dylan, «Visions of Johanna.<br />
Dedicata a Nico», text in English with Italian<br />
translation; George Yark, «Senza titolo»,Poetry<br />
Workshop. Cor, «Lettera aperta».<br />
16 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
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[#14175] FORMES (English Edition). An International Review<br />
of Plastic <strong>Art</strong>.<br />
No. 1 (all). December 1929; Nos. 1-33 (all <strong>and</strong> last publ.). Paris,<br />
1930-1933. Original (some slightly soiled) wrappers,4to; illustrated. In<br />
two issues (i.e. nos. 17 & 28/29) a few plates (b/w) in perfect<br />
photoreprint. Rare complete. EUR 3,500.00<br />
Focusing on modern <strong>and</strong> avant-garde art,<br />
directed by S.Fukushima <strong>and</strong> Waldemar<br />
Georges. Contributors include: Picasso<br />
(Cassou), Frobenius, Cocteau, Fierens,<br />
Roger-Marx, Bazin, etc.. There were two<br />
editions, in French (Revue Internationale<br />
des <strong>Art</strong>s Plastiques) <strong>and</strong> English<br />
(An International Review of Plastic <strong>Art</strong>).<br />
Chamberlin 2237; Prause p.208.<br />
1111111111111<br />
[#7722] FORTUNE<br />
Volumes 1-122 (= Feb. 1930-1990). Chicago, Time Inc., 1930-1990, with<br />
Index 1930/37. Bound in library boards or cloth till 1983 (WITH<br />
ORIGINAL PICTORIAL<br />
WRAPPERS preserved,<br />
frequently with library stamp,<br />
but overall in good condition).<br />
An excellent set, rare to be<br />
found nowadays.<br />
EUR 8,000.00<br />
Complete set THRU 1990, IN-<br />
CLUDING THE IMPORTANT<br />
EARLY YEARS of this famous<br />
“magazine for the business-world<br />
<strong>and</strong> corporate America”. Elaborately<br />
produced <strong>and</strong> lavishly illustrated<br />
with photographs (black<br />
<strong>and</strong> white & colour, fine colour printing) of wellknown photographers<br />
(Margaret Bourke-White, Ralph Steiner, <strong>Art</strong>hur Gerlach, Ansel Adams,<br />
Erich Salomon, Bernard Hoffman, Berenice Abbott, etc. . WALKER EVANS<br />
wrote <strong>and</strong> photographed for Fortune starting in 1934 (from 1945-1965 as<br />
staff-photographer <strong>and</strong> photo-editor). Of particular importance are also the<br />
beautifully illustrated covers, for which the magazine is famous (designs by<br />
Diego Rivero, Ant.Petrucelli, Herbert Bayer, Matthew Leibowitz, Paolo Gar-<br />
retto, Fern<strong>and</strong> Leger, etc.). The many advertisement-pages (all included in<br />
the set) give an important survey of the developments in graphic & advertising<br />
design. Illustrated articles give an overview of half a century’s technical<br />
<strong>and</strong> industrial progress (Cars,<br />
aviation, steel, computers, business<br />
& finance, travel,traffic, film). Also<br />
attention to the visual arts (in 1941 no<br />
6.Grosz, Dali, Chagall, Ernst, Tanguy,<br />
Masson etc.) <strong>and</strong> also contemporary<br />
American art. This set, fully collated<br />
<strong>and</strong> with very minor defects (detail<br />
on request) is an excellent clean copy<br />
for an ex-library item like this.
1111111111111111<br />
[#17318] FOTO MEDIUM ART<br />
Edited + published by Jerzy OLEK, . Wroklaw (Pol<strong>and</strong>), 1976/77. 30<br />
monographic bulletins: 22,5x10,5 cm., folded sheets. With illustrations<br />
<strong>and</strong> texts in Polish by the artists (see below) EUR 800.00<br />
I. Kulil/R. Tabaka; B. Malysa; R. Kutera; R. Plocki; A. Jorczak; A. Kutera;<br />
A&A; M. Bacciarelli; H. Gajewski; G. Sztabinski; W. Liszkowski; Natalia<br />
LL; A. Saj; B. tachow; L. Szurkowski; A. Borkowski; Laboratorium TP; W.<br />
Ropiecki; A. Rozycki; W. Bruszewski; A. Sapija; Z. Sosnowski; J. Robakowski;<br />
J. Wojciechowski; R. Wasko; L. Mrozek; J. Swidzinski; J. Olek; A. Lachowicz<br />
<strong>and</strong> Z. Dlubak.<br />
1111111111111<br />
[#7778] IL FRONTESPIZIO. Rassegna mensile.<br />
Anno 2-12 (=last). Firenze, 1930-1940.<br />
Original wrappers; folio (after 1936<br />
reducing size to 4to). With Index<br />
1929-1938.<br />
(The second year lacks nos. 1,2,4,6; some<br />
small closed tears <strong>and</strong> brownspotting,<br />
occasional library-stamps, pencil<br />
markings or old mailing labels, but as a<br />
whole an excellent set). EUR 3,000.00<br />
Ed.-in-chief: Barna Occhini, with Giovanni<br />
Papini, Ardengo Soffici <strong>and</strong> Piero Bargellini.<br />
Contribs. by C. Betocchi, Auro d’Alba,<br />
R. Weiss, N. Lisi, C. Bo, M. Luzi, Cassola, A. Hermet, N. Lisi, Penna, Emilio<br />
Villa etc. C. Betocchi, C. Bo, L. Fallacara, D. Giuliotti, A. Hermet, N. Lisi, M.<br />
Luzi, G. Papini, Emilio Villa, <strong>and</strong> others. Woodcuts <strong>and</strong> drawing-illustrations<br />
by Pietro Parigi, Gino Carluccio, Angelico Pistarino, Adelindo Franceschini,<br />
Mino Maccari, Raoul d’Alberto, L. Bartolini, Giacomo Manzù, Mario<br />
Zappettini Filippo Meli, G. Beretta, P. Bugiani, <strong>Art</strong>uro Checchi, Quinto,<br />
FioreTomea, Lorenzo Viani , etc.<br />
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[#15040] LE FROU-FROU. Paraît<br />
le samedi.<br />
Nos. 1-240. Paris, S. Schwartz, 20<br />
octobre 1900 - 20 mai 1905. 4to; bound<br />
in 6 vols., unif. brown h. leather, raised<br />
b<strong>and</strong>s, with pictorial wrappers<br />
(trimmed). EUR 1,200.00<br />
The first years of one of the nicest Belle-<br />
Epoque gallant illustrated weeklies, edited<br />
by Schwartz (the originator of l’Assiette<br />
au Beurre), containing two early illustra-<br />
tions by PICASSO (signing Ruiz) in nos. 46 <strong>and</strong><br />
48. Issues of 32 pp each, with humorous texts,<br />
short stories, feuilletons etc. (the section of light<br />
fiction “contes inédits’ with unpublished texts<br />
is present, starting July 1902, bound separately<br />
in 3 vols.) Illustrations by the major artists of<br />
the period: Guillaume, Hermann Paul, Willette,<br />
Rouveyre, Steinlen, Vallet, Gerbault, Bac, Roubille,<br />
Galanis, Sancha, d’Ostaya, Couturier, Petitjean, etc.<br />
1111111111111<br />
[#7797] GALERIEHAUS KOELN. Lindenstrasse 18-22<br />
Nos. 1-9 (all published). Köln, März-Nov. 1971. 4to; original wrappers;<br />
illustrated. EUR 700.00<br />
Complete set of this important publication:<br />
published in issues of 38 pages each, documenting<br />
the exhibitions in the Cologne<br />
Galeriehaus (a joint effort of the Galleries<br />
Friedrich, Onnasch, Müller, Neuendorf,<br />
Ricke, Thelen, Wilbr<strong>and</strong>, Galleryhouse<br />
Lindenstrasse) describing <strong>and</strong> documenting<br />
artwork by such artists as: D. Judd, S.<br />
LeWitt, Palermo, G. Richter, R. Ryman, Jef<br />
Nuttal, Warhol, Segal, Oldenburg, Edward<br />
Kienholz, Robert Filiou, Boltanski, Arakawa,<br />
Dan Flavin, etc.<br />
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[#16177] GANDALF’S GARDEN. Mystical Scene Magazine.<br />
(Nos. 1-2: Fear Not- You are now entering G<strong>and</strong>alf’s Garden; No.3:<br />
A New World grows beneath the snows; No. 4: the inner zodiac<br />
wheels between the leaves; No. 5: beyond the brain& blown mind<br />
lies G<strong>and</strong>al’s Garden)<br />
Nos. 1-6 (all published). Citadelle Press,<br />
London, May 1968 - 1969. Printed on<br />
various coloured stock, 30-34 pages per<br />
number, stapled into colourful pictorial<br />
wrappers; numerous ills. Except for<br />
some very light soilage to covers in fine<br />
condition. Very rare. Added: CD: The<br />
complete G<strong>and</strong>alf’s Garden (signed by<br />
Muz Murray). EUR 1,400.00<br />
Editors (G<strong>and</strong>alf’s Gardeners): Muz Murray.<br />
Field editor: Alex Lowsiewkee; Head<br />
Gardener: Gerry Snelling; Graphics: Pip<br />
Bassett, Francois Vasseur, June Cramer, Sue<br />
Soar, Ken Hayes, Geoffrey Carton, <strong>John</strong><br />
Hurford, Carol Blain, Jay Amler, Pat Kyle, Steven Ridgeway, <strong>John</strong> Power, etc.<br />
; Photography: Chris Ridley, Robin Chapman, Colin Bord, Andy Coventry,<br />
Selene, etc. Contributors include Peter Finch, <strong>John</strong> Mitchell, <strong>John</strong> Peel,<br />
Marc Bolan, Nicki Wood, Geoffrey Ashe, Barney Bubbles, Dave Cumliffe,<br />
Viv Broughton, etc. A monthly venture; later: Published as often as possible<br />
for people with love. And will appear again when the weather is right. It is<br />
the lifestyle of those who produce it. We hope it is yours. (The Voice of the<br />
Overground; Overground Free Press).<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 17
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[#13167] GASETA DE LES ARTS<br />
18 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
Years 1-4 (all publ., comprising nos.<br />
1-78). Barcelona, May 15, 1924 - Aug. 1,<br />
1927, together with the specimen issue<br />
(Numero de Mostra), March 1924; then<br />
continued as: GASETA DE LES ARTS.<br />
Seguna Epoca. (Arquitectura, Escultura,<br />
Pintura, Bells Oficis, Cinema).Years 1-3<br />
(all <strong>and</strong> last publ., comprising nos. 1-14).<br />
Barcelona, June 1928 - Jan. 1930. Bound<br />
in 3 vols. green hcalf, gilt title; first series<br />
folio, new series 4to; with numerous<br />
illustrations. EUR 2,200.00<br />
Directed by Joaquim Folch i Torres in the first series, the new series by<br />
Marius Gifreda, with J. Floch i Torres <strong>and</strong> Rafael Benet as editors. Many important<br />
contributions on modern <strong>and</strong> contemporary art <strong>and</strong> architecture,<br />
especially in the new series (Rafael Benet, Just Cabot, Salvador Dali, a.o.)<br />
featuring Picasso, Miró, Braque, Baixas, Joan Llimona, Dalí, various modern<br />
architects, etc.; the issue of march 1925 ‘Els grans mestres de la pintura<br />
moderna’ is almost entirely devoted to Picasso.<br />
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[#8000] HARA-KIRI<br />
HEBDO. Bête et méchant.<br />
Nos. 1-94, with Supplt. to no. 14 (all<br />
publ.). Paris, 3 février 1969-16 nov.<br />
1970; continued as: CHARLIE<br />
HEBDO. Nos. 1-163. Paris, 23 nov.<br />
1970-31 déc. 1973, with undated<br />
special issue “Médecine du Travail”.<br />
Large folio; unbound till 4 jan. 1971,<br />
rest in original publ. cloth,<br />
untrimmed. 5 issues moist damaged<br />
<strong>and</strong> wrinkled; one number<br />
(Hara-Kiri no. 91) lacking, otherwise an excellent set. EUR 4,000.00<br />
Politico-satirical weekly, strongly anti-gaullist, with a biting satirical style. It<br />
was forbidden after no. 94 (“Bal tragique à Colombey. 1 Mort”) on the occasion<br />
of De Gaulle’s death. ‘Charlie Hebdo’ immediately took over, with the<br />
same collaborators. Contribs. (many cartoons, photographs, political satire<br />
etc.) include: Wolinski, Reiser, van Malsen, (“Willem”), GéBé, etc.<br />
11111111111111<br />
[#14339] HARO!. Rédaction-administration: A. Daenens.<br />
wood-cut by A. Daenens.<br />
Third series: Nos. 1-5 (all publ.). Bruxelles,<br />
oct. 1927 - mars 1928. Size (h/w): 38 x 30,5<br />
cm. EUR 800.00<br />
Third series of this belgian anarchist periodical<br />
of which the first 7 nos. were published<br />
between june 1913 <strong>and</strong> january 1914. After the<br />
war publication continued with the second<br />
series (8 nos. between july 1919 <strong>and</strong> june 1920)<br />
<strong>and</strong> the third series, which is offered here<br />
complete. Very rare <strong>and</strong> fragile, printed on<br />
brownish paper, each with a full-page lino- or<br />
1111111111111111<br />
[#16799] HERMES. Rivista mensile dell’arte e del pensiero<br />
moderno.<br />
Nos. 1-12 (comprising vol. 1-2, all published). Firenze, gennaio 1904<br />
-luglio 1906. In the original issues, with the coloured covers <strong>and</strong> the<br />
advertisement pages, partly untrimmed with only light wear to the<br />
overlaying edges of the covers <strong>and</strong> spines. A fine set kept in a<br />
specially made cloth drop-back box with titelage on front <strong>and</strong> spine,<br />
the index pages in perfect photostats in matching paper.<br />
EUR 4,000.00<br />
Complete set<br />
of this finely<br />
produced elegant<br />
Florentine art <strong>and</strong><br />
literary periodical,<br />
founded <strong>and</strong><br />
edited by G. Antonio<br />
Borgese, with<br />
Enrico Corradini<br />
<strong>and</strong> the collaboration<br />
of Gabriele<br />
D’Annunzio,<br />
Giovanni Papini,<br />
Benedetto Croce, Maffio Maffii, Adolfo de Karolis, E. Cecchi, Marcello Taddei,<br />
Nello Puccioni, Luigi Dami, Riccardo Forster, <strong>and</strong> others, luxuriously<br />
printed with many woodcuts by De Karolis (who also designed the cover),<br />
Gio. Costetti, A. Spadini, Ch. Doudelet. Hors-textes by Plinio Nomellini,<br />
Emil Zoir, Charles Doudelet, Giovanni Costetti.<br />
11111111111111<br />
[#14468] HIGH PERFORMANCE. The Performance <strong>Art</strong><br />
Quarterly.<br />
Nos. 1-76 (all publ.) Los Angeles / Santa<br />
Monica, 1978-97. With special issue The<br />
Verdict <strong>and</strong> the Violence, <strong>Summer</strong> 1992.<br />
Original pictorial wrappers, all in very<br />
good to excellent condition, all in the<br />
original imprint. EUR 4,000.00<br />
Edited <strong>and</strong> published by Linda Frye Burnham.<br />
The oldest <strong>and</strong> most important magazine on<br />
performance (art & workshops), happenings,<br />
body art <strong>and</strong> feminist art activities (Lesbian
<strong>Art</strong> Project, Feminist <strong>Art</strong> Workers, The<br />
Waitresses, etc.). With features on Rachel<br />
Rosenthal, Chris Burden, Bill Viola, <strong>John</strong><br />
Cage, Diam<strong>and</strong>a Galas, <strong>and</strong> many others<br />
(Chris Burden, Laurie Anderson, David<br />
Wojnarowics, James Luna, Allen Kaprow).<br />
Photography: Charles Christopher Hill,<br />
Francis Shishim, <strong>John</strong> Duncan, Barbara<br />
Smith, Paul Vellick, Megan Williams, a.o.<br />
Issue no. 23 is an album of 2 LP records; special<br />
issue <strong>Summer</strong> 1992 includes a Compact<br />
Disc. Rare complete set. The most important<br />
source for the documentation of international<br />
Performance <strong>Art</strong>.<br />
111111111111111<br />
[#17598] HIGH TIMES. The Magazine of High Society.<br />
Numbers 1-76. <strong>Summer</strong> 1974 -<br />
December 1981. In the original<br />
coloured wrappers, overall condition<br />
is excellent with some issues “like<br />
new” <strong>and</strong> others with only minor<br />
reading wear. Front <strong>and</strong> back covers<br />
all intact <strong>and</strong> fine (except for a<br />
rubberstamp on no.16 <strong>and</strong> an old<br />
mailing label on no 55;small ink mark<br />
on no 60; one spine split). The first in<br />
the premiere edition, First state with<br />
$1.00 price <strong>and</strong> “premiere issue” on<br />
the cover (grey <strong>and</strong> blue-green<br />
colored pictorial wrappers) A very rare ongoing set of the earliest<br />
period. EUR 4,000.00<br />
Editor: Ed Dwyer. “While most people rightfully associate High Times with<br />
dope glorification <strong>and</strong> countercultural hijinx, the magazine was surprisingly<br />
cutting edge in its coverage of punk rock. The mag’s founder Tom<br />
Forcade apparently thought punk rock was the “next big thing” <strong>and</strong> accorded<br />
above-average coverage to punk b<strong>and</strong>s, the Sex Pistols in particular.<br />
Noel Monk’s Twelve Days On The Road recounts several amusing tales of<br />
Forcade’s pursuits of the Pistols on their ill-fated 1978 US tour. Just a few<br />
highlights include a mini-installment of <strong>John</strong> Holmstrom’s Punk magazine<br />
in the February 1977 issue (referred to as Punk #0), a Blondie cover story<br />
for the June 1977 issue (“the Marilyn Monroe of Punk Rock”), a Sex Pistols<br />
main feature including a <strong>John</strong>ny Rotten cover in October 1977, Glenn<br />
O’Briens “Notes On The Neon Nihilists” in the November 1980 issue (featuring<br />
<strong>John</strong>ny Rotten vs. Willie Nelson on the cover). You’ll also find smaller<br />
features on punk’s “fuck me” fashions, LP reviews <strong>and</strong> other punk tidbits<br />
especially in the 1977 through 1980 issues. “ From the announcement-letter<br />
(May 16, 1974): “The Trans-High Corporation of New York announced today<br />
the publication of a new magazine.... It offers extensive <strong>and</strong> sophisticated<br />
coverage of the pleasure <strong>and</strong> psychochemical culture.... articles ranging<br />
from the ecology of cannabis paper to an investigative report on a nine-ton<br />
pot bust. ...A regular feature of High Times<br />
is a comprehensive Wall Street Journal-type<br />
listing of psychochemical prices around the<br />
world (=in fact ‘High Witness News’). ..Also<br />
featured are medical <strong>and</strong> legal columns<br />
written by leading experts as well as eclectic<br />
reviews of films, records <strong>and</strong> books. ...<br />
psychochemicals have become the cause of<br />
psychological <strong>and</strong> sociological problems; to<br />
alleviate these problems, the first step is to<br />
take a more thorough look. This is the purpose<br />
of High Times.” Contribs. by Richard<br />
Ashley, Bruce Eisner, Albert Goldman, Michael Horowitz, Ron Rosenbaum,<br />
<strong>John</strong> Wilcock, Deanne Stillman, a.o. Also interviews with (o.a.) the Dalai<br />
Lama, Albert Hofmann, Dr. Norman Zinberg, Andy Warhol, Peter Beard,<br />
Fran Lebowitz, Keith Richard, Marianne Faithfull, etc. In addition to the<br />
controversial drug coverage <strong>and</strong> in-depth countercultural articles, there is a<br />
sizeable amount of early punk rock coverage thanks to Tom Forcade’s early<br />
interest in the Sex Pistols <strong>and</strong> punk music as the “next big thing”. Forcade<br />
even provided funding for <strong>John</strong> Holmstrom’s Punk magazine at one point.<br />
While High Times continues to this day, the focus here was on music<br />
related coverage <strong>and</strong> therefore this particular run ends in 1981 where the<br />
musical interest also begins to taper off.<br />
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[#8063] HISPANIA. Revista Mensual Literatura y <strong>Art</strong>istica.<br />
Tomo 1-4 (= nos. 1-93, all publ.). Barcelona, 1899-1902. Bound in the<br />
original decorated <strong>Art</strong>-nouveau binding<br />
cases, original illustrated wrappers<br />
preserved; 4to. Ills. <strong>and</strong> photographs.<br />
EUR 3,000.00<br />
Important richly illustrated, modernist periodical<br />
edited by H. Miralles, depicting work of<br />
many Catalan artists, o.a: Mas i Fontdevila,<br />
Dionís Baixeras, Juli Borell, R. Pichot, E. Saló,<br />
Torres-García, J. Llaverias, R. Opisso. Dir.:<br />
F. Miquel i Badia, Josep Pascó <strong>and</strong> Ezequiel<br />
Boixet. Ills. by a.o.: José Pascó, Triadó, R. Casas,<br />
A. Clapès, J. Llimona, M. Fuxá, Luis Graner,<br />
Dionisio Baixeras. Contribs. by Alfonso de Mar<br />
