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CAM Raleigh in Raleigh, NC, Offers 3rdInstallment in Emerging Artists SeriesThe CAM Raleigh in Raleigh, NC, willpresent, ID:ENTITY SELF : PERCEPTION+ REALITY, a group exhibition of cuttingedgeinteractive art works by artists andfaculty at North Carolina State University,on view in the Independent Weekly Gallery,from Nov. 18 through Feb. 13, 2012.A reception will be held on Nov. 18, from6-9pm.This exhibition is the third installmentof the Emerging Artists Series featuring agroup exhibition by the following artists,faculty, and students affiliated with theNorth Carolina State University Collegeof Design, Department of Art+Design, andthe Communication, Rhetoric, and DigitalMedia Ph.D. program in the College of Humanitiesand Social Sciences: Kevin Brock,Lee Cherry, Patrick FitzGerald, McArthurFreeman, II, David Gruber, David Millsaps,Cecilia Mouat, Carol Fountain Nix, DavidM Rieder, and Marc Russo.ID:ENTITY is a group exhibition whichexplores the complex dichotomy betweenthe public and private versions of “self.”Radical changes are emerging at the technical,cultural, and aesthetic intersectionsof contemporary life due to the speed andprevalence of digital media. ID:ENTITYinvestigates the vicissitudes which occuracross the boundaries of self and world.“I am thrilled to support innovativethinking about art, technology, and design.Our new home for contemporary art anddesign, CAM Raleigh, aligns with both theCollege of Design’s curriculum and theambitions of the many artists and designersthat we showcase,” said North CarolinaState’s College of Design Dean Marvin J.Malecha, FAIA.Artists featured in ID:ENTITY use a widerange of cutting-edge software technologies(including Microsoft’s Kinect) to createdynamic, interactive imagery, inspiringenvironments, and to engage viewers withsensory experiences. Interactive, thematicvideos will be projected on the walls of thegallery, creating internal and external views.Visitors will experience large-scale interactiveinstallations, short experimental filmsand digital sculpture. The exhibition bringsto the center the ways in which identity isaugmented, multiplied, and mashed-up bydigital technologies. Most of the projectsrequire user interaction, and many areprojected on large surfaces, some angled,others textured.Kate Shafer, Exhibitions Managerat CAM Raleigh, says, “The artists anddesigners in this exhibition are pioneers innew media arts. They repurpose familiartechnologies to engage the visitor in unexpectedways. CAM Raleigh seeks to presentthe unexpected and to deliver on that mission-we are an ever changing experiencelike no museum.”One featured work in ID:ENTITY thatexemplifies the experimental dynamic natureof the exhibition is a four-screen installationby Marc Russo depicting The FourHorsemen of the Apocalypse. In Russo’sAdam Cave Fine Art in Raleigh, NC,will present the exhibit, Birds, From Realto Surreal, featuring works by Byron Ginand Tisha Weddington, on view from Nov.3 - 30, 2011.re-imagining, the first horseman, Silence,prevents communication and censorsthoughts and expression. Silence resultsin the second sign: Decay. The next sign isConsumption, relating to the mass consumptionof our resources, which ultimatelyleads to our Death.Making its museum premiere is DavidGruber and David Rieder’s Tunnel Vision, acybertextual interpretation of Mark Strand’spoem, The Tunnel. Strand’s poem dramatizesthe fear and loathing that we feel aswe confront a sense of the outsider withinus. Gruber and Rieder’s interpretation ofStrand’s poem uses a webcam with motiontrackingsoftware to extend and allegorizethe connection that a user feels with thetechnologized and externalized projectionof the self on the screen – a self that is inextricablylinked to the words from Strand’spoem. The work is a contribution to a typeof experimental writing known as cybertext.Strand’s poem and a scholarly essay abouttheir work will be displayed alongside thisinteractive work.A number of the ID:ENTITY projectsare based