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Journal of <strong>the</strong> Companions of <strong>the</strong><br />
<strong>Chalice</strong> <strong>Well</strong><br />
Issue No. 33 • Spring 2012<br />
“The still point of <strong>the</strong> turning world”
Editorial<br />
As we stood around <strong>the</strong> well head at 11o’clock on <strong>the</strong> 11/11/11 point and again at Winter<br />
Solstice, I marvelled at <strong>the</strong> deep stillness of so many people joining toge<strong>the</strong>r, entering <strong>the</strong> silence<br />
and opening <strong>the</strong>ir hearts to each o<strong>the</strong>r and to <strong>the</strong> living world. We stood at ‘<strong>the</strong> still point of <strong>the</strong><br />
turning world.’<br />
Ninety-two years before, in November 1919, Frederick Bligh Bond and Alice Buckton<br />
inaugurated <strong>the</strong> new lid on <strong>the</strong> cover of <strong>Chalice</strong> <strong>Well</strong> with its Vesica Piscis ironwork, in a<br />
ceremony that was deliberately intended to combine all spiritual paths. Bligh Bond had spoken<br />
that day about <strong>the</strong> geometrical diagram of <strong>the</strong> Vesica intersected by <strong>the</strong> spear or <strong>the</strong> sword of<br />
St. Michael. It is a multi-resonant design. And here we were ga<strong>the</strong>red toge<strong>the</strong>r in that same spot<br />
celebrating our many paths ‘up <strong>the</strong> mountain’.<br />
In 2003 when duplicating <strong>the</strong> original ironwork for <strong>the</strong> underside of <strong>the</strong> lid, Hamish Miller<br />
had bent <strong>the</strong> tip of <strong>the</strong> spear over, thus allowing <strong>the</strong> lid to be closed, so that remarkably <strong>the</strong> spear<br />
tip was transformed into a heart – <strong>the</strong> perfect expression of <strong>the</strong> transition that is underway.<br />
On <strong>the</strong> 11/11/11 morning we repeated <strong>the</strong> prayer given out on December 12, 2010 by Jose<br />
Arguelles (<strong>the</strong> 2012 pioneer who passed over in March 2011!):<br />
‘I am one with <strong>the</strong> Earth<br />
The Earth and my self are one mind’.<br />
Visitors and pilgrims who come to <strong>the</strong> <strong>Well</strong> represent many different faiths and paths and all<br />
are made equally welcome. In December for instance, we were visited by Tibetan monks from<br />
<strong>the</strong> Tashi Llunpo monastery in India (see cover of this issue). At <strong>the</strong> end of <strong>the</strong> year a Tibetan<br />
but universal keynote was sounded by <strong>the</strong> 17th Gyalwang Karmapa in his New Year message for<br />
2012. Here is a short extract that Companions may find helpful as we travel through this year:<br />
‘Many people have expressed anxiety about disasters that might befall <strong>the</strong> world in <strong>the</strong> year<br />
2012. In fact, we never know what any given year might hold. But if we are sincerely committed<br />
to following a path of compassion and wisdom this uncertainty about <strong>the</strong> future need not cause<br />
us any concern. Whatever happens, we simply keep our focus directed steadily at what matters<br />
most – cultivating compassion and equanimity, and acting to benefit o<strong>the</strong>rs. If we harbour this<br />
attitude in our hearts, we can make anything that occurs positive for ourselves and for o<strong>the</strong>rs…<br />
May all of us who share this planet go forward toge<strong>the</strong>r into <strong>the</strong> new-year in harmony. May we live<br />
this year with mutual love and respect for one ano<strong>the</strong>r and <strong>the</strong> earth that is our common home.’<br />
We hope you enjoy this issue with articles from home and abroad plus all <strong>the</strong> usual news<br />
from <strong>the</strong> <strong>Well</strong> and we would like to wish all Companions and readers a safe, interesting and<br />
wonderful 2012. Paul Fletcher<br />
Front cover: Tibetan Monks pour sand from <strong>the</strong>ir mandala into <strong>the</strong> Vesica pool (photo by Gareth Lovelock)<br />
Front cover quotation by TS Eliot from “Burnt Norton”, <strong>the</strong> first poem of TS Eliot’s ‘Four Quartets’<br />
Back cover: The Michael Alignment Across England, page 22 ‘The Sun and The Serpent’ by Hamish Miller<br />
and Paul Broadhurst, Pendragon Press<br />
The <strong>Chalice</strong> <strong>Well</strong> Trust is a registered charity, founded in 1959 by <strong>Well</strong>esley Tudor Pole and a group of<br />
friends. It is dedicated to preserving <strong>the</strong> ancient spring and surrounding gardens as a living sanctuary for<br />
everyone to visit and experience <strong>the</strong> quiet healing peace of this sacred place.<br />
The Trust welcomes donations to maintain <strong>Chalice</strong> <strong>Well</strong> and gardens including Little St. Michaels retreat<br />
house, and to fur<strong>the</strong>r its work. Voluntary contributions towards upkeep are <strong>the</strong>refore greatly appreciated.<br />
Any person who wishes to support <strong>the</strong> Trust’s purpose by making an annual subscription may be registered<br />
as a Companion of <strong>the</strong> <strong>Well</strong>.<br />
For fur<strong>the</strong>r information contact: The <strong>Chalice</strong> <strong>Well</strong>, Chilkwell Street, Glastonbury, Somerset BA6 8DD UK<br />
Tel: 01458 831154 Fax: 01458 835528.<br />
Email: info@chalicewell.org.uk Website: www.chalicewell.org.uk<br />
Registered Charity No: 204206 Published by The <strong>Chalice</strong> <strong>Well</strong> Trust, Chilkwell Street, Glastonbury, Somerset BA6 8DD, UK
<strong>News</strong> from <strong>the</strong> <strong>Well</strong><br />
Office news<br />
The first thing to say is that we are welcoming back Natasha Wardle who has been on maternity<br />
leave for <strong>the</strong> past year. She is returning in a new role as Projects and Development Manager to<br />
oversee and take forward specialised ventures. Simon is remaining in his role of General Manager.<br />
For those of you who know Muriel Spenceley, our Essences Coordinator, she and her<br />
husband Ben are looking forward to <strong>the</strong> arrival of a new little Spenceley later this spring. She<br />
is currently working on <strong>the</strong> development of our new Practitioner Sets of Essences which will<br />
be available shortly.<br />
Last year we welcomed Natalie to <strong>the</strong> <strong>Well</strong> in her role of administrator on frontline. We<br />
also bid a very warm hello to Sally, and toge<strong>the</strong>r <strong>the</strong>y are now staffing frontline and welcoming<br />
visitors on a job-share basis. They introduce <strong>the</strong>mselves below:<br />
Sally Cooper: My first visit to Glastonbury was in March 2010 and on that weekend I felt very<br />
strongly that I wanted to live here. At that time I knew my job (in <strong>the</strong> marketing department of<br />
a large company) was coming to an end after 15 years, so I decided to rent somewhere to see how<br />
living here actually felt. My two children were (and are) very supportive, and after being here only<br />
a few months, I made <strong>the</strong> decision to sell my house in Kent and live here permanently. I came to<br />
<strong>the</strong> Healing Weekend and soon after started volunteering in <strong>the</strong> office – although, if I’m honest, I<br />
really wanted to be gardening! However, when <strong>the</strong> opportunity to work part-time here came up,<br />
I applied and was thankfully accepted. I have enjoyed getting to know <strong>the</strong> o<strong>the</strong>r members of staff,<br />
<strong>the</strong> volunteers, <strong>the</strong> Trustees and also more of <strong>the</strong> history of <strong>Chalice</strong> <strong>Well</strong> Trust and how it operates.<br />
Natalie Norton-Ashley: For 10 years I had been a stay at home mum and <strong>the</strong> time had come<br />
for me to return to <strong>the</strong> working world. The job for a Receptionist came up at <strong>Chalice</strong> <strong>Well</strong> and<br />
after interviews and work trials I was lucky enough to be given a 3 month trial, and one year later<br />
I am still a member of our excellent team. I love meeting people and as our visitors come from far<br />
and wide it is an ideal opportunity to hear <strong>the</strong>ir stories. Working on Frontline means that Sally<br />
and I deal with many phone calls, so if you call you are likely to hear our cheerful and friendly<br />
voices. One of <strong>the</strong> most satisfying things I have been able to achieve so far, was to be able to raise<br />
our Green Tourism award from Bronze to Silver. Taking bookings and welcoming Companions to<br />