(‘Paris y la Exposicion’), <strong>John</strong> Harrison (‘La<br />
China Moderne’, with photos), Eusebio Blasco,<br />
Antonio Cortón (‘La India Inglesa en Fotografía’, with photos by Román<br />
Batlló), R. Casellas, J. Cadenas, etc. Yr. 1900 incl. Almanac, with 12 ills. by<br />
Mas y Fondevila, Baixeras <strong>and</strong> Llimona. (Trenc Ballester,p.124)<br />
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[#17498] HORDE<br />
Number One (all publ.). December 1964. London: Horde, 1964. 50 pp.<br />
Side-stapled wrappers. EUR 200.00<br />
Edited by <strong>John</strong>ny Byrne <strong>and</strong> others.<br />
Cover art by Miles, contributions by Pete<br />
Brown, George Dowden, Spike Hawkins,<br />
Angus Mac Lise, Anselm Hollo, <strong>and</strong><br />
many others. Center insert fold-out,<br />
cartoons by Mal Dean, present <strong>and</strong> fine.<br />
Inside the rear cover is an advertisement<br />
for Horde 2, including the contents, but<br />
there is no evidence that it was actually<br />
published. Miller & Price D213.<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 19
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[#17732] HORN. Journal of Hornsey<br />
College of <strong>Art</strong><br />
Nos. 1 & 2 (all publ.). Hornsey, Hornsey<br />
School of <strong>Art</strong>, 1964. Tall 8vo. pp. Two<br />
issues of 36 pages each. <strong>Art</strong> editor Bill<br />
Olive, layout <strong>and</strong> design by Les Steedman<br />
<strong>and</strong> Stuart Heveron. Original printed<br />
colour wrappers. First issue was subtitled<br />
‘Aggression’, the second ‘Rhythm’. A third<br />
issue devoted to sex never materialised.<br />
EUR 300.00<br />
Edited by Hannah Gavron <strong>and</strong> Kit Roberts.<br />
<strong>Art</strong> editor Bill Olive, layout <strong>and</strong> design by Les<br />
Steedman <strong>and</strong> Stuart Heveron. First issue was subtitled ‘Aggression’, the<br />
second ‘Rhythm’. A third planned issue devoted to sex was never published<br />
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[#8130] THE HOUND & HORN. A Harvard Miscellany.<br />
20 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
Vols. 1-7 (all publ.). Portl<strong>and</strong>/Maine,<br />
1927/28-1933/34. Unbound, original<br />
wrappers. Some wrappers a bit dusty,<br />
but on the whole an extremely<br />
well-preserved set, a rare item.<br />
EUR 2,000.00<br />
Complete set of this famous Little Magazine<br />
(See Hoffman p.285) with critical essays,<br />
literary <strong>and</strong> other contributions (incl.<br />
art, architecture, social issues etc.) by T.S.<br />
Elliot, K. Burke, Theod. Spencer, Malcolm<br />
Cowley, W. Stevens, W.C. Williams, E.E.<br />
Cummings, H. Gregory, Seldon Rodman,<br />
Erskine Caldwell, Hemingway, Cunningham,<br />
etc. Illustrations by Picasso, Peter<br />
Teigen, Jean Cocteau, etc. Various contributions<br />
on progressive art <strong>and</strong> architecture (Mies v.d. Rohe, Ruhtenberg, Le<br />
Corbusier); American anarchy <strong>and</strong> Russian communism (with photographs<br />
of the Workers Film <strong>and</strong> Photo League). The magazine is of particular<br />
interest on account of the important share given to photography by: Walker<br />
EVANS (numerous), Silvia Saunders, Harry Crosby, Jere Abbott, Berenice<br />
Abbott, M.B. Brady, Charles Sheeler, etc.; articles on film <strong>and</strong> film-stills of<br />
movies by: F.W. Murnau, Sergei Eisenstein, Henwar Rodakiewiczs, etc.<br />
1111111111111111<br />
[#17692] ICONOGRAPH. A magazine of art <strong>and</strong> literature.<br />
Numbers 1-4 with supplement (New York, spring-winter 1946)<br />
continued as: New Iconograph, Fall 1947. 6 issues, complete. (First<br />
issue repaired at the spine <strong>and</strong> chipped on<br />
lower right corner of frontpage low; no. 2<br />
has chipping at the bottom corner of the<br />
last two pages; no. 3 light damage to the<br />
spine; no. 4 spine splitting, else very good).<br />
Altogether a good set of this scarce fragile<br />
periodical. EUR 2,000.00<br />
Edited by Kenneth Lawrence Beaudoin; the<br />
supplement subtitles: Quarterly Supplement of<br />
prejudice <strong>and</strong> opinion. Credo Issue (not dated,<br />
but includes a statement by Jackson MacLow dated 16 September 1946).<br />
This was the New York successor of Beaudoin’s magazine, which he had<br />
previously issued from New Orleans. Published at the Iconograph Press at<br />
the Neuf Gallery in New York. The magazine became the nucleus for the<br />
group of the same name that gathered around the publication <strong>and</strong> Beaudoin’s<br />
Neuf Gallery, <strong>and</strong> was also known as the Semeiologists. They had a<br />
group show in April 1946. Amongst the contributors (or featured aritists):<br />
Peter Grippe, Nell Blaine, Minna Citron,<br />
Will Barnet, Scott Greer, Theodore Stamos,<br />
Judson Crews, Yvan Goll, Michael Fraenkel,<br />
Mark Rothko, Jackson Pollock, David Hare,<br />
S.W. Hayter, Ezra Pound, A. Lincoln Gillespie<br />
(Abraham), Henri Michaux, Clarise Blazek,<br />
etc. Included are mimeographed pages with<br />
poetry in some the numbers. Number 2 has<br />
an article “6 young female painters”(Sekula,<br />
Lewin, Barber, Blaine,Barco, Dennis)<br />
Number 3 includes a 4 page piece of ‘visual<br />
poetry’ by Abraham Lincoln Gillespie on<br />
mimeographed sheets bound into the<br />
center of the magazine with very involved typography. No. 4 in the middle<br />
reproduced (visual) poetry by Harry Honig <strong>and</strong> Kenneth L.Beaudoin. The<br />
New Iconograph was edited by Oscar Collier <strong>and</strong> Jean Franklin. Feature<br />
on Louis Stettner by Sid Grossman, Perlefine, article on the Dance by <strong>John</strong><br />
Stoakley; Julian Sawyer; feature on Mark Rothko. Cover no 2: picture by<br />
Edith Schloss; Cover no 3: Jackson McLow; Cover New Iconograph by Jon<br />
Henry. .<br />
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[#17537] IKON (I.KON)<br />
Volume 1, No. 1. February, 1967. 4to; 32<br />
pages in stapled wrappers. EUR 100.00<br />
<strong>Art</strong> <strong>and</strong> Technology. A Dialogue. Steve Paxton<br />
<strong>and</strong> Robby Robinson. Editor: Susan Sherman.<br />
Cover by Stanley Sourelis. Contents: Anselm<br />
Hollo, Yvonne Rainer, Robert Nichols, Theodore<br />
Enslin, Harold Herbstman, Bob Van Nut,<br />
Ruth Krauss, Karl Bissinger, a.o.<br />
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[#8182] LA ILUSTRACION IBERICA. Semanario Científico,<br />
Literario y <strong>Art</strong>ístico.<br />
Vol. 1-10 (comprising nos. 1-522).<br />
Barcelona, 1883-1892. Bound, vols.<br />
1-3 & 10 in original decorated<br />
publishers bindings, remaining<br />
vols. contemp. hleather over<br />
marbled boards. Bindings partly<br />
damaged <strong>and</strong> with repairs. Folio.<br />
EUR 2,000.00<br />
Dir.: D. Alfredo Opisso. Luxuriously<br />
produced Catalan graphically illustrated<br />
weekly, in quality comparable<br />
to ‘London Illustrated News’. With<br />
numerous woodengravings, also full<strong>and</strong><br />
double page; from 1890 onwards<br />
some illustrations in colour. Vols. 1-3
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[#15302] INTERIM PAD<br />
& 10 are repaired or rebacked, bindings slightly<br />
stained. After a careful collation we found 2<br />
pages torn out, 2 plates lacking, <strong>and</strong> in 1 issue<br />
a few pages with minor lost of text. Vol. 10<br />
includes the frontispiece in colour. Publication<br />
went on till 1898. See extensively on this journal:<br />
Joan Torrent/Rafael Tasis, pp. 192-198.<br />
Number 1 (all publ.). San Francisco (City Lights Bookstore), 1967.<br />
Roneotyped on yellow stock,one-sided, stapled. EUR 300.00<br />
Beat journal, edited by Lawrence Ferlighetti,<br />
with contibutions by Allen Ginsberg (“Two<br />
Entries One Day’s <strong>Journals</strong>” <strong>and</strong> “Henri<br />
Michaux “), Bob Kaufman, Spyros Meimarias,<br />
Jean-Jacques Lebel, Carl Salomon, Claude<br />
Pelieu, Mendes Monsanto, etc. Editorial policy<br />
is “Fuck for Peace, Legalize Marijuana, Rock<br />
Folk, Demystify Human Violence, Super-<br />
Impose Images of Ecstasy. ‘What is here is<br />
Elsewhere, what is not here is Nowhere”.<br />
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[#16083] INTERNAZIONALE SITUAZIONISTA<br />
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[#8333] IRIS TIME. Unlimited.<br />
Directrice: Iris Clert.<br />
Nos. 1-34, 38, 39, 41 . Paris, 6 Octobre<br />
1962 - Décembre 1968. 4to; Bound in<br />
one vol. (Nos. 7, 32, 33, 38,39,41<br />
loose). Also bound in: 4 examples of<br />
the original colored mail-envelope, 2<br />
postcards <strong>and</strong> one invitation card<br />
(from the library of Gianni Bertini).<br />
EUR 1,800.00<br />
Good collection of Iris Clert Gallery’s<br />
Voll. 1-3 (all publ.) Genova, E.C.A.T.<br />
Libri, 1975 - 1977 (maggio); Original<br />
pictorial wrappers, typed,<br />
mimeographed. EUR 1,000.00<br />
The first Italian translation by Sergio Carlini.<br />
of the first 6 numbers of «Internationale<br />
Situationniste»: Vol. I (1975): 22,6x19,4<br />
cm.,; Vol II (febbraio 1976): 22,4x19,4 cm. ;<br />
Vol. III (maggio 1977): 20x21 cm. Not more<br />
published after this.<br />
home-made magazine which reflects the spirit of the sixties as no other.<br />
Highlighting expositions in the Gallery of Arman, M. Henry, Chaissac, Bill<br />
Copley, Reinhardt, Marcel Barbeau, Pol Bury, Restany, Yves Klein, Duchamp,<br />
Geissler, etc. Feature articles like: ‘La gr<strong>and</strong>e quinzaine fiscale’, ‘Les suffragettes<br />
érotiques’, ‘Lancement de satellites sur le faubourg’, ‘Le spectacle de<br />
Pol Bury’, ‘Happy New Year from Van Hoeydoncks Space Boys’, ‘Les objets<br />
platoniques de Roy Adzak’, etc. Inclues “Special edition for U.S.A.”.<br />
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[#16408] JOURNAL FOR THE PROTECTION OF ALL<br />
BEINGS. A Visionary & Revolutionary Review.<br />
Number 1: Love-Shot Issue. San Francisco, City Lights Books, 1961;<br />
Number 2: On the barricades. Revolution <strong>and</strong> Repression (1968);<br />
Number 3: Green Flag (1969) ; Number 4: (1978) A commemorative<br />
issue published by The CoEvolution<br />
quarterly,issue no 19. (all published).<br />
San Francisco, City Lights Books,<br />
1961-1969 (1978). 4 issues, (No. 1 & 2:<br />
30x 16,5cm,No. 3: 25x11,5 cm; No. 4:<br />
27,3x 18,5 cm).; original wrappers<br />
(light foxing <strong>and</strong> staining, but<br />
altogether very good). EUR 1,100.00<br />
No. 1 Love Shot Issue. Editors: Michael<br />
McClure, Lawrence Ferlinghetti, David<br />
Meltzer. Other contribs. by Bertr<strong>and</strong><br />
Russell (Statement of July 23), Gary<br />
Snyder, Antonin <strong>Art</strong>aud, Gregory Corso<br />
(Interview with Allen Ginsberg), Albert<br />
Camus, Michael McClure, Allen Ginsberg,<br />
Norman Mailer, etc.; A Photo Essay<br />
(“Death”) by James Mitchell. - No. 2 is<br />
entirely devoted to the May 1968 uprisings<br />
in France, with an excellent photo<br />
documentation of Paris May. Photos by Caron, posters by students of the<br />
Ex-Beaux <strong>Art</strong>s, texts by Marcuse, etc. -No.3 (Green Flag) is edited by Corrie,<br />
S<strong>and</strong>ra <strong>and</strong> Stine, Laura. People’s Park Poetry. No. 4: (1978). Rebirth of City<br />
Lights’ “A Visionary & Revolutionary Review” disguised as a CoEvolution<br />
Quarterly. Included: <strong>Art</strong>aud, Brecht, Creeley, Ginsberg, Kerouac, Ishmael<br />
Reed, Vachel Lindsay, Walt Whitman, Thoreau, Ben Shahn, Herbert Read,<br />
many others. Pages uniformly tanned, as expected, a hint of age-toning to<br />
the covers, else a fine, unread copy in illustrated cardstock covers.<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 21
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[#15398] KAYAK<br />
Nos. 1-64 (all publ.). Autumn 1964<br />
- 1984. Original pictorial wrappers<br />
(nos. 49-64 with inobtrusive small<br />
library stamp). EUR 2,000.00<br />
Ed. by George Hitchcock, with contribs.<br />
by Kenneth Rexroth, Gary Snyder, M.<br />
McClure, Robert Bly, W.S. Merwin, Ed.<br />
Roditi, Anne Sexton, Paul Blackburn, etc.<br />
One of the major literary <strong>and</strong> artistic<br />
periodicals of the period. “…particularly<br />
hospitable to surrealist, imagist <strong>and</strong><br />
political poems…… welcomes vehement<br />
or ribald articles on the subject of modern poetry…” See Anderson/Kinzie,<br />
p. 707; Secret location p. 283.<br />
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[#17451] KITSCH. Magazine.<br />
Nos. 1-2 (all publ.). Paris, Nov. 1970<br />
- Février 1971. 4to; orig.pictorial<br />
wrappers. EUR 400.00<br />
Magazine created by Christian Bourgeois,<br />
Jacques Sternberg, Rol<strong>and</strong> Topor, Marie<br />
Concorde. With illustrations <strong>and</strong> texts by<br />
Tom WESSELMAN, Virgil Finlay,Gomez<br />
de la Serna, Roy LICHTENSTEIN, Toshio<br />
Saeki, Richard Lindner, BEN, Robert Crumb,<br />
Cieslewicz, Aslan, R. Lindner, G. Bourdin, G.<br />
Crepax, Staglieno etc. (also Grosz, Schiele<br />
a.o.).<br />
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[#15851] KLINGEN<br />
Year 1. Kopenhagen 1917. Complete; bound orig. hvellum.<br />
EUR 400.00<br />
The most important Danish avant-garde<br />
periodical, edited by V. Lundstrom, Axel<br />
Salto, K. Larsen, S. Johansen, forming<br />
the group The Four’ (De Fire). They<br />
promoted German Expressionist art <strong>and</strong><br />
Cubism in Denmark. Orig. graphics by<br />
Y. Anderson, A. Bremer, Harald Giersing<br />
3) ,I. Grünewald, S. Johansen, K. Jungstedt,<br />
M. Lorenzen (4), G. Münter (K<strong>and</strong>insky),<br />
A. Naur (2), J. Nielsen, A. Rolfsen (2), A.<br />
Salto (8), Woodcuts by Borch, Salto, Swane,<br />
Zeuthern; etchings<br />
by O. Hartmann,<br />
J. A. Jerichau., etc.<br />
Includes a contribution by K<strong>and</strong>insky.<br />
22 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
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[#17604] DIE KUENDUNG. Eine<br />
Zeitschrift für Kunst.<br />
A collection of 4 physical issues (out of 7<br />
published), comprising 6 numbers (out of<br />
12 published). Hamburg, 1921 - Contents<br />
loose in the original illustrated wrappers<br />
(spine stitching removed). In excellent<br />
condition with only very light toning <strong>and</strong><br />
foxing to the wrappers <strong>and</strong> minimal<br />
edgewear. (H<strong>and</strong>pressendruck durch die<br />
“Einmann-Werkstatt” Johannes Schulz,<br />
Kunstgewerbeschule Hamburg-<br />
Lerchenfeld. - Text u. Holzschnitte auf<br />
Velin). Very rare. EUR 8,000.00<br />
Hamburg based Expressionist periodical edited<br />
by Wilhelm Niemeyer <strong>and</strong> Rosa Schapire.<br />
Erste Folge, Nr. I. [of 12 numbers in 7 issues].<br />
Hamburg 1921. 16 pages, with 6 full-pageoriginal<br />
woodcuts: 2 by Karl Schmidt-Rottluff<br />
(the titlewoodcut <strong>and</strong> “ Kündungsgedicht”<br />
by Niemeyer) <strong>and</strong> 1 each by Karl Opfermann,<br />
Gerhard von Ruckteschell, Heinrich Stegemann<br />
<strong>and</strong> Willi Titze. - . Folio.Orig.wrapper<br />
on Rembr<strong>and</strong>t van Ryn Bütten. One of 200 copies. (very good copy with<br />
only light foxing <strong>and</strong> edgewear to the cover)<br />
-. Nr. II. [of 12 numbers in 7 issues]. Hamburg 1921. pages. [17]-28. Title<br />
woodcut (in lilac) by Karl Schmidt-Rottluff <strong>and</strong> 4 other woodcuts: Aug.<br />
Stramm “Schwermut”, Karl Opfermann <strong>and</strong> Lasar Segal (2 woodcuts <strong>and</strong><br />
2 lithographs). Folio. Orig.wrapper on Rembr<strong>and</strong>t van Ryn Bütten. One of<br />
200 copies.<br />
-. Nr. VII. u. VIII.(double issue) [of 12 numbers in 7 issues]. Hamburg 1921.<br />
Pages 97-118. With title woodcut ( in red) by Karl Schmidt-Rottluff <strong>and</strong> 6<br />
woodcuts by Siegfried Schott, of which 2 with colour added by the artist.<br />
Folio. Orig.wrappers on Rembr<strong>and</strong>t van Ryn Bütten. One of 200 copies.<br />
-. Nr. IX. u. X. (double issue) [of 12 numbers in 7 issues]. Hamburg 1921.<br />
Pages [119]-142. With 20 orig.woodcuts: title woodcut( in orange) by Karl<br />
Schmidt-Rottluff, 2 by Hugo Meyer <strong>and</strong> “Ein Holzschnittbilderbuch aus<br />
17 Blättern” containing woodcuts by Charles Crode (1)l, Robert M. Huth<br />
(2), Robert Koepke (2), Emil Maetzel (2), Karl Opfermann (2), Gerhard<br />
von Ruckteschell (2), Martel Schwichtenberg (2), Willi Tegtmeier (2), Willi<br />
Titzel (2). . Folio. Orig.wrapper on Rembr<strong>and</strong>t van Ryn Bütten. One of 200<br />
copies.<br />
Further details<br />
on request.<br />
1111111111111111
[#16568] KUNST-ZEITSCHRIFTEN DER WELT<br />
( ART PERIODICALS OF THE<br />
WORLD). Edited by Silke Paul <strong>and</strong><br />
Erwin Stegentritt. (July) 1973. Printed<br />
cover, loose sheets, 30 x 21 cm, bound w.<br />
metal bolts under plastic foil. Ca. 150<br />
pages. Plus SUPPLEMENT 1974 / 75.<br />
Printed cover 30 x 21 cm, bound w. metal<br />
bolts. Approx. 50 pages. Together 2<br />
volumes, complete. EUR 800.00<br />
Important <strong>and</strong> historically interesting contemporary<br />
survey of periodicals, magazines<br />
<strong>and</strong> journals from all over the world, including<br />
many non-mainstream titles <strong>and</strong> concrete-art <strong>and</strong> avant-garde publications.<br />
Includes descriptions of the periodicals, editors, frequency, addresses.<br />
Each title with a short introduction <strong>and</strong> a reproduction of the covers. The<br />
publication was based on the exhibitions”Ím Augenladen” Mannheim<br />
<strong>and</strong> the 7th Produzentengalerie Berlin. A full list of included titles can be<br />
provided.<br />
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[#17480] LAICA - LOS ANGELES INSTITUTE OF<br />
CONTEMPORARY ART - JOURNAL. (Also entitled: Journal. A<br />
contemporary <strong>Art</strong> Magazine.)<br />
Numbers 1-48 (all published). Los Angeles Institute of Contemporary<br />
<strong>Art</strong> (LAICA). .Complete set June 1974 -February 1987. All original<br />
copies, most in fine or as-new condition. EUR 3,500.00<br />
Published initially simply as “Journal “ (A contemporary <strong>Art</strong> Magazine),<br />
also as L.A.I.C.A . Journal (The Los Angeles Institute of Contemporary<br />
<strong>Art</strong>). Editors Fidel Danieli, Eleanor Antin,Julius Kaplan, Michael Auping,<br />
Barry Brennan, Bridget <strong>John</strong>son,Debra Burchett-Lere, Francis Colpitt,<br />
Michael Delgado, Cindy Berry, Douglas Blau, Jerry Dreva, Mareianna<br />
Ziotnick, Lane Reelya, Number 2 reports on the first LAICA General<br />
Membership Meeting, June 1974. Numbers 12-28 printed on a cheaper quality<br />
paper, mostly in b/w only, with occasional colour covers. From then on<br />
the magazine becomes more substantial <strong>and</strong> contains artists’ pieces. No. 40<br />
offers a survey of previous numbers.<br />