on open-source hacks of theMicrosoft Kinect. Due to the ways in whichthe Kinect can identify human movementsin a three-dimensional space, these workswill dramatize the extent to which the assumedboundaries dividing self and worldare transgressed by digital technologies.Several new works by Patrick FitzGeraldand Lee Cherry demonstrate the opportunitiesfor experimentation introduced by theKinect.One more work making its museumdebut is David Rieder and Kevin Brock’sFloating Signifiers, a Kinect-based explorationof embodied textuality. Rieder andBrock’s project uses the sensor’s depthtrackingcapabilities to allow users toengage with a dynamic, three-dimensionaltextual space on a projected screen.The exhibition is generously supportedby North Carolina State University’s Collegeof Design and NC State’s Art+DesignProgram. Additional supported is providedby the Communication, Rhetoric, and DigitalMedia Ph.D. program in the College ofHumanities and Social Sciences.CAM Raleigh is the only museum in theregion with a dedicated gallery for emergingartists and designers. Through exhibitingemerging artists whose work is still inprogress and fresh from the studio, CAMRaleigh celebrates the diversity of artisticexpression and places the artist at the centerof the community. The museum supportsearly career contemporary artists in anatmosphere where they are encouragedto foster a cross-fertilization of ideas anddynamic interaction with visitors. Visitorsfrom all walks of life will often have achance to meet and exchange ideas with theartists celebrated in this series.For further information check our NCInstitutional Gallery listings, call the centerat 919/513-0946 or visit (http://camraleigh.org/).Adam Cave Fine Art in Raleigh,NC, Features Works by ByronGin and Tisha WeddingtonWork by Tisha WeddingtonAdam Cave Fine Art transforms itselfinto a virtual aviary with an exhibit of newworks by Byron Gin and Tisha Weddington.Although from very different backgrounds,Page 40 - Carolina Arts, November 2011both artists have become fascinated withbird imagery in recent years. The 16 workson view showcase this imagery along withother subjects, captured in two very differentartistic styles. While Gin combinespainterly realism with pure abstraction,Weddington creates works of pure surrealfantasy.Gin calls Chicago, IL, home althoughhe grew up in Southern California wherehe studied art at Cal Poly in San LuisObispo. Birds and various random toolsand toys populate his canvases but they areoften small focal points in otherwise largefields of abstract color. The paintings havea brightness of color and strong sense ofdesign that make them an absolute joy tolook at. The birds themselves are all basedcontinued above on next column to the rightTable of Contentson Byron’s own photographs, taken whilebirdwatching around the country.Weddington is a well-known NorthCarolina artist and a graduate of the Schoolof the Art Institute of Chicago. Interests inJapanese art, Native American mythology,old carnivals, tent shows, and the circus allfeature strongly in her work. Weddingtonpaints intuitively, with little planning, oftencombining strangely glamorous womenwith anthropomorphic animals and birds.Figures often have too many arms or legsgiving the sense that we are seeing multiplemoments in time simultaneously.For further information check our NCCommercial Gallery listings, call the galleryat 919/838-6692 or visit (www.adamcavefineart.com).UNC-Chapel Hill in Chapel Hill,NC, Offers Works by (Luis) FrancoThe NC Museum of Natural Sciencesin Raleigh, NC, will present the exhibit,Aerial Inspirations: Batiks on Silk by MaryEdna Fraser, on view in the Museum’sNature Art Gallery, from Nov. 4 - 27, 2011.A reception will be held on Nov. 4, from6:30-8:30pm.The exhibit features more than 20 silkbatiks by South Carolina textile artist MaryEdna Fraser. This exhibit is a complementto the Museum’s Special Exhibit, OurExpanding Oceans: The Blending of Artand Science, a collaboration between Fraserand Duke scientist, Dr. Orrin Pilkey. OurExpanding