our accommodation plays a big part of my role along with helping to organise Special Access to <strong>the</strong><br />
gardens outside normal opening hours. At <strong>the</strong> end of my working day, as part of <strong>the</strong> team, I enjoy<br />
doing a final walk round <strong>the</strong> garden to make sure all is safe and secure.<br />
Shop news<br />
Chaia Forster: As you may have noticed in this issue and <strong>the</strong> previous issue of The <strong>Chalice</strong>, where<br />
we welcomed Vanessa, we had two new members of staff start in <strong>the</strong> shop in <strong>the</strong> last months of<br />
2010. Vanessa and Alison joined within a month of each o<strong>the</strong>r. It is a pleasure to work with both<br />
of <strong>the</strong>m. They each have different strengths and we make a good team toge<strong>the</strong>r. But <strong>the</strong> three of us<br />
are by no means <strong>the</strong> whole shop team; we have invaluable help from about seven volunteers who<br />
are dedicated and bring <strong>the</strong>ir own input and energy.<br />
To be honest, without each and every member of <strong>the</strong> shop team <strong>the</strong> shop would not be <strong>the</strong><br />
lovely place that it is. I very much look forward to working with <strong>the</strong>m (and possibly some new<br />
people) in 2012.<br />
Alison Sutton: <strong>Chalice</strong> <strong>Well</strong> has been a very special and sacred place for me for some years<br />
now and before moving to Glastonbury I would often meditate, sitting with <strong>Chalice</strong> <strong>Well</strong> water,<br />
visualizing myself <strong>the</strong>re by <strong>the</strong> well head. It was my energetic connection to Glastonbury. The<br />
<strong>Well</strong> <strong>the</strong>n took on fur<strong>the</strong>r importance to me as I had two initiation ceremonies here privately, in<br />
<strong>the</strong> gardens, and because of this it will always feel like my spiritual home. When a vacancy in <strong>the</strong><br />
shop came up, about a year after I had moved to Glastonbury, I knew at once that this was my<br />
3
opportunity to serve <strong>the</strong> <strong>Well</strong> as part of <strong>the</strong> team that nurtures and cares for this special place, and<br />
jumped at <strong>the</strong> chance. A year and a bit on I still love being here and as soon as I walk through <strong>the</strong><br />
gate into <strong>the</strong> garden I feel uplifted and at home, even on <strong>the</strong> greyest of days. There is a tree that<br />
I look out on through <strong>the</strong> shop window that I watch changing through <strong>the</strong> seasons and I often<br />
wonder if it watches me; such is <strong>the</strong> magic of this place!<br />
On a more sombre note, we have farewells to say to four of our current volunteers who<br />
have passed over since <strong>the</strong> last issue: Bahli Mans Morris, Annie Duckworth, Willa Sleath and<br />
Derek Brightman.<br />
Marion Poole, Volunteer Coordinator writes: We were so sad to lose Annie Duckworth, one<br />
of our gatehouse volunteers, in October. Annie had been a volunteer for several years but had been<br />
unable to attend her shifts this year due to ill health. Annie was such a good representative for us<br />
in <strong>the</strong> gatehouse. She was a real character, with a wonderful way with visitors and was always<br />
ready to have a laugh and joke, even when she wasn’t feeling well. We all miss her.<br />
And Ark Redwood writes: Derek Brightman first joined <strong>the</strong> garden team way back in<br />
mid-2002. It was soon clear after he had been here for a while that <strong>the</strong>re were some jobs which<br />
failed to suit him, yet o<strong>the</strong>rs in which he positively excelled, so much so that he soon had his<br />
own personal ‘department’, including activities such as sweeping, raking, deadheading daffodils,<br />
watering hanging baskets and containers, counting and bagging up <strong>the</strong> coins thrown into <strong>the</strong><br />
Vesica Piscis by wishful visitors. He was always very dedicated to <strong>the</strong>se jobs, and I rarely had to<br />
remind him to do <strong>the</strong>m.<br />
One job which he took to wholeheartedly was in <strong>the</strong> construction of most of <strong>the</strong> ceremonial<br />
fires over <strong>the</strong> past nine years or so. He could always be relied upon to build <strong>the</strong> most magnificent<br />
of fires, some still blazing in our memories.<br />
Derek was a very kind-hearted, generous and self-effacing man, whose obvious frailties and<br />
vulnerability endeared him to many people who often came to love and care for him, even though<br />
he may not have been aware of it.<br />
To think of him in <strong>the</strong> past tense seems wrong somehow. He will surely stay very present in <strong>the</strong><br />
hearts and minds of lots of people for a long time to come.<br />
Many Companions will remember Willa Sleath as a former Guardian of <strong>Chalice</strong><br />
<strong>Well</strong> between 1986 and 1995. Her time at <strong>the</strong> <strong>Well</strong> is covered in ‘The Story of <strong>the</strong> Living<br />
Sanctuary’, pages 74 to 76. We will pay full tribute to her in <strong>the</strong> next <strong>Chalice</strong>. In this issue,<br />
page 19, <strong>the</strong>re is an appreciation of Bahli Mans Morris.<br />
Events <strong>News</strong><br />
<strong>Chalice</strong> <strong>Well</strong> joins Bahá’í Celebrations<br />
To commemorate <strong>the</strong> centenary of Ábdu’l-Bahá’s visit to Britain<br />
from 4 September to 3 October 1911, when he was welcomed and<br />
hosted by <strong>Well</strong>esley Tudor Pole, <strong>Chalice</strong> <strong>Well</strong> participated in two<br />
separate events.<br />
The first took place at <strong>Chalice</strong> <strong>Well</strong> in <strong>the</strong> gardens on <strong>the</strong><br />
evening of 23rd September when <strong>the</strong>re was a ga<strong>the</strong>ring of local<br />
Bahá’í’s. A white rose bush was planted in <strong>the</strong> gardens, <strong>the</strong>re was a<br />
short talk about <strong>the</strong> connections between Ábdu’l-Bahá and Tudor<br />
Pole given around <strong>the</strong> Vesica Pool in <strong>the</strong> lower garden and <strong>the</strong>n<br />
Bahá’í prayers were read at <strong>the</strong> well head. This was co-ordinated<br />
by local Companions Alan and Pauline Royce.<br />
The second event was at <strong>the</strong> National Bahá’í Centre at Rutland<br />
Gate in London on <strong>the</strong> 29th September. About sixty people<br />
ga<strong>the</strong>red that evening including several members of <strong>the</strong> Tudor<br />
4<br />
Cover of <strong>the</strong> programme for<br />
<strong>the</strong> Bahá’í event in London 29<br />
September 2011
Pole family, representatives from <strong>Chalice</strong> <strong>Well</strong>, and relatives<br />
of Basil Wilberforce and Annie Besant. They were made very<br />
welcome with wonderful Bahá’í hospitality. A short address was<br />
given by The Hon Barnabas Leith OBE followed by readings<br />
from Bahá’í writings. There was <strong>the</strong>n an extract from <strong>the</strong><br />
play ‘97 Cadogan Gardens’ performed by Sarah Perceval and<br />
Sarah Morrissey recreating events at <strong>the</strong> time of <strong>the</strong> visit when<br />
Ábdu’l-Bahá stayed at Lady Blomfeld’s house in Belgravia. Also<br />
on display were archival items associated with <strong>the</strong> participants<br />
from <strong>the</strong> 1911 ga<strong>the</strong>ring.<br />
Active Supporter Event October<br />
Cover of <strong>the</strong> programme for <strong>the</strong><br />
local Bahá’í event in <strong>Chalice</strong><br />
On Friday October 7th we welcomed Active Supporter<br />
<strong>Well</strong> (drawing by Alan Royce)<br />
Companions to <strong>Chalice</strong> <strong>Well</strong> for a behind-<strong>the</strong>-scenes glimpse<br />
of <strong>Chalice</strong> <strong>Well</strong> with an informal afternoon and evening event with staff and Trustees.<br />
After afternoon refreshments in Little St<br />
Michael’s and a mindful garden walk in <strong>the</strong> Autumn<br />
sunshine with Ark, Companions were joined by<br />
Trustees and staff for supper, after which Paul<br />
Fletcher, our archivist and Trustee, presented<br />
fascinating and absorbing insights into <strong>the</strong> purpose<br />
and development of <strong>Chalice</strong> <strong>Well</strong> Trust. The evening<br />
was rounded off by a wonderful night-time walk in<br />
<strong>the</strong> Candlelit gardens.<br />