Featuring: <strong>John</strong> Baldessari, Eleanor Antin, Hans Burkhardt, Lorser Feitelson,<br />
Helen Lundeberg, Rachel Rosenthal, Allen Kaprow, Newton & Helen<br />
Harrison, Karl Benjamin, Ed Ruscha, <strong>John</strong> McLaughlin, Wallace Berman<br />
, Ruscha, Kaprow, Peter Krasnow, Rauschenberg, .Charles & Ray Eames,<br />
Stan Brakhage, Erichard Prince, Boltanski,<br />
Richard Diebenkorn, Douglas Huebler,<br />
Number 28 is a very curious issue in which<br />
the entire publication is printed in mirror<br />
images, normal on the rectos <strong>and</strong> reversed<br />
on the preceding versos. From here on the<br />
magazine becomes much more substantial<br />
<strong>and</strong> contains many artists’ pieces. Also various<br />
thematic issues(e.g.: Video art; Italian art;<br />
film, photography, Chicano art, Transatlantic<br />
artists, Transgressive phenomena, Music/<strong>Art</strong>y,<br />
Fluxus, Performance, Conceptuaklism, etc.<br />
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[#8790] THE LARK<br />
Nos. 1-25 (Book I, Nos. 1 - 12; Book II, Nos.<br />
13 - 24 + Epilark issue. all publ.). San<br />
Francisco, William Doxey. May 1895-May<br />
1897. Bound (with wrappers) in 2 vols.,<br />
original decorated brown publisher’s cloth<br />
stamped in colour. Very good set.<br />
EUR 1,000.00<br />
“one of the most charming magazines ever<br />
published”. (Mott,4, p.388) Each number 16<br />
sq. 12mo pp. printed on one side of brownish<br />
bamboo paper. Typical Fin de Siècle San<br />
Francisco publication, The final issue called<br />
the Epilark. Editors were Bruce Porter <strong>and</strong><br />
Gelett Burgess, lateron William Doxey. Covers <strong>and</strong> sketches by the editors<br />
(“Les Jeunes”) <strong>and</strong> by E. Peixotto, Florence Lundborg, Willis Polk, Y. Nogochi,<br />
Carolyn Wells, P. Garnett, J.W. Tompkins. The magazine was famous for its<br />
nonsense rhymes, children’s verse, quatrains, villanelles, rondeaux, fables,<br />
<strong>and</strong> aphorisms.The first issue contains Burgess’ famous nonsense poem<br />
“The Purple Cow”.<br />
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[#15974] LIFE<br />
Group of varients of the first<br />
number published: Volume 1 no 1.<br />
November 23, 1936, Original<br />
pictorial wrappers. Fine conditon.<br />
TOGTHER WITH: Dummy No. 2:<br />
REHEARSAL. A “Dummy” For the<br />
week ending Sept.24,1936. Original<br />
wrappers. Fine. Added: original<br />
envelope of Fortune (New York),<br />
postmarked Oct.13/1936, in which<br />
the Dummy had been mailed.<br />
TOGETHER WITH: Vol. 1, no. 1.<br />
November 23, 1936; Small format<br />
introductory issue. Size 22 x 17 cm. EUR 700.00<br />
First issue published of LIFE with the Bourke-White front cover illustration,<br />
in fince condition, with some rare added items from the start-up<br />
period of the magazine. The reduced size issue was to attract charter<br />
subscribers <strong>and</strong> advertisers. The front cover is in red <strong>and</strong> black with the<br />
Bourke-White illustration. The remainder printed in black only.<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 23
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[#16885] LIGEIA. Dossiers sur l’art.<br />
24 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
Nos. 1 - 65/68. Paris, April/June 1988 -<br />
January/June 2006. Together 23 physical<br />
issues (several were double or triple).<br />
Original pictorial wrappers (24 x 17 cm),<br />
fine condition. EUR 800.00<br />
French art magazine founded <strong>and</strong> by Giovanni<br />
Lista on post-modernism. Each issue covers an<br />
aspect. Topics range from’ Réalisme’ via ‘Constructivisme’,<br />
‘Académismes’, ‘<strong>Art</strong> et Psychanalyse’,<br />
‘Cubo-Futurisme’, ‘<strong>Art</strong>e Povera’, ‘<strong>Art</strong> et Architecture’,<br />
‘La Photographie en vecteur’, ‘Image<br />
Cinéma’ to ‘Renouveau de la peinture’ ‘Italia Nova’. .<br />
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[#17676] LIRICA. Fascicoli mensili in versi e prosa<br />
Numbers 1-12 (Anno 1); Number (13): Anno 2, Fascicolo unico. Natale<br />
1913, Roma, Tipografia Tuscolana, ; Ugo Nalato, Editore. 1912 - 1913, 26<br />
x 19,5 cm; the last number 23,5x17,5 cm (trimmed to 23x17)). The first<br />
12 numbers in original wrappers,<br />
untrimmed, excellent condition; the<br />
rare 13th number, published one year<br />
later, December 1913, bound, decorated<br />
cardboard with title-label (published<br />
like this?). Trimmed; top spine <strong>and</strong><br />
corners damaged. Internally fine.<br />
EUR 1,400.00<br />
Founded <strong>and</strong> directed by <strong>Art</strong>uro Onofri,<br />
with contributions of Onofri, Valenti,<br />
Fracchia, De Santis, Saffi, Baldini, Piccoli,<br />
Rosso di San Secondo, Cardarelli, De Bosis,<br />
Borgese, Savarese, Vigolo, <strong>and</strong> others.<br />
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[#13843] LITTLE SQUARE REVIEW<br />
Nos. 1-9/10 (all?). Santa Barbara,<br />
1966-1970. Square 12mo. Original<br />
wrappers. EUR 300.00<br />
Edited by <strong>John</strong> Ridl<strong>and</strong>. With contributions<br />
by Walter Clark, Barry Spack, Scott<br />
Momaday, Edwin Fusell,Tom <strong>Art</strong>in, Robert<br />
A. Davies, a.o.; drawings David Dunlap.<br />
The first four issues feature the work<br />
of a single poet: Walter Clark, Robert<br />
Peters, Edwin Russell, <strong>and</strong> Barry Spacks.<br />
The double 4/5th issue, a highlight,<br />
focuses on work by <strong>and</strong> about Native American. 7 features “Three Poets of<br />
the Inl<strong>and</strong> West,” <strong>and</strong> the last two issues are general poetry numbersNo. 5/6:<br />
American Indian issue.<br />
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[#13831] LOCUS SOLUS<br />
Nos. 1-5 (all publ.) Lans-en-Vercors, France, Winter 1961-1962. Size<br />
(h/w): 18,2 x 12,4 cm. Original wrappers. EUR 800.00<br />
Magazine for experimental poetry <strong>and</strong> prose in the early sixties, an important<br />
Beat periodical. Edited by novelist Harry<br />
Mathews <strong>and</strong> poets <strong>John</strong> Ashbery, Kenneth<br />
Koch <strong>and</strong> Jimmy Schuyler, all of whom contributed<br />
to its pages. Other contributors were<br />
Frank O’Hara, LeRoi Jones, Edwin Denby, Diane<br />
DiPrima, Ted Berrigan, William Burroughs,<br />
Gerard Malanga, Barbara Guest <strong>and</strong> Daisy<br />
Aldan. Outst<strong>and</strong>ing was a special issue devoted<br />
to the neglected art of literary collaboration, a<br />
historical survey which included translations of<br />
Japanese, Chinese, Provençal <strong>and</strong> French surrealist<br />
poets. Nos. 3/4 were combined to a double<br />
issue. No. 5 is extremely scarce.<br />
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[#13258] LONDON GALLERY BULLETIN. Editor: E.L.T.<br />
Mesens.<br />
Nos. 1-20 (all publ.). London, April 1938 - June 1940; Original<br />
wrappers preserved, 4to., illustrated. Light dustsoilage to most<br />
numbers on the outside, but internally fine; light sunning to edges of<br />
cover of no 7; cover of no 12 is very lightly stained; light sunning to<br />
spine of no 15/16; cover of no. 17 with small stains of red ink; no 18/20<br />
with very light staining on the leftside of the frontcover. The set as a<br />
whole in good to very good condition. EUR 4,500.00<br />
The London Gallery, directed by Mesens since 1938, was the publisher of the<br />
only avant garde publication in Engl<strong>and</strong> at that time, <strong>and</strong> brought Surrealism<br />
to Engl<strong>and</strong>. Nos. 4/5 (The Impact of Machines Yves Tanguy), No. 6 (De<br />
Chirico <strong>and</strong> Diego Rivera with Breton, Manifest), Nos. 8/9 (Living art in<br />
Engl<strong>and</strong>), <strong>and</strong> Nos. 15/16 (Picasso in English collections) are double issues,<br />
Nos. 18/20 is a triple-issue (the last published, done by the Surrealist Group<br />
in Engl<strong>and</strong>). This number has “La Guerre” by De Chirico on the cover <strong>and</strong><br />
2 woodengravings in two colours by S.W.Hayter (engr. Buckl<strong>and</strong>-Wright)<br />
<strong>and</strong> <strong>John</strong> Banting, plus 5 wood/lino-engravings (Len Lye, in the text;<br />
<strong>John</strong> Buckl<strong>and</strong>-Wright, full page). The journal contained the exhibitioncatalogues<br />
of the Gallery, <strong>and</strong> all important names of the international contemporary<br />
surrealist literary <strong>and</strong> art movement are represented. (Magritte,<br />
Breton, Miró, Marcel Marien, Max Ernst, Van Velde, Picasso, Read, Melville,<br />
Penrose, Scutenaire, Agar, Gabo, <strong>John</strong> Heartfield, Jennings, Maddox, Piet<br />
Mondrian, Ben Nicholson, Tanguy, De Chirico, etc. )
111111111111111<br />
[#17759] LOST AND FOUND TIMES<br />
Nos. 1-54 (all publ.).. Columbus, OH,<br />
Luna Bisonte Productions 1975-2005.<br />
( 2,15x14 cm., stapled. Nos. 1 <strong>and</strong> 2 single<br />
DIN A4 sheets.no. 21,5x17,5 cm. <strong>and</strong> no.<br />
6/7: 20 DINA4 sheet in envelope). Offset<br />
printing <strong>and</strong> xerox.. EUR 1,100.00<br />
Editor: <strong>John</strong> M. Bennett. Conceptual art<br />
publication Contributions by D. Higgins, B.<br />
Porter, R. <strong>John</strong>son, S. Hitchcock, O.Nations, J.<br />
Blaine, P. Petasz <strong>and</strong> others.<br />
No. 26 complete with the tape.<br />
1111111111111111<br />
[#16092] MAINMISE. Organe québécois de la pensée magique,<br />
du rock international, et du gay sçavoir.<br />
No. 1 [octobre 1970] thru No. 78<br />
[Eté 1978]. Quebec, Mainmise,<br />
1970-1978. Nos 1 à 20 <strong>and</strong> number<br />
‘Best of La dope’”, [1972], 21<br />
numbers in-8 [11,5 X 18,5 cm]<br />
ab.224/240 pages,illustsrated, Nos<br />
21 à 52, 32 numbers [20 X 27,5 cm.]<br />
comprising 64 pages each,<br />
illustrated,stapled; Nos. 53 à 78, 26<br />
numbers [29 X 37 cm]. Each 48<br />
pages, illustrated. All numbers<br />
with a different illustrated over.<br />
Added: Le petit supplément<br />
illustré” Nos 1- 9. 1975. [Complete<br />
?] 9 numbers [36X 27cm.] 176 pp<br />
of comics with coninuing pagination. EUR 5,000.00<br />
Founded by Jean Basile <strong>and</strong> Georges Khalm, member of the Underground<br />
Press Syndicate (publié par Pénélope, distribué par les Messageries du Jour).<br />
Complete collection of this periodical of the counter-culture movement<br />
of Quebec, advocating <strong>and</strong> reporting on alternative lifestyles <strong>and</strong> utopian<br />
ideology. Abundantly illustrated a.o. by Robert Crumb, R. Cobb, Guynard,<br />
M. Pouliot, Baloune etc, <strong>Art</strong>icles <strong>and</strong> contributions by Pénélope & Linda<br />
Gaboriau, Christian Allegre, Jean Basile Bezroudnoff, Kenneth Chalk,<br />
Georges Kahl, Denis Vanier, Raymon Lavallée, Buckminster Fuller, Marshall<br />
McLuhan, L. Clark Steven, Timothy Leary, Alan<br />
Watts, a manifest of homosexual liberation<br />
(Carl Wittman), etc. Special issues on all the<br />
topics of the time: drugs, free sex, free scools,<br />
ecological issues, the media, womens liberation,<br />
etc. All in good condition except for some flaws<br />
to the covers of numbers 21-28-31-37-47-49 <strong>and</strong><br />
52 <strong>and</strong> ballpen mark on number 40. Number<br />
4 has the folding Quebec-Marijuana-banner<br />
which was a supplement.<br />
1111111111111111<br />
[#17750] LA MAMELLE. An alternative anthology of<br />
contemporary West Coast.<br />
Vol. 1 nos. 1 thru Vol. 4 no 1 (also<br />
numbered as Nos. 1-13, but lacking<br />
nos. 6/7, 10, 12). San Francisco, Ca.,<br />
1975-1977. In the orig. Wrappers or<br />
unbound as issued. EUR 1,000.00<br />
(After no. 4 as LA MAMELLE MAGA-<br />
ZINE: ART CONTEMPORARY).<br />
Edited by Carl E. Loeffler.<br />
Vol. I,no 1 (#1): 21,5x28cm., stapled,<br />
48pp. Contributions by K. Friedman,<br />
W. Adcock, M. Ashley,<br />
T. Marioni, S. Salzman a.o. Covers by<br />
Ken Friedman.<br />
Vol. I, no 2 (#2): 21,5x28cm., stapled, 48pp. t.Contributions by Ken Friedman,<br />
Suzanne Lacy, James R. Hugunin a.o.<br />
Vol. I, no 3 (#3): Video Issue: Tabloid, unpaginated. . J. Glassman, M. Ashley,<br />
R. Kostelanetz, L. Montano, Ant Farm a.o.<br />
Vol. I, no 4 (#4) Performance Issue: Tabloid big size, folded. J. Beuys, T.<br />
Marioni, Monte Cazazza, L. Montano, C. Robertson a.o.<br />
Vol. II, no1 (#5): 28x2,5 cm., stapled, 74pp Paul Cotton, Stephen Laub, Ant<br />
Farma.o.<br />
Vol. II, no 2/3: (#6/7): missing.<br />
Vol. II,no 4 (#8) <strong>Art</strong> Periodical Conference:<br />
28x21,5 cm., softcovers, 120pp. Publications by<br />
artists.<br />
Vol. III, no1 (#9): From Europa: 28x21cm.,<br />
softcovers, 108pp.<br />
Vol. III, no 2 (#10): missing.<br />
Vol. III, no 3 (#11): 28x2,15 cm., stapled, 39pp.<br />
newsprint. K. Friedman, M. Ashley, B. Adler, R.<br />
Kostelanetz a.o.<br />
Vol. III, no 4 (#12) Transmittable Booklet Issue. missing.<br />
Vol. IV, no 1 (#13): Special Retrospective Issue. 28x21,5 cm., glued, 23pp. .<br />
Last issue.<br />
(From here on it would be ART COM). All published except nos. 6/7, 10<br />
<strong>and</strong> 12.<br />
111111111111111<br />
[#17474] MARCATRE. Rivista di cultura contemporanea.<br />
Numbers 1-64/65 (all publ.). Genova, Milano, GE-MI, 1963-1969. then<br />
‘Marcatre / UTT’ (issues 56-62 <strong>and</strong><br />
64/65) published by Ennesse Editrice<br />
in Rome <strong>and</strong> Arcana. Original<br />
illustrated wrappers (in general good<br />
condition, with only light dustsoilage<br />
<strong>and</strong> rubbng to spines); (Nos. 1-5: 17 x<br />
24 cm; then becoming 20 x 25 cm).<br />
EUR 4,500.00<br />
Influential Avant-garde periodical of<br />
the famous “Gruppo 63”, associated with<br />
Il Verri, dealing with literature, music,<br />
arhcitecture, the visual arts, mass culture,<br />
communication etc.. Editorial committee <strong>and</strong> contributors: Eugenio Battisti<br />
(founder), <strong>and</strong> Editor in chief: Magdalo Mussio, who also designed<br />
covers, many illustrations, lay-out, etc. Editors were responsible for various<br />
areas of interest, e.d. G.Dorfles, Edoardo Sanguinetti, Umberto Eco, Paolo<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 25
Portoghesi. G. Delmetti, D. Carpitello, Enrico Crispolti, etc. Nos. 1-18<br />
subtitled “Notiziario de Cultura Contemporanea”; nos. 56-62 as Marcatre/<br />
UTT, alternately numbered as 1-7. With progressive avant-garde spirit in the<br />
design <strong>and</strong> illustrations, some issues entirely printed in a colour (e.g. red,<br />
blue, purple), with fold-outs, etc. At first published in Genova by Edizioni<br />
Vittone, then in Milano by Lerici Editore. The revivals with other publishers<br />
in Milano <strong>and</strong> Rome were of ay different style <strong>and</strong> character The last<br />
number published was 64/65, whereas no. 63 has never appeared. Complete<br />
very rare !<br />
111111111111111<br />
[#16987] MARG. A Magazine of Architecture <strong>and</strong> <strong>Art</strong>.<br />
26 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
Volume 1 no. 2 - Volume 39 no. 1.<br />
Bombay, 1947-1975. Lacks 7 issues: Vol.<br />
5 no. 2; Vol.11 no. 2; Vol. 21 no. 3; Vol. 22<br />
nos 1 <strong>and</strong> 4: Vol. 23 no. 1; Vol.28 no. 1.<br />
Large 4to, original pictorial wrappers.<br />
Most spines somewhats have, some<br />
rapaired with clear adhesive tape <strong>and</strong><br />
occasional waterstaining. Internalliny<br />
in good condition. EUR 2,000.00<br />
Set in the original imprint <strong>and</strong> first edition<br />
of the leading illustrated periodical<br />
on Indian art. Edited by Mulk Raj An<strong>and</strong>.<br />
(Modern Architectural Research Group).<br />
Many special issues e.g.: In Praise of Early Buddhist <strong>Art</strong>, In Praise of Later<br />
Buddhist <strong>Art</strong>, In Praise of Buddhist <strong>Art</strong> in Burma, In Praise of Buddhist<br />
<strong>Art</strong> in Cambodia, Champa, Laos, Siam <strong>and</strong> Borobudur, Leonardo da Vinci<br />
Quincentenary <strong>and</strong> many more. Each issue approximately 100 pp., Black &<br />
white <strong>and</strong> tipped in color illustrations.<br />
111111111111111<br />
[#15848] MARSYAS<br />
No. 1 (most probably all publ.). Rotterdam, 1950. (16) pp., 8 original<br />
linocuts printed on various stock. Original wrappers. 4to.<br />
EUR 350.00<br />
Nicely designed periodical with emphasis on the Rotterdam art world,<br />
published by “Het Atelier” in “Kunstcentrum ‘t Venster”. Contributions by<br />
B. Snoek, E. Lopes Cardozo, H. de Vos, D. den Dikkenboer, G. Romijn, W.<br />
Elenbaas, G. van der Weerd, W. van der Weerd <strong>and</strong> E. Elenbaas. According<br />
to the loosely inserted letter of introduction the printrun was very small<br />
<strong>and</strong> illustrations were h<strong>and</strong>printed. Rare.<br />
111111111111111<br />
[#15037] MARSYAS<br />
New York. [1944?] <strong>and</strong> July 1945.<br />
Unnumbered issue <strong>and</strong> number 7. Large<br />
quarto. Mimeographed text, stapled into<br />
(silk-screened) oversize pictorial<br />
wrappers. Illustrated, including a color<br />
screen-print as the title-leaf for the first<br />
issue. Wrappers reinforced on the<br />
overlapping edges <strong>and</strong> expertly restaured.<br />
Fine copies, taking into account the<br />
fragility of the publication. EUR 750.00<br />
Edited by Claire Nicolas [White], Sylvia Nicolas, B. Jolas, Fabio, C(laudia)<br />
Marck a.o., S. Alexeieff, <strong>and</strong> others. Cover design of No. 7 by Ludmilla A. An<br />
uncommon <strong>and</strong> virtually h<strong>and</strong>made periodical by<br />
immigrants or expatriates (some of the contributions<br />
are in French).; OCLC reports that it suspended publication<br />
after an eighth number. Niccolo Tucci makes<br />
an early appearance. Other contribs. by Fabio, Milton<br />
Robertson, Adriaan van der Veen, K. Greshoff, Claire<br />
Nicolas, Charles Duits. Drawings by Fabio, Duni a.o.<br />
(Hoffmann et al., p. 368)<br />
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[#14125] MASTER DRAWINGS. Master Drawings Association,<br />
Inc.<br />
Vol. 1-38. New York, 1963-2000. With Index 1/20. First 22 vols. bound,<br />
plain cloth; pictorial wrappers preserved, rest in issues as published.<br />
(Lacking vol. 26 <strong>and</strong> 8 issues). EUR 1,000.00<br />
A publication of the Master Drawings Association, The Pierpont Morgan<br />
Library. Arntzen/Rainwater Q234.<br />
(Nicely bound ex-library set)<br />
111111111111111<br />
[#15813] MATIÈRE. Originalgraphik,<br />
Musik, Dichtung.<br />
Nos. 1 - 4. (All published). Zurich: Adolf<br />
Hürlimann, 1952-1953. Newspaper size<br />
(44 x 31,5 cm). Original colored<br />
illustrated wrappers. EUR 1,000.00<br />
Edited by Léo Maillet. - No. 1. 16 pages,<br />
numerous colored illustrations. Contributions<br />
by Pericle Patocchi, Kuno Räber, Emil<br />
Burki (two color woodcut), Li-Tei-Pi, C.
