Contract 2007-2011 - American Guild of Musical Artists

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Rate;(2) Rehearsals after evening performance – hourly double Overtime(3) Rehearsal during the half (1/2) hour period before curtain –Penalty Rate, computed on an hourly basis, unless rehearsal is an Emergency Rehearsal,in which event Artists will be paid at the applicable Emergency Rehearsal rate set forthin Section 15 (e) of this Agreement.(i) If the Artist is dismissed from rehearsal and is recalled for furtherrehearsal within one (1) hour of the time of such dismissal, then such intervening timebetween dismissal and recall shall be counted as if the Artist had rehearsed.(j) Compensation shall be paid to the Artist for all rehearsals scheduled,whether or not all of the scheduled time is utilized. If a rehearsal runs beyond thescheduled termination time, the Artist will be compensated for such additional rehearsalat the appropriate rate.(k) (1) The Employer agrees that if during a Performance Week anydaylight trip exceeds seven (7) hours in length from time of departure from hotel to timeof arrival, the free rehearsal hours granted the Employer during such Performance Weekare to be reduced by the number of hours any daylight trip exceeds seven (7) hours.(2) The Employer further agrees that if any daylight trip exceedsseven (7) hours in length from time of departure from hotel to time of arrival, then onthat day the Employer will not call any rehearsals.(l) AGMA agrees, upon application by the Employer, to grant saidEmployer a waiver of the rehearsal provisions as set forth in sub-paragraph 23 (h) (3) ofthe Agreement provided the Employer submits adequate proof to AGMA that arehearsal was solely called due to an emergency, and provided the Artists so rehearsedare those who are required to be rehearsed because of the emergency. If such waiver isgranted, the Employer agrees to compensate the Artist at one-half (1/2) of the hourlyPenalty Rate for each such half (1/2) hour of rehearsal or fraction thereof.(m) (1) Dancers shall not be called to an Emergency Rehearsal afterthe half-hour (1/2) call or during the performances if the Employer is aware of theemergency prior to the one and three-quarters (1 3/4) hour Off Span prior to the half(1/2) hour call. In the event that such an emergency arises before or during the one andthree-quarters (1 3/4) hour off-span, the Dancers required for the Emergency Rehearsalmust be notified of it by no later than the half-hour (1/2) call. The rehearsal must beannounced and posted on the call board beside the sign-in sheet. It is agreed that thisparagraph can be implemented only if a Dancer notified the Employer of an injury orillness sufficiently in advance to permit compliance.(2) Emergency onstage calls for purposes such as blocking andspacing, of up to five (5) minutes in duration (measured from when all required castmembers are present), shall not require additional compensation and shall not bedeemed rehearsals within the meaning of Article 24.4847-3313-3571.10 22
(n)6:30 P.M.On a day prior to departure on tour all rehearsals shall terminate by(o) Those Dancers who will be required to be in complete costume andmake-up for a Dress Rehearsal must be notified at least four days in advance. Forrehearsals where costumes are required for lighting checks, a reasonable number ofDancers per type of costume need be available and those selected shall be notified ofthat fact four (4) days in advance.(p) In the event of Dress Rehearsals during a Performance Week, theEmployer agrees to allow fifteen (15) minutes of rehearsal time for dressing, and anadditional fifteen (15) minutes if make-up is required for the rehearsal. At theconclusion of the rehearsal, a total of fifteen (15) minutes shall be allowed forundressing and removal of make-up; provided, that (i) if full character or body make-upmust be removed, a total of thirty (30) minutes shall be allowed, and (ii) if anunscheduled fitting is involved, the Artist shall be credited with the time spentregardless of length.25.ALTERNATES AND UNDERSTUDIES(a) Alternate. Any Dancer who has performed an assigned role with ABT,within the last two (2) years. Alternates shall not be credited for a performance, unlessassigned to cover the performance by the Rehearsal Department.(b) Understudy. Any Dancer, not in the first cast, who has not performedan assigned role, with ABT, within the last two (2) years. Understudies are required tocover for each performance of a role they are understudying.(c) Cover/Assigned Alternate. Any Dancer who has performed asassigned role, with ABT, within the last two (2) years, and who is required to remain inthe theater while another Dancer performs that role.(d) An alternate or understudy who, in accordance with (a), (b) or (c)above, is in the theater covering a performance shall receive credit for such service ashaving participated in the performance.(e) All Artists shall be designated as either an alternate or understudy onthe basic list of casting.26. REHEARSAL DURING REHEARSAL WEEKS (for Artists on weekly orguaranteed employment basis)(a)Rehearsal hours, Rehearsal Compensation and Overtime(1) During Rehearsal Weeks the Artist may be called upon torehearse not more than thirty (30) hours per week and not more than six (6) hours inany one (1) day. Rehearsal time shall be computed on a one-half (1/2) hour basis. If theArtist is dismissed from rehearsal, and is called for further rehearsal within one (1) hourof the time of such dismissal, then such intervening time between dismissal and recallshall be counted as if the Artist had rehearsed. If the Artist shall be required to rehearse4847-3313-3571.10 23
Page 3 and 4: (c) Artists shall be offered employ
Page 5 and 6: (e) The Employer agrees to discuss
Page 7 and 8: (2) During Performance Weeks in the
Page 9 and 10: (o) Penalty Rate - The term “Pena
Page 11 and 12: casting.(3) The Employer shall prov
Page 13 and 14: (3) Extraordinary Risk - The term
Page 15 and 16: compensated at (1/2) of the hourly
Page 17 and 18: which includes per diem, foreign pe
Page 19 and 20: hour period, he shall be paid at th
Page 21: (d) If the Artist shall be required
Page 25 and 26: egin three (3) weeks prior to the f
Page 27 and 28: 29. POSTING OF REHEARSAL PERFORMANC
Page 29 and 30: (m) Each Dancer performing a Princi
Page 31 and 32: one-half (1/2) hour after all curta
Page 33 and 34: shall be compensated for such trave
Page 35 and 36: (19) The Employer will file with AG
Page 37 and 38: the first contract plus one (1) pai
Page 39 and 40: Each Artist on a contractual guaran
Page 41 and 42: (b) Upon request of AGMA, the Emplo
Page 43 and 44: (j) It is understood that the Emplo
Page 45 and 46: (c) Study Films. The Employer may c
Page 47 and 48: “Any controversy or claim arising
Page 49 and 50: given), and such photography time,
Page 51 and 52: AMERICAN GUILD OF MUSICAL ARTISTSBy
Page 53 and 54: AGMA and the EMPLOYER.4847-3313-357
Page 55 and 56: If the foregoing constitutes our un
Page 57 and 58: TABLE OF CONTENTS(continued)Page28.

Contract 2007-2011 - American Guild of Musical Artists

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