Active Supporters being shown around <strong>the</strong><br />
garden by Ark (Photo by Gareth Lovelock)<br />
Those who joined us commented<br />
on <strong>the</strong> informality and friendliness<br />
of <strong>the</strong> occasion, as well as how much<br />
<strong>the</strong>y felt ‘at home’ in <strong>the</strong> uplifting and<br />
healing atmosphere of <strong>the</strong> <strong>Well</strong>.<br />
We will be holding a similar event<br />
on January 31st 2013, and those<br />
attending will be given <strong>the</strong> opportunity<br />
of staying in Little St Michael’s, as well<br />
joining us on February 1st for <strong>the</strong><br />
Imbolc ceremony and conversation café<br />
on <strong>the</strong> lower lawns.<br />
Apple Day October<br />
We were very lucky with <strong>the</strong> wea<strong>the</strong>r this year<br />
for Apple day, with a record turnout for <strong>the</strong><br />
afternoon storytelling session in <strong>the</strong> orchard<br />
with Martin Faulkner and Tim Bates. Adults<br />
and children involved in <strong>the</strong> storytelling spread<br />
<strong>the</strong>mselves around <strong>the</strong> heavily-laden trees to pick<br />
and take home some of <strong>the</strong> apples from <strong>Chalice</strong><br />
<strong>Well</strong>’s bumper crop.<br />
<strong>Chalice</strong> <strong>Well</strong> Refreshments’ selection of<br />
home-made cakes went down well with visitors,<br />
Active Supporters and staff members enjoying <strong>the</strong>ir meal in<br />
Little St Michael’s (Photo by Julie Davies)<br />
Les Davies MBE at Apple Day (Photo by<br />
Tony Arihanto)<br />
5
especially <strong>the</strong> apple and celery soup,<br />
apple cake and <strong>the</strong> apple and honey<br />
flapjacks, all made with our own apples<br />
and honey from <strong>Chalice</strong> <strong>Well</strong>.<br />
The apple crushing and pressing<br />
team led by Ark, Mike Spring and<br />
volunteer Dan Goodfellow helped adults<br />
and children produce <strong>the</strong> delicious fresh<br />
apple juice, which <strong>the</strong>y enjoyed drinking<br />
afterwards.<br />
An engaging talk and grafting<br />
demonstration by <strong>Orchard</strong> Mentor<br />
Les Davies MBE involved a number of<br />
interesting apple tree props. Similarly, <strong>Orchard</strong> Mentor Les Cloutmans’ enjoyable orchard<br />
wildlife walk and talk went down well with all <strong>the</strong> visitors.<br />
On <strong>the</strong> lower lawns, <strong>the</strong>re was plenty to look at inside <strong>the</strong> display tent with apple reference<br />
books to browse, and many thanks to Gareth Lovelock for <strong>the</strong> photographic display boards.<br />
Bee keeper Tom Done gave a fascinating and informative talk featuring a demonstration hive<br />
(read more about how he produces <strong>Chalice</strong> <strong>Well</strong> Honey on page 12).<br />
Halloween<br />
Commemorating <strong>the</strong> departing light and nature’s move towards rest, stillness and dreaming,<br />
<strong>the</strong> Halloween celebrations began at 4.30 pm when <strong>the</strong> children explored <strong>the</strong> gardens. Seeking<br />
out <strong>the</strong> mythical and magical characters living at <strong>Chalice</strong> <strong>Well</strong>, <strong>the</strong>y were able, along <strong>the</strong> way,<br />
to meet this year’s visiting ogress and dragons. After <strong>the</strong> fancy dress parade, hosted by Titania<br />
<strong>the</strong> Fairy Queen and judged by Auberon <strong>the</strong><br />
Fairy King, it was time for <strong>the</strong> adults’ evening<br />
ceremony. This opened with <strong>the</strong> drumming of<br />
Jana Runnalls and her group as all ga<strong>the</strong>red<br />
beneath <strong>the</strong> Yew trees to hear Natalie Fee<br />
assisted by Tony Arihanto, Brian Conquer,<br />
Cristina Villacorta and Vanessa Poulton call<br />
in <strong>the</strong> Directions; honouring Earth, Air, Fire,<br />
Water and Spirit. The evening closed after<br />
Raventales had enthralled <strong>the</strong> assembled crowd<br />
with stories of old under <strong>the</strong> Guardian Yews.<br />
6<br />
Left: Martin Faulkner, storyteller, at Apple Day. Right:<br />
Children enjoying Apple Day (Photos by Tony Arihanto)<br />
Clockwise from top-right: The ogress at Halloween; one of <strong>the</strong> dragons under <strong>the</strong> Yews at Halloween; and<br />
volunteer Graham Lever as King Arthur at <strong>the</strong> Waterfall at Halloween (Photos by Tony Arihanto)
Tibetan Monks visit <strong>Chalice</strong> <strong>Well</strong><br />
There was an inspiring ceremony in December when monks from <strong>the</strong> Tashi Llunpo Monastery<br />
in India visited <strong>Chalice</strong> <strong>Well</strong> at <strong>the</strong> end of <strong>the</strong>ir stay in Glastonbury. The monks had spent four<br />
days in <strong>the</strong> Assembly Rooms creating a beautiful sand mandala that represented compassion.<br />
Sand from <strong>the</strong> mandala was poured into <strong>the</strong> Vesica pool (see photo on <strong>the</strong> cover) from where<br />
<strong>the</strong> vibration of <strong>the</strong> sacred sand was <strong>the</strong>n carried via <strong>the</strong> flowing waters out into <strong>the</strong> world.<br />
To support <strong>the</strong> monastery or <strong>the</strong> monks contact www.Tashi-Llunpo.org.uk<br />
Tibetan Monks around <strong>the</strong> Vesica Piscis (Photo by Gareth Lovelock)<br />
Winter Solstice December<br />
After a well-attended<br />
midday meditation, and<br />
<strong>the</strong> ga<strong>the</strong>ring of a large<br />
crowd encircling <strong>the</strong><br />
fire on <strong>the</strong> lower lawns,<br />
<strong>the</strong> very popular Winter<br />
Solstice celebrations<br />
began. These were led by<br />
Sophie Knock, Natasha<br />
Wardle, Lokabandhu and<br />
Merlin, marking that still<br />
point which occupies<br />
Above: Lighting <strong>the</strong> Solstice fire.<br />
Below: Merlin leads <strong>the</strong> participants at<br />
‘<strong>the</strong> turning’ (Photo by Tony Arihanto)<br />
<strong>the</strong> space between <strong>the</strong> ending<br />
and <strong>the</strong> beginning of nature’s<br />
regeneration. Afterwards,<br />
toge<strong>the</strong>r with <strong>the</strong> conversation<br />
café and hot spiced apple punch<br />
on <strong>the</strong> lower lawns, <strong>the</strong> festive<br />
music and song was provided<br />
by <strong>the</strong> Silver Twiglets and <strong>the</strong><br />
Avalonian Free State Choir.<br />
7
<strong>News</strong> From The Garden<br />
What a difference from last<br />
winter! This time last year<br />
<strong>the</strong> Garden was deep in snow<br />
during a prolonged cold spell.<br />
The wea<strong>the</strong>r this autumn and<br />
early winter has been totally<br />
different, with warm and dry<br />
days predominating. It’s only<br />
been with <strong>the</strong> onset of December<br />
that we have experienced rainy<br />
days and colder temperatures. It’s<br />
possible that we will go through<br />
<strong>the</strong> rest of <strong>the</strong> winter without<br />
experiencing much snow at all, as<br />
<strong>the</strong> pattern has so far been fairly<br />
mild; but I still wouldn’t bet on<br />
it! The climate is so changeable<br />
<strong>the</strong>se days that nothing is certain,<br />
so it’s best to take each day and<br />
week as it comes.<br />
As mentioned in <strong>the</strong> last article <strong>the</strong> Long Border (behind <strong>the</strong> Gatehouse) has been receiving<br />
<strong>the</strong> majority of my attention this autumn in that it has been almost completely revamped.<br />
The longest job was in clearing <strong>the</strong> majority of <strong>the</strong> plants from <strong>the</strong> bed in order to thoroughly<br />
vanquish <strong>the</strong> weeds, especially <strong>the</strong> masses of ground elder (although, with that particular<br />
plant, <strong>the</strong>re’s no absolute guarantee that every shred of it has been eradicated!). After <strong>the</strong><br />
weeding <strong>the</strong> soil was re-fertilized with rock dust and pelleted manure, and after <strong>the</strong> new plants<br />
went in <strong>the</strong> whole ground has been covered with a thick mulch of home-grown compost.<br />
With that sort of treatment<br />
next year’s growth should<br />
be luxuriant!<br />
Quite a few of <strong>the</strong> old<br />
plants are still in situ, or have<br />
been moved around within<br />
<strong>the</strong> border, including <strong>the</strong><br />
amelanchier, sarcococca,<br />
perovskia, spiraea, and<br />
prunus. The biggest visual<br />
change is that <strong>the</strong> smoke<br />