Oceans closes Sunday, Nov. 6,making the opening weekend of Fraser’sgallery exhibit a great opportunity to viewboth.Working from an aerial perspective,Fraser transcribes the landscape onto silkpanels using dyes and the ancient art formbatik. She uses maps, charts, satelliteimagery and aerial photographs to identifynatural features of visual interest. Anaccomplished photographer, Fraser oftentakes her own aerial photographs from hergrandfather’s vintage 1946 Ercoupe planewith her brother as pilot.Once the design is imagined she choosescolors that are an emotional rather thana realistic response to the subject. Hercompositions are influenced by Japanesewood block prints from the Edo period,impressionist and modern art, and her ownmemories and intuition. Batik is a veryslow process that allows Fraser the time to“meditate on thoughts feeding into the artwork.”Her goal is to evoke a sense of placethat differentiates locations.Fraser has won numerous honors andgrants and her work has been exhibited andcommissioned worldwide. She has beenawarded several high profile commissionsfor public spaces where she created largescaleworks including the National Aeronauticsand Space Administration (NASA).She has exhibited continuously since themid-80s here and abroad. In 1994, she becamethe first woman to be honored with asolo exhibition at the Smithsonian NationalAir and Space Museum. Duke University,Emory University and the National ScienceFoundation have also exhibited her work.The North Carolina Museum of NaturalSciences documents and interprets naturalhistory of the state of North Carolinathrough exhibits, research, collections,publications and educational programming.UNC-Chapel Hill’s Sonja HaynesStone Center for Black Culture and Historywill present the exhibit, FRANCOGallery Exhibition, featuring works by(Luis) Franco, on view in the Robert andSallie Brown Gallery and Museum inChapel Hill, NC, from Nov. 11 throughJan. 20, 2012. A reception will be held onNov. 11, starting at 7pm.Franco’s work is an exciting and eclecticmix of pop art and pop art icons reconfiguredto communicate subtle and overtpolitical themes.While preferring to be called simplyFranco, his quest to synthesize art and activismprovides him with exciting new possibilities.Through his illustrations, graphicart, and paintings, Franco produces what hecalls visual activism. His visual activismembodies a strong urge to “create andsustain justice and open a space for truth toprevail”. By doing so, he states, the charactersand images he creates grab more thanyour attention; they spark consciousness.Franco’s work, described as both accessibleand thought-provoking, makesstatements about the triumphs and continuedstruggles of those who have fought andwho continue to fight for social equality andjustice.Examples of Franco’s bold and engagingaesthetic can be seen, most recently, in hispop art examining culture through the lensof popular Latino and Asian food products.Additionally, music is always a strong influencein his work, whether hip-hop, funk orrare groove.Franco received his Bachelor of Arts inArt at North Carolina Central Universitywith a concentration in Visual Communicationsand a Certificate in Multimedia at TheSchool of Communication Arts. Francolives and creates in Durham, NC.While some may claim that life imitatesart, Franco is dedicated to the notion that artcan change life.For further information check our NC InstitutionalGallery listings, call the Museumat 919/962-9001 or visit (www.unc.edu/depts/stonecenter).NC Museum of Natural Sciences in Raleigh,NC, Offers Works by Mary Edna FraserWork by Mary Edna FraserFor more information about the NatureArt Gallery, call 919-733-7450, ext. 369 orvisit (www.naturalsciences.org/store/nature_gallery.html).
