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2In FY10 and FY11, the Strathmore campus earned itsreputation as the “creative capital” of MontgomeryCounty and beyond. It <strong>to</strong>ok its place as the largest, mostvital and visited center of cultural citizenship and creativecapacity building beyond the Beltway, fast becoming oneof our community’s favorite gathering places.Strathmore’s comprehensive programs and servicescontinued <strong>to</strong> evolve with new jazz, dance andinternational programming designed <strong>to</strong> have anunparalleled impact on the surrounding community.Fostering new bonds of civic connection and institutionalloyalty, Strathmore has finally become the culturalshowplace, built by and for our citizens of all ages andcultures, just as envisioned in 1996.In the Music Center, seasons six and seven broke ticke<strong>to</strong>ffice records despite the challenges of an erraticeconomy. With commissioning of new works, daringthematic programming and an increased number of eventsin the Concert Hall, attendance and recognition grew <strong>to</strong>levels far beyond our expectations. In FY11, Strathmoretripled the number of premieres and commissionedworks, and hosted more than 154 performances, testingthe upper limits of our design capacity. Friday NightEclectic, made possible by a remarkable transformationof the his<strong>to</strong>ric Mansion in<strong>to</strong> a nightclub with bands, barand cutting edge artists, redefined our audience andexpanded our mission.After a three month sabbatical occasioned by my 60thbirthday, I returned with a hunger and hope <strong>to</strong> explorethe future of Strathmore beyond the boundaries of<strong>to</strong>day’s landscape. With the concurrence of the Board ofDirec<strong>to</strong>rs, I divided my job of CEO/President and chosemy longtime associate Monica Jeffries Hazangeles <strong>to</strong>take on the day-<strong>to</strong>-day administrative management ofthe organization as president. Meanwhile, I retained thetitle of CEO <strong>to</strong> work with the Board on a long-term visionpreparing Strathmore for 2020 and beyond. The formaltransition <strong>to</strong>ok place November 2010 and proved <strong>to</strong> bethe right thing <strong>to</strong> do, at the right time.As you know, we are not alone in our building. It isimportant <strong>to</strong> note that all of our Partners, who sharethe Center for administrative offices, classrooms andperformances, also hit their marks as their programsthrived. It was as if, after the initial settling-in period,everyone figured out their best offerings and hit asustainable pace and <strong>to</strong>ne. The collaborative opportunitiesof having all these talents and teachers in the same spaceis also coming true, with each program finding in theothers a richness of experience no one could offer alone.“Strathmore in North Bethesda, whose1,976-seat Music Center is the best concerthall, acoustically and aesthetically, in theregion—including the Kennedy Center.”Anne Midgette, The Washing<strong>to</strong>n Post(January <strong>2011</strong>)In one year, Strathmore’s attendance rose from 117,000 <strong>to</strong>over 145,000 patrons, and we reached a new high of over$3 million in ticket sales. Even our new Artistic InitiativesFund campaign, launched in FY10 <strong>to</strong> support new andcutting edge programming, exceeded its goal of $2million dollars.As you will see in this report, we are committed <strong>to</strong> steadyand sustained growth of audiences, students and visi<strong>to</strong>rsin every program.CEO, StrathmoreOn the cover: Mambo Sauce performs on the new Friday Night Eclectic series. Pho<strong>to</strong> by Jim Saah.Kirsten Beckerman

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