bush (Cotinus coggygria)<br />
has been pollarded to a<br />
Y-shape in order for it to<br />
re-sprout next spring so<br />
it can be better managed.<br />
It had grown far too leggy<br />
and was causing too much<br />
Part of <strong>the</strong> new Alpine Border (Photo by Gareth Lovelock)<br />
8<br />
Ark Redwood preparing <strong>the</strong> Long Border (Photo by Julie Davies)<br />
shade. Admittedly it does<br />
look a bit drastic, but <strong>the</strong>
tree itself should be fine; in fact it will completely rejuvenate it.<br />
Ano<strong>the</strong>r tree which has had <strong>the</strong> chop in <strong>the</strong> last few days is <strong>the</strong> largest of <strong>the</strong> upright<br />
cypresses bordering <strong>the</strong> Glade (<strong>the</strong> hazel grove just past <strong>the</strong> top of <strong>the</strong> Long Border). This tree<br />
had become too large over <strong>the</strong> years and was encroaching too much onto <strong>the</strong> pathway, and<br />
was a bit too dominant within that area. Its removal has now served to open up <strong>the</strong> entrance<br />
to <strong>the</strong> Glade, so that now perhaps more will be tempted to come and sit and meditate within<br />
this enchanted place.<br />
The o<strong>the</strong>r tree which has been causing even more shade is <strong>the</strong> tall sycamore, which<br />
overlooks <strong>the</strong> vesica area. This has now been thinned out and reshaped, meaning that <strong>the</strong><br />
light levels will be enhanced, and a better balance can be achieved within <strong>the</strong> border.<br />
Below <strong>the</strong> Long Border recent visitors will have noticed brand new alpine beds being<br />
constructed and planted up. The old rockeries, on ei<strong>the</strong>r side of <strong>the</strong> pathway, were well past<br />
<strong>the</strong>ir former glories, and were in desperate need of a revival. <strong>Well</strong>, <strong>the</strong>y’ve definitely had that!<br />
In fact this has been a very exciting project for me as I have never before had <strong>the</strong> opportunity<br />
to design a specifically alpine feature. Subsequently I have been delving into specialist online<br />
nursery websites and books and have almost become an alpinaholic in <strong>the</strong> process! The focus<br />
has been primarily on those plants that thrive in mountainous areas ra<strong>the</strong>r than common<br />
rockery plants, and wanted to have as much variety as possible on order to obtain a longer<br />
flowering period. Also, almost all of <strong>the</strong> plants are evergreen, so this will ensure an all-yearround<br />
display. Our landscaper, Martin, has done a fantastic job with building <strong>the</strong>se beds. They<br />
look great even without any plants at all! With attentive maintenance <strong>the</strong>re is no reason why<br />
<strong>the</strong>se alpine beds should not become key features within <strong>the</strong> Garden, and serve to thrill and<br />
delight visitors for many years to come.<br />
Ark Redwood<br />
<strong>Orchard</strong> <strong>News</strong>: The Year of Plenty<br />
“Go forward and graffe, set, plant and nourish up trees in every corner of your<br />
ground. The labour is small, <strong>the</strong> cost is nothing. The commodity is great, your<br />
selves shall have plenty...” John Gerard, Great Herball (1597)<br />
2011 was indeed ano<strong>the</strong>r<br />
year of great plenty<br />
in <strong>the</strong> <strong>Chalice</strong> <strong>Well</strong><br />
<strong>Orchard</strong>s and it was not<br />
just maturity in <strong>the</strong> main<br />
orchard – most trees in<br />
Bucktons are now 11-13<br />
years old - that brought<br />
a crop of plenty but <strong>the</strong><br />
second warmest year<br />
since records began.<br />
The growing<br />
year began with an<br />
exceptionally mild<br />
spring which caused<br />
blossom time to begin<br />
in mid-April perhaps 10<br />
days ahead of schedule. Tony Arihanto standing by one of <strong>the</strong> laden apple trees (Photo by Mike Spring)<br />
9
Blossom time - free of excessive wind or rain damage – was longer than usual and fruit set<br />
was exceptionally good and by late June trees were groaning with apples and some had to be<br />
picked off heavy laden branches to prevent bough break.<br />
One bough-break casualty sadly was our much loved and highly productive ‘Beth’, early<br />
dessert pear by <strong>the</strong> compound gate. Her top heavy main trunk snapped off one morning in<br />
August with a loud crack with Head Gardener Ark Redwood in earshot; Beth has survived<br />
however and with careful formative and restorative pruning may well make a full recovery in<br />
4-5 years.<br />
There was a warm if largely overcast summer with useful late rain and collecting fallers<br />
began as early as July 12 when our lone Exeter Cross in Bucktons shed its first ripe red apples.<br />
Our first apple picking day for juicing with Hecks was August 23rd, three weeks earlier than<br />
last year.<br />
What to do with <strong>the</strong> ‘great commodity’ was <strong>the</strong> real issue this year. After Mike Spring<br />
and I picked 75 boxes of apples to send to Hecks, with help from volunteers Nikolas, Karyn<br />
and Elaya, we managed a much more regular supply of fresh picked apples for shop sale<br />
and display this year both inside and outside <strong>the</strong> shop, leading to much increased sales. We<br />
also continued to supply Henry and Anya Cox of Earthfare in Glastonbury High Street with<br />
freshly picked boxes of popular early eating apple varieties such as Discovery, James Grieve,<br />
and Sunset.<br />
After a successful Apple Day on October 8th (see news section) we still had more apples<br />
than we could use amidst a general glut elsewhere and so invited staff, volunteers, friends and<br />
even local community groups to come and pick and take home our remaining crop which<br />
would o<strong>the</strong>rwise go to waste as we have no large scale apple storage facilities ei<strong>the</strong>r at <strong>the</strong> <strong>Well</strong><br />
or in <strong>the</strong> local community.<br />
None<strong>the</strong>less we did successfully carry out our first experiment in storing late season apples<br />
such as <strong>the</strong> delicious Ashmeads Kernel in a 10 tray wooden rack surreptitiously located in <strong>the</strong><br />
bottle shed. For <strong>the</strong> first time we managed to store late apples through to Winter Solstice<br />
celebrations on December 22nd when two trays of Ashmeads Kernel were sold to visitors to<br />
<strong>the</strong> shop and <strong>the</strong> refreshments stall.<br />
One pleasing footnote to <strong>the</strong> bumper harvest – <strong>the</strong> ‘Fiesta’ memorial apple tree planted by<br />
<strong>the</strong> Tudor Pole Family in <strong>the</strong> Cress Field a decade ago finally came good this year after much<br />
TLC and produced a small crop of very sweet big red crisp and juicy white fleshed apples<br />
despite its difficult position under <strong>the</strong> boundary trees and overgrown hedge adjoining <strong>Well</strong><br />
House Lane.<br />
With <strong>the</strong> exceptionally mild wea<strong>the</strong>r winter pruning has already begun in <strong>the</strong> Plum<br />
<strong>Orchard</strong> in Chilkwell Street and a new Quince – variety ‘Vranja’ - will be arriving in January<br />
from Top Fruit Trees in North Cadbury to replace <strong>the</strong> Quince which died a couple of years<br />
ago at <strong>the</strong> bottom of that orchard.<br />
As usual this winter I’ll be assisting <strong>Orchard</strong> mentor Les Davies MBE on two one day<br />
winter pruning courses hosted jointly by SRLM and <strong>Chalice</strong> <strong>Well</strong> (Jan 28 and Feb 12) and we<br />
hope to run ano<strong>the</strong>r Grafting course for beginners at <strong>the</strong> <strong>Well</strong> during 2012.<br />
Meantime thanks are also due to <strong>the</strong> ‘Good Shepherd’ - Joe Joseph whose Wiltshire Horns<br />
are even now in Buckton’s <strong>Orchard</strong> for <strong>the</strong>ir annual grazing and whose care and diligence in<br />
managing and rotating <strong>the</strong> grazing has made my job as orchard keeper much less troublesome<br />
than in <strong>the</strong> years before he arrived.<br />
Anthony Ward,<br />
<strong>Orchard</strong> Keeper<br />
10
Times of Tribulation<br />
<strong>Well</strong>esley Tudor Pole<br />
Excerpts from an article written in January 1957 by <strong>Well</strong>esley Tudor Pole. For <strong>the</strong> full transcript<br />
please visit <strong>the</strong> ‘Historical Archives’ section of <strong>the</strong> <strong>Chalice</strong> <strong>Well</strong> website and click on <strong>the</strong> ‘<strong>Well</strong>esley<br />