SC Institutional GalleriesAllendaleSalkehatchie Arts Center, 939 N. Main St.,Allendale. Ongoing - Featuring a retail storeoffering works by artists from the Salkehatchieregion including Allendale, Bamberg, Barnwell,Colleton, and Hampton Counties. Hours: Tue.-Sat., 10am-5pm.Contact: 803/584-6084 or at(www.salkehatchie-arts.com).Work by Judy AdamickAikenAiken Center for the Arts, 122 Laurens St., SW,Aiken. Aiken Artist Guild Gallery, Nov. 1 - 30 -"Americana That Tugs at Your Heart". A receptionwill be held on Nov. 17, from 6-8pm. Artists AnneRauton Smith and Judy Adamick have beenfriends for 23 years and began exhibiting theirwork together in 2010. Hours: Tue.-Fri., 9:30am-5:30pm. Contact: 803/641-9094 or at(www.aikencenterforthearts.org).ALTERNATE ART SPACES - AikenHitchcock Health Center, 690 MedicalPark Drive, Aiken. Nov. 1 - 30 - Featuring anexhibit of works by North Augusta artist MarciaBergtholdt. The artist’s training has beenfocused on colorists theories of Henry Henscheback to Matisse. Her work in oil will represent avariety of subject. The exhibit is sponsored bythe Aiken Artist Guild. Hours: Mon.-Fri., 5am-9pm; Sat., 8am-3pm; & Sun., 1-6pm. Contact:803/648-8344 or visit the Aiken Artist Guild at(www.aikenartistguild.org).AndersonAnderson Arts Center, located in the ArtsWarehouse, 110 Federal Street, downtownAnderson. Nov. 18 - Dec. 30 - "ContemporaryChristmas Exhibition," featuring artworks byJane Doyle, Philip Gott, Diana Gurri, PatriciaKilburg, Barbara Stitt and Carole Tinsley.Hours: Tue.-Fri., 9:30am-5:30pm. Contact:864/222-2787 or at(www.andersonartscenter.org).Bay3 Artisan Gallery, located in the ArtsWarehouse, 110 Federal St., Anderson. Ongoing- Featuring fine art paintings, jewelery,pottery and photography by Jos Acaba, LynneBurke, Marion Carroll, Nathan & Amy M. KuhlCox, Liz Smith-Cox, John Davis, Jamie Davis,Ann Heard, Ruth Hopkins, Kate Krause, BrianMacCormack, Rosemary Moore, Johnny Nutt,Nancy Perry, Mary Lynn Pond, Diann Simms,Chris Troy, and Armi Tuorila. Co-sponsoredby the Anderson Arts Center. Hours: Tue.-Fri., noon-5pm, & Sat., 10am- 1pm. Contact:864/716-3838 or at(www.andersonartscenter.org).Beaufort AreaWork by Dorothy MontgomeryGallery @ ARTworks, home of the ArtsCouncil of Beaufort County, 2127 Boundary St.,near K-Mart, in Beaufort Town Center, Beaufort.Nov. 4 - Dec. 31 - "The Story Quilts of DorothyMontgomery". A reception will be held on Nov.4, from 6-8pm. Montgomery shares her collectionof story quilts, her handiwork that tellsmany important histories so well: The Fox andthe Crow; How Ragtime Left the Delta; Allelujahand how she got her name; the Quilt begunwith Found Objects; Gullah baptisms and “sperritualpillows”; and many more of the colorfulfigures in Montgomery’s life and knowledge.She is adept at pulling the threads of textilearts and symbolism through hearts and time.Ongoing - Featuring the work and creativeprocesses of new and emerging artists. Hours:Mon.-Fri., 10am-5pm. Contact: 843-379-2787or at(www.beaufortcountyarts.com).New LocationBeaufort Art Association Gallery,913 BayStreet, across the street from the Clock Tower,Beaufort. Through Nov. 12 - "Time to Paint,"featuring an exhibit of watercolors by AudreyMontgomery. Ongoing - New works by morethan 90 exhibiting members of the Beaufort ArtAssociation Gallery - exhibits and featured artistschange every six weeks. In addition to framedpaintings in a variety of media, the gallery offersprints, photographs, unframed matted originals,jewelry, sculpture, ceramics and greeting cards.Hours: Mon.-Fri.,10 am-5pm. Contact: 843/521-4444 or at(www.beaufortartassociation.com).Work by Luther VannYork W. Bailey Museum, Penn Center, St.Helena Island. Nov. 11 - Dec. 31 - "Songs ofMy People," featuring an exhibit of works byrenowned artist Luther Vann of Savannah, GA.A reception will be held on Nov. 11, starting at5:30pm. (admission). A student of the masters ofthe Harlem Renaissance, Vann’s artistic expressivenessencompasses virtually every visualmedium—painting, photography, sculpture, anddigital creations. Hours: Mon.