Chen, E.T.A Hoffmann (Ombra Adorata), Hermann Meier(composition),<br />
Gottfried Benn (was sich erhebt), Erwin Knebel (woodcut), Léo Maillet<br />
(woodcut), Warya Honegger-Lavater (linocut), C. Cuena, Franco Giovanoli,<br />
Freddy Buache , J.E. Eielson (ejercicio) <strong>and</strong> Otto Nebel (linocut) -No. 2. 16<br />
pages, numerous illustrations. Contributions by Henri Bischoff (wood engraving),<br />
Elisabeth Langgässer, Emil Zbinden (woodcut), Léo Maillet, Oda<br />
Schafer, Rabindranath Tagore, Andre Gide, Walter Binder (woodcut), Jean<br />
Gebser, Guido Gonzato (woodcut), Marcello Guasti, Frederico Garcia Lorca,<br />
Friedrich Rasche, Kuno Raber, Serge Brignioni (woodcut), Frank Oliver<br />
Call, Hermann Boeschenstein (xylograph), Edmond Tondeur <strong>and</strong> Andri<br />
Peer. - No. 3. 16 pages, numerous illustrations. Contributions by Numa<br />
Rick (linocut), Lorenzo de’Medici, Emanuel Jakob (lithography), Walter<br />
J. Möschlin, Serge Briginoni (woodcut 2x), Guido Gonzato (woodcut),<br />
Henriette Grindat (photograph), Nikolaus Schwabe (woodcut), Charles<br />
Hindenlang (linocut), Frank Martin, Hans E. Holthusen, Erwin Knebel<br />
(linocut), Hans Bolliger, Robert Valençay, Léo Maillet (lithograph), Marcel<br />
Marceau (drawing) <strong>and</strong> Alex<strong>and</strong>re Arnoux. - No. 4. 16 pages, numerous<br />
illustrations. Contributions by a 7 year old boy (lithographed front <strong>and</strong> rear<br />
wrapper) <strong>and</strong> furthermore lithographs by schoolchildren from schools in<br />
Stuttgart, école de Creuse, Ligornetto, Neuchatel, Zurich, Algiers, Bern <strong>and</strong><br />
Lausanne.ll four issues 1 of 500 numbered copies on ‘Werkpapier’; the total<br />
edition was 1000 copies of which 99 copies were printed on ‘Japanese paper’<br />
<strong>and</strong> another 400 copies on ‘antique crème’. All issues are ( except for no. 4<br />
which lacks one cm. at the bottom right corner of the front wrapper) in fine<br />
condition.<br />
1111111111111111<br />
[#16254] MAXIMUM ROCKNROLL (MAXIMUM<br />
ROCK’N’ROLL zine; Maximum Rock <strong>and</strong> Roll). Bi-monthly.<br />
Nos. 1-74. San Francisco, MRR, first<br />
number not dated (ca. Sept/October<br />
1982) - July 1989. Unbound, as issued,<br />
27,2 x 21 cm, about 56-124 pages/issue,<br />
printed on newsprint b/w, stapled in<br />
the spine. Endemic browning, some<br />
ragged edges <strong>and</strong> minor spine damage,<br />
a few numbers with closed tears,<br />
chipped corners. Altogether an<br />
excellent clean set with only minor<br />
damage to two numbers as detailed at<br />
the bottom of the footnote.<br />
EUR 5,500.00<br />
Published (originally) by Jeff Bale, Jeff Berlin, Mark Berlin, Roseann Berlin,<br />
Jello Biafra, Bob Black, Booth, Eric Bradner, Mickey Creep, Peter Dimaria,<br />
Jim Donovan, Ray Farrell, Fletch, Henry Hample, Dave Rave (photographs)<br />
etc.; from the actual MRR website we quote: History of MRR- Maximumrocknroll<br />
is a widely distributed monthly fanzine dedicated to supporting<br />
the underground punk rock scene. MRR’s 20-year plus history <strong>and</strong> large,<br />
obsessed all-volunteer staff has made its punk rock coverage the most<br />
consistently up-to-date <strong>and</strong> reliable around. Several major media conglomerates<br />
control most music produced today. In contrast, MRR reinforces the<br />
values of the punk underground by remaining independent <strong>and</strong> not-forprofit.<br />
Maximumrocknroll started in 1977 as a punk rock radio show - one<br />
of the first <strong>and</strong> best of all time. “Tim (Yo) <strong>and</strong> the Gang” played the latest<br />
punk <strong>and</strong> hardcore sounds from across the world, the U.S., <strong>and</strong> from<br />
their home in the bristling SF Bay Area punk scene. “The gang” included<br />
personalities like Jeff Bale, Ruth Schwartz, <strong>and</strong> Jello Biafra. Punk antiheroes<br />
regularly visited as guest DJs, <strong>and</strong> the roster of touring b<strong>and</strong>s interviewed<br />
on the show reads like the track list on a classic old comp. The show was<br />
notable for the immediacy of the music, a dedication to international coverage<br />
(rare at the time), <strong>and</strong> for explicitly interjecting progressive politics<br />
into the dialogue of punk. The show became hugely successful in the underground,<br />
<strong>and</strong> eventually was broadcast from stations across the U.S. <strong>and</strong><br />
abroad. Maximumrocknroll, in its zine form, first appeared in 1982 as<br />
the newsprint booklet in Not So Quiet On the Western Front, a comp LP<br />
released on then-Dead Kennedys’ label Alternative Tentacles. The comp<br />
included 47 Nevada <strong>and</strong> Northern California b<strong>and</strong>s, many of whom went<br />
on to ruin thous<strong>and</strong>s of impressionable kids for productive civic life by<br />
releasing some of the best punk records ever….. The Maximumrocknroll<br />
columns section has served as the punk scene’s gossipy party line for<br />
decades…. By remaining stable on the one h<strong>and</strong>, flipping the bird with the<br />
other, MRR’s controversial personality has affected-or infected-the history<br />
of punk rock for all time.<br />
Added: Collectors Issue Number 8. Damaged: no 2 has a tear in first 2 pages<br />
without loss of text or image, no.10 has half of an inside page missing <strong>and</strong> a<br />
corner torn of another page.<br />
111111111111111<br />
[#17500] THE MEDUSA<br />
1111111111111<br />
[#9095] IL MENABO. di Letteratura.<br />
Nos. 1-10 (all publ.). Torino, Giulio<br />
Einaudi editore, 1959-1967. Original<br />
wrappers. EUR 1,100.00<br />
Directed by Elio Vittorini <strong>and</strong> Italo Calvino.<br />
Contains prose, poetry, reviews by o.a.: Lucio<br />
Mastronardi, Giuliano Palladino, Franco<br />
Fortino, Raul Lunardi, Luigi Davì, Umberto<br />
Eco, Emilio Isgrò, Mario Spinella, Leonetti,<br />
Michele Rago. The last issue devoted to Elio<br />
Vittorini <strong>and</strong> Italo Calvino, with photographs.<br />
Issues of ca. 200-300 pp. each; a few<br />
underlinings in no 4.<br />
Volume 1, number 1 (all publ.). Amherst: (np)<br />
(1946). 60 pp. Stapled wrappers (faint creases<br />
to front & back wrapper, but otherwise a very<br />
fine copy). EUR 280.00<br />
Edited by James Merrill <strong>and</strong> William Burford. A<br />
scarce one-shot, edited by Merrill while a student<br />
at Amherst College. Contribtions by Anais Nin<br />
<strong>and</strong> Maya Deren in addition to work by Merrill<br />
<strong>and</strong> Burford <strong>and</strong> others.<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 27
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28 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
[#9127] DE METRO<br />
No. 6 (numbered as Year 6 no. 1) .<br />
Amsterdam, 19 Jan. 1945, continued<br />
as (New Series) Nos. 7-14; then<br />
continued as (Year. 2 ) Nos. 15-19,<br />
23-25, 27-28, 30 <strong>and</strong>( Year 3) No. 2.<br />
Amsterdam, D.A.V.I.D., 10 Mei,<br />
1945-1 Jun.1946. Unbd., original<br />
issues as published. EUR 800.00<br />
Tog. 21 issues of this rare satirical<br />
periodical published in The Netherl<strong>and</strong>s<br />
after the war, originated from the underground<br />
movement. Yr.6 no. 1 was still<br />
illegally published <strong>and</strong> no.7 (= Eerste<br />
daglicht-nummer) is the first “legal” issue, published after the liberation.<br />
An interesting aspect of Metro is the contribution of Marten Toonder, with<br />
several full-page (<strong>and</strong> also smaller) politico-satirical drawings, satirizing the<br />
former underground-press, the internment politics, the military authorities,<br />
etc. Metro was founded in Oct.1944 by J.C.Pellicaan <strong>and</strong> D.D.B.van<br />
Veen, both former collaborators of the illegal “Vrij Nederl<strong>and</strong>”. To mislead<br />
the Germans but also “to irritate van R<strong>and</strong>wijk”, the first number published<br />
had the faked numbering Year 5 no.7 (suggesting that it was founded even<br />
before “Vrij Nederl<strong>and</strong>”. Publication went on till Yr.3 no.4. Apart from<br />
M.Toonder we also find drawings by H.G.Kresse, H.Kabos, René Zwartjes,<br />
a.o.; other collaborators were J.G.Toonder, P.Beihuizen, Geert Lubberhuizen.<br />
DAVID st<strong>and</strong>s for “De Algemene Vrije Illegale Drukkerij”. Winkel: 421.<br />
1111111111111<br />
[#15439] mETRO. An<br />
international <strong>Art</strong> Magazine.<br />
Vols. (nos.) 1-16/17 (all publ.). Milano,<br />
1960-Aug.1970. First 12 nos. folio, then<br />
becoming oblong 4to; original<br />
pictorial wrappers or dustjackets (<br />
wear on some<br />
of the covers,<br />
internally<br />
fine). EUR 2,200.00<br />
Founded <strong>and</strong> edited by Bruno Alfieri, after no.13<br />
(beginning of new series) together with Giulio<br />
Carlo Argan & Gillo Dorfles. Cover of no.9 designed<br />
by Duchamp; no 4/5 devoted to Abstract<br />
<strong>Art</strong> in the USA. Texts in English, French <strong>and</strong><br />
Italian.<br />
111111111111111<br />
[#16531] METROPOLI. L’autonomia<br />
possibile.<br />
Nos. 1-7 (all published). Roma, giugno<br />
1979-dicembre 1981. Each 64 pages, in<br />
illustrated wrappers (20,5x28 cm);<br />
numerous illutrations <strong>and</strong> photographs.<br />
(small library stamps on two issues, else a<br />
very fine set). EUR 1,300.00<br />
Publication of the extreme left, with changing editors (Alfredo Azzaroni,<br />
Giancarlo Smidile, Luigi Manconi, Paolo Jontof Hutter, Giorgio Trentin)<br />
<strong>and</strong> changing printers. With contributions by Lanfranco Pace, Oresta<br />
Scalzone, Franco Berardi (Bifo), Franco Piperno, Toni Negri, Lauso Zagato,<br />
Harry Cleaver (trad. Leo Tronti), <strong>and</strong> many others. Number 1 with supplement<br />
stapled in the center “ l’Affare Moro” , 16 pages of Situationist style<br />
comics by B. Madaudo <strong>and</strong> Melville. (According to a note on the cover of<br />
no. 3 this first issue confiscated within 24 hours after publication). Rare<br />
complete set !<br />
1111111111111111<br />
[#14065] THE METROPOLITAN<br />
MUSEUM OF ART. Bulletin.<br />
New Series: Vol. 1-47. New York,<br />
1942/4-1990. Bound cloth, with original<br />
pictorial wrappers for the first 39 volumes<br />
preserved, rest in wrappers. 8vo., from vol.<br />
30 onwards 4to. EUR 1,200.00<br />
Very good clean set .<br />
Prause p.137/138.<br />
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[#15585] MOVIMENTO ARTE CONCRETA.-<br />
DOCUMENTI. DOCUMENTI D’ARTE D’OGGI. Raccolta a cura<br />
del MAC<br />
Vol. 2. Milano, Libreria A. Salto,<br />
Editrice,1955/1956. Original pictorial<br />
wrappers, 32,5x 23 cm; 139 pages. Wrappers<br />
intact for the collaged red paper strip, which<br />
was the intervention by Munari on the<br />
frontwrapper (rarely seen is that the original<br />
protective glassine is present, however<br />
damaged on the right bottom <strong>and</strong> left upper<br />
corner). Altogether a very good copy, with<br />
only light dustsoilage. EUR 5,000.00<br />
With original woodcuts, color lithographs etc. by Mauro Reggiani, Carolrama,<br />
Bruno Munari, Lucio Fontana (2, with piercing holes), Luigi Veronesi,<br />
Simonetta Vigevani Jung, Enrico Baj, Joe Colombo,Gillo Dorfles,Vittorio<br />
Verga, Gianni Monnet, Enrico Bordoni, Nino Di Salvatore, Angelo Bozzola,<br />
etc., also important texts. Contents conform the description by Maffei,<br />
MAC p. 192.