Tudor Pole’ link.<br />
There is confusion of thought in many people’s minds about <strong>the</strong> venue and significance of<br />
<strong>the</strong> final conflict of this age, often referred to as ‘Armageddon’ or ‘The Times of Tribulation’.<br />
What is not realised generally is <strong>the</strong> fact that <strong>the</strong> main arena for this struggle between<br />
<strong>the</strong> forces of light and darkness is not situated in our outer world of life and being at all.<br />
Fundamentally, this great battle is being fought out on a Cosmic level and what we are<br />
experiencing on earth is a ‘reflection’ of this immense struggle and <strong>the</strong> repercussions flowing<br />
from it. This does not mean that we play no part in what is going on ‘elsewhere’. On <strong>the</strong><br />
contrary, our every thought, word and deed can help to tip <strong>the</strong> scales in one direction or <strong>the</strong><br />
o<strong>the</strong>r, because <strong>the</strong> battleground is on a mental level to which all our thinking and feeling<br />
processes have access.<br />
The means by which events taking place in invisible spheres around us throw <strong>the</strong>ir light<br />
and shadows into human consciousness and are translated into conditions directly affecting<br />
external happiness on our planet is a mystery beyond our present ken. Study of <strong>the</strong> interplay<br />
of forces between various levels of life and being belongs to <strong>the</strong> Science of <strong>the</strong> future. What<br />
we cannot doubt is that under Divine Providence <strong>the</strong> Law of Cause and Effect operates justly,<br />
and has always done so, not only in <strong>the</strong> affairs of man and nations but in relation to all<br />
manifestations of life everywhere, and that this Law is primarily based on infinite Love in action.<br />
It is, I think, true of <strong>the</strong> human race as a whole as it is of single individuals, that no-one can<br />
live unto himself alone. In fact, I feel that this principle is capable of a still wider and deeper<br />
application covering experiences and events taking place beyond <strong>the</strong> time-space conditions<br />
within which we are confined at present.<br />
If this be a correct assessment of <strong>the</strong> position, we must naturally ask ourselves what we can<br />
do as individuals in humble service to God and to those great Beings who direct <strong>the</strong> battalions<br />
of Light. There is a certain sense in which <strong>the</strong> whole Universe is contained within each one<br />
of us. And it is this Universe for which each individual is responsible. The arena for ‘our’<br />
battle between <strong>the</strong> dark and light forces lies within your consciousness and mine, because this<br />
battle is personal to you and to me. We can live in such a way as to be capable of reflecting<br />
and declaring <strong>the</strong> power of <strong>the</strong> Light out into manifestation, or we can allow <strong>the</strong> dark forces<br />
of our natures to secure <strong>the</strong> upper hand. There can be no neutrals in this struggle. You and I<br />
are personally responsible for <strong>the</strong> outcome of this ‘Armageddon of <strong>the</strong> Soul’. It is beyond our<br />
finite understanding to compute <strong>the</strong> extent to which our thoughts and acts can influence <strong>the</strong><br />
Cosmic struggle as a whole. However, this much we can know: namely, that it lies within your<br />
and my power by our prayers, thoughts and actions to reinforce <strong>the</strong> Armies of <strong>the</strong> Light and<br />
to an extent which, cumulatively, may well prove decisive. Or we can provide ammunition for<br />
<strong>the</strong> dark forces by selfish preoccupation with our own desires, ambitions and sense pleasures,<br />
<strong>the</strong>reby giving <strong>the</strong> Light no opportunity to be reflected and manifested through us and, as a<br />
direct result, prolonging <strong>the</strong> agony of <strong>the</strong> conflict. Each of us, <strong>the</strong>refore, can play our part in<br />
prolonging <strong>the</strong> time of tribulation or in shortening it.<br />
Gradually <strong>the</strong> spiritual leaven entering our minds and hearts will begin to transform life<br />
on earth and will give all who are ready to receive it greatly added power to fight for <strong>the</strong> right<br />
and replace evil with good. In this way <strong>the</strong> present days of tribulation can be shortened and<br />
victory on earth levels for <strong>the</strong> Powers of Light can be triumphantly assured, bringing about<br />
<strong>the</strong> end of <strong>the</strong> period of ‘Armageddon’ and signalling <strong>the</strong> gradual dawn of <strong>the</strong> Golden Age.<br />
11
<strong>Chalice</strong> <strong>Well</strong> Honey:<br />
From hive to jar<br />
In issue 31 of The <strong>Chalice</strong> we introduced <strong>Chalice</strong> <strong>Well</strong> beekeeper Tom Done. On a sunny November<br />
afternoon I visited him at his home in Butleigh to learn more about how <strong>the</strong> honey is produced<br />
for sale in our shop.<br />
Tom had already visited <strong>the</strong> bees that morning at <strong>Chalice</strong><br />
<strong>Well</strong> to give <strong>the</strong>m <strong>the</strong>ir sugar-based winter feed and he<br />
explained that without this extra energy source, <strong>the</strong>re<br />
would be far less surplus honey available for sale next<br />
summer. In recent weeks <strong>the</strong> bees had been feeding on<br />
<strong>the</strong> late-flowering Ivy, one of <strong>the</strong> last plants of <strong>the</strong> year to<br />
provide pollen, but despite <strong>the</strong> mild autumn, <strong>the</strong>re was<br />
little food about for <strong>the</strong> bees. On average, <strong>the</strong>y need 8 to<br />
10 kilos of sugar per hive during <strong>the</strong> autumn months.<br />
Bees will also take in water, for example from grass, to<br />
help <strong>the</strong>m digest <strong>the</strong> sugar. They convert this sugar syrup<br />
into honey, just as <strong>the</strong>y would with nectar, which is <strong>the</strong><br />
main constituent of <strong>the</strong> honey, although <strong>the</strong>re will also be<br />
some traces of pollen in it.<br />
This year Tom collected over 700 lbs of honey from<br />
his various hives at home and nearby, with 250 lbs coming<br />
from <strong>Chalice</strong> <strong>Well</strong> alone. The amount varies each year,<br />
2010 being exceptionally good yielding over 900 lbs.<br />
The actual process of honey production starts with<br />
<strong>the</strong> collection of <strong>the</strong> ‘supers’, <strong>the</strong> frames containing <strong>the</strong><br />
honey. It can take Tom several days to get all <strong>the</strong> honey<br />
supers home, after which he slices off <strong>the</strong> thin layers of<br />
beeswax, produced by <strong>the</strong> glands of <strong>the</strong> worker bees, which bees use to cap <strong>the</strong> combs when<br />
<strong>the</strong> honey is ripe. This beeswax can be used to make balms, candles and polishes. After 5<br />
minutes inside Tom’s electric cylindrical centrifuge, <strong>the</strong> runny honey is forced out into special<br />
honey containers below, where it is stored until being put<br />
into <strong>the</strong> jars. The runniness of <strong>the</strong> honey depends on <strong>the</strong><br />
nature of <strong>the</strong> nectar brought back, although <strong>the</strong> worker<br />
bees will also have taken out most of <strong>the</strong> water from <strong>the</strong><br />
nectar, by fanning <strong>the</strong>ir wings at <strong>the</strong> hive entrance to create<br />
a flow of air, which helps evaporate <strong>the</strong> excess moisture<br />
and bring <strong>the</strong> water content of <strong>the</strong> nectar down to about<br />
20%.<br />
If left, all natural honey would normally crystallize, or<br />
become granulated and set. Even though natural honey<br />
like Tom’s, unlike most honeys sold in <strong>the</strong> supermarkets,<br />
hasn’t been pasteurised, it is absolutely safe and has a very<br />
long shelf life. By law though, a ‘best before date’ has to<br />
be put on, even though in reality it would keep far longer.<br />
Tom explained that honey found in Egyptian tombs has<br />
Tom with one of his hives at home<br />
(photo by Julie Davies)<br />
12<br />
Tom Done at Apple Day (photo by<br />
Gareth Lovelock)<br />
been found to be perfectly edible, even though it may have<br />
set a little!