-Sat., 11am-4pm.Contact: 843/838-2432 or at(www.penncenter.com).ALTERNATE ART SPACES - BeaufortPenn Center, St. Helena Island. Nov. 10 - 12- "29th Annual Heritage Days Celebration".Art by Lowcountry African American Artists willalso be on sale in the Frissell Community Houseover the weekend. Traditional Gullah artisanswill also demonstrate crafts, such as net making,boat building, indigo dyeing, and basket making,that link the Gullah people to their West Africanancestry. Hours: call ahead. Contact: 843/838-2432 or at(www.penncenter.com).BeltonBelton Center for the Arts, 306 North MainStreet, Belton. Through Nov. 14 - "13th AnnualStandpipe Juried Art Show". Hours: Wed.-Fri.,10am-5:30pm & Sat. 10am-2pm. Contact:864/338-8556 or at(www.beltonsc.com).BlufftonSociety of Bluffton Artists Gallery/LearningCenter, 8 Church Street, corner of Calhoun andChurch Street, Bluffton. Through Nov. 5 - "FreshPaint," featuring an exhibit of artworks by MurraySease. These oil paintings are bright and livelyportraits, landscapes, and scenes of lowcountrylife. Nov. 7 - Dec. 17 - "Treasures of El Yunque:Puerto Rico’s Rain Forest," featuring watercolorsby Barbara Z. Pecce. A reception will be held onNov. 13, from 3-5pm. Ongoing - Featuring worksin a variety of mediums by over 80 area artists,with all work moderately priced. Changing showsevery six weeks. Hours: Mon. 11am-3pm & Tue.-Sat., 10am-5pm. Contact: 843/757-6586 .CamdenBassett Gallery, Fine Arts Center of KershawCounty, 810 Lyttleton St., Camden. Nov. 4 - Dec.2 - "The Equine Triumvirate". Hours: Mon.-Fri.,noon-6pm. Contact: Kristin Cobb at 803/425-7676, ext. 306 or at(www.fineartscenter.org).CharlestonThroughout historic downtown Charleston.Nov. 2, 4-5, 2011 - "Thirteenth CharlestonFine Art Annual," Charleston’s premier fine artweekend, hosted by the Charleston Fine ArtDealers’ Association (CFADA). The fine art eventfeatures works from over one hundred nationallyrenowned artists, including paintings, sculptures,glass, mixed media, photography and jewelry.The highlights of the fine art weekend are artopenings at CFADA member galleries, pleinair painting, reception and silent auction andlectures. Proceeds will benefit Charleston CountyHigh Schools’ fine art programs. For more informationon CFADA, please visit (www.cfada.com).Double Tree Guest Suites, 181 Church Street,Charleston. Nov. 5, at 7:15pm - "6th CharlestonArt Auction," presenting over one hundred importantpaintings, sculpture and vintage prints byliving and deceased artists who are generally associatedwith the South. An illustrated catalogueis available for $25.00 and the entire selection oflots can be viewed online at the auction websiteat (www.charlestonartauction.com). All works willbe available for preview at the hotel from 10amto 7pm, Saturday, Nov. 5, 2011. Collectors whoare unable to attend the sale in person shouldcontact Charleston Art Auction to make arrangementsfor absentee and telephone bidding priorto 5pm on Friday, Nov. 4, 2011. Arrangementsto attend may be made at 843/785-2318 or843/722-2172 or through the website at(www.charlestonartauction.com).Avery Research Center for African Historyand Culture, at the College of Charleston, 125Bull St., Charleston. Denmark Vesey ConferenceRoom, Onging - "KABOH: A Legacy ofTwelve." Charleston Quilter Dorothy Montgomerymade "KABOH" in honor of the "Priscilla" story.The quilt was in the possession of Dr. JosephOpala who donated it to the Avery Research Centerin July, 2008. Corridor (2nd Floor), Ongoing- "Esau Jenkins: A Retrospective View of the Manand His Times" This exhibition was developedin 1991 by the Avery Institute. After its display inCharleston it traveled throughout the state of SCunder the auspices of the State Museum TravelingExhibition Program. Consisting of (15) panelsmeasuring 24" x 36", the exhibit chronicles themyriad of activities Mr. Jenkins was intimatelyinvolved in. Additionally, it highlights his leadershipskills as a conscious and compassionatecommunity activist, organizer, entrepreneur andCivil Rights leader. Hours: Mon.