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Vol. 3. Milano, Libreria A. Salto, Editrice, 1956/1957. Original pictorial<br />
wrappers (without the protective glassine), with only a thin vertical<br />
crease to the spine in very good clean condition. 152 pages; 32,5x32cm.<br />
EUR 3,800.00<br />
With original serigraphies, woodcuts, color lithographs etc. by Aagaard<br />
Andersen,Enrico Bordoni, Gilllo Dorfles, Carolrama, Capogrossi, Galliano<br />
Mazzon, Monnet (also an original collage with newsprint,carton, corrugated<br />
board, s<strong>and</strong>paper), Munari (Lineography), Mario Nigro,Regina, Varisco,<br />
Luigi Veronesi, Mauro Reggiani, <strong>and</strong> many other reproductions of work<br />
<strong>and</strong> texts. Contents conform Maffei, MAC, p. 196.<br />
111111111111111<br />
[#17522] MSS (MANUSCRIPTS)<br />
Number 3 (of 6 published). New York. April 1922. Quarto.<br />
Typographically decorated self-wrappers. A couple of small<br />
discolorations at edges, light edgewear, pages 3/4 partly unopened at<br />
the top, a few minor spots, otherwise a<br />
very good copy. EUR 600.00<br />
Edited by Paul Rosenfeld <strong>and</strong> Herbert Seligmann,<br />
with Alfred Stieglitz serving as patron/<br />
advisor (copyright is taken in the name of<br />
“291”). The sixth <strong>and</strong> last issue appeared in<br />
May of 1923. The number of copies printed of<br />
each issue rangedfrom two to three thous<strong>and</strong>.<br />
This number is on : “What is True <strong>Art</strong>” <strong>and</strong><br />
prints an exchange catalyzed by an editorial<br />
in the Freehold New Jersey Transcript between<br />
J.B. Kerfoot <strong>and</strong> W. R. Moreau. For the<br />
cover design: apologies to ‘Dada’ (American)<br />
<strong>and</strong> Marcel Duchamp, Man Ray, <strong>and</strong> acknowledgement to ‘Anonymous.’<br />
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[#13712] NDLR. Écriture/Peinture.<br />
Nos. 1-5/6 (all publ.). Paris, 1976. Size<br />
(h/w): 29,6 x 21 cm. Original illustrated<br />
wrappers. Illustrated. EUR 500.00<br />
Revue théorique et Bulletin d’activités,<br />
publié à l’initiative de l’organisation T.P./<br />
Travaux Pratiques. Edited by Charles Le<br />
Bouil. Contributions by Raoul Hausmann,<br />
Denis Roche, William Burroughs, Daniel<br />
Buren, Rol<strong>and</strong> Barthes, M. Alocco, J. Degottex,<br />
Jean-François Dubreuil (cover), etc.<br />
111111111111111<br />
[#15078] THE NEW REVIEW. An international notebook for<br />
the arts.<br />
Nos. 1-5 (all publ.). January 1931 through<br />
April 1932. Small quarto. Printed<br />
wrappers (in good condition, except for<br />
no 4, which has some wear <strong>and</strong><br />
detached covers). Photographs <strong>and</strong><br />
plates. EUR 1,000.00<br />
Edited by Samuel Putnam (<strong>and</strong> later with<br />
co-editor Peter Neagoe). Associate editors<br />
Ezra Pound, Richard Thoma <strong>and</strong> many<br />
contributing editors. One of the most<br />
important of the expatriate periodicals.<br />
Contributions by Cocteau, Bodenheim,<br />
Reavey, Eberhart, Pound, Antheil, Thoma,<br />
Hiler, Zukofsky, Alberti, McGreevey,<br />
Shapiro (Sanford), Brassai, Farrell, Unamuno, Mangan, Biely, Miller, Arp,<br />
Carnevali, Beckett, Marinetti, McAlmon, Turbyfill, Bunting, Cunard, Vail,<br />
Boyle, Rexroth, Fearing, Macleod, etc.<br />
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[#17144] NEW YORK ROCKER<br />
Nos. 1-55 (all published of the first<br />
period). New York City, November 1976<br />
- November 1982, tabloïds, printed on<br />
newsprint with colour covers (first 24<br />
nos. 29 x 43 cm, then reducing to 29 x<br />
38,5 cm). An almost pristine set, with<br />
only a minimal shaving to the<br />
frontcover of No. 1 otherwise in<br />
excellent, mostly near mint condition.<br />
Together with Nos. 56 <strong>and</strong> 57, the first<br />
two of the restyled continuation,<br />
smaller magazine format with coloured<br />
covers.<br />
Added: NEW YORK ROCKER, PIX. Premiere Issue, May 1979.<br />
(Publisher Andrew Schwartz). Tabloid, bw. All issues are enclosed in<br />
protective polypropylene sleeves with archival<br />
backing boards. EUR 6,500.00<br />
“The definitive music <strong>and</strong> culture publication in<br />
NYC in the early 8o’s”. Edited, published by Andy<br />
(Andrew) Schwartz, art-direction by Elizabeth<br />
Van Itallie, with photographs by Guillette Barbet,<br />
Lee Childers, Roberta Bayley, Fredda Lynn, Teri<br />
Bloom, Deborah Feingold, Laura Levine, Ebet<br />
Roberts, Ann Summa, a.o. The first ten issues had<br />
been published by Alan Betrock. Contributions by<br />
Byron Coley, Michael Hill, Ira Kaplan, Annene Kaye, David Keeps, Laura<br />
Levine, Glenn Morrow, Chris Nelson, Suzette Rodriguez, Roy Trakin, Elizabeth<br />
Van Itallie, Janet Waegel, <strong>and</strong> Drew Wheeler. A total of 55 issues were<br />
produced until New York Rocker expired in late 1982.Then briefly revived<br />
for a few more poorly distributed issues before going out of business for the<br />
second <strong>and</strong> last time (see also http://www.spd.org/2010/01/the-new-yorkrocker)<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 29
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[#17643] NO. 1,2,3. Nuovo operativo di communicazioni di<br />
massa e cultura di classe come<br />
momento di qualifiocazione<br />
idelologica e di selezione poetica.<br />
Directed by<br />
Luca (Luigi Castellano).<br />
Affiches by Luca (2x) <strong>and</strong><br />
“Gruppo Rosso 2”, Texts<br />
<strong>and</strong> images by Enrico Baj,<br />
Rosario Boenzi, Geppino<br />
Cilento, Cipriano, Di<br />
Bello, Persico, Maraniello,<br />
Del Vecchio, Tariello, etc.<br />
(Maffei/Peterlini. pag.126)<br />
30 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
Nos.1-3 (all published), Napoli,<br />
Sud-<strong>Art</strong>e, 1969-1971. Orig. wrappers;<br />
34x12,5 cm. (unfolding to 34x50 cm).<br />
Every cover is in unfolded state a<br />
poster. Contents each issue 30 pages;<br />
stapled in the spine (no 1 loose <strong>and</strong><br />
spine <strong>and</strong> folds slightly damaged,<br />
otherwise in good condition, except<br />
for very light soilage to the covers).<br />
EUR 1,000.00<br />
11111111111111<br />
[#15528] NOVUM / GEBRAUCHSGRAPHIK. International<br />
Advertising <strong>Art</strong>.<br />
Vol. 23-62. München, 1952-1990. (<br />
Vols. 24-45 in original wrappers,<br />
<strong>and</strong> 23, 46-61 bound, new cloth<br />
(covers present, but some with<br />
library stamp or mailing-label).<br />
EUR 6,000.00<br />
Very good run of 40 consecutive<br />
years of the leading publication on<br />
advertising art, publicity <strong>and</strong> commercial<br />
graphic design. It had resumed<br />
publication after an interruption since<br />
the war-time in 1951,it was published<br />
as “Gebrauchsgraphik”untill 1972.<br />
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[#16228] OHIO. ein Photomagazin / Zeitschrift für<br />
Photographie.<br />
Nos. 1-6. Orig. wrappers; contained in<br />
publisher’s cardboard box,‘Feldmann<br />
Verlag, Düsseldorf. Original wrappers; fine.<br />
EUR 450.00<br />
Contains the first six, mostly staple-bound<br />
issues of Ohio; Edited by Uschi Huber, Stefan<br />
Schneider, Hans-Peter Feldmann, Jörg Janka.<br />
Complete including the loose inserts <strong>and</strong> vinyl<br />
record by Red Crayola in number 6.<br />
1111111111111111<br />
[#17591] OUTCRY. Magazine<br />
Numbers 1-3 (all publ.). So.Pasadena, 1980-1981. Typewritten texts +<br />
photographs, printed in b/w, offset.<br />
Original selfwrappers (28x21,5 cm)<br />
stapled in the spine; fine. EUR 450.00<br />
1111111111111<br />
[#16386] THE OUTSIDER<br />
The complete run of this early California<br />
Punk magazine edited by Steve Stiph,<br />
with photography by ED COLVER, Steve<br />
Stiph, Mike Richardson, Michael Probert,<br />
Elsa Knauf. Featuring Black Flag, Legal<br />
Weapon, Circle Jerks, Screws, Cheifs, Alcoholics,<br />
Wasted Youth, Fear, Gigolos, Misfits,<br />
V<strong>and</strong>als, etc.<br />
Writing: Nancy Lopez, Bob Buttram,Steve<br />
Stiph, a.o.<br />
Nos. 1-4/5 (five numbers in four issues, first three in original<br />
wrappers ,Numbers 4/5,“The Patchen issue”: stiff decorated<br />
wrappers). All published. New Orleans/Tuscon, 1961-1969. (With a<br />
few additions as described below). EUR 900.00<br />
Edited <strong>and</strong> h<strong>and</strong>-printed by Lou & Jon Webb.<br />
A very scarce complete run of this important<br />
magazine of art <strong>and</strong> literature from the Loujon<br />
Press. (Volume 1, numbers 1, 2, 3, <strong>and</strong> volume 2,<br />
numbers 4/5, complete in 4 issues. New Orleans<br />
(nos. 1-3) <strong>and</strong> Tucson (nos. 4/5): Loujon Press,<br />
Fall, 1961; <strong>Summer</strong>, 1962; <strong>Spring</strong>, 1963; <strong>and</strong> Winter<br />
1968-69). Contributions by Bukowski, Allen<br />
Ginsberg, Jack Kerouac, William Burroughs,<br />
Mezz Mezzrow, Charles Olson, Harold Norse,<br />
Rexroth, Lawrence Durrell, D. Levertov, Dina di<br />
Prima, Dick Higgins, Henry Miller, Gary Snyder,<br />
LeRoi Jones, Robert Bly, <strong>and</strong> many, many others. Large section of the final<br />
issue is devoted to Kenneth Patchen. Illustrated with photographs.<br />
Laid in no 4/5 are: an Outsider order blank, creased <strong>and</strong> with some silverfish<br />
damage; “The Editor’s Bit <strong>and</strong> Obit,” an account of the making of this<br />
issue <strong>and</strong> the many afflictions that beset the editors (also printed in the<br />
magazine); <strong>and</strong> a reprint of an article from the Tucson newspaper describing<br />
the disastrous effects of a flash flood that destroyed much of the stock.
1111111111111111<br />
[#17672] P.S. PRIMARY SOURCES ON THE<br />
INTERNATIONAL PERFORMING ARTS<br />
Numbers 1-7 (all publ.). London<br />
(UK), P.S. Publications Association<br />
1979/81. Large tabloid folded in two,<br />
ca 25 pp each issue. Numerous<br />
illustrations/photographs, b/w.<br />
EUR 1,000.00<br />
Edited by Jean-Claude Masson, Roger<br />
Ely, David Dawson, Max Eastley. Magazine<br />
exploring <strong>and</strong> covering ‘live art’,<br />
‘performance art’ <strong>and</strong> ‘multi media’<br />
activities. Interview with Kenneth Williams,<br />
Jimi Hendrix Festival (Paradiso<br />
Amsterdam),<br />
Jail Warehouse,<br />
Whirled<br />
Music, Captain Beefheart, Semza Pozcu, Rose<br />
Garrard, Monty Python, Anemic Cinema, Eadward<br />
Muybridge, Gilbert & George, Geneis P. Orridge<br />
Suburb<strong>and</strong> Relapse, Joseph Beuys in conversation<br />
with Rob Con, Mark Pauline, Adrian Henri, Performance<br />
<strong>Art</strong> (Jeff Nuttall), the I.O.U.Theatre, Jazz in<br />
Sc<strong>and</strong>inavia, <strong>and</strong> much more.<br />
1111111111111<br />
[#16631] PA’LANTE. New writing: Cuba, Ivan, USA.<br />
No. 1 (all). New York, League of Militant Poets, May 1962.<br />
Photographic printed wrappers by LeRoy McLucas. Fine.<br />
EUR 200.00<br />
Editor: Howard Schulman. Photographs & ills.<br />
by Robert Frank, Zilia Sanchez. Contribs. include<br />
Michael McClure, Allen Ginsberg, LeRoi Jones,<br />
Joel Oppenheimer, Paul Blackburn, Guillermo<br />
Cabrera Infante, Elvio Romers a.o.; a selection of<br />
Cuban poets including Infante <strong>and</strong> Guillen, <strong>and</strong><br />
closing with the end of Eisenstein’s screenplay for<br />
Ivan the Terrible Part III.<br />
11111111111111<br />
[#14129] PAN. Rassegna di lettere, arte e musica.<br />
Vol. 1-6 (all publ.). Firenze, 1933/34-1935. In the original wrappers, as<br />
issued (slight dust-soilage to some of the wrappers <strong>and</strong> due to<br />
overlapping edges some marginal tears, but altogether set set in good<br />
condition, internally sound. Together with precursor: PEGASO.<br />
Rassegna di lettere e arti. Vol. 1-5 no 6 (all<br />
publ.). Firenze, 1929-1933. Original<br />
wrappers. EUR 1,500.00<br />
Directed by Ugo Ojetti, the major monthly<br />
for arts <strong>and</strong> letters of this period in Italy.<br />
Illustrated throughout, also photogaphs.<br />
Principal editors of Pan were De Robertis,<br />
Piovene <strong>and</strong> Pancrazi. Contributions by<br />
Massimo Mila, Silvio D’Amico, Enrico Falqui,<br />
Montale,Alvaro, Cecchi, Malaparte, Papini,<br />
Pir<strong>and</strong>ello, Prezzolini, a.o.<br />
11111111111111<br />
[#15325] THE PARIS REVIEW. Published Quarterly.<br />
Nos. 1-204. Paris, New York, 1953-2002.<br />
Orig. pictorial wrappers. Very rare<br />
complete set in original wrappers,<br />
unbound, untrimmed. Except for slight<br />
wear on spines of some of the early<br />
issues in very fine condition<br />
throughout. EUR 4,500.00<br />
Long ongoing set, complete for this period<br />
<strong>and</strong> starting from the origin, of this<br />
important magazine edited by George A.<br />
Plimpton & others. Later affiliated with<br />
“La Table Ronde”. Fiction, poetry, essays,<br />
interviews, features,<br />
art. Contribs. incl.:<br />
Jack Kerouac, Henry<br />
Miller, Gary Snyder, Peter H<strong>and</strong>ke, E.L. Doctorow,<br />
Milosz, Philip Roth, v.h. Reve, Beckett, Mailer, <strong>and</strong><br />
many others. Interviews with o.a. Hemingway, Boris<br />
Pasternak, De Beauvoir, <strong>Art</strong>hur Miller, Vladimir<br />
Nabokow, Updike, Kurt<br />
Vonnegut, Garcia Marquez,<br />
Brodsky, Caldwell,<br />
M. Kundera, Irving,<br />
Murdoch, Kingsley<br />
Amis, Charles Olson, A.<br />
Moravia, George Simenon, Dorothy Parker, etc.<br />
Also articles (with illustrations) on important<br />
artists o.a. Kokoschka, Christo, Picasso, Chagall,<br />
Giacometti, Hélion. No. 9 contains Self-Portraits<br />
by 16 European <strong>Art</strong>ists.<br />
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[#9830] LE PASSANT<br />
Nos. 1-23 (all publ.). Bruxelles, 28 oct. 1911 - 25 mai 1912. Original<br />
pictorial wrappers, sq. 4to. Printed on velin; numerous col.<br />
illustrations. Kept in cloth-over-boards box, perspex front showing<br />
first number. EUR 2,000.00<br />
Literary <strong>and</strong> politico-satirical magazine, dir. by Louis Piérard & André<br />
Bl<strong>and</strong>in, printed by Rémy Havermans, with illustrations in a different<br />
colour for each issue. Conceptually based on the first series of LE TEMOIN<br />
(Paul Iribe, 1906). Numerous<br />
full-page <strong>and</strong> text-ills. by<br />
Rassenfosse, Paulus, Ochs, Langaskens,<br />
Navez, Rik Wauters,<br />
Pol Dom, Stan van Offel, James<br />
Ensor, J.-M. Caneel, Jean Droit,<br />
a.o.; issues of 12-16 pp., text on<br />
2 columns, <strong>and</strong> careful typography<br />
<strong>and</strong> lay-out. Not listed<br />
in Cat. Coll. BN, nor in ULS.<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 31
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[#17123] PEINTURE.. Cahiers théoriques.<br />
32 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
Nos. 1-16/17 (all publ.).<br />
Montpellier/Paris , Edition Cedic<br />
1971/79, 9 volumes (all published):<br />
25x20 cm., Orig.illustrated<br />
wrappers. EUR 1,200.00<br />
Edited by Vincent Bioules, Louis<br />
Cane, Marc Devade, Daniel Deleuze.<br />
Contributions by M. Pleynet, J.<br />
Kristeva, A. Kirili, Suport/Surfaces<br />
<strong>and</strong> others.<br />
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[#17088] PERESEMPIO. International Review for Poetic<br />
Research in Anthropological <strong>Art</strong>. Edited by Toni Ferro <strong>and</strong><br />
Sue Melikian. Folio internazionale di ricerca poetica dell’arte<br />
antropologica.<br />
Numbers 1-2 (all published). 1983.<br />
- “Peresempio”” Il Sogno.“for<br />
example the dream”, march ’83.<br />
March. 1983.Naples <strong>and</strong> New<br />
York).Tabloid sized magazine, 16<br />
pages with 4 page transparent<br />
inlays, illustrated throughout.<br />
Illustrated wrappers. Small tear to<br />
bottom of front wrapper,<br />
otherwise fine.<br />
- “Peresempio”” Il Mito.“for<br />
example the myth”. Naples <strong>and</strong><br />
New York, nov.’83. Tabloid sized<br />
magazine, 20 pages with 4<br />
transparent inlays, illustrated thoughout. Illustrated wrappers. EUR<br />
1,000.00<br />
Edited by Toni Ferro (Naples) <strong>and</strong> Sue Melikian (New York) . One of 350<br />
copies. Ferro writes: - THE DREAM « Memory <strong>and</strong> nature, the fictitious<br />
desi¬re to revive a « lost object », are the real qua¬lities of the dream ». This<br />
quote from the « Introduction of Zero - Setting Anthropology » documented<br />
our presentation at the Pompidou Center (Bergamene, Bugli, Luca,<br />
Fiorentino, Lista, Luksa <strong>and</strong> I) which was attended by Pierre Restany. I reconfirm<br />
it now. I repeat that the objects of anthropological art are one time<br />
machine traveling in the consciousness of man. It is the poetry of history<br />
(micro <strong>and</strong> macro) that creates the objects <strong>and</strong> actions of « Zero - Setting<br />
<strong>Art</strong> », « on the border of art». This Zero - Setting brings man’s existence<br />
<strong>and</strong> poetry together into the same space. This is why I begin «peresempio»<br />
with the dream », a theme I proposed for poetic research in this newspaper<br />
with other artists who have a calling for this poetry. My gratitude <strong>and</strong><br />
esteem goes to them <strong>and</strong> all others involved in this collaboration. And here<br />
is the dream, or the awakening? Naples february 1983 T. F. Contributions By<br />
Bergame, Bugli , De Joanna , Ferro , Fiorentino , Galzarano, Lista, Meilikian,<br />
Nocito, Restany , Sacco, Sala, Vallone, Ventura.<br />
- Il Mito: contains works by Bergamene, Bugli, Carr, De Joanna, De Credico,<br />
Ferro, Fiorentino, Gambardella, Hirscher, Lista, Lo Russo, Massey, Melikian,<br />
Restany, Sala, Theunissen van Manen. With original contribution by Sue<br />
Melikian, by Bergamene, a collage by De Credico, a pasted in original relief<br />
print (numbered <strong>and</strong> signed in pencil) + an original collage by Jack Massey<br />
+ one by Toni Ferro. (See: Impassibile naufrago, p. 168)<br />
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[#15612] PETIT JOURNAL DES REFUSÉES. Quarterly, San<br />
Francisco<br />
Number 1. <strong>Summer</strong>, 1896 (all<br />
published). James Marrion, San<br />
Francisco, 1896. Trapezium format<br />
(8,5x11 cm on the right h<strong>and</strong> side, <strong>and</strong><br />
10x7 cm on the left <strong>and</strong> bottom) 16<br />
unnumbered pages printed on<br />
wallpaper <strong>and</strong> the insert on red paper.<br />
Text within ornamental borders,<br />
illustrated with cuts. Cover illustration<br />
by E.C. Peixotto. Fragile publication,<br />
with some staining to the external<br />
pages <strong>and</strong> chipping to the extremities,<br />
damage to the right upper corner of the front-wrapper <strong>and</strong> small<br />
tears <strong>and</strong> chips on the edges of the back-wrapper. EUR 600.00<br />
Typical San Francisco turn-of-the century publication, close to “The Lark”.<br />
A parody written <strong>and</strong> illustrated by Gelett Burgess, Ernest Peixotto, Herbert<br />
Van Vlack, Porter Garnett, Clinton Burgess, & Carl Howard. The insert on<br />
red paper is <strong>and</strong> advert for The Lark. Chipping to extremities.<br />
1111111111111111<br />
[#17439] PFIQ / Piercing Fans International Quarterly<br />
Issues 1 -38, 1977 - 1992. Gauntlet Enterprises, Beverly Hills, CA.. 4to;<br />
original pictorial wrappers; very good clean set. EUR 1,000.00<br />
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[#16924] PHASES<br />
Early issues 16 pages, mostly b/w, with numerous<br />
photographs <strong>and</strong> articles, news, readers<br />
comments, letters, interviews, personal<br />
stories <strong>and</strong> so on, related to the “piercing<br />
society”. Exp<strong>and</strong>ing to 38 pages, partly in<br />
colour. Published by the producer of ‘Jewelry<br />
for Exotic Piercings’. Gauntlett. Several issue<br />
contain publicity for this comnpany, order<br />
forms, etc. Photography of piercings, tattoos<br />
Série 1: Nos. 1-11 (all). Paris, janvier 1954-mai 1967. Original illustrated<br />
wrappers roy. 8vo. Continued as: Série 2: Nos. 1-5 (all <strong>and</strong> last publ.).<br />
Paris, mai 1969-nov. 1975. Original illustrated wrappers; 4to. 15 issues<br />
(no 5/6 is a double-issue), with light soilage to some of the covers (in<br />
particular to no .8), altogether a set in generally very good condition.<br />
Complete with all hors-textes.<br />
ADDED:<br />
-Pamphlet of the groupe PHASES,<br />
dated 15 juin 1968; 4to, printed b/w<br />
recto/verso. The signatories of the<br />
groupe take position in the May<br />
1968 events.<br />
-Rétroviseur. Nice, Galérie des<br />
Ponchettes, 1972. 4to; illustrated<br />
wrappers ( Exhibition of Phases,<br />
regular copy without the<br />
hors-textes).