Tom also produces a ‘creamed’ honey, which is made by warming granulated honey until<br />
it is slightly melted, <strong>the</strong>n adding runny honey and beating it into a creamy consistency. After<br />
it has been put into jars it will stay soft and spreadable. Even though we may see labels such<br />
as ‘acacia honey’ on jars of honey, it isn’t generally possible to specify exactly which plants <strong>the</strong><br />
bees are taking <strong>the</strong>ir honey from. The honey at <strong>Chalice</strong> <strong>Well</strong>, for example, derives from plants<br />
and flowers possibly within a 2 mile radius, and as far as Tom knows, we have no GM crops<br />
grown within our area at <strong>the</strong> moment. It is, however, possible to take <strong>the</strong> bees to <strong>the</strong> moors for<br />
a month to collect nectar from <strong>the</strong> hea<strong>the</strong>r, which produces a favourite honey of Tom’s. The<br />
hives are transported by car, with care taken to ensure <strong>the</strong> bees don’t overheat, and a special<br />
mesh cover is put on <strong>the</strong> hive to prevent <strong>the</strong>m from escaping.<br />
In <strong>the</strong> 1920’s Tom’s great uncle, a beekeeper, always<br />
went to his bees stripped to <strong>the</strong> waist as he believed that<br />
<strong>the</strong>y could recognise his scent and know him from this.<br />
In those days <strong>the</strong>re was an outbreak of what was known<br />
as ‘Isle of Wight’ bee disease which nearly wiped out<br />
<strong>the</strong> ra<strong>the</strong>r quiet and reserved old British bee (some can<br />
still be found in parts of Scotland and Ireland). Italian<br />
strains were <strong>the</strong>n introduced into <strong>the</strong> UK. His uncles’<br />
bees didn’t get <strong>the</strong> Isle of Wight disease immediately, but<br />
unbeknown to him, his neighbour’s bees mated with <strong>the</strong><br />
more aggressive Italian strain, and <strong>the</strong>n with his bees,<br />
and Tom’s great uncle was killed by his own bees in <strong>the</strong><br />
1920’s when he was in his 80’s.<br />
Tom believes his own bees do recognise him in some<br />
way, that <strong>the</strong>y know how to react to him, and that with<br />
a new swarm that has been collected and put in a hive, it<br />
may take some time for <strong>the</strong> bees to get to know <strong>the</strong>ir new<br />
beekeeper. It was an old custom when a beekeeper died<br />
to ‘go and tell <strong>the</strong> bees’ and a black ribbon would be put<br />
around <strong>the</strong> hive of <strong>the</strong> deceased beekeeper. Behaviour<br />
(Photo by Julie Davies)<br />
can also be affected by some types of nectar, such as rape nectar. Generally however, <strong>the</strong> bees<br />
only react aggressively if <strong>the</strong>y feel under threat, and swarms are usually more concerned with<br />
finding a new home than with attacking anyone, as <strong>the</strong>y are generally ‘heavy with honey,’<br />
because when <strong>the</strong>y prepare to swarm, bees collect some of <strong>the</strong> honey from <strong>the</strong>ir hives on <strong>the</strong>ir<br />
legs, to take with <strong>the</strong>m to <strong>the</strong> new colony. So, generally, Tom believes, if you leave a swarm<br />
alone it won’t be too aggressive.<br />
To find out more about types of honey and honey production, have a look at <strong>the</strong> Somerset<br />
Beekeepers website, at www.somersetbeekeepers.org.uk<br />
Did you know?<br />
• If you find a tired bee immobilised, you should give it sugar syrup, not natural honey,<br />
as some viruses which affect bees may be transmitted via <strong>the</strong> honey. You could end up<br />
spreading a virus from one colony to ano<strong>the</strong>r.<br />
• There is a bee mite called <strong>the</strong> ‘Varroa’ mite which lives on <strong>the</strong> bee grub, and effectively<br />
weakens <strong>the</strong> adult bee.<br />
• Bees are famous for <strong>the</strong>ir ‘waddle dance’ when returning to <strong>the</strong>ir hive. It tells <strong>the</strong> o<strong>the</strong>r<br />
bees not only <strong>the</strong> exact location of <strong>the</strong> source of <strong>the</strong> nectar, but also <strong>the</strong> distance, to within<br />
one metre.<br />
Julie Davies<br />
13
Indian and Celtic Traditions of Spirituality<br />
In <strong>the</strong> summer of 2011 Jyoti Sahi visited <strong>the</strong> <strong>Chalice</strong><br />
<strong>Well</strong> garden and as we sat in <strong>the</strong> meadow looking across<br />
to <strong>the</strong> Tor we discussed <strong>the</strong> comparative traditions<br />
contained within Indian and Celtic spirituality. After<br />
returning to India he sent us this article. I am sure<br />
many Companions will feel <strong>the</strong> resonance and echoes<br />
of <strong>the</strong>se different traditions.<br />
The Grail legend, which goes back to pre-Christian<br />
times in Europe, has fascinating parallels in Indian<br />
myth and symbol. Ananda K. Coomaraswamy<br />
remarks in his study of Yaksas (ancient spirits<br />
of <strong>the</strong> vegetation and sources of life in pre-vedic<br />
India) that ‘<strong>the</strong>re is nothing novel in <strong>the</strong> recognition<br />
of Grail parallels in Indian literature. They are,<br />
however, more striking and numerous than Grail<br />
scholars have suspected, and it will be useful to cite<br />
<strong>the</strong> most important’. 1<br />
Ananda Coomaraswamy goes on to discuss <strong>the</strong><br />
South Indian Tamil legend of Manimekhalai (3 rd<br />
Cent. A.D.). The story tells us of <strong>the</strong> daughter of a<br />
dancer, who later assumed <strong>the</strong> character of a goddess<br />
of life and healing. She is described as carrying a<br />
mysterious vessel, which is <strong>the</strong> source of life:<br />
‘There will appear a damsel with a begging bowl (originally <strong>the</strong> Buddha’s) in<br />
her hand. Fed from that inexhaustible bowl <strong>the</strong> whole living world will revive.<br />
As a result of her grace, rains will pour in plenty at <strong>the</strong> command of Indra,<br />
and many o<strong>the</strong>r miracles will take place in this town. Even when rains fail, <strong>the</strong><br />
country will have abundance of water.’ 2<br />
Coomaraswamy goes on to elaborate:<br />
‘The bowl itself is called Amrita Surabhi, and it appears once a year on <strong>the</strong><br />
Buddha’s birthday, from <strong>the</strong> waters of a lake beside a miraculous Buddha-seat<br />
protected by Indra; it emerges from <strong>the</strong>se waters and enters Manimekhalai’s<br />
hands; she makes it her vocation to alleviate hunger, thus for example in Pulur,<br />
“she appeared in <strong>the</strong> hall of <strong>the</strong> hungry and destitute, with <strong>the</strong> inexhaustible<br />
bowl in her hand, as if pouring rain had come on a wild region burnt up with<br />
<strong>the</strong> heat of <strong>the</strong> sun”’ 3<br />
Jyoti Sahi (photo by Mary Priest-Cobern)<br />
Coomaraswamy also discusses <strong>the</strong> iconography of Maitreya, who is <strong>the</strong> earliest of <strong>the</strong><br />
Bodhisatvas, to be designated as such. This Buddha of Wisdom and Compassion carries <strong>the</strong><br />
emblem of a chalice full of nectar (amrit). Coomaraswamy relates this image to an earlier<br />
figure of a Naga, or serpent protector of life, who is also shown carrying a flask of elixir.<br />
“With <strong>the</strong> water of life (amrita) shalt thou heal <strong>the</strong> suffering due to <strong>the</strong> corruption of our mortal<br />
nature”. 4<br />
1 The Grail motif. Part II, Yakshas. p. 37<br />
2 Opp.Cit. p.39.<br />
3 Opp. Cit. p. 39.<br />
4 Quoted from <strong>the</strong> Lalita Vistara by Coomaraswami in his first part of Yaksas, p. 31.<br />
14
Possible grail bowl: <strong>the</strong> wooden<br />
Nanteos Cup<br />
Emma Jung in her extensive study of <strong>the</strong> Grail legend,<br />
also notes links with symbols that are found in <strong>the</strong> East,<br />
particularly India. According to <strong>the</strong> version of <strong>the</strong> Grail<br />
myth, which we find in Wolfram, Perceval’s half bro<strong>the</strong>r<br />
Feirefiz travels to India to found <strong>the</strong>re a Grail Kingdom.5<br />
In fact, <strong>the</strong> image of <strong>the</strong> Grail Castle, which is envisioned as<br />
being <strong>the</strong> centre of <strong>the</strong> Universe, overlaps with archetypal<br />
symbols connecting <strong>the</strong> temple motif with a future, ideal<br />
city, where heaven and earth meet. This holy city, which<br />
is reflected in <strong>the</strong> myth of Glastonbury, is also found in<br />
<strong>the</strong> legends concerning temple cities in India. Varanasi, on<br />
<strong>the</strong> river Ganges (known also as Benares), is such a sacred<br />
city, where according to its myth, a pillar of light links <strong>the</strong> mundane waters of life, to <strong>the</strong><br />
transforming fiery realm of <strong>the</strong> heavens. The city becomes <strong>the</strong> manifestation of <strong>the</strong> ‘mandala’,<br />
at whose centre is <strong>the</strong> tree of life, and garden of enlightenment.<br />
On <strong>the</strong> banks of <strong>the</strong> river Ganges, across from <strong>the</strong> city of Benares, is <strong>the</strong> sacred garden<br />
of Sarnath. To this grove of trees, Gautama Buddha came with his disciples, and preached<br />
his first sermon, setting <strong>the</strong> wheel of <strong>the</strong> law in motion. This teaching of <strong>the</strong> Buddha is often<br />
referred to as <strong>the</strong> ‘fire sermon’, and we find this alchemical mingling of fire and water, earth<br />
and <strong>the</strong> domed space of <strong>the</strong> sky (gagana mandala) as an undercurrent in <strong>the</strong> cosmic worldview<br />