-Fri., 10am-5-pm & Sat., noon-5pm. Admission: by donation.Contact: 843/953-7609 or visit(www.cofc.edu/avery).Charleston Artist Guild Gallery, 160 EastBay St., Charleston. Nov. 4 - 30 - "A Tale ofTwo Cities," featuring works in oil by PatriciaHuff. Come and share her visual interpretationsthrough oil medium and see with her eyes theplay of light on buildings and reflected in waterusing the palette knife. Ongoing - Featuringan exhibit of works by over 73 plus members ofCAG who display a wealth of talent in differentmedia including, oils, acrylics, pastels, watercolors,photography, printmaking & sculpture.The Gallery is also home for the CAG office.Hours: Mon.-Sat., 11am-6pm. Contact:843/722-2454 or at(www.charlestonartistguild.com).City Gallery at Waterfront Park, 34 PrioleauStreet, Charleston. Upper & Lower LevelGalleries, Nov. 5 - Dec. 31 - "SC WatermediaSociety's 34th Annual Exhibition". A reception willbe held on Nov. 5, from 5:30-7:30pm. The exhibitfeatures original paintings from 62 award winningartists from across the state, consisting of watercolor,acrylic, colored pencil and any water-basedmedia.This year’s artwork will be curated by apanel at the City Gallery, and then 30 artists willwin awards, which will be judged by Florida artistMary Alice Braukman. Hours: Tue.-Fri., 10am-6-pm and Sat. & Sun., noon-5pm during exhibits.Contact: Erin Glaze at 843/958-6484 or(http://citygalleryatwaterfrontpark.com/).Blessed Are They That Mourn for They Shall BeComforted, ca. 1988, by Virginia Fouché Bolton(American, 1929 – 2004), Oil on canvas, 43 x37 inches. Gift of the artist in memory of herhusband, Donald Gail Bolton “who knew that Iwas an artist before I did and encouraged me todo my best”Gibbes Museum of Art, 135 Meeting Street,Charleston. Main Gallery, Through Jan. 8, 2012- "Breaking Down Barriers - 300 Years of Womenin Art". Beginning with Henrietta Johnston, thefirst female professional artist in America, andcontinuing to the present, Breaking down Barriersexamines the challenges faced by women artistsTable of Contentsover the past 300 years. Drawn from the museum’spermanent collection, the exhibition highlightsa number of extraordinary women workingin a variety of media and artistic styles. RotundaGalleries, Through Jan. 8, 2012 - "CameraWorks - Masters in Photography". This exhibitionfeatures twentieth-century, masters of photographyselected from the Gibbes permanentcollection and local private collections includingworks by Alfred Stieglitz, Margaret Bourke White,Dorothea Lang, Alfred Eisenstaedt, Berenice Abbott,and many more. First, Second and ThirdFloor Galleries, Ongoing - "The CharlestonStory". Drawn from the museum’s permanentcollection, this exhibition highlights significantpeople, places, and periods from Charleston’sbeginning as a British colony, through the AmericanRevolution, the later ravages of the Civil War,and culminating today as a culturally diverse anddynamic community. Ongoing - "Hands On!"This exhibit features works of art selected fromthe Gibbes Museum of Art’s touch collection.Museum Shop - Now offering the inventory ofthe Tradd Street Press, reproductions of worksby Elizabeth O'Neill Verner amoung other exhibitrelated art objects. Hours: Tue.-Sat., 10am-5pm& Sun., 1-5pm; closed Mon. Admission: Yes.Contact: 843/722-2706 or at(www.gibbesmuseum.org).Halsey Institute of Contemporary Art, TheMarion and Wayland H. Cato Jr. Center forthe Arts, College of Charleston School of theArts,161 Calhoun St., Charleston. ThroughDec. 9 - "Hamid Rahmanian – Multiverse," and"Tanja Softić – Migrant Universe". The exhibitsfeatures works by two artists, working throughdifferent media, presenting visualizations of theirexperience as immigrants. The "Multiverse"exhibition is an excerpt from the graphic novel"The Magnificent Book of M". An allegorical tale,the book intertwines reality, dream and fantasy topresent to the reader a dissection of what it feelslike to be an immigrant. The "Migrant Universe"series acts as a visual poem about identity andthe worldview of an immigrant. Tanja Softić’sprints, drawings, and paintings combine imagesof natural and man-made structures with drawingsbased on appropriated visual material: medicaland botanical illustrations, maps and charts,manuscript illuminations, and comic art. Her workaddresses concepts of cultural hybridity, chaos,and memory. Hours: Mon.