- Atélier Sesame. Galerie Le Passe Muraille.<br />
(Exposition Phases à Lyon, Nov. 1973, copy<br />
without the hors-textes). EUR 3,500.00<br />
Directed by Edouard Jaguer. Contribs.: G. Henein,<br />
M. Tapié, G. Bertini,P. Alechinsky, R. Hausmann, A.<br />
Joubert, J. W. Schuster, F. Picabia, B. Atmani, Dotremont,<br />
a.o. Illustrations hors-texte by o.a.: K.O. Götz,<br />
Baumeister, Corneille, Lam, Matta, A. Dax, J. Zimmerman,<br />
C. Peverelli, E.F. Granell, R. Magritte, O. Borda,<br />
E. Baj, A. Debie, J. Perahim, A.Tapiès, Yves Tanguy, o.a. First series no 4 is the<br />
exhibition catalogue “Phasen” (Phases) - Stedelijk Museum, Amsterdam, 10<br />
mei - 10 juni ‘57 .4to. stapled, app. 50 pp. printed in b+w on different kinds<br />
of paper, incl. wrapping papers, tissue paper etc. Texts in Dutch <strong>and</strong> French<br />
by E. Jaguer. Reprod. of works by Corneille, Tajiri, J. Herold, E. Baj, Alechinsky,<br />
Soulages, Rooskens, Appel, etc.<br />
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[#17531] POETRY. (LONDON/NEW YORK).<br />
Poetry London-New York: A Magazine of the New Moderns .<br />
Numbers1-4 (complete). London, March/April 1956 - <strong>Summer</strong> 1960.<br />
Size (h/w): 24,5 x 18,5 cm. Original illustrated wrappers.(Four issues,<br />
all near fine in printed wrappers with the<br />
exception of no 4, which has a small chip<br />
to the front cover <strong>and</strong> is tanned along the<br />
extrems). EUR 400.00<br />
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[#17502] POETRY TAOS<br />
Revival of ‘Poetry London’, edited by T. Tambimuttu.<br />
Covers illustrated by Calder, Stuart<br />
Davis, Ripley <strong>and</strong> Irene Rice-Pereira. Contributions<br />
by Allan Ginsberg, Robert Graves,<br />
W.H. Auden, Dylan Thomas, Lawrence<br />
Durrell, Stephen Spender, E.E. Cummings,<br />
Roy Campbell, Herbert Read, Jack Kerouac,<br />
Merwin, Moore, Graves, Shapiro a.o.<br />
Number One (only published ?) Taos: Poetry Taos, Ranches of Taos,<br />
New Mexico, 1957 Annual. Spiral bound pictorial wrappers.<br />
EUR 200.00<br />
Edited by Judson Crews. Contributors:<br />
Wolcott Ely, Gaston Criell, William Carlos<br />
Williams, Mason Jordan Mason, Robert<br />
Creeley, Robert Burdette, Hyacinthe Hill,<br />
Joseph Foster, Cerise Farallon, Judson<br />
Crews, Donn H. Cantonwine, Murray<br />
Moore, <strong>and</strong> Wendell A. Anderson. Photographs<br />
Mildred Tolbert, artwork depicted<br />
by Patrocinio Barela, Ray Irwin, Jerry<br />
Brusberg.<br />
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[#17660] POGAMOGGAN.<br />
New York, NY, Omphalos Press 1964.Number 1 (all published):<br />
25x17cm, softcovers, 175pp. EUR 300.00<br />
Edited by Harry Lewis. Leonard Neufeld,<br />
Robert Shatkin. Literary magazine with<br />
contributions from Allen Ginsberg, Larry<br />
Eigner, Anselm Hollo, Diane Wakoski,<br />
Rochelle Owens, Paul Blackburn, Howard<br />
Cooper, Ian Hamilton Finlay, David Schloss,<br />
George Economou, Leonard Neufeld, Robert<br />
Kelly, Jackson Mac Low, Jerome Rothenberg,<br />
Ronald Giteck, Harry Lewis, Murray<br />
Mednick, Theodore Enslin, Robert Shatkin,<br />
Jonathan Greene, David Antin, David Margolis,<br />
Arm<strong>and</strong> Schwerner, Steve Kowit, <strong>and</strong><br />
David Ignatow<br />
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[#15925] PRESENÇA. Fôlha de arte e critica.<br />
Series 1: Ano 1-11 (comprising nos. 1-53/54, all publ.) continued as:<br />
Series 2: Ano 12 (comprising nos.1-2, all publ.). Coimbra, Presença, 10<br />
March 1927 - February 1940. First Series: Large folio (38.3 x 29.5 cm.);<br />
Second Series: (24 x 19 cm.). Bound in three grey full-cloth bindings<br />
with lettering in black on spine<br />
<strong>and</strong> front. The numbers of the<br />
first series in self covers; the<br />
two numbers of the second<br />
series in original printed<br />
wrappers. Slight soiling to<br />
covers <strong>and</strong> light browning to<br />
some leaves, but overall this set<br />
is in excellent condition.<br />
Printed on different types of<br />
luxury paperof varying colour,<br />
in black <strong>and</strong> white with<br />
occasionally colour added.<br />
EUR 22,000.00<br />
Complete run of the most important<br />
periodical for Portuguese<br />
Modernism, succcessor to Orpheu. Directed by José Régio, João Gaspar<br />
Simões <strong>and</strong> Branquinho da Fonseca (lateron replaced by Casais Monteiro).<br />
With innovative avant-garde typography <strong>and</strong> page-make-up. Published<br />
works by the leading figures in Portuguese literature, including Mário<br />
Sá-Carneiro, Fern<strong>and</strong>o Pessoa, José Régio, Casais Monteiro, João Gaspar<br />
Simões, António de Sousa, Saul Dias, Branquinho da Fonseca, Almada<br />
Negreiros, Raul Leal, Alberto de Serpa, Irene Lisboa, José Régio <strong>and</strong> Miguel<br />
Torga. It introduced Gide <strong>and</strong> Proust to Portuguese readers <strong>and</strong> started<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 33
serious critical essays on cinema <strong>and</strong> contemporary music. It focused<br />
on the art of Cubists, Futurists, Primitivists <strong>and</strong> Expressionists. Graphic<br />
contributions by Almada Negreiros, Júlio, Mário Elói, Dórdio Gomes, João<br />
Carlos, Sara Afonso, Arlindo Vicente, Paulo, Ventura Porfírio <strong>and</strong> Bernardo<br />
Marques. (Cf.: Pires, Dicionário das revistas literárias do séc. XX, pp. 244-8;<br />
Dicionario da Imprensa periodica lit. Portuguesa do seculo XX); Revistas<br />
literárias do século XX em Portugal, pp. 382–437) .<br />
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[#14117] PRINT. America’s Graphic Design Magazine (Orig.: A<br />
quarterly journal of the graphic arts).<br />
34 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
Vol. 1-54. New York, 1940-2000.<br />
Bound (with the pictorial wrappers)<br />
in 31 library cloth volumes,<br />
remainder (<strong>and</strong> also the first<br />
volume) in original pictorial<br />
wrappers. 4to. (Set lacks 4 vols. <strong>and</strong><br />
10 nos. from 7 vols.). EUR 5,000.00<br />
A massive ensemble of the leading<br />
Design Magazine in America, starting<br />
from the beginning. Numerous inserts<br />
<strong>and</strong> specimen included, also supplementary<br />
advertisements, leaflets etc.<br />
Slightly trimmed, <strong>and</strong> some covers with<br />
small remainders of removed address<br />
labels. One cover missing.The set lacks whole volumes 7, 11. 12 (1953-1958)<br />
<strong>and</strong> 20 (1966) <strong>and</strong> 10 issues from 7 other vols., detail on request.<br />
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[#16525] THE PRIVATE PRESS BOOKS/Book of the Private<br />
Press. (Book of the Private<br />
Press).<br />
The Book of the Private Press. (The<br />
Signet Press,1958). Followed by<br />
Private Press Books. Greenock &<br />
Pinner: Signet Press & Private<br />
Library Association .1959-1991 +<br />
1999, 2000, 2001. Thirty seven<br />
issues in thirty-three volumes. Nice<br />
set. . EUR 500.00<br />
Edited by Thomas Rae, Geoffrey<br />
H<strong>and</strong>ley-Taylor, Roderick Cave, <strong>and</strong><br />
others. An individually indexed checklist<br />
of private press books published in<br />
the year, with complete bibliographic<br />
information for each, as well as press<br />
contact, price, <strong>and</strong> whether or not the<br />
title is still in print. Initially arranged by country, with a focus on the British<br />
Isles <strong>and</strong> Commonwealth countries, it switched to an alphabetical-by-press<br />
listing with the second issue.<br />
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[#16263] PROSE<br />
Numbers 1-9 (all published). New York, Prose<br />
Publishers Incorporated, 1970-1974.<br />
Orig.wrappers, with overlaying edges (light<br />
wear, but a very good set). EUR 400.00<br />
Edited/published by Coburn Britton. Contributors<br />
include Auden, Burgess, Parker Tyler, Djuna<br />
Barnes, James Merrill, Kay Boyle, Paul Bowles,<br />
Reynolds Prince, M.F.K. Fisher, Mark Str<strong>and</strong>, Paul<br />
Horgan, Annie Dillard, Harold Bloom, etc.<br />
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[#12643] QUADRUM. Revue internationale d’art moderne.<br />
Nos. 1-20 (all publ.). Bruxelles, 1956-1966. 4to; original pictorial<br />
wrappers. EUR 2,000.00<br />
Well-illustrated <strong>and</strong> highly documentary periodical devoted to modern art,<br />
published by l’Association pour la Diffusion <strong>Art</strong>istique et Culturelle. Cover<br />
designs by: Arp, Vasarely, H. Michaux, Hartung, M. Ernst, J. Dubuffet. <strong>Art</strong>icles<br />
in French, English, German, Italian;<br />
numerous reproductions of work of<br />
contemporary artists in black & white<br />
<strong>and</strong> in colour. In no 6 the catalogue of<br />
graphic work by Wols.
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[#17087] RASSEGNA. Problemi di architettura dell’ambiente.<br />
Nos. 1- 50. (Comprising Anno 1-14).<br />
Bologna: Editirice Cipia Srl,<br />
1979- 1992. Quarto; original wrappers,<br />
some with light dust soilage,<br />
altogether a very good set.<br />
EUR 4,000.00<br />
Large collection of this Important italian<br />
architectural <strong>and</strong> design quarterly, edited<br />
by Vittorio Gregotti. Number 50 is the<br />
general index to the previous ones. Each<br />
issue on a theme a.o.: ‘I clienti de Le<br />
Corbusier’; ‘Giuseppe Terragni 1904/43’;<br />
‘Vehicles 1909/47’; ‘il campo della grafica<br />
italiana’;”II disegno del mobile razionale in Italia 1928-1948”, ‘Architecture<br />
in the Avant-Garde Magazines’; ‘Photographs of Architecture’; ‘Venice: City<br />
of the Modern’; ‘Materials of Design’. And many others. <strong>Art</strong>icles usually<br />
with English, French & German summaries. A list of titles of the individual<br />
issues will be sent on dem<strong>and</strong>.<br />
[#16649] RESIDU. (<strong>and</strong> the Mongul<br />
Review)<br />
Nos. 1-2 (all. publ.). Athens, London, <strong>Spring</strong><br />
1965-<strong>Spring</strong> 1966. Original wrappers (no 1<br />
covers somewhat browned, small chips to<br />
overlapping edges; no 2 cover slightly soiled<br />
<strong>and</strong> dogeared). EUR 400.00<br />
Ed. by Daniel Richter. Includes in No. 2 the first<br />
issue of ‘The Mongol Review’ (all publ.).; with<br />
contribs. by Lamantia, Ginsberg, Norse, Ford, Marie Wilson, Burroughs,<br />
Trocchi, Corso, etc .#1 is inscribed by Richter, with the addition of his mailing<br />
address to the verso of the title page.<br />
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[#17374] LE REVOLVER ILLUSTRÉ.<br />
Nos. 1-7 (all publ.). Villeurbanne,<br />
sept.1956-juin 1957. Tall 8vo (28x11,2 cm).<br />
Stapled in original pictorial wrappers,<br />
mostly with pochoir lettering <strong>and</strong> some<br />
with collages. Contents stencilled, with<br />
nice collaged illustrations. EUR 900.00<br />
Complete set of this artist periodical,<br />
which includes original artwork. Edited<br />
by Maurice Rey <strong>and</strong> Raymond Gr<strong>and</strong>jean.<br />
Similar to the ‘Petit Silence Illustrée of Jacques Sternberg. Contributions<br />
by Maurice Rey, Raymond Gr<strong>and</strong>jean, Robert Droguet, Raymond Fievet.<br />
Many quotaes by Kurt Schwitters, Henri Michaux, Francis Picabia, Julien<br />
Torma, Antonin <strong>Art</strong>aud, Marcel Duchamp. Added is a letter by Raymond<br />
Gr<strong>and</strong>jean.<br />
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[#17432] REVUE DE MOSCOU. Bimestriel.<br />
Nos. 1-6. Société des Journaux et Revues.<br />
Jourgaz de Moscou, 1935. Original pictorial<br />
covers, 22,5x29,5 cm; issues of 42-48 pages.<br />
EUR 1,800.00<br />
Frontcovers nos. 2 & 3 with photograph by<br />
Chaguine resp. Friedl<strong>and</strong>. Photographs by<br />
Sossfenev, Chaguine, Alpert, Sternberg, Rodchenko.<br />
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[#10539] DIE RHEINLANDE. Monatsschrift für Deutsche <strong>Art</strong><br />
und Kunst (Düsseldofer Monatshefte…, Monatliche Mitteilungen<br />
des Verb<strong>and</strong>es der Kunstfreunde in<br />
den Ländern am Rhein).<br />
B<strong>and</strong> 1-29 (=Jahrgang 1-19). Düsseldorf,<br />
1900-1919 (lacking Bd. 2, 3, 9, 10). 4to;<br />
(Partly bound: 1900-1903, 1910-1912<br />
orig. publ. cloth; 23-28 plain library<br />
cloth, remainder in the original<br />
wrappers, untrimmed; in good clean<br />
condition, with occasional light<br />
damping). Altogether a nice set.<br />
EUR 2,500.00<br />
Luxuriously produced literary <strong>and</strong> artistic<br />
monthly, ed. by Wilhelm Schäfer. Complete with hors-texte plates <strong>and</strong><br />
supplements (except for two vols. which lack music<br />
score supplements; some indexes are not present, <strong>and</strong><br />
vol. 21 lacks 8 pages of text). Contribs. by Altenberg,<br />
Dehmel, Edschmid, P. Ernst, Eulenberg, Fontana,<br />
Hasenclever, G. Hauptmann, Hesse, Klabund, Röttger,<br />
Schickele, Wassermann, Werfel, A. Zweig, etc.<br />
Schlawe I, 63; II, 36.<br />
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[#10564] LE RIRE. Journal humoristique. Fondé par Felix Juvèn.<br />
Série 1:Nos. 1-430 + No. Hors-série ‘La Maison du Rire’ (all publ.).<br />
Paris, 1894-1902/03; Série 2: Nos. 1-600 (all publ.). Paris, 1 février<br />
1903-1 août 1914.Years 1894/95-1909/10, 1911/12-1912/13 bound in 18<br />
vols., till 1908 unif. contemp. green h. cloth, untrimmed, later volumes<br />
orig. h.cloth. Remainder in the original issues as published, with one<br />
issue (= no. 596) in perfect photo-reprint. Added: 2 special issues<br />
publ by Le Rire: Simplicissimus “Paix à la France” (12 pp.) n.d. <strong>and</strong><br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 35
Tactique et Stratégie by Caran d’Ache (12 pp.) n.d.<br />
EUR 6,000.00<br />
Complete series FROM THE FIRST NUMBER till<br />
the outbreak WW1 of the famous humorous <strong>and</strong> satirical<br />
weekly, including the 11 drawings on full-page<br />
by TOULOUSE LAUTREC. Issues of “Le Rire” have12<br />
pp. each, the first <strong>and</strong> last page with a full-page coloured<br />
illustration. Illustrators were: Valloton, Forain,<br />
Willette, Jossot, Paul, Steinlen, Cappiello, Lé<strong>and</strong>re, Caran<br />
d’Ache, Villon, Iribe, Chéret, Poulbot, Morin, Kupka,<br />
Chas Laborde, Gus Bofa, Valerio, Falké, v.Dongen, Sennep,<br />
Abel Faivre, etc., etc.<br />
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[#15780] RUNNING DOG PRESS MAGAZINE<br />
No. 1 (“Running Dog One <strong>and</strong> Done”), all<br />
published. Chicago, Running Dog Press,<br />
1976. Ca. 140 pages loose in original<br />
illustrated wrappers, kept in the original<br />
manila envelope (opening side damaged,<br />
otherwise in good condition). EUR 350.00<br />
<strong>Art</strong>ist periodical, completely executed in<br />
xerox, edited by Mike (Michael) Crane. “The<br />
attempt of this publication is to present the<br />
documents of the<br />
experiments <strong>and</strong><br />
explorations artists are undertaking today on an<br />
international level…”; with the list of names <strong>and</strong><br />
addresses of the participating artists, amongst<br />
which Ken Friedman, Klaus Groh, Carl <strong>John</strong>son, Y<br />
Matsuzawa, Endre Tot, Allen Ross, Horacio Zabala,<br />
etc.<br />
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[#17790] RUNNING MAN<br />
Vol. 1 nos 1-5 (all publ.), The Running<br />
Man Publications, London, 1968. 4to. In<br />
the original pictorial wrappers.<br />
EUR 600.00<br />
Edited by Christoper KYPREOS, contents<br />
include Vengeance Baby by William Rushton,<br />
Take it in the Face James Fox by Peter<br />
Menegas, <strong>and</strong> The Interior L<strong>and</strong>scape by<br />
Eva Figes. Number 2 contains Steadmans<br />
Nudes, for which the magazine was banned.<br />
Number 3/4/5 is “Running Man - Special<br />
Issue- Ecstatic Revolution” which appears to form part of the whole publication.<br />
Undated, but internal evidence suggests 1968. 112 pages on art paper<br />
heavily illustrated with photographs, drawings <strong>and</strong> graphic art.<br />
36 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
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[#13618] SAN FRANCISCO ORACLE<br />
Vol. 1 no. 1. San Francisco, September 20, 1966. Tabloïd size.<br />
(Somewhat waterstained, paper with slight waving, endemic<br />
browning; but otherwise intact. EUR 900.00<br />
First number of the most illustrious<br />
underground paper of the hippie era.<br />
Printed in San Francisco’s Haight-<br />
Ashbury during the “<strong>Summer</strong> of Love”,<br />
this paper became famous for it’s lavish<br />
color psychedelic art.<br />
With contributions by Allen Ginsberg,<br />
Allen Cohen, <strong>John</strong> Brownson, Marshall<br />
Mc Luhan, Marsha Thelin, Robert Creeley,<br />
Kent Minault, David Harris, a.o. On<br />
front page the article: Haight - Ashbury<br />
meets police. One of the most historically<br />
significant <strong>and</strong> visually stunning<br />
productions of the ‘60s counterculture<br />
at its peak. While later issues are relatively<br />
common, the early issues are rare.<br />
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[#17657] SIGNAL. A Quarterly Review<br />
Vol. 1 nos 1-3 (all publ.). NY: Brownstone<br />
Press 1963-1965. Three issues, in illustrated<br />
wrappers. Nice condition. EUR 350.00<br />
Edited by Bret Rohmer <strong>and</strong> others. The first<br />
<strong>and</strong> second issues feature NY School <strong>and</strong> Black<br />
Mountain writers (Frank O’Hara, Le Roi Jones,<br />