of Buddhism.<br />
For <strong>the</strong> psychologist Carl Jung, images, which we find in <strong>the</strong> story of <strong>the</strong> Holy Grail, and<br />
<strong>the</strong> garden of Creation, are of profound significance for understanding <strong>the</strong> journey of <strong>the</strong><br />
soul towards ‘individuation’ or self-knowledge. Here <strong>the</strong> mysterious legend of ‘Prester John’,<br />
a legendary Christian King of <strong>the</strong> East, represents an ecumenical longing to integrate <strong>the</strong><br />
wisdom traditions of <strong>the</strong> East with an emerging humanism that presaged <strong>the</strong> Renaissance in<br />
Europe. The figure of Thomas <strong>the</strong> Apostle of Jesus, who according to a venerable tradition,<br />
was commissioned to establish links with India and fur<strong>the</strong>r East, indicates a way that brought<br />
<strong>the</strong> Gospel and <strong>the</strong> world of pre-Christian myth toge<strong>the</strong>r. Thomas is represented in medieval<br />
and later Renaissance art, as <strong>the</strong> disciple<br />
who wanted to put his finger into <strong>the</strong> open<br />
wounds of <strong>the</strong> Risen Lord. The doubting<br />
searcher articulated <strong>the</strong> telling phrase of<br />
Christian Bhakti (devotion): “My Lord and<br />
my God!!!” In Indian thought, we hear of <strong>the</strong><br />
“cave of <strong>the</strong> heart” where true wisdom and<br />
self-knowledge is to be found.<br />
Emma Jung states as a conclusion to<br />
her reflections on <strong>the</strong> significance of <strong>the</strong><br />
pre-Christian Merlin, medicine man and<br />
prophet, that this compelling voice from<br />
a Celtic past, brought into <strong>the</strong> Christian<br />
narrative a primal spirituality. She writes:<br />
‘In Wolfram, <strong>the</strong> German spirit has been united with <strong>the</strong> cultural values of <strong>the</strong><br />
Orient in an uncommonly fruitful manner, and it would seem as if it were<br />
possible to humanize, i.e. to integrate, a more considerable part of <strong>the</strong> figure of<br />
Merlin through this detour connected with <strong>the</strong> assimilation of <strong>the</strong> East. Wolfram<br />
definitely possesses a “wisdom”….’ 6<br />
5 The Grail Legend by Emma Jung and Marie-Louise von Franz. 1986. p. 385<br />
6 Wolfram Von Eschenbach. Op.Cit. pp 397-395<br />
ex-Trustee Mary Priest-Cobern welcoming Jyoti to<br />
<strong>Chalice</strong> <strong>Well</strong> (photo by Sam Woodhouse)<br />
15
The Grail symbol and <strong>the</strong> meeting of cultures.<br />
As an ‘Indian Christian artist’, I have found in <strong>the</strong> mythic world of <strong>the</strong> Grail legend a way<br />
to integrate <strong>the</strong> Gospel message with <strong>the</strong> wisdom traditions that are to be found in Indian<br />
culture. We may discover here how a Christian spirituality evolved from pre-Christian Celtic<br />
roots. In our present multi cultural world, this process might help us to integrate a vision<br />
of what it is to be truly human, as manifested through <strong>the</strong> life and death of Jesus, with an<br />
ancient understanding of <strong>the</strong> spiritual quest. In this way <strong>the</strong> Grail legend, which is deeply<br />
imbued with Gospel values, shows how <strong>the</strong>ological and cultural divides can be bridged<br />
through <strong>the</strong> imaginative power of <strong>the</strong> story. It seems to me that <strong>the</strong> elemental longing for<br />
spiritual enlightenment, which we find in all cultures, is revealed in <strong>the</strong> inner journey towards<br />
mystical wisdom that is profoundly inclusive. Here cultural elements are re-interpreted and<br />
refashioned in a creative way, to affirm a spiritual wisdom that reaches back to a time far<br />
preceding <strong>the</strong> Christian era, while remaining true to <strong>the</strong> Gospel vision.<br />
After meeting <strong>the</strong> British monk Dom Bede Griffiths in 1963, and travelling to his Ashram<br />
in South India, I discovered <strong>the</strong> rich symbolic world of <strong>the</strong> Syrian Christian tradition, based<br />
on <strong>the</strong> hymns of St Ephrem. It appeared to me that <strong>the</strong> poetic metaphors to be found in<br />
this liturgical expression of early Christian faith, offer a way to rediscover <strong>the</strong> insights of a<br />
Biblical world-view in our Asian context. Some scholars have even suggested that <strong>the</strong> Holy<br />
Grail <strong>the</strong>me goes back to an early Aramaic, or Syrian Christian devotion to <strong>the</strong> vessel used<br />
by Jesus during <strong>the</strong> Last Supper. In fact a <strong>Chalice</strong> belonging to <strong>the</strong> Syrian artistic tradition, is<br />
claimed to be <strong>the</strong> original Holy Grail.<br />
In <strong>the</strong> imagery of <strong>the</strong> sacred garden, with its life giving sources of water - a ‘deep down<br />
freshness’, as Gerard Manley Hopkins calls it - we discover an inner landscape of <strong>the</strong> soul which<br />
draws on perennial streams that well up from <strong>the</strong> earth to nourish our spiritual roots. The<br />
well reminds us of those principles of life that are common to all, making <strong>the</strong> land to which<br />
we belong, and which we try to cultivate, a sacred space. In <strong>the</strong> Syrian Christian tradition of<br />
Kerala (in South India), going back to <strong>the</strong> early Church that St. Thomas is believed to have<br />
founded, every Church is built near to a source of sweet drinking water. Some of <strong>the</strong>se ancient<br />
wells go back to pre-Christian times and were associated with holy places where local people<br />
came for healing. These sacred springs provide wells of healing in every land, and prepare<br />
<strong>the</strong> local community for an understanding of what it means to find <strong>the</strong> hidden source of <strong>the</strong><br />
‘undiscovered self’ in <strong>the</strong>ir own native culture. Here heaven and earth meet in <strong>the</strong> image of a<br />
holy ground, where <strong>the</strong> divine is made present in <strong>the</strong> human.<br />
Vital stories that shape a whole civilisation are constantly in <strong>the</strong> process of being retold,<br />
offering new ways in which cultures meet and dialogue. The Grail legend as we have noted,<br />
has drawn elements from <strong>the</strong> essential wisdom of many different spiritual traditions. Can we<br />
find new insights in this story that would lead to a deeper encounter between <strong>the</strong> Christian<br />
search for wholeness, and Indian intuitions concerning inner transformation? The Grail motif<br />
in India has represented both fullness, and emptiness, in<br />
that it has been associated with <strong>the</strong> begging bowl of <strong>the</strong><br />
Buddha. This vessel which <strong>the</strong> wandering monk carries<br />
to <strong>the</strong> villages, in order to receive food from <strong>the</strong> devout,<br />
is being compared to <strong>the</strong> cup which Jesus shared with<br />
his disciples at <strong>the</strong> last supper. Like <strong>the</strong> pierced side of<br />
Jesus on <strong>the</strong> cross, <strong>the</strong> begging bowl represents a spirit<br />
of self-surrender, and renunciation. It is open not only<br />
to give, but also receive. It is this image of humility and<br />
hospitality that becomes <strong>the</strong> key to understanding <strong>the</strong><br />
Sacred Garden of Sarnath<br />
inner significance of <strong>the</strong> chalice and also <strong>the</strong> well. Here<br />
16
in <strong>the</strong> garden of <strong>the</strong> heart, people come to meet and<br />
share <strong>the</strong>ir longing for spiritual enlightenment. They<br />
discover <strong>the</strong> truth, in <strong>the</strong> very process of being open<br />
and receptive to what each has to offer.<br />
Jyoti Sahi<br />
Books referred to:<br />
1. “Yaksas” by Ananda K. Coomaraswamy (Part I and<br />
II) Munshiram Mahoharlal. 1980<br />
2. “The Grail Legend” by Emma Jung and Marie-Louise A young deer in <strong>the</strong> garden at Sarnath<br />
von Franz. Trans. Andrea Dykes. 1986<br />
Jyoti was born in Pune, Maharashtra, in 1944. His Mo<strong>the</strong>r was British and came to India in 1936<br />
to teach in an experimental school in Udaipur, Rajasthan. There she met his Fa<strong>the</strong>r, who came<br />
originally from Punjab. His childhood was spent in North India, near <strong>the</strong> Himalayas. He studied<br />
art at <strong>the</strong> Camberwell School of Arts and Crafts from 1959-63, and met Dom Bede Griffiths in<br />
1963. Jyoti stayed in his Ashram in Kurisumala, Kerala, and later in Shantivanam Ashram in<br />
Tamilnadu where he moved in 1968. He met Jane Sadler in Kurisumala Ashram in 1968, and in<br />
1970 <strong>the</strong>y were married by Dom Bede. They have lived in a Christian village outside Bangalore<br />
since 1972, and have five children, and five grandchildren. Jane started a school in <strong>the</strong> village in<br />
1975 with which she is still very much involved.<br />
Mary/Michael Pilgrims Way<br />
Our vision is to establish and promote a pilgrimage route across<br />
England, from West Cornwall to <strong>the</strong> Norfolk coast, to be walked as a<br />
whole or in sections, by people of any faith.<br />
The Earth Energy currents identified by Hamish Miller and<br />
Paul Broadhurst and described in <strong>the</strong>ir book The Sun and The<br />
Serpent are being followed in developing this project. They<br />
give coherence to <strong>the</strong> route, connecting many sites of spiritual<br />
significance along <strong>the</strong> way. (See back page of this issue.)<br />
Pilgrimage is practised widely throughout <strong>the</strong> world, which<br />
suggests that it fulfils some deep need in <strong>the</strong> human psyche, maybe<br />
stemming right back to <strong>the</strong> earliest human experience of hunter ga<strong>the</strong>rers.<br />
This route with its associations with myth and history, spirituality and wilderness offers a<br />
rich opportunity to reconnect with ourselves and attune more deeply to, as T.S. Eliot described<br />
it, “<strong>the</strong> still point of <strong>the</strong> turning world.”<br />
This process begins to happen naturally as we slow to <strong>the</strong> pace and rhythm of walking for<br />
which our senses were evolved and as our minds, which are so often overstimulated by <strong>the</strong><br />
demands and distractions of modern life, begin to settle.<br />
An intention underpinned with reverence and respect creates <strong>the</strong> possibility that we not<br />
only receive <strong>the</strong> gifts that pilgrimage may offer, but nurture <strong>the</strong> relationship of interdependence<br />
and reciprocity with all life.<br />
A pilot section of over 130 miles between St Michael’s Brentor on <strong>the</strong> western fringe of<br />
Dartmoor National Park and Glastonbury, legendary destination of Joseph of Arima<strong>the</strong>a, is<br />
now complete with way marking and a guidebook for <strong>the</strong> route available. Along <strong>the</strong> way are<br />
numerous sites to inspire or nourish <strong>the</strong> spirit, including churches and holy wells, wayside<br />
crosses and standing stones, burial mounds and hill forts.<br />
17
Attention has now turned to <strong>the</strong> next phase of development; <strong>the</strong> identification and<br />
surveying of a route down through Cornwall, which is almost complete.<br />
Places visited en route include <strong>the</strong> ancient stone circles of Boscawen-ûn and <strong>the</strong> Hurlers;<br />
peaceful holy wells such as Alsia and St Neot and intimate parish churches such as Germoe.<br />
There is also <strong>the</strong> famous landmark of St Michael’s Mount. These and many o<strong>the</strong>r sacred<br />
sites are set within <strong>the</strong> context of beautiful scenery, including stretches of coastal footpath,<br />
secluded river valleys and <strong>the</strong> wild expanse of Bodmin Moor. Pilgrims will walk right up<br />
through <strong>the</strong> Cornish peninsula and cross <strong>the</strong> river Tamar into Devon, before connecting with<br />
our pilot project start point at Brentor.<br />
Our aim is to write a guide to accompany this Cornish section of <strong>the</strong> route so that it is<br />
available to support pilgrims walking by summer 2012.<br />
As we continue to extend <strong>the</strong> route across <strong>the</strong> country a second priority is to consider<br />
different alternatives for accommodation to complement <strong>the</strong> existing camping and Bed and<br />
Breakfast options. Carrying camping equipment can be burdensome, however well selected to<br />
minimise weight, whilst nightly B&B is costly and beyond <strong>the</strong> means of many. One possibility<br />
may be for <strong>the</strong> project to purchase tents which are <strong>the</strong>n stored by sympa<strong>the</strong>tic landowners,<br />
who are willing to make space available in paddock or field for a night’s rest for a weary<br />
pilgrim or two. Hospitality to strangers is a tradition which many experience travelling in o<strong>the</strong>r<br />
countries and cultures and could perhaps be rekindled in our own society, where historically,<br />
religious houses offered shelter to pilgrims prior to <strong>the</strong> dissolution of <strong>the</strong> monasteries.<br />
Mary/Michael Pilgrim’s Way is a volunteer run not-for-profit organisation, funded by<br />
personal donations and grant aid.<br />
In return for a small subscription, supporters receive a guidebook and regular newsletters.<br />
All income is used to support <strong>the</strong> ongoing development of <strong>the</strong> pilgrimage route. Alternatively<br />
a guidebook can be purchased for <strong>the</strong> pilot section of <strong>the</strong> route at £4.95 plus £1.09 post and<br />
packing.<br />
To find out more about our project visit our website at www.marymichaelpilgrimsway.org<br />
or contact Richard at contact@marymichaelpilgrimsway.org or ring 01647 432093<br />
Richard Dealler<br />
(Chairman, Mary/Michael Pilgrims Way)<br />
The Causeway leading to St Michael’s Mount (photo by Richard Dealler)<br />
18
Bahli Mans Morris<br />
26 February 1945 – 21 September 2011<br />
At dawn on September 21st, Autumn Equinox, our dear friend,<br />
long time companion and volunteer, Bahli Mans Morris, crossed<br />
<strong>the</strong> rainbow bridge for <strong>the</strong> last time. It is no coincidence that Bahli<br />
departed on such a significant day as her whole life was steeped in <strong>the</strong><br />
sacred and <strong>the</strong> meaningful. Her grandfa<strong>the</strong>r used to tell how on <strong>the</strong><br />
day she was born a rose bloomed in <strong>the</strong> garden. This was in February<br />
and says so much beyond words about Bahli.<br />
While her own daughters, Casey and Kerry, were small she<br />
took <strong>the</strong>m around <strong>the</strong> country, visiting sacred sites, and coming to<br />
Glastonbury when <strong>the</strong>y were 9 and 8 years old. During this time<br />
she was involved with White Eagle Lodge and had a healing circle in<br />
Bromley where she lived.<br />
A few years later she started her training in Aura Soma, working<br />
with <strong>the</strong> 108 beautiful bottles of rainbow coloured oils, essences,<br />
essential oils and herbal extracts which use <strong>the</strong> energies of crystals and gems, as well as <strong>the</strong> energies of<br />
<strong>the</strong> angels and Masters. In time Bahli opened <strong>the</strong> shop, Pendragon, with her husband Bill Mans, in <strong>the</strong><br />
courtyard of <strong>the</strong> Glastonbury Experience and went on to open ano<strong>the</strong>r shop called The Birth of Venus.<br />
She also started to explore <strong>the</strong> Glastonbury Zodiac with <strong>the</strong> likes of Elizabeth Leader in <strong>the</strong> 1990s.<br />
Out of this evolved her work with <strong>the</strong> Ladies of Avalon; spiritual female archetypes which she wove<br />
into a wonderful divinatory system with poetry and coloured silks. I was privileged to experience it and<br />
found it amazingly deep and accurate.<br />
Her creative vision and desire to bring peace and healing extended across <strong>the</strong> world, and found<br />
expression in <strong>the</strong> Creative Health Network, which focused on bringing toge<strong>the</strong>r humanitarians, healers<br />
and peace builders through a variety of forums. This took Bahli to Jerusalem where she bore witness to<br />
<strong>the</strong> remarkable work of those who are striving toge<strong>the</strong>r for peace and reconciliation in <strong>the</strong> Holy Land.<br />
Much of her life was to assist in making individual and collective peace a reality.<br />
She continued her work with <strong>the</strong> Holy Land through her close friend Sheikh Aziz Bukhari, who<br />
was <strong>the</strong> Spiritual Sheikh of <strong>the</strong> Naqshabandai religious practice of Sufism and <strong>the</strong> Jewish peace-maker,<br />
Eliyahu Maclean. She hosted <strong>the</strong>m when <strong>the</strong>y came to Glastonbury. The Sufi path fitted well with her<br />
understanding of divine love. She also became involved with The Hope Flowers School in Bethlehem,<br />
Palestine, working with <strong>the</strong>m to raise money so that <strong>the</strong>y could continue <strong>the</strong>ir work in teaching<br />
non-violence, citizenship, social and community skills to children, building a brighter future for <strong>the</strong>m<br />
and <strong>the</strong>ir communities. She later travelled to Siberia and <strong>the</strong> Altai Mountains with Jenny White, to <strong>the</strong><br />
heart of <strong>the</strong> shamanic culture, which also resonated with a deep part of her spiritual make up.<br />
Finally, I feel blessed to have been able to share her last year making <strong>the</strong> Glastonbury Zodiac Essences<br />
with her, Casey and Nicki Greenheart. We travelled all over <strong>the</strong> landscape, it was often quite hard to find<br />
a date because of Bahli’s commitments to <strong>the</strong> Pilgrim Reception Centre and <strong>Chalice</strong> <strong>Well</strong>! Working<br />
on that level with her was a complete joy and privilege. Her enthusiasm and love of nature and deep<br />
connection to <strong>the</strong> Divine shone through <strong>the</strong>n as ever.<br />
Through her Glastonbury Zodiac work she was able to express her deep commitment to <strong>the</strong> wells<br />
and springs. She first became a Companion of <strong>Chalice</strong> <strong>Well</strong> in <strong>the</strong> early 1990s and a volunteer in 2000.<br />
Her deep love for <strong>the</strong> <strong>Well</strong> made her a wonderful gatekeeper. She was a key member of <strong>the</strong> team which<br />
trialled <strong>the</strong> <strong>Chalice</strong> <strong>Well</strong> Flower Essences, giving valuable feedback from her intuitive experiences with<br />
<strong>the</strong> Essences. On Winter Solstice 2010 she very capably stepped in to hold <strong>the</strong> direction of North for our<br />
Winter Solstice ceremony at <strong>the</strong> last minute when snow disrupted plans! Bahli was multi-faceted; she<br />
had an extremely rich spiritual and creative life with a generous and open heart and we were privileged<br />
to have her as part of <strong>the</strong> volunteer team at <strong>Chalice</strong> <strong>Well</strong>.<br />
Sophie Knock<br />
19
The Michael Alignment across sou<strong>the</strong>rn England<br />
(From ‘The Sun and <strong>the</strong> Serpent’, page 22.)