-Sat., 11am-4pm. Contact:Mark Sloan at 843/953-4422 or at(www.halsey.cofc.edu).Karpeles Manuscript Museum, 68 SpringStreet, corner of Spring & Coming Streets,Charleston, in the former St. James MethodistChurch, founded in 1797. Ongoing - Featuringhistorically important documents from ourpermanent Charleston collection. Recently addedto the Permanent Collection - a special andunique exhibit of Egyptian Stone Carvings datingfrom 1492 BC. Free parking and free admission.Hours: Tue.-Sat., 11am-4pm. Closed on holidays.Contact: 843/853-4651.Redux Contemporary Art Center, featuringRedux Studios, 136 St. Philip Street, Charleston.Through Nov. 26 - "Picturesque EvacuationPloy," featuring a large-scale site-specific installationby visiting artist Liz Miller. Miller is knownfor her mixed media drawings and large-scaleinstallations. Her work has been featured in soloand group exhibitions throughout the UnitedStates and abroad. Hours: Tue.-Sat., noon-5pm.Contact: 843/722-0697 or at(www.reduxstudios.org).The Charleston Museum, 360 Meeting Street,Charleston. Founded in 1773, is America’sfirst museum. Ongoing - Featuring the mostextensive collection of South Carolina culturaland scientific collections in the nation, it alsoowns two National Historic Landmark houses,the Heyward-Washington House (1772) andthe Joseph Manigault House (1803), as well asthe Dill Sanctuary, a 580-acre wildlife preserve.Admission: Yes. Hours: Mon.-Sat., 9am-5pm &Sun., 1-5pm. Contact: 843/722-2996 or at(www.charlestonmuseum.org).ALTERNATE ART SPACES - CharlestonAshley River Tower, Public area at MedicalUniversity of South Carolina, Charleston.Ongoing - "Contemporary Carolina Collection@ Ashley River Tower," featuring the largestcollection of original, contemporary SouthCarolina art on permanent display, including885 works by 53 talented artists, sculptorsand photographers in South Carolina. Artistsincluded are: Lucille Akinjobe, Jack Alterman,Thomas Blagden, Jr., Carl Blair, Patti Brady,Keith Brown, Julia Cart, Eva Carter, JocelynChâteauvert, Lese Corrigan, Townsend Davidson,Linda Fantuzzo, Buddy Folk, Squire Fox,Mary Edna Fraser, Cassandra Gillens, AnthonyGreen, Jon Holloway, Ann Hubbard, LisaSalosaari Jasinski, Erik Johnson, Kim Keats,Arianne King Comer, Kit Loney, Paul Mardikian,Nancy Marshall, Paul Matheny, John McWilliams,Sue Middleton, Marge Moody, GordonNicholson, Jane Nodine, Marcelo Novo, Karincontinued on Page 42Carolina Arts, November 2011 - Page 41
Page 2 and 3: TABLE OF CONTENTSThis index has act
Page 4 and 5: Editorialby Tom Starland, Editor an
Page 6 and 7: McCallum -Halsey StudiosCorrie McCa
Page 9 and 10: Princess AlleyFulton StreetClifford
Page 11 and 12: Gibbes Museum of Art in Charleston,
Page 13 and 14: City of North CharlestonFeatures Wo
Page 15: Historic Penn Center on St. Helena
Page 19: HotWorks.org Presents 4th AnnualCha
Page 22: LEGALLY TWENTY-ONE IN TIME FOR VIST
Page 25 and 26: LET’SCREATESOMETHINGRIBBON CUTTIN
Page 27 and 28: I-406466Western NC Area4412 Interst
Page 29 and 30: MEMBERS’ SHOW 2011“Transitions
Page 35 and 36: Central Carolina Community Collegec
Page 37 and 38: Sunset River Marketplace inCalabash
Page 39: Flood Gallery in Asheville, NCconti
Page 43 and 44: orders, and much, much more. In add
Page 45 and 46: or at(www.sculptureinthesouth.com).
Page 47 and 48: photographs are additionally on exh
Page 49 and 50: 10am-5pm. Contact: call any of the
Page 51 and 52: son, Betsy Stevenson, Jane Woodward
Page 53 and 54: on Dec. 2, from 6-8pm. The Cary Pho
Page 55 and 56: 40 artists from Canada, the United
Page 57 and 58: 11am-6:30pm; Wed.-Fri., 11am-6:30pm
Page 59 and 60: "Body of Work," featuring works by
Page 61 and 62: Designer Bed-and-Breakfast rooms on
Page 63 and 64: Work by Diane HoeptnerLark & Key Ga
Page 65 and 66: materials including steel, copper,
Page 67 and 68: Chris Luther Pottery, 4823 Busbee R
Page 69: items. Also framing is available. H

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