Kirby Doyle, Joel Oppenheimer, Diane Di Prima,<br />
Fielding Dawson), while the third focuses on<br />
translations of French writing (Tzara, Desnos,<br />
Reverdy, Apollinaire, Prevert).<br />
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[#17481] SIPAPU<br />
Volume 1 no. 1 through volume 26, no. 2 (consecutive issue 52),<br />
January 1970-1996. Complete set. Winters, California: Noel Peattie,<br />
1970-1996. 52 issues ranging from 8 to 47 pages. Illustrated.<br />
Self-wrappers.( 27.9 x 21.3 cm.). Printed in b/w, offset. EUR 1,800.00<br />
Edited by Noel Peattie. “A newsletter for<br />
librarians, collectors <strong>and</strong> others interested<br />
in the alternative press,(ISSN 0037-5837).<br />
which includes small <strong>and</strong> ‘underground’<br />
presses, third World, dissent, feminist,<br />
peace, <strong>and</strong> all forms of indescribable publishing<br />
in general.” This remarkable labor<br />
of love by a late, talented librarian at the<br />
University of California, Davis, is essential<br />
for any serious collection of underground<br />
literature. OCLC locates 130 holdings<br />
worldwide, most of them incomplete sets,<br />
including 14 in Australia, Canada, New<br />
Zeal<strong>and</strong>, <strong>and</strong> the UK. Complete sets in<br />
the wild must be vanishingly rare. “All forms of indescribable publishing”<br />
also includes the following: gay, lesbian, <strong>and</strong> transsexual; African-American,<br />
Asian-American, Chicano, <strong>and</strong> Native American; the poor <strong>and</strong> aged; <strong>and</strong>
homeless <strong>and</strong> prisoners (Peattie sent free subscriptions<br />
to prisoners upon request). Although<br />
Sipapu began as a beacon for librarians to forming<br />
their collections <strong>and</strong> a record of all sorts<br />
of conferences, book fairs, <strong>and</strong> the like, it also<br />
published interviews (mostly of little magazine<br />
editors) in about half the issues <strong>and</strong> hundreds of<br />
reviews of obscure but worthy publications. The<br />
first interview, in issue 3, is with Steve Levine,<br />
publisher of the City of San Francisco Oracle.<br />
Others include Joseph Bruchac, Jack Shoemaker,<br />
<strong>John</strong> Wilcock, <strong>and</strong> Michael Davidson. Other contributors include Kate<br />
Barnes, Dick Higgins, Richard Kostelanetz, Michael McClure, Gary Snyder,<br />
<strong>and</strong> A.D. Winans. Indexes every five or ten issues. This set includes some<br />
ephemera <strong>and</strong> original correspondence from Noel Peattie. (This set was the<br />
personal copy of Lawrence McGilvery, whose name appears on the address<br />
labels, <strong>and</strong> who made the write-up for this item; the correspondence was<br />
between him <strong>and</strong> the editor).<br />
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[#17146] SLASH<br />
Complete set, composed as follows:<br />
Vol. 1 nos 1-12 ( Los Angeles, 5 May 1977-Aug.1978), plus “Give Away<br />
Issue”, not dated “One Year Anniversary Special (14 pages)”, continued<br />
as:<br />
Vol. 2 nos. 1-11 (Sept.1978-Dec. 1979), continued as:<br />
Vol. 3 nos 1-4 (Jan/Feb.1980- n.d.1980) + Vol. 3 no 5 (Undated thicker<br />
issue,“World Update” published by Robert Briggs (n.d., 1980),<br />
complete set, with special addition: New York Rocker-Issue Sept.1981<br />
(including a “mini-Slash Issue”).<br />
Together 30 physical issues; newsprint with coloured covers, tabloïds.<br />
An almost pristine set with only very minimal flaws (detail on<br />
request). EUR 3,700.00<br />
Complete run of this LA punk magazine, the West Coast equivalent of NY<br />
Rocker because of the large format newsprint <strong>and</strong> amazing punk coverage.<br />
Edited by Steven Samiof <strong>and</strong> Melanie Nissen (Photo-editor <strong>and</strong> contributor<br />
of numerous photographs), senior editors Claude Bessy, Philomena.<br />
Issues ranging from 20 to 48 pages toward the end. Contributions by Paul<br />
Zacha, Kickbioy, Steven Lov ejoy, Lou Beach, Richard Blyth, Nicole Walker,<br />
Gorilla Rose, Bud Scoppa, Gary Panter, photos bt (a.o.) Edwin Heaven,<br />
Rena Small, Jonathan Postal, Jules Bates; featuring punk-rock b<strong>and</strong> <strong>and</strong><br />
artists: The Vibrators, Blondie, Devo, Sex Pistols, Heartbreakers, Easter, Iggy<br />
Pop. The Weirdos, The Bags, Fear, The Police, etc. Much like “High Times”<br />
cross-promoted Punk magazine,<br />
NY Rocker included a “mini-Slash”<br />
issue after the magazine’s untimely<br />
demise: “R.I.P. = Rest In Punk” on<br />
pages 15-25. Most of the Slash covers<br />
can be viewed on: http://www.<br />
slashmag.com/covers.htm<br />
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[#17462] ST. CINÉMA DES PRÉS<br />
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[#17492] STONY BROOK<br />
Nos. 1/2, 3/4 (all publ.). Stony Brook/<br />
NY., 1968-1969. Thick issues, 8vo.;255 +<br />
391 pp. Printed wrappers; illustrated.<br />
Good copies. EUR 220.00<br />
Nos. 1-3 (all publ.). Paris, 1949-1950.<br />
Unbound, stapled in the spine as<br />
issued (staples/spine loosening,<br />
otherwise in excellent condition).<br />
EUR 1,200.00<br />
Avant-garde film magazine of 12 pp. each,<br />
with contribs. by Pierre Bailly, R. Benyoun,<br />
J. Boullet, P. Boursaus, Jean Cocteau,<br />
L. Deharme, Boris Vian, Kenneth Anger,<br />
Al. Astruc, Walt Disney, H. de Montherlant,<br />
Hitchcock, Pieral, Adonis Kyrou,<br />
Josef von Sternberg, etc.<br />
International journal of poetry, poetics<br />
& translations, ed. by George Quasha,<br />
with contributions by Robert Duncan,<br />
Ezra Pound, Charles Olson, Levertov,<br />
<strong>John</strong> Wieners,Gary Snyder, Simic, Allen<br />
Ginsberg, Susan Elias (Metroculpture);<br />
Lila Katzen (The Universe as Environment.<br />
Moon markers).The first volume is<br />
an international selection of poetics ( Pound, Snyder, Ammons, Mac Low,<br />
Popa, Milosz, Wat, Parra, Guillevic, Pinget, Ginsberg, <strong>and</strong> many others). The<br />
second volume is broken into sections, with renowned poets sub-editing<br />
representative work from Latin America, Calfornia, Visual <strong>Art</strong>s, Concrete<br />
Poetry, German, French, Eastern Europe, China, <strong>and</strong> other areas.<br />
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[#17514] STRUCTURE<br />
Number 1 (all publ.). London, <strong>Spring</strong> 1968. Small quarto. 24 pp. In<br />
Photographically illustrated wrappers, stapled in the spine (very<br />
lightly shaven on the outside). EUR 600.00<br />
A conceptual art artists-magazine, edited by <strong>John</strong> J. Sharkey. “Structure<br />
will attempt to explore the concepts of potential environmental structures<br />
<strong>and</strong> their actual realisation in social terms, art, or play, it will also explore<br />
the structural elements of environments as well as the creative possibilities<br />
<strong>and</strong> aesthetic extensions into dance,<br />
theatre, music, poetry, colour <strong>and</strong><br />
light.” Cover photographs by Pieter<br />
Boersma: Moviemovie-an event<br />
structure realised by Jeffrey Shaw<br />
(Casino Knokke,Belgium, dec. 1967).<br />
Similar in content <strong>and</strong> format to<br />
Willat’s Control Magazine of the<br />
same era. From the contents: Shaw<br />
& Bortschuiver: Corpocinema;<br />
Jack Collon: Imbalanced rivertree;<br />
Brendon O’Regan: liquid crystals;<br />
Sharkey: Poem; Al Hansen: Manifesto<br />
for theatre of the preposterous;<br />
Dick Higgins: Some graphuic mirros;<br />
Jean Tocje: Manifesto 1; Ivor Davis: Still life story; Jackie Cassen/Rudi<br />
Stern, <strong>John</strong> Lobell/Michael Steiner: Environments’Stephen Willats: Visual<br />
transmitters 1-2. An insert by Keith Albarn seems to be missing.<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 37
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[#17518] TAOS. A de luxe magazine of the arts.<br />
38 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
<strong>Summer</strong> 1951 (<strong>and</strong> first) issue of this<br />
magazine devoted to the arts. Folio.<br />
Loose sheets laid into thick printed<br />
paper covers. Thick paper sleeve has an<br />
inked notation to front cover “Deluxe<br />
edition 25 copies only”. EUR 500.00<br />
Edited by Judson<br />
Crews. This is one of<br />
25 de luxe copies with<br />
original signed <strong>and</strong><br />
numbered works not<br />
included in the trade<br />
edition. Collated.<br />
Interestingly, there are additional sheets in this copy<br />
not indicated in the table of contents including work<br />
by Henry Miller, Stanley William Hayter, Rebecca Salsbury James, Herbert<br />
Shaw, Pearl Bond <strong>and</strong> a signed silkscreen print by Paden. Contents generally<br />
in fine condition<br />
111111111111111<br />
[#17515] TATTOO ADVOCATE<br />
1111111111111111<br />
[#17437] TATTOOTIME<br />
Vol. 1 nos 1-2. <strong>Spring</strong> 1988-1989. Original<br />
pictorial wrappers, printed on glossy<br />
paper, numerous illustrations (27,5x21,2<br />
cm). EUR 100.00<br />
Edited by Shotsie Gorman, Sarah M. Jenkins,<br />
Patricia Sinatra-Della Euffa (art director).<br />
First two issues of this journal devoted to<br />
the tattoo arts. Both issues in fine condition.<br />
Includes articles <strong>and</strong> features by William Barrett,<br />
Paul Jeffreies, Jack Dann <strong>and</strong> more.<br />
Volume 1, Number 1, Fall 1982: New Tribalism. Volume 2, Number 1,<br />
Winter 1983: Tattoo Magic. Volume 3,<br />
Number 1, Winter 1985: Music & Sea<br />
Tattoos. Volume 4, Number 1, 1987: Lafe<br />
& Death Tattoos.<br />
Number 5, 1991: <strong>Art</strong> From The Heart.<br />
All issues fine in original pictorial<br />
wrappwers. EUR 350.00<br />
Glossy magazine for “Tatttto Fans”. Edited<br />
by D.E. Hardy. Issues of 64 exp<strong>and</strong>ing to<br />
128 illustrated pages. Thematic issues.<br />
1111111111111111<br />
[#17473] TAU/MA<br />
Vol. 1-7. (all published). New York, Bologna, Firenze, 1976-1981.<br />
Together 39 booklets kept in original cardboard boxes; 4to. Ills. (The<br />
set is still in the original stirelene containers which are a bit soiled at<br />
the outside, but they were for shipping purposes only, <strong>and</strong> thus<br />
protected the fragile original grey cardboard boxes, which are<br />
consequently in unusually good condition). EUR 4,000.00<br />
Rare complete set of this publication of visual <strong>and</strong> concrete poetry, presented<br />
in the form of cardboard boxes contaning small artists books in different<br />
sizes <strong>and</strong> typography. Edited by Achille Maramotti, Mario Diacono,<br />
Claudio Parmiggiani. Vol. 1: 1976. 5 issues, i.e.: Mario Diacono (‘Hypercalipsis’);<br />
Claudio Parmiggiani (‘Eraclito’); Torricelli (‘Stechiotrono & Eubasé<br />
o follia’); Bauhaus (‘Libro di un solo verso’). Vol. 2: 1976. 6 issues, i.e.: Vito<br />
Acconsi (‘Plot’); Luigi Ballerini (‘The Booke of the last of the Mohegans’);<br />
Julien Blaine (‘Autopsies’); Heinz Gappmayr (‘Aspekte’); Battista Della<br />
Porta (‘Steganografie’); Jirí Kolár (‘Gersaints Aushängeschild’). Vol. 3: 1977.<br />
4 issues, i.e.: Haroldo De Campos (‘Il maggio dell’ Om ega’); Emilio Villa<br />
(‘Alphabetum Coeleste’); Agnes Denes (‘Paradox <strong>and</strong> Essence’); Raimondo<br />
di Sangro (‘Parole Maestre’). Vol. 4: 1977. 7 issues i.e.: Joan Jonas (“Mirage”),<br />
JCT (“”Thothality”), Adalgisa Lugli (“Teatro delle miserie e dei prodigi”),<br />
Ladislav Novák (“Testi 1961-1976”), Emilio Prini (“Zwei Texte”), Adriano<br />
Spatola (“Canrtico delle creature”); Aleksej Krucënych (“Semiviro”).Vol. 5:<br />
1978. 7 issues. Luciano Caruso (“Piccola teoria della citazione”, Jochen Gerz<br />
(“Paul M.”), Madeline Gins (Ïntend”), Giulia Noiccolai (“Facsimile”), Richard<br />
Nonas (“What do you know”), Michelangelo Pistoletto (“La Stanze”),<br />
Francesco Cangiullo (“Caffeconcerto”). Vol. 6: 1977. 8 issues, i.e.: Luciano<br />
Bartolini (‘Kubla Khan’); JCT (‘Maza’); Malavasi (‘Storie vere ed extravere’);<br />
Sanguieti (‘Papiro’); Carlo Severi (‘Anticatarsi’); P. Vicinelli (‘Apotheosys<br />
of a Schizoid Women’); B. Bonifacio (‘Musarum liber XXV/Urania’); El<br />
Lissitzkij (‘Di 2 quadrati’). Vol. 7: 1981. 2 issues, i.e.: ‘Chlebnikov inedito’ <strong>and</strong><br />
issue with texts by Emilio Villa, Konrad B. Schäuffelen, Jannis Kounellis,<br />
Remo Guideri, Carlo Finale, a.o.<br />
111111111111111<br />
[#17457] TÉMOIGNAGES DE NOTRE TEMPS.. Publication<br />
bimestrielle<br />
Nos. 1-8 (all publ.). Soc.Anonyme les<br />
Illustrés Français, Paris, 1933-1934. 4to;<br />
original pictorial wrappers.<br />
EUR 1,200.00<br />
Initially published as “Témoignages”.<br />
Direction: Lucien Vogel. Important publication<br />
with numerous illustrations <strong>and</strong><br />
photographs, rarely found complete. Each<br />
number contains 200 photos <strong>and</strong> documents,<br />
unpublishedelsewhere at that time<br />
<strong>and</strong> often censored. No. 1: mai 1933. Images<br />
secrètes de la guerre. 200 photos censurées
en France, commentées par P. Allard No. 2: sept.1933. Les Juifs. Foreword by<br />
Albert Einstein. - Eight big sized photographs by Helmar Lerski (advertisement<br />
to his album “Visages Juifs” too) No. 3: oct.1933. Images secrètes<br />
allem<strong>and</strong>es de la guerre. 200 photos censurées en Allemagne, commentées<br />
par F. Drach. No. 4: déc.1933.Traité des blanches et prostitution. 200 photos<br />
et documents. Textes de H. Poulaille, Ph. Soupault, G. Simenon, etc. No. 5:<br />
Février 1934. Un siècle de sc<strong>and</strong>ales. Receuillis par F. Drach, préface Maurice<br />
Graçon, texts by Ivan Goll, L. Martin-Chauffier, P. Allard No. 6: avril<br />
1934. La fin des rois? Photos + text by F. Drach No. 7: juin 1934, Dictatures et<br />
dictateurs. Péface P. Valéry No. 8: aout 1934. Usines de faux. Commentés par<br />
P. Allaerd, with J. Loubès.<br />
111111111111111<br />
[#12369] LE TÉMOIN. Dir.: Paul Iribe.<br />
Nos. 1-69 (all publ.). Paris, 10 déc. 1933 - 30 juin 1935. Very good set.<br />
Folio, bound in 2 vols. Contemp.cloth with title-shields (except no.<br />
48-56, which are tabloïd-size, folded in four, contained in a folder at<br />
the end volume 2). Very good clean set, only slightly trimmed.<br />
EUR 3,000.00<br />
Satirical weekly, 16 pp. per issue, with ills. by Paul Iribe, Chas. Laborde, J.<br />
Villemont, Sennep, Vertès, P. Laurier, a.o. All issues have on the front <strong>and</strong><br />
back page a satirical drawing by Iribe in “tri-colour”, many of which have<br />
become quite famous.<br />
[#17747] THE TEMPORARY TRAVELLING PRESS<br />
PUBLICATIONS / THE ESCHENAU SUMMER PRESS<br />
Nos. 1- 66. 1990-2011. All in limited edition; varying sizes.<br />
Kathm<strong>and</strong>u, Bern, Eschenau, 1974-2011. Original wrappers, various<br />
sizes, first 28 kept in box with lettering on spine <strong>and</strong> a perspex<br />
window showing the front-cover of the first number. Remainder<br />
unbound as issued. Fine set.<br />
EUR 4,200.00<br />
Publications by Herman de Vries<br />
(Nos. 7 & 16 were never published),<br />
differing in size <strong>and</strong> presentation, the<br />
first 28 of this important series which<br />
is still continued now. Published in<br />
editions varying from 75-150 copies.<br />
The first booklets, published in Kathm<strong>and</strong>u,<br />
are on rice paper. A selection<br />
of the contibutions: Jiri Valoch (Nos.<br />
20,21) , Dieter Roth (No. 14, aus der Heimat,1984,edition 100 copies); H.<br />
de Vries (No. 18, concept; No. 25: Rosa Damascena) Thomas Clark (No. 28,<br />
Poem); James Lee Byars (No. 12, devil); Mattes, Bernard Aubertin, Winiarski,<br />
François Morellet (No. 19, a badly bound book)t, Wolfgang Schmidt<br />
(No. 23, Worte machen); Boezem, a.o.; no 24 is a cassette-tape (Paul Panhuysen<br />
/ Johans Goedhart-Clock / Spider); no 26 is an unidentified object/<br />
substance kept <strong>and</strong> sealed in aluminum foil (Nikolaus Koliusis:schau dem<br />
Licht in den Augen), no. 32 is Chris Drury, Amanita muscaria (no.86 of<br />
150); no. 33 is de vries, the only one in a second edition; etc. Further details<br />
<strong>and</strong> fuller list on request.<br />
111111111111111<br />
[#16383] THROB. A magazine of deceptive poetry (no. 2<br />
subtitled: a magazine of suppurating poetry).<br />
Nos. 1-2 (all publ.). Manhattan Beach,<br />
California, 1971. Mimeographed, stapled<br />
in spine; original pictorial wrappers; 4to.<br />
EUR 250.00<br />
Poetry magazine edited by F.A. Nettelbeck,<br />
with contributions by Connie Akins-Davis,<br />
Charles Bukowski, R<strong>and</strong>y Waterman,<br />
Leslie Sternberg, Douglas Blazek, Peter<br />
Fenton, Mark Browning, a.o. Front-covers<br />
by Maiden Head Graphics <strong>and</strong> Lawrence<br />
Ferlinghetti.<br />
111111111111111<br />
[#14611] THE TIGER’S EYE on <strong>Art</strong>s <strong>and</strong> Letters<br />
Nos. 1-9 (all publ.). Westport, Connecticut, 1947-1949. Size (h/w): 26 x<br />
18,3 cm. With many illustrations (partly tipped-in), photographs,<br />
elaborately printed on different stock. Original illustrated wrappers.<br />
EUR 1,600.00<br />
Designed by Ruth Stephan (who also was Editor); art-editor (<strong>and</strong> design for<br />
covers): <strong>John</strong> Stephan; typography by Sven Jansen, printed by the Elm Tree<br />
Press. Deals with modern avant-garde literature <strong>and</strong> art; issues of about<br />
140/150 pp. each. Reproduces work by Ernst, Lam, Tanguy, Magritte, Klee,<br />
S.W. Hayter, Calder, Dhagall, Picasso, De<br />
Chirico, Miro, Tanguy, W. K<strong>and</strong>insky, etc.;<br />
contains literary contributions by T.S.<br />
Eliot, W.C. Williams, Stephen Spender, K.<br />
Seligmann, Michaux, Rexroth, Motherwell,<br />
Bataille, Borgès, Neruda, Genet,<br />
<strong>Art</strong>aud, a.o.<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 39
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[#12897] TRANS/FORMATION. <strong>Art</strong>s, Communication,<br />
Environment; A World Review.<br />
Vol. 1 no 1-3 (all published). New York: Wittenborn, Schulz, 1950-52.<br />
Original wrappers (slight fading on the spine <strong>and</strong> edges, a bit creased<br />
due to the large format, bit altogether a very good set). EUR 600.00<br />
Edited by Harry Holtzman. Early attempt at bridging the gap between art<br />
<strong>and</strong> science this publication includes contributors in many fields: Alfred H.<br />
Barr Jr., Buckminster Fuller, Le Corbusier, Nicolas Calas, Bernard Rudofsky,<br />
Gyorgy Kepes, Werner Heisenberg, Albert Einstein, Sibyl Moholy-Nagy, <strong>and</strong><br />
<strong>John</strong> Cage. Each issue contains one of Ad Reinhardt’s “comics” commenting<br />
on the art scene.<br />
111111111111111<br />
[#11319] TRANSITION. An International Quarterly for Creative<br />
Experiment. Ed. by Eugene Jolas, Elliot Paul <strong>and</strong> Robert Sage.<br />
Nos. 1-27 (all publ.). Paris, The Hague, New York, Neuilly, 1927-1937.<br />
Unbd. in the original pictorial wrappers, in generally good to fine<br />
condition. Some issues with expertly<br />
made repairs to the covers. Nos. 15<br />
<strong>and</strong> 19/20 have the publicity-sheets<br />
on the front-covers still present<br />
(which is rare). Added:<br />
40 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
- An Elucidation by Gertrude Stein.<br />
April 1927.<br />
- H<strong>and</strong>s off Love (signed by Aragon,<br />
Breton, Eluard, Ernst, Jolas, Peret,<br />
Tanguy, etc.), September 1927.<br />
- Testimony against Gertrude Stein.<br />
(supplt. to Feb. 1935).<br />
- TRANSITION WORKSHOP.<br />
Vanguard Press, 1949. 413 pp. 1st. large 8vo. Original boards, with<br />
(torn) original dustcover preserved. An anthology of essays <strong>and</strong> work<br />
that had previously appeared in ‘Transition’ magazine. The numerous<br />
contributors include Beckett, Boyle, Caldwell, Hemingway, Joyce,<br />
Kafka, Nin, Stein, Dylan Thomas a.o. EUR 3,500.00<br />
Complete set of the most important English-language avant-garde magazine<br />
of the period with contributions by James Joyce (“Finnegans Wake”<br />
as “Work in Progress”), Ezra Pound, Sam. Beckett, Henri Miller, A. Breton,<br />
Theo van Doesburg, Eluard, Marinetti, Hugo Ball,<br />
Aragon, LeCorbusier, etc.; numerous illustrations<br />
by <strong>and</strong> after avant-garde artists. Cover designs<br />
by Picasso, Man Ray, Schwitters, Klee, Léger, Miró,<br />
Duchamp, K<strong>and</strong>insky; complete set, comprising 25<br />
physical issues, as nos. 16/17 an 19/20 are double<br />
numbers.<br />
111111111111111<br />
[#14895] TWICE A YEAR. Semi-annual journal of <strong>Literature</strong>,<br />
the <strong>Art</strong>s <strong>and</strong> Civil Liberties.<br />
Vol. 1-14/15 (all publ.). New York 1938-1947.<br />
In nine thick issues, original wrappers <strong>and</strong><br />
orig. wrappers over boards (light soilage to<br />
some volumes <strong>and</strong> spines a bit chipped).<br />
Together with the final, 10th Anniversary<br />
Issue, 1938-1948 “<strong>Art</strong> <strong>and</strong> Action”. Bound,<br />
orig. publisher’s cloth, with dust jacket<br />
(chipped at the spine). With illustrations<br />
<strong>and</strong> photographs. EUR 1,000.00<br />
Avant-garde magazine edited by Dorothy<br />
Norman. Thick issues of ab. 250 pp. each,<br />
several double-issues of over 500 pp., with<br />
contributions by the most noted figures of avant-garde inside <strong>and</strong> outside<br />
USA. The 1st issue, dedicated to Alfred Stieglitz, is a fine copy of the first<br />
printing, with better printings of the photographs. Photographic ills. by Alfred<br />
Stieglitz, Paul Str<strong>and</strong>, Dorothy Norman Brett,<br />
Weston, Ansel Adams, a.o. Much material by <strong>and</strong><br />
on Stieglitz; photomontages by <strong>John</strong> Heartfield.<br />
Some of the photographs are original silver prints<br />
from negatives, others are photogravures. Literary<br />
contribs. include Henry Miller, Ignazio Silone, E.E.<br />
Cummings, Stephen Spender, Proust, Olson, Anais<br />
Nin, Sartre, A. Camus, André Malraux, Charles<br />
Olson, W.C. Williams, etc.<br />
1111111111111<br />
[#6621] IL VENTUNO. Settimana <strong>Art</strong>istica - Gazzetta di poesia<br />
(later: Rivista dei Littoriali della Cultura e dell’<strong>Art</strong>e).<br />
Anno 1-5 no 8/9 (= Nos. 1-39, lacking no<br />
38). Venezia, Feb. 1932-Aug./Sept. 1936.<br />
(First 15 numbers 43,5 x 32 cm, then<br />
becoming folio-size, <strong>and</strong> from no.24 onw.<br />
Large-quarto. Original pictorial<br />
wrappers (some foxing, metallic covers<br />
of nos. 16 & 17 oxidated but intact).<br />
Illustrated. EUR 1,200.00<br />
Edited by G.U.F. di Venezia, sotto gli auspici<br />
della Fed. Veneziana dei Fasci di Combattimento.<br />
Directed by F. Pasinetti, later by G.<br />
Dorigo. Contribs. by Luigi Biancheri, Luigi<br />
Cini, Sergio Fadin, Francesco Pasinetti, R.F.<br />
Selvatico. With contribs. on culture, art, film, etc. Added: 6 no. 3/4 (= 44).<br />
March/April 1937.<br />
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[#17677] IL VERRI. Rivista di letteratura<br />
diretta da Luciano Anceschi.<br />
(Series 1:) Anno 1-5 (complete in 26<br />
numbers). Milano, Rusconi e Paolazzi<br />
Editori, 1956-1961. Continued as: (Series 2:)<br />
Nos. 1-40 (all publ.). Milano, Feltrinelli,<br />
1962-1972. Continued as: (Series 3-9: )<br />
Together 64 numbers (all <strong>and</strong> last<br />
published). Milano, edizioni del Verri;<br />
Mucchi editore. Marzo 1973 - settembre/
dicembre 1995. All in the original opictorial<br />
wrappers, in perfect state of conservation.<br />
With Autograph dedication by Anceschi to<br />
Eugenio Montale on the inside cover of<br />
Number 1. EUR 4,500.00<br />
The complete collection of this famous art <strong>and</strong><br />
literary periodical founded in Milano by Luciano<br />
Anceshi (who died in 1995 which ended the publication).<br />
Named after the café “verri”in Milano<br />
where young intellectuals like Nanni Balestrini,<br />
Antonio Porta, Giuseppe Pontiggia, Eduardo<br />
Sanguinetti, Elio Pagliarani, Alfredo Giusliani<br />
<strong>and</strong> others gathered. It became the organ of the literary <strong>and</strong> artistic avantgarde<br />
(neoavantgardia) of the sixties, <strong>and</strong> the exponent of the “Gruppo 63”<br />
(which was created after the conference in Palermo in 1963). An exceptional<br />
complete ensemble of all the various stages of this publication.<br />
1111111111111111<br />
[#17677] VETRINA. Quindicinale<br />
d’arte informazioni discussioni<br />
Numero 1 (the only published number). 15<br />
III 1933, 33,3 x 23,5 cm. 16 pages<br />
(selwrappers); some foxing, in particular<br />
the frontpage. EUR 400.00<br />
Direttore: Raffaele Giolli, Milano. Features<br />
<strong>and</strong> reproduces work of Severini, Manzù,<br />
Martini, Soffici, Carrà,<br />
Funi. Reproduces the<br />
glass window by Sironi<br />
in Roma (Palazzo delle<br />
Coorporazioni) . Frontcover 2 drawings reproucd of<br />
<strong>Art</strong>uro Martini. Texts by Nicodemi on Boccioni, Severini,<br />
Giolli, De Pisis, Cantoni, Campigli <strong>and</strong> others.<br />
1111111111111<br />
[#16403] VH 101 (CENT UN)<br />
Nos. 1-9 (all publ.). Zürich, Paris,<br />
1970-1972. Original pictorial wrappers<br />
(25x19, last 2 numbers 27x18,5cm).<br />
Wrappers with very light soilage, no. 4<br />
has a faint crease on front wrapper, no.<br />
7/8 some discoloration of the frontcover,<br />
otherwise very good. With numerous<br />
illustrations & photographs.<br />
EUR 1,000.00<br />
French journal for contemporary & avant-garde art <strong>and</strong> literature, ed.<br />
by François Esslier & Brigitte Devismes. Several numbers dealing with a<br />
theme: L’<strong>Art</strong> Conceptuel; Musique Contemporaine; Cinéma d’Avant-Garde;<br />
l’Architecture et l’Avant-Garde artistique en URSS de 1917-1934; contribs.<br />
include: Peter H<strong>and</strong>ke, Andy Warhol, G. Ligeti, Rol<strong>and</strong> Barthes, C. Levi-<br />
Strauss, J. Kosuth, Sol Lewitt, etc. as follows: N° 1 printemps 1970 (Andy<br />
Warhol «Comment devenir un homosexuel professionnel», OttoHahn,<br />
Peter H<strong>and</strong>ke, Martial Raysse, György Ligeti, David Lamelas, Daniel Buren,<br />
Carl André, Michael Heizer, Piero Manzoni); N° 2 (été 1970) : La Théorie.<br />
(Rol<strong>and</strong> Barthes, Pierre Bourdieu, Yona Friedman, Lucien Goldmann,<br />
Claude Lévi-Strauss, Jean-François Lyotard, André Martinet, J.B. Pontalis,<br />
O. Revault d’Allonnes, Robbe-Grillet, Philippe Sollers, B. Teyssèdre,<br />
Vasarely); N° 3 (automne 1970) : <strong>Art</strong> conceptuel.(Catherine Millet, Robert<br />
Barry, Douglas Huebler, D. Lamelas, Victor Burgin, Lawrence Weiner, A.<br />
Kirili, Mel Bochner, Joseph Kosuth, Marcel Duchamp (with Otto Hahn),<br />
Y-A Bois, Jasper <strong>John</strong>s, Villeglé, E. Copferman, V. Garcia, O. Hahn); N°<br />
4 (hiver 1970-71) : Musique contemporaine (Pierre Boulez, <strong>John</strong> Cage,<br />
Morton Feldman, Philip Glass, Jagodic, Kagel, La Monte Young, Steve Reich,<br />
Sitta, Stockhausen, Pierre Mariétan); N° 5 (printemps 1971): Supports/surfaces<br />
(Devade, Dezeuze, Bioulès, Saytour, Cane, Viallat, Valensi. - Carmelo<br />
Bene, Daniel Buren, Marcelin Pleynet, Philippe Sollers, Lawrence Weiner,<br />
Bernar Venet, Jack Burnham); N° 6 (1972) Cinéma d’avant-garde (Jean-Paul<br />
Fargier, Gérard Leblanc. Jean-Louis Perrier, Sol Lewitt (5 drawings), D. Huebler,<br />
J. Burnham [Marcel Duchamp, la signification du Gr<strong>and</strong> Verre]; N° 7/8<br />
(printemps-été 1972) : L’architecture et l’avant-garde artistique en URSS de<br />
1917 à 1934 (unpublished texts by Ehrenbourg, Tretiakov, Ladovskij, Dokoutchaief,<br />
Bounine & Krouglovoj, Ruchljadev & Krinsky, Berlage, Grosz,<br />
Lurçat, Paul Nizan. Etudes de F. Dal Co, M. Tafuri, V. de Feo, G. Giucci, M.<br />
de Michelis, F. Very, G. Kraiski, V. Quilici, B. Cassetti); N° 9 (automne 1972)<br />
: (Germano Celant , Le livre comme travail artistique”, Gérard Leblanc, le<br />
Groupe d’Etude et Réalisation Musicales, M. Cacciari.)<br />
1111111111111111<br />
[#17608] VILE<br />
Numbers 2-7 (of 7 published). 1974-1977, plus Number 8 (About<br />
Vile), published in 1983, as follows (all in generally good condition,<br />
only no 6 is somewhat dampstained <strong>and</strong> has a stained cover.<br />
--[Number 2]: (Volume 1 no 4) . September 1974. Banana<br />
Productions, San Francisco,CA, 1974. (21,5 x 28 cm), Cover in black<br />
<strong>and</strong> red, rest in black, 48 pages; side-stapled. (Edition of 200 copies).<br />
-- [Number 3]: Vol.3 No.1 (number Three). December 1975: Christmas<br />
Special. (21,5x28 cm). Cover in black <strong>and</strong> red; rest in black, 68 pages;<br />
spine stapled. (edition of 1000).<br />
--[Number 4]: Vol.1 No.2, Vol.2 No.1 (a.k.a.nos 2/3). <strong>Summer</strong> 1976:<br />
Special International Double Issue. (21,5x28cm). Cover in black <strong>and</strong><br />
red,rest in black; 100 + 8 pages; custom bound (edition of 1000).<br />
Inscribed to Michael Gibbs.<br />
--[Number 5]: Vol.3 No. 2. <strong>Summer</strong> 1977. Banana Productions. 98<br />
pages; Number 229 of 1000 copies, h<strong>and</strong>numbered. (21,5x28 cm).<br />
Cover in black <strong>and</strong> red, rest in black.<br />
--[Number 6].“FE-MAIL ART” (AKA vol. 6 no 3). <strong>Summer</strong> 1978.<br />
Church Street, San Francisco. 108 pages. (25x17,5 cm.) Cover in black<br />
<strong>and</strong> pink; cover rather stained, internally clean.<br />
--[Number 7]. Banana Productions 1979. (last issue of the actual<br />
publication), (Winter 1979). STAMP ART Assembling: 24x16 cm.,<br />
original contributions bound (many signed) by a metalic binder,<br />
rubber stamp tipped on front cover. Edition of 300 copies. One copy<br />
<strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V. 41
42 <strong>John</strong> <strong>Benjamins</strong> Antiquariat B.V.<br />
of each book was sent to each contributing<br />
artist (180). Original rubber stamps, collages,<br />
drawings, etc. by 180 contributors.<br />
Somewhat worn <strong>and</strong> dampstained covers,<br />
many leaves discolored by most of the not<br />
indelible inks (pen, tip-felt, rubber stamps,<br />
etc.) used by the artists. The rarest issue of the<br />
set.<br />
-[Number 8]. About VILE:“mail art, news <strong>and</strong><br />
photos from the<br />
eternal network”. 1983.<br />
Vancouver, 106 pages;<br />
Cover in black <strong>and</strong><br />
red, rest in black; (21,5x28 cm). (Includes<br />
some promotional pieces <strong>and</strong> postcards).<br />
EUR 2,000.00<br />
Except forthe first number this is a full run of<br />
“Vile” - Anna Banana <strong>and</strong> William Gaglione’s<br />
notorious San Francisco based Mail <strong>Art</strong> publication.<br />
The contributors include Anna Banana, Monte Cazazza, Paul Cotton,<br />
Ken Friedman, William <strong>John</strong> Gaglione, Klaus Groh, Geoff Hendricks, Davi<br />
Det Hompson, Ray <strong>John</strong>son, Richard Morris, Norman Mustil, Futzie Nutzle,<br />
Genesis P. Orridge & Cosi Fanni Tutti (of<br />
COUM Transmissions <strong>and</strong> Throbbing Gristle),<br />
Mr. Peanut, <strong>Art</strong>uro Schwartz, Daniel Spoerri,<br />
Peter Van Beveren, <strong>John</strong> Armleder, Joseph<br />
Beuys, A.A. Bronson, Felix Partz & Jorge Zontal<br />
(of General Idea), William Burroughs, Achille<br />
Cavellini, Robert Filliou, Urs Luthi, Hermann<br />
Nitsch, Giancarlo Politi, Endre Tot, Edgardo Antonin<br />
Vigo, William the Worm, Rube Goldberg,<br />
Nan Hoover, Bern Porter, Jerry Dreva, Buster<br />
Clevel<strong>and</strong>, <strong>and</strong> many more.<br />
111111111111111<br />
[#12670] VÝTVARNÁ VÝCHOVA. Sborník pro uzité umení,<br />
kreslení a zrakovou výchovu.<br />
Vol. 1-3, vol. 4 nos. 2-3. Prague, 1935-1937/38. Oblong 21,3 x 14,8 cm.<br />
Four issues per volume. First vol. kept in a cloth-over-board box. All<br />
issues original wrappers. Illustrated. EUR 600.00<br />
‘Education Plastique. Revue des <strong>Art</strong>s appliqués, du Dessin et de l’éducation<br />
visuelle.’ Edited by Josef Vydra. Richly illustrated journal about applied arts<br />
<strong>and</strong> art education. With contributions by V.V. Štecch, Fern<strong>and</strong> Léger, Petr<br />
Denk, Karel Langer, Josef Vydra, Rudolf Zinsmeister a.o.<br />
1111111111111<br />
[#6871] WET. The Magazine of Gourmet Bathing end Beyond.<br />
Vol. 1 (no 4) - Vol. 6 (no 4) (also<br />
numbered as Nos. 5-34, <strong>and</strong> probably<br />
no more published after that). Venice,<br />
Cal., Feb./March 1977 - Nov./Dec. 1981.<br />
4to (enlarging to folio from nos. 16-25),<br />
unbound, in the original pictorial<br />
wrappers, numerous illustrations <strong>and</strong><br />
photographs. EUR 3,400.00<br />
A set of 29 issues (only no 17 is lacking)<br />
of this amazing Californian magazine of<br />
which the central topic was WATER <strong>and</strong><br />
the art <strong>and</strong> delights of bathing: amazing<br />
colourful covers, abundant photographic illustrations <strong>and</strong> numerous advertisements<br />
made of this periodical a unique trendy/glossy/erotic publication:<br />
“Gourmet Bathing is a means for enjoying the world...It’s a parody of all<br />
other enthusiasms...Then again, Gourmet Bathing is the willingness to be<br />
silly.” (Charlie Haas). Always around the central topic ‘gourmet bathing’ the<br />
content is of a highly varied nature, with features <strong>and</strong> contributions on <strong>and</strong><br />
by: Mud Mama. Interview with Rabyn Blake; Athena Tacha (The process<br />
of Aging & several other contribs.);<br />
Jack Nicholson; Jane Gaskill (Bathroom<br />
Bondage); Bob & Bob; Henry Miller (On<br />
turning eighty); Priscilala Presley; Mick<br />
Jagger;Anthony Friedkin; Brian Hagiwara;<br />
Cheryl Lester; Linda Burnham; Timothy<br />
Leary; C<strong>and</strong>ice Berger; Leonard Cohen;<br />
Iggy Pop; William Burroughs; Captain<br />
Beefheart; Brian Eno; Dennis Cooper<br />
(<strong>John</strong> Kennedy jr. Poems); David Hockney;<br />
Elvis Costello, etc.etc.; fine set of<br />
this highly desirable magazine, of which<br />
without doubt not many survived.<br />
111111111111111 11111111111111<br />
[#15515] ZODIAC. A review of contemporary architecture.<br />
Vol. 1-22 (all publ. of the first series).<br />
Milano, 1957-1970.Bound<br />
(ex-library) with covers preserved; (<br />
some small library stamps on some<br />
covers <strong>and</strong> other sminor damges).<br />
Number 8 (America-number) in<br />
nice condition, original wrappers,<br />
unbound. (no 9, in original<br />
wrappers is slightly worn, no 10, in<br />
original wrappers, is repaired with<br />
tape). EUR 2,000.00<br />
Richly illustrated magazine devoted to<br />
contemporary architecture, founded<br />
by Adriano Olivetti, edited by Bruno Alfieri, later by Carlo Santini, Renzo<br />
Zorzi, Guido Canella. <strong>Art</strong>icles by prominent architects <strong>and</strong> art historians<br />
(o.a.): Aldo Rossi, Claudio Dini, James Stirling, Roberto Gabetti, Morris<br />
Adjmi, Manfredo Tafuri, Gutstav Peichl. First series (publ. till vol. 22, 1973)<br />
with texts in Italian, French <strong>and</strong> English